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Student Artwork Guide

Console With Two Windows

Name Class Date

Raoul Dufy, Console With Two Windows (1948). Public domain.

The facts

Artist
Raoul Dufy originaluniqueart.com/en/artists/raoul-dufy/
Artist’s dates
1877 – 1953
Painted
1948
Medium
Oil On Canvas
Movement
Fauvism Wild, unnatural colour used straight from the tube — critics called the painters "wild beasts".
Artistic style
Vibrant and decorative
Notable elements or techniques
Bold colors, loose brushstrokes
Subject or theme
Interior scene with windows

In context

Console With Two Windows — Raoul Dufy

When was this painted?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Shaded: the lifetime of Raoul Dufy (1877–1953) ▲ this work, 1948

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/raoul-dufy-console-with-two-windows-8XYTG7-en/

Colours

Measured from the image

    Main colour

    Celadon #9aafbf

    Catalogued palette

    • #9AAFBF
    • #503726
    • #D0A01A
    • #4D7B98
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Celadon
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Console With Two Windows — Raoul Dufy

    A Symphony in Color: Exploring Dufy's Console With Two Windows

    To stand before Raoul Dufy’s Console With Two Windows is to step directly into a sun-drenched moment of Parisian leisure, a breath of pure, unadulterated joy. This painting, executed in 1948, is not merely an depiction of an interior space; it is an immersion into the very spirit of French joie de vivre. Dufy, whose career was marked by an almost irresistible attraction to light and color, captures here a scene vibrating with energy yet steeped in serene balance. The composition immediately draws the eye across the central console table, flanked symmetrically by two inviting windows that frame glimpses of an imagined, vibrant world beyond.

    The Luminous Language of Fauvism

    Technically, this work is a masterful testament to Dufy’s enduring connection to the decorative arts while firmly rooting itself in the expressive power of Fauvism. The characteristic bold colors—the electric blues of the window panes, the warm glow emanating from the central yellow wall, and the contrasting accents of green and red on the flanking doors—do not simply decorate; they sing. Dufy employs loose brushstrokes that lend an undeniable sense of movement to every surface. One can almost hear the chatter and feel the warmth of the Mediterranean sun reflected in the paint. This vibrant application of pigment transforms what might be a static architectural study into a dynamic, breathing tableau.

    Symbolism of Openings and Connection

    The structure itself—the console mediating between two windows—is rich with subtle symbolism. Windows, universally understood as portals, here suggest the permeable boundary between private sanctuary and public life. The view through these panes offers tantalizing glimpses of a cityscape, hinting at stories unfolding just beyond the frame. Furthermore, the inclusion of distinct doors, one green and one red, adds layers of narrative possibility. These openings invite contemplation: what lies on the other side? Dufy masterfully uses color contrast to suggest choice, passage, and the continuous dialogue between interior comfort and exterior adventure.

    Bringing Parisian Vibrancy Home

    For the collector or designer seeking to infuse a space with artistic soul, this piece offers unparalleled emotional resonance. It is an antidote to muted modernism, demanding that one acknowledge color as both structure and emotion. Reproducing Dufy’s vision allows one to curate not just a wall hanging, but a mood—one of sophisticated exuberance. The combination of ornate detail on the console with the spontaneity of the brushwork ensures that the piece feels both timelessly classical and thrillingly contemporary. It is an artwork designed to be lived with, celebrated in conversation, and admired for its sheer, glorious chromatic energy.

    Artist and museum

    Artist

    Raoul Dufy

    Born in Le Havre, France

    A Life Immersed in Color and Light

    Raoul Dufy, born in the port city of Le Havre, Normandy, in 1877, was an artist whose name became synonymous with joy, vibrancy, and a distinctly French joie de vivre. His journey began not amidst palettes and easels, but within the practical world of commerce, working for a coffee-importing company after leaving school at fourteen. Yet, even then, the pull towards artistic expression proved irresistible. Evening classes at Le Havre’s École des Beaux-Arts ignited a passion that would define his life, forging friendships with fellow artists Raimond Lecourt and Othon Friesz – companions who shared a studio in Montmartre and a commitment to exploring new visual languages. These early years were steeped in the influence of Impressionism, particularly the luminous landscapes of Claude Monet and Camille Pissarro, laying the foundation for Dufy’s later mastery of light and color. He received a scholarship to study at the École Nationale supérieure des Beaux-Arts in Paris, further honing his skills and immersing himself in the artistic ferment of the era.

    Embracing Fauvism and Finding His Voice

    The turn of the 20th century found Dufy navigating the evolving landscape of modern art. Initial explorations led him through Cubism, but it was Henri Matisse’s groundbreaking Luxe, Calme et Volupté at the 1905 Salon des Indépendants that proved truly transformative. The sheer audacity of color and expressive freedom unleashed by Matisse and his fellow “Fauves” – the wild beasts – resonated deeply with Dufy, propelling him towards a style characterized by bold hues and liberated brushwork. However, Dufy didn’t simply mimic; he absorbed the energy of Fauvism and distilled it into something uniquely his own. He moved away from strict adherence to the movement's tenets, developing a more decorative and fluid approach. This period saw him experimenting with various mediums – illustration, textile design for Paul Poiret, even ceramics – demonstrating a remarkable versatility that extended beyond the confines of traditional painting. His designs weren’t merely applied ornamentation; they were integral expressions of his artistic vision, bringing color and dynamism to everyday objects.

    A Stenographic Style: Capturing Modern Life

    By the 1920s, Dufy had fully blossomed into a master of what became known as his “stenographic” style. This technique involved rapidly applying thin washes of color over skeletal structures, creating an impression of movement and spontaneity. It was a method perfectly suited to capturing the energy of modern life – yachting regattas, bustling city scenes, elegant social gatherings on the French Riviera. Dufy wasn’t interested in meticulous detail; he sought to convey atmosphere, emotion, and the fleeting beauty of a moment. His paintings became celebrations of leisure, pleasure, and the vibrant pulse of contemporary society. He painted orchestras, racecourses, and seascapes with an effervescent quality that captured the spirit of the Jazz Age. This period also saw him undertaking large-scale commissions, including the monumental La Fée Electricité for the 1937 Exposition Internationale in Paris – a vast work celebrating electricity’s impact on modern life, executed with remarkable speed and ingenuity using a new quick-drying medium.

    Legacy and Enduring Appeal

    Despite facing health challenges later in life due to rheumatoid arthritis, Dufy continued to paint with unwavering dedication until his death in 1953. His work can be found in prestigious collections worldwide, including the Museum Royal Collection in the United Kingdom, a testament to his enduring artistic significance. Dufy’s influence extends beyond painting; his designs continue to inspire textile and decorative arts. He left behind an impressive body of work – thousands of paintings, watercolors, drawings, prints, and applied art pieces – that collectively represent a celebration of life, color, and the beauty of the everyday. Raoul Dufy wasn’t merely a painter; he was a chronicler of his time, capturing the spirit of an era with a unique blend of Fauvist energy, decorative flair, and a distinctly optimistic vision. His art remains profoundly relevant today, offering a vibrant escape and a reminder to embrace the joie de vivre that permeated his life and work.

    Key Characteristics of Dufy’s Art

    Vibrant Color Palette: Dufy was renowned for his use of bright, saturated colors, often applied in thin washes.

    Dynamic Composition: His paintings frequently feature energetic compositions that convey a sense of movement and spontaneity.

    Decorative Style: A strong decorative element is present throughout his work, influenced by his designs for textiles and ceramics.

    Celebration of Modern Life: Dufy’s art often depicts scenes of leisure, social gatherings, and the pleasures of contemporary society.

    Stenographic Technique: His signature style involved rapidly applying thin washes of color over skeletal structures.

    Where to read more

    Find this online

    QR code linking to the download page for Console With Two Windows

    originaluniqueart.com/en/art/download/raoul-dufy-console-with-two-windows-8XYTG7-en/

    Cite this artwork

    MLA
    Dufy, Raoul. Console With Two Windows. 1948, https://originaluniqueart.com/en/art/raoul-dufy-console-with-two-windows-8XYTG7-en/
    APA
    Dufy, Raoul (1948). Console With Two Windows [Painting]. https://originaluniqueart.com/en/art/raoul-dufy-console-with-two-windows-8XYTG7-en/
    Chicago
    Raoul Dufy. Console With Two Windows. 1948. https://originaluniqueart.com/en/art/raoul-dufy-console-with-two-windows-8XYTG7-en/
    Harvard
    Dufy, Raoul (1948) Console With Two Windows. Available at: https://originaluniqueart.com/en/art/raoul-dufy-console-with-two-windows-8XYTG7-en/

    Look closely

    Console With Two Windows — Raoul Dufy

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: interior scene, console table, windows. Do you agree? What would you add, or take away?
    4. Look back at Large Bather (1914), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Fauvism: Wild, unnatural colour used straight from the tube — critics called the painters "wild beasts". Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Console With Two Windows — Raoul Dufy

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What art movement is Raoul Dufy most associated with, as seen in this painting?

      • A Surrealism
      • B Fauvism
      • C Impressionism
    2. 2. What year was the painting 'Console With Two Windows' created?

      • A 1877
      • B 1953
      • C 1948
    3. 3. According to the description, what are the dominant colors used in the composition?

      • A Red, black, and white
      • B Blue, yellow, and green
      • C Brown, grey, and beige
    4. 4. What technique is evident in the painting that adds a sense of energy and movement?

      • A Smooth blending
      • B Loose brushstrokes
      • C Highly detailed realism
    5. 5. The composition is described as being divided into three segments, featuring what central element?

      • A A large mirror
      • B An ornate console table and yellow wall
      • C A grouping of statues

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3A · 4A · 5A