Paper

Student Artwork Guide

Untitled(cube No.14)

Name Class Date

Pyoun Dae Sik, Untitled(cube No.14), Gyeonggi Creation Center. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Pyoun Dae Sik originaluniqueart.com/en/artists/pyoun-dae-sik/
Artist’s dates
1970 –
Original size
130 x 150 cm
Held at
Gyeonggi Creation Center originaluniqueart.com/en/museums/gyeonggi-creation-center-ansan/

In context

Untitled(cube No.14) — Pyoun Dae Sik

How big is it?

The original measures 130 × 150 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/pyoun-dae-sik-untitled-cube-no-14-DD2FKH-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2d2d2f

    Catalogued palette

    • #2D2D2F
    • #FDFDFD
    • #494949
    • #19191B

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Pyoun Dae Sik

    Born in South Korea

    Pyoun Dae Sik: Exploring Texture and Space Through Graphite Lines

    Pyoun Dae Sik (born , South Korea) is a contemporary Korean graphite artist whose distinctive style centers on meticulous line drawings that delve into the complexities of space and repetition. His artistic journey began with formal training at Korea University, earning degrees in Fine Arts and Master’s Degrees in Art Education, shaping his approach to both technique and conceptual exploration. Sik's work distinguishes itself through a deliberate focus on graphite texture—a medium he skillfully manipulates to create layered surfaces that invite contemplation about materiality and process.

    Early Influences: Sik’s artistic sensibilities were nurtured by exposure to Korean Avant-garde movements of the 1960s and 70s, particularly Zero Group and Actuel, groups who championed Abstract Expressionism and experimented with unconventional materials and techniques. These influences instilled in him a belief in pushing boundaries and questioning established conventions within art.

    Technique & Methodology: Sik’s artistic process involves repetitive drawing actions—often utilizing a single pencil to trace lines over and over again—resulting in textured graphite surfaces that capture subtle variations in tone and form. This methodical approach is not merely about achieving visual accuracy but also about conveying an emotional resonance through the physicality of the artwork.

    Notable Exhibitions: Sik’s artistic reputation grew steadily as he participated in numerous exhibitions across Korea, including ‘illusion’ at Haeslami Art Museum in Gangneung (2014), showcasing his exploration of minimalist aesthetics and textural depth. These presentations solidified his position within the Korean art landscape.

    Haeslami Art Museum Contribution: Sik's artwork "Untitled(cube No.8)" was featured prominently at Haeslami Art Museum, highlighting his commitment to conveying space and repetition through graphite texture. The museum’s focus on experimental art aligns perfectly with Sik’s artistic vision.

    Further Information: You can find more about Pyoun Dae Sik's work and exhibitions at Pyoun Dae Sik’s Artist Page. Also, explore his contribution to the MMCA Research Lab timeline: MMCA Timeline

    Exploring Minimalism and Texture

    Sik’s artistic philosophy revolves around distilling visual elements to their essence—primarily line—while simultaneously investigating the interplay between surface and space. He achieves this through a painstaking process of layering graphite lines, creating textured surfaces that subtly shift in perception as viewers engage with the artwork. This technique isn't simply about replicating reality; it's about communicating an inner state or capturing a fleeting moment of contemplation. The resulting images are often characterized by their quiet elegance and understated complexity.

    Graphite Texture Manipulation: Sik’s mastery lies in his ability to transform graphite into expressive material. He achieves this through controlled layering, hatching, and blending techniques—methods that reveal the inherent qualities of the medium itself.

    Spatial Depth Illusion: Despite employing a relatively simple visual vocabulary, Sik's drawings generate a profound sense of spatial depth. This illusion is achieved by carefully modulating tonal values and creating subtle variations in line thickness, guiding the viewer’s eye across the surface.

    Recognition & Awards

    Pyoun Dae Sik’s artistic achievements have garnered significant acclaim within Korea. Notably, he received the Presidential Award for his artwork “Untitled(the horizon)” at the eleventh National Art Exhibition (Gukjeon) in 2011—a testament to his dedication and talent. This honor underscored the importance of Korean contemporary art on a national level.

    Contemporary Relevance & Artistic Legacy

    Pyoun Dae Sik’s work continues to resonate with audiences today, reflecting a timeless fascination with fundamental artistic principles—texture, repetition, and spatial illusion. His commitment to exploring these concepts through graphite demonstrates the enduring power of minimalist aesthetics and invites viewers to consider the profound beauty found in simplicity. He represents an important voice within Korean art history, embodying the spirit of experimentation and intellectual curiosity that characterizes the avant-garde movements of his formative years.

    Museum

    Gyeonggi Creation Center

    On show in Ansan, South Korea

    A Crucible of Creativity: Exploring the Gyeonggi Creation Center

    Nestled in Ansan, a vibrant city southwest of Seoul, South Korea’s Gyeonggi Creation Center (GCC) stands as more than just an art space; it's a dynamic ecosystem pulsating with innovation and artistic exchange. Established in 2009, this sprawling complex has rapidly become the nation’s largest creative residence and a vital hub for artists both domestic and international. The GCC isn’t defined by static collections of fixed artworks, but rather by its living legacy – the ever-evolving body of work produced during residencies, a testament to the transformative power of dedicated time and collaborative spirit.

    The Center's core mission revolves around fostering artistic research and development. It achieves this through meticulously curated residency programs, offering artists unparalleled access to individual studios equipped with essential resources alongside shared creative spaces like media labs and woodworking workshops. These aren’t simply temporary accommodations; they are incubators for experimentation, encouraging artists to push the boundaries of their practice across a diverse range of mediums – from traditional painting and sculpture to cutting-edge installation art and digital media. The GCC actively champions interdisciplinary projects, recognizing that the most compelling artistic breakthroughs often arise when seemingly disparate fields converge. This commitment is reflected in exhibitions showcasing these collaborative outcomes, offering visitors a glimpse into the fertile ground where creativity flourishes.

    Architecture as Inspiration

    The Gyeonggi Creation Center’s architecture itself plays a crucial role in its unique environment. While specific architectural details remain somewhat understated – likely prioritizing functionality and artistic freedom – it's understood to be a modern design, thoughtfully constructed to stimulate both individual focus and collaborative interaction. Situated on Seongamdo Island, a strategically chosen location offering scenic beauty and relative seclusion, the building’s layout is designed to facilitate serendipitous encounters and foster a sense of community among resident artists. The island setting provides a refreshing contrast to the bustling urban landscape of Seoul, creating an atmosphere conducive to deep work and creative contemplation.

    A Living Collection: Residencies as the Heart

    What truly distinguishes the GCC is its “collection” – a dynamic archive of works born from its residency programs. These aren’t museum-quality pieces displayed behind velvet ropes; they are living, breathing artworks that reflect the unique experiences and processes of each artist in residence. The Center actively supports emerging talents, providing them with invaluable exposure and opportunities to develop their careers within a supportive international network. The GCC's commitment extends beyond simply hosting artists; it’s about nurturing their growth and facilitating their engagement with the wider art world. Past residents have included artists exploring themes of identity, technology, environmental sustainability, and social justice – reflecting the Center’s dedication to fostering diverse and thought-provoking artistic expressions.

    Beyond the Canvas: A Hub for Cultural Exchange

    The Gyeonggi Creation Center's influence extends far beyond its physical walls. It actively promotes cross-cultural exchange through its residency programs, attracting artists from around the globe and facilitating dialogue between different creative traditions. The Center’s location in Ansan, a city with strong ties to Seoul but also a distinct cultural identity, further enhances this international focus. Ansan itself, as evidenced by its Wikipedia entry, is a dynamic hub of learning institutions and technological development – a setting perfectly suited to the GCC's mission of fostering innovation. The Center’s exhibitions are open to the public, offering a valuable opportunity for local communities to engage with contemporary art and experience diverse perspectives.

    A Future Forged in Creativity

    The Gyeonggi Creation Center is more than just an artistic venue; it's a testament to South Korea’s commitment to fostering a vibrant and globally connected arts scene. Its scale, international focus, and dynamic environment make it a truly unique destination for artists seeking inspiration and support. As the GCC continues to evolve, it remains dedicated to its core mission: to nurture creativity, encourage research, and push the boundaries of artistic expression – solidifying its position as a cornerstone of Gyeonggi province’s cultural landscape and a significant contributor to the global art community.

    Where to read more

    • The artist Pyoun Dae Sik originaluniqueart.com/en/artists/pyoun-dae-sik/
    • The museum Gyeonggi Creation Center originaluniqueart.com/en/museums/gyeonggi-creation-center-ansan/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/pyoun-dae-sik-untitled-cube-no-14-DD2FKH-en/

    Find this online

    QR code linking to the download page for Untitled(cube No.14)

    originaluniqueart.com/en/art/download/pyoun-dae-sik-untitled-cube-no-14-DD2FKH-en/

    Cite this artwork

    MLA
    Sik, Pyoun Dae. Untitled(cube No.14). n.d., Gyeonggi Creation Center. https://originaluniqueart.com/en/art/pyoun-dae-sik-untitled-cube-no-14-DD2FKH-en/
    APA
    Sik, Pyoun Dae (n.d.). Untitled(cube No.14) [Painting]. Gyeonggi Creation Center. https://originaluniqueart.com/en/art/pyoun-dae-sik-untitled-cube-no-14-DD2FKH-en/
    Chicago
    Pyoun Dae Sik. Untitled(cube No.14). n.d. Gyeonggi Creation Center. https://originaluniqueart.com/en/art/pyoun-dae-sik-untitled-cube-no-14-DD2FKH-en/
    Harvard
    Sik, Pyoun Dae (n.d.) Untitled(cube No.14). Gyeonggi Creation Center. Available at: https://originaluniqueart.com/en/art/pyoun-dae-sik-untitled-cube-no-14-DD2FKH-en/

    Look closely

    Untitled(cube No.14) — Pyoun Dae Sik

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Untitled(vacant cube), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I download "Untitled(cube No.14)" by Pyoun Dae Sik?

    A download is available for "Untitled(cube No.14)": the artwork's Download page offers a high-resolution digital image download.

    Which color stands out most in "Untitled(cube No.14)"?

    The color that stands out most in "Untitled(cube No.14)" is phthalo green (#2d2d2f). The dominant color is useful when matching an artwork to an interior.

    Is "Untitled(cube No.14)" free of copyright?

    The copyright answer for "Untitled(cube No.14)" by Pyoun Dae Sik: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.