Paper

Student Artwork Guide

Merry Company

Name Class Date

Pieter Jacobsz Codde, Merry Company (1633), Akademie Der Bildenden Künste Wien. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Pieter Jacobsz Codde originaluniqueart.com/en/artists/pieter-jacobsz-codde/
Artist’s dates
1599 – 1678
Painted
1633
Original size
49 x 77 cm
Held at
Akademie Der Bildenden Künste Wien originaluniqueart.com/en/museums/akademie-der-bildenden-kunste-wien-vienna/

In context

Merry Company — Pieter Jacobsz Codde

How big is it?

The original measures 49 × 77 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1590
  2. 1600
  3. 1610
  4. 1620
  5. 1630
  6. 1640
  7. 1650
  8. 1660
  9. 1670

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 79 at death.

Painted when the artist was 34. The artist lived to 79. 11 of the 22 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Pieter Jacobsz Codde (1599–1678) ▲ this work, 1633 every dated painting, decade by decade

First works: up to 1630 Main working years: 1630–1636 Late works: from 1636

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/pieter-jacobsz-codde-merry-company-AQQT2A-en/

Colours

Measured from the image

    Main colour

    Espresso #373528

    Catalogued palette

    • #373528
    • #A59B4E
    • #5D572D
    • #221E1B

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Pieter Jacobsz Codde over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 77.8%700 visits
    2. 2 Germany 11.1%100 visits
    3. 3 United States of America 11.1%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by Pieter Jacobsz Codde

    1. 1 Family Group, 1642 27.3%300 visits
    2. 2 Lute Player 27.3%300 visits
    3. 3 Double Portrait of a Married Couple, 1634 18.2%200 visits
    4. 4 The Adoration of the Shepherds, Pieter Codde, 1645, 1645 9.1%100 visits
    5. 5 Merry Company, 1633 9.1%100 visits
    6. 6 Gallant Company, 1633 9.1%100 visits
    7. — Merry Company, 1633 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 46 works by this artist, of which 6 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Merry Company — Pieter Jacobsz Codde

    The painting Merry Company by Pieter Jacobsz Codde is a fascinating representation of social interaction during the Baroque period. Created in 1633, this oil on panel piece measures 49 x 77 cm and is housed at the Akademie Der Bildenden Künste Wien (Vienna, Austria).

    Artistic Style and Composition

    The painting showcases a group of people in a room with various objects around them. There are six people in the scene, some standing while others sit on chairs. The individuals appear to be dressed in costumes or formal attire, suggesting that they might be from an earlier time period. The overall atmosphere suggests that this group might be gathered for a social event or celebration. Key elements of the painting include two books placed near the center of the scene, as well as three wine glasses located towards the right side of the painting. A suitcase can also be seen in the lower-right corner of the image. These objects add to the sense of gathering and socialization.

    Artist and Historical Context

    Pieter Jacobsz Codde was a Dutch painter known for his portraits and genre scenes. His work often featured elegant and refined individuals, as seen in Merry Company. The painting is a prime example of the artist's ability to capture the essence of social gatherings during the 17th century.

    For more information on Pieter Jacobsz Codde and his works, visit /en/art/show/art-aqqt2a-en/

    Learn about the Akademie Der Bildenden Künste Wien and its collection at /art/list/?Filter=A@D3C56T-Akademie-Der-Bildenden-Kunste-Wien-(Vienna-Austria)-A-Comprehensive-Guide

    Discover more about the Baroque period and its art on Wikipedia: https://en.wikipedia.org/wiki/Baroque

    Handmade oil painting reproductions of Merry Company are available at https://AllPaintingsStore.com, allowing art enthusiasts to own a piece of history.

    The captivating painting Merry Company by Pieter Jacobsz Codde is a must-see for anyone interested in Baroque art and social gatherings of the 17th century.

    Artist and museum

    Artist

    Pieter Jacobsz Codde

    The Silvery Light of the Dutch Golden Age

    Pieter Jacobsz Codde, a name synonymous with the refined elegance of the seventeenth-century Dutch Golden Age, lived a life as textured and layered as the canvases he produced. Born in Amsterdam in 1599 to a family of modest means—his father serving as a city official responsible for port fees—Codde emerged from an environment steeped in the maritime commerce and burgeoning prosperity of the Netherlands. While historical records regarding his early training remain somewhat enigmatic, whispers of an apprenticeship under the legendary Frans Hals have long circulated among art historians. However, more recent scholarship suggests he may have refined his technical prowess under Barent van Someren or Cornelis van der Voort. Regardless of his specific master, Codde’s development was marked by a profound ability to capture the quiet, often silvery-gray tonalities that would become his aesthetic signature.

    His early years were not merely defined by the brush, but also by a literary sensibility that added depth to his visual narratives. In the early decades of the 1600s, Codde was known to engage with the poetic and dramatic arts, appearing in publications such as Hollande Nachtegaelken. This intersection of word and image allowed him to approach genre painting not just as a recorder of reality, but as a storyteller capable of weaving classical and amorous themes into the fabric of everyday life. His move to the fashionable Sint Antoniesbreestraat in Amsterdam placed him at the very heart of the artistic community, surrounded by the vibrant energy of a city defining its cultural identity.

    Mastery of the Genre and the Guardroom

    As his career matured, Codde became a master of several distinct genres, most notably the guardroom scene, the musical company, and the intimate portrait. His work is celebrated for its meticulous attention to detail and a sophisticated use of chiaroscibility—the dramatic interplay of light and shadow that breathes life into inanimate objects and human subjects alike. In his guardroom paintings, he captured the rugged, often tense atmosphere of military life, yet he infused these scenes with a technical grace that elevated them beyond mere reportage. His ability to render the cold glint of steel, the heavy texture of fabric, and the soft glow of candlelight created an immersive experience for the viewer.

    Beyond the martial themes, Codde found immense success in depicting the social harmonies of his era. His musical compositions are particularly evocative, capturing moments of shared leisure and artistic devotion. In works such as Dancing Lesson and The Lute Player, one can sense the rhythmic pulse of the music through his precise brushwork. These paintings often feature a delicate, silvery palette that lends a dreamlike, nostalgic quality to the scenes, making them feel both immediate and timeless. Through these small-scale masterpieces, Codde invited the viewer into the private, harmonious corners of Dutch domesticity, where melody and movement converged.

    A Legacy Etched in Light and Shadow

    The life of Pieter Codde was not without its shadows, mirroring the darker tones found in his more somber compositions. His personal history was marked by turbulence, including a high-profile legal accusation and a divorce that saw his wife move into the home of the painter Paulus Potter. Yet, even amidst personal upheaval, his professional trajectory remained one of significant achievement. By 1657, he had secured a prestigious residence on the Keizersgracht, a testament to the stability and success his talent had afforded him. His later years were spent in the very heart of Amsterdam's grandeur, continuing to refine the techniques that would influence generations of Dutch painters.

    The historical significance of Codde lies in his role as a bridge between the raw naturalism of the early Golden Age and the more refined, polished aesthetics of the mid-seventeenth century. His contributions to the development of genre painting provided a blueprint for how light could be used to sculpt emotion and atmosphere. Today, his works reside in some of the world's most esteemed institutions, including:

    The Louvre, where his Dancing Lesson serves as a pinnacle of his musical genre.

    The Rijksmuseum, housing his profound religious works like the Adoration of the Shepherds.

    The Uffizi Gallery, which preserves his delicate conversational scenes.

    The Philadelphia Museum of Art, home to his evocative Lute Player.

    Ultimately, Pieter Jacobsz Codde remains a vital figure in the canon of Western art, remembered not just for his technical skill, but for his ability to capture the fleeting, luminous essence of human connection and the quiet dignity of everyday existence.

    Museum

    Akademie Der Bildenden Künste Wien

    On show in Vienna, Austria

    Academy of Fine Arts Vienna: A Legacy of Artistic Innovation

    The Akademie Der Bildenden Künste Wien, nestled in the heart of Vienna’s cultural landscape, stands as a beacon of artistic excellence and tradition—a testament to Austria's enduring commitment to visual arts education since its founding in 1688. More than just a museum; it’s an immersive experience transporting visitors back centuries while simultaneously showcasing contemporary creativity. Its location within the city’s historic center provides easy access to Vienna’s magnificent landmarks, fostering connections between past and present artistic endeavors.

    A Storied Past:

    Established during the Baroque era amidst the tumultuous backdrop of the Battle of Vienna (1683), the academy emerged from a pivotal moment in European history—a collaborative effort between the Holy Roman Empire and Poland to repel Ottoman aggression. This event profoundly shaped its ethos, instilling a spirit of resilience and fostering an appreciation for artistic patronage as a means of bolstering national identity.

    Iconic Collections:

    The museum’s holdings boast masterpieces by titans of European art—namely Peter Paul Rubens and Hieronymus Bosch—reflecting the academy's dedication to preserving and celebrating artistic heritage. These works exemplify Baroque grandeur and psychological depth, offering invaluable insights into the artistic sensibilities of their time.

    Architectural Grandeur:

    The Akademie’s building itself is a masterpiece of Viennese neoclassicism, designed by Johann Bernhard Stöger in 1796. Its spacious galleries and ornate facades create an inspiring environment for both scholarly pursuits and artistic exhibitions—a deliberate choice to honor the academy's intellectual tradition.

    Collection Highlights: Rubens & Bosch – Masters of Emotion and Composition

    Among its most celebrated treasures are reproductions of paintings by Peter Paul Rubens and Hieronymus Bosch. Rubens’ “Merry Company” exemplifies Baroque dynamism, capturing a lively scene with masterful use of color and perspective—a captivating demonstration of artistic technique. Conversely, Bosch's "The Garden of Earthly Delights" delves into the realm of symbolism and allegory, presenting a complex visual narrative that continues to intrigue scholars and artists alike. These pieces underscore the academy’s commitment to exploring diverse artistic styles and conveying profound emotional resonance.

    Contemporary Expressions: Student Exhibitions & Artistic Dialogue

    Beyond its historical collections, the Akademie Der Bildenden Künste Wien actively nurtures a vibrant contemporary art scene. Current student exhibitions showcase innovative approaches to painting, sculpture, and multimedia installations—reflecting the evolving artistic landscape of our time. These initiatives underscore the academy’s role as a catalyst for creativity and dialogue between generations of artists, ensuring that Vienna's artistic legacy persists into the 21st century.

    Exploring Artistic Inspiration: Beyond the Walls

    A visit to Akademie Der Bildenden Künste Wien is more than just observing art; it’s embarking on a journey through Viennese cultural history. Situated amidst the city’s architectural splendor and surrounded by museums like “The Secession Building” and “The Rocky Mountains,” Lander's Peak”, the academy provides an unparalleled opportunity to immerse oneself in Vienna’s artistic heritage—inspiring visitors to contemplate the enduring power of art and its role in shaping human understanding.

    Where to read more

    Find this online

    QR code linking to the download page for Merry Company

    originaluniqueart.com/en/art/download/pieter-jacobsz-codde-merry-company-AQQT2A-en/

    Cite this artwork

    MLA
    Codde, Pieter Jacobsz. Merry Company. 1633, Akademie Der Bildenden Künste Wien. https://originaluniqueart.com/en/art/pieter-jacobsz-codde-merry-company-AQQT2A-en/
    APA
    Codde, Pieter Jacobsz (1633). Merry Company [Painting]. Akademie Der Bildenden Künste Wien. https://originaluniqueart.com/en/art/pieter-jacobsz-codde-merry-company-AQQT2A-en/
    Chicago
    Pieter Jacobsz Codde. Merry Company. 1633. Akademie Der Bildenden Künste Wien. https://originaluniqueart.com/en/art/pieter-jacobsz-codde-merry-company-AQQT2A-en/
    Harvard
    Codde, Pieter Jacobsz (1633) Merry Company. Akademie Der Bildenden Künste Wien. Available at: https://originaluniqueart.com/en/art/pieter-jacobsz-codde-merry-company-AQQT2A-en/

    Look closely

    Merry Company — Pieter Jacobsz Codde

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at DAME A SA TOILETTE, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Pieter Jacobsz Codde was about 34 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What was Pieter Jacobsz Codde's age when "Merry Company" was created?

    When "Merry Company" was created in 1633, Pieter Jacobsz Codde - born in 1599 - was 34 years old.

    Who created "Merry Company" and in what year?

    The author of "Merry Company" is Pieter Jacobsz Codde, and the work is dated 1633.

    Is there a slideshow for "Merry Company" by Pieter Jacobsz Codde?

    The diaporama of "Merry Company" can be watched on the artwork's Diaporama page.