Paper

Student Artwork Guide

St Roch

Name Class Date

Pranciškus Smuglevičius, St Roch (1770), Lithuanian Art Fund. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Pranciškus Smuglevičius originaluniqueart.com/en/artists/pranciskus-smuglevicius/
Artist’s dates
1745 – 1807
Painted
1770
Original size
125 x 76 cm
Held at
Lithuanian Art Fund originaluniqueart.com/en/museums/lithuanian-art-fund-vilnius/

In context

St Roch — Pranciškus Smuglevičius

How big is it?

The original measures 125 × 76 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1740
  2. 1750
  3. 1760
  4. 1770
  5. 1780
  6. 1790
  7. 1800

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 62 at death.

Painted when the artist was 25. The artist lived to 62. 0 of the 17 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Pranciškus Smuglevičius (1745–1807) ▲ this work, 1770 every dated painting, decade by decade

First works: up to 1790 Main working years: 1790–1804 Late works: from 1804

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/pranciskus-smuglevicius-st-roch-D8CVSZ-en/

Colours

Measured from the image

    Main colour

    Espresso #37332d

    Catalogued palette

    • #37332D
    • #524A3E
    • #8A6853
    • #201E1B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Pranciškus Smuglevičius over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Pranciškus Smuglevičius

    1. 1 Esther before Ahasuerus, 1778 33.3%
    2. 2 Farewell of St Peter and St Paul, visible damages, 1804 33.3%
    3. 3 Farewell of St Peter and St Paul, restoration, 1804 33.3%
    4. — St Roch, 1770 this painting 0.0%

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 17 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    St Roch — Pranciškus Smuglevičius

    Lukasz Smuglewicz is a member of the well known Smuglewicz family of artists. The picture of the Medieval pilgrim and healer St Roch (ca 1293–1327) is a good example of a religious picture in which the saint is shown not only with all his usual attributes (an angel guarding him on his pilgrimages, his faithful dog, a pilgrim’s staff, a flask, and clothes decorated with a cockle-shell, symbolising pilgrimage), but also with attributes that emphasise his patronage according to ecclesiastical tradition, protection from the plague. As is customary, the saint’s leg is bare up to the thigh, where the first indications of plague occur. Sick and dying people are depicted on the left of the composition, while an angel is holding a plaque with the Latin inscription PATRONUS a PESTE (patron of those suffering from the plague). Plagues raged in Poland and Lithuania several times, but took the largest number of lives in the early 18th century, and made the cult of St Roch popular.

    Artist and museum

    Artist

    Pranciškus Smuglevičius

    Born in Warsaw, Poland

    early life and education

    pranciškus smuglevičius, a polish-lithuanian draughtsman and painter, was born on october 6, 1745, in warsaw, poland. he was the son of łukasz smuglewicz, also a painter, and regina olesińska. smuglewicz's early life was marked by his first steps as a painter in his father's workshop in warsaw.

    artistic career

    in 1763, smuglewicz journeyed to rome, where he began studying fine arts under the tutorship of anton von maron. he stayed in rome for 21 years, embracing the neo-classical style. in 1765, he received a royal scholarship from king stanisław august poniatowski and was admitted into the saint lucas academy.

    notable works and legacy

    smuglewicz's notable works include:

    a meeting of the four years' sejm (1793), showcasing his historical painting style.

    kościuszko's oath at kraków's old town market (1797), highlighting his ability to capture everyday life and architecture.

    lithuanian peasants, freeing peasants from serfdom in merkinė, demonstrating his commitment to social issues.

    these works can be found in the collection of polonika the national institute of polish cultural heritage abroad (warszawa, poland), which is also featured on AllPaintingsStore.com.

    teaching and influence

    smuglewicz was a tutor of generations of polish-lithuanian painters, including jan rustem, jan krzysztof damel, gaspar borowski, and józef oleszkiewicz. he brought classical ideas and views of enlightened classicism to lithuania, influencing the development of lithuanian art.

    later life and death

    smuglewicz moved to vilnius in 1797, where he became the founder and first deacon of the institute of sketch and painting at the academy of vilnius. he painted allegorical ceiling paintings for tsar paul i at his new imperial palace, the mikhailovsky castle, in st petersburg. smuglewicz died on september 18, 1807, in vilnius, lithuania. view more works by pranciškus smuglevičius on AllPaintingsStore.com explore the artist's profile and artworks on AllPaintingsStore.com read more about franciszek smuglewicz on wikipedia

    Museum

    Lithuanian Art Fund

    On show in Vilnius, Lithuania

    A Sanctuary of Soulful Heritage

    Nestled within the historic heart of Vilnius, the

    Lithuanian Art Fund

    offers far more than a mere exhibition of objects; it provides an intimate portal into the very essence of Lithuania’s artistic soul. Unlike the sweeping, monumental narratives found in grand national galleries, this private collection, established by the visionary Dr. Jaunius Gumbis, invites a profound personal connection. It is a place where history does not feel like a distant memory, but a living, breathing presence. The museum serves as a delicate bridge to the era of the Grand Duchy of Lithuania, a period of unparalleled cultural flourishing where the influences of Poland, Russia, and Western Europe converged to create a unique, multifaceted identity.

    The architecture of the Lithuanian Art Fund further enhances this immersive experience. Housed in a beautifully preserved historic building, the museum provides a contemplative atmosphere that is rare in the modern age. The setting itself acts as a silent curator, its aged walls and quiet corners encouraging a slow, meditative approach to art appreciation. For collectors and interior designers seeking inspiration, the Fund offers a masterclass in how art can transform a space into a sanctuary of culture.

    A Tapestry of Diverse Traditions

    The collection itself is a tapestry of diverse traditions, woven with threads of folk art, sculpture, and rare literature. Visitors find themselves wandering through layers of time, encountering handcrafted treasures that whisper stories of ancient spiritual beliefs and the rhythmic pulse of daily Lithuanian life. The museum’s strength lies in its curated intimacy, prioritizing the emotional resonance of each piece over sheer volume. From the intricate patterns of traditional folk crafts to the evocative power of oil paintings, every item has been selected to foster a sense of discovery.

    Among the collection's most captivating highlights are the works that capture the shifting light and spirit of the Lithuanian landscape and its people:

    The Watercolor Landscapes of Józef Bałzukiewicz:

    These works offer a masterful glimpse into 18th-century life, where every brushstroke reconstructs the dignity of a nobleman or the quiet bustle of a street corner with historical precision.

    The Views of Helena Römer-Ochenkowska:

    Her delicate, translucent layers of Vilnius transport the viewer to the pastoral serenity of 1900.

    The Spiritual Depth of Stanislovas Grigalauskas (Daunoras):

    His hauntingly beautiful

    ‘St Peter Weeping’

    provides a profound emotive depth for those drawn to spiritual symbolism.

    The Symbolist Landscapes of Kazimierz Stabrowski:

    Dreamy vistas that invite the observer to lose themselves in a bygone era.

    It remains a singular destination for those who seek to understand not just the history of Lithuanian art, but the enduring spirit that continues to define its creative legacy.

    Where to read more

    Find this online

    QR code linking to the download page for St Roch

    originaluniqueart.com/en/art/download/pranciskus-smuglevicius-st-roch-D8CVSZ-en/

    Cite this artwork

    MLA
    Smuglevičius, Pranciškus. St Roch. 1770, Lithuanian Art Fund. https://originaluniqueart.com/en/art/pranciskus-smuglevicius-st-roch-D8CVSZ-en/
    APA
    Smuglevičius, Pranciškus (1770). St Roch [Painting]. Lithuanian Art Fund. https://originaluniqueart.com/en/art/pranciskus-smuglevicius-st-roch-D8CVSZ-en/
    Chicago
    Pranciškus Smuglevičius. St Roch. 1770. Lithuanian Art Fund. https://originaluniqueart.com/en/art/pranciskus-smuglevicius-st-roch-D8CVSZ-en/
    Harvard
    Smuglevičius, Pranciškus (1770) St Roch. Lithuanian Art Fund. Available at: https://originaluniqueart.com/en/art/pranciskus-smuglevicius-st-roch-D8CVSZ-en/

    Look closely

    St Roch — Pranciškus Smuglevičius

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Aubrey Beauclerk and his family, in an elegant interior, a view to the Castel Gandolfo beyond (1779), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Pranciškus Smuglevičius was about 25 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I see "St Roch" by Pranciškus Smuglevičius under different lights?

    The X-Ray page of "St Roch" by Pranciškus Smuglevičius is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.

    What is the luminance of "St Roch" by Pranciškus Smuglevičius?

    "St Roch" by Pranciškus Smuglevičius has a dark luminance. Luminance describes how much light the colors appear to reflect.

    Where can I buy a print of "St Roch" by Pranciškus Smuglevičius?

    To get a print of "St Roch" by Pranciškus Smuglevičius, simply order it on its Fine Art Print page: a fine art print on cotton canvas or archival canvas paper.