Paper

Student Artwork Guide

Pan

Name Class Date

Phoebe Anna Traquair, Pan (1912), Scottish National Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Phoebe Anna Traquair originaluniqueart.com/en/artists/phoebe-anna-traquair/
Artist’s dates
1852 – 1936
Painted
1912
Medium
Oil On Panel
Period
Late Medieval
Held at
Scottish National Gallery originaluniqueart.com/en/museums/scottish-national-gallery-edinburgh/

In context

Pan — Phoebe Anna Traquair

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 84 at death.

Painted when the artist was 60. The artist lived to 84. 7 of the 8 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Phoebe Anna Traquair (1852–1936) ▲ this work, 1912 every dated painting, decade by decade

First works: up to 1886 Main working years: 1886–1904 Late works: from 1904

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/phoebe-anna-traquair-pan-D3Y8VL-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #826643

    Catalogued palette

    • #826643
    • #CDA063
    • #5E503A
    • #AC7C4A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Quinacridone Magenta
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Phoebe Anna Traquair over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%100 visits
    2. 2 Spain 50.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Phoebe Anna Traquair

    1. 1 The Psalms of David, 1891 60.0%300 visits
    2. 2 Phoebe Anna Traquair, 1852 - 1936. Artist (Self-portrait), 1911 20.0%100 visits
    3. 3 Three Studies for the Decoration of the first Mortuary Chapel, the Royal Hospital for Sick Children, Edinburgh, 1885 20.0%100 visits
    4. — Pan, 1912 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 8 works by this artist, of which 3 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Phoebe Anna Traquair

    Born in Dublin, Ireland

    early life and career

    phoebe anna traquair, an irish-born artist, was born on may 24, 1852, in dublin, ireland. she achieved international recognition for her pivotal role in the arts and crafts movement in scotland. traquair's work as an illustrator, painter, and embroiderer has left a lasting impact on the art world.

    artistic contributions

    traquair's works included large-scale murals, embroidery, enamel jewelry, and book illuminations. her most notable piece is three studies for the decoration of the first mortuary chapel, the royal hospital for sick children, edinburgh, which can be found in the scottish national gallery (edinburgh, scotland). this oil on canvas painting showcases her unique style and attention to detail.

    achievements and legacy

    in 1920, traquair was elected as an honorary member of the royal scottish academy. her work has been featured in various museums, including the scottish national gallery. to explore more of her artwork, visit [https://AllPaintingsStore.com/@/phoebe-anna-traquair](https://AllPaintingsStore.com/@/phoebe-anna-traquair), where you can find a collection of her paintings and learn more about her contributions to the arts and crafts movement.

    key artworks

    three studies for the decoration of the first mortuary chapel, the royal hospital for sick children, edinburgh (scottish national gallery, oil on canvas)

    other notable works include her embroidery and enamel jewelry pieces, which can be found in various scottish museums.

    conclusion

    phoebe anna traquair's legacy continues to inspire artists and art enthusiasts alike. her contributions to the arts and crafts movement have left a lasting impact on the art world. to learn more about her life and work, visit [https://AllPaintingsStore.com](https://AllPaintingsStore.com), where you can explore her artwork and read about other influential artists. recommended links: * [https://AllPaintingsStore.com/@/phoebe-anna-traquair](https://AllPaintingsStore.com/@/phoebe-anna-ttraquair) - phoebe anna traquair's artist page /en/art/list/ - art movements 1/2 (featuring the arts and crafts movement) [https://en.wikipedia.org/wiki/phoebe_anna_traquair](https://en.wikipedia.org/wiki/phoebe_anna_traquair) - phoebe anna traquair's wikipedia page

    Museum

    Scottish National Gallery

    On show in Edinburgh, United Kingdom

    A Window Into Scotland’s Soul: The Scottish National Gallery

    Nestled within the heart of Edinburgh, on the historic Mound overlooking the city, lies the Scottish National Gallery – more than just a repository of art, it's a profound reflection of Scotland’s identity, its artistic journey, and its enduring connection to Europe. Designed by the neoclassical master William Henry Playfair and inaugurated in 1859, this magnificent building itself is a testament to classical ideals, boasting imposing Corinthian columns, graceful symmetry, and an atmosphere of quiet reverence perfectly suited for the treasures within. The gallery’s core mission – to showcase Scotland's national collection of fine art spanning from the Renaissance through to the early 20th century – is ambitious yet remarkably realized, offering a panoramic view of artistic styles and techniques shaped by centuries of influence. The very stones of the building whisper tales of royal patronage, artistic rebellion, and a nation’s evolving self-awareness, making a visit here an immersive experience far beyond simply viewing paintings.

    The story of the Scottish National Gallery is inextricably linked with the rise of Scottish art patronage. Initially conceived as part of the Royal Institution for the Encouragement of the Fine Arts in Scotland, the collection began to take shape through carefully acquired works. However, a growing dissatisfaction amongst artists with the institution’s policies led to a pivotal moment in 1838: the formation of the Royal Scottish Academy (RSA). This breakaway group, driven by a fervent desire to establish a truly national art collection, secured its own building on The Mound in 1846 – a structure that would eventually become the foundation for the National Gallery. The RSA’s commitment to collecting and exhibiting art laid the groundwork for the gallery we know today, demonstrating a sustained dedication to fostering artistic excellence within Scotland. This dual heritage—the institutional beginnings alongside the passionate advocacy of artists—is palpable in the gallery's character.

    Architectural Grandeur: A Neoclassical Masterpiece

    Beyond its collection, the building itself is a work of art. William Henry Playfair’s design is a quintessential example of neoclassical architecture, reflecting the grandeur and order associated with ancient Greece and Rome. The façade is dominated by imposing Corinthian columns, meticulously sculpted reliefs depicting allegorical figures, and a sense of balanced proportion that speaks to the ideals of classical design. The interior spaces are equally impressive, featuring soaring ceilings, elegant galleries, and carefully considered lighting – all contributing to an atmosphere of reverence and contemplation for the artworks on display. The building’s very structure serves as a powerful reminder of Scotland's engagement with European artistic traditions, subtly echoing the architectural principles of Rome and Athens while firmly rooted in its Scottish context. Visitors can trace the influence of Roman temples and theatres through the gallery’s spatial arrangement, creating an experience that transcends mere visual appreciation. The deliberate use of light and shadow, a hallmark of neoclassical design, further enhances the sense of drama and solemnity within the galleries.

    Highlights of the Collection: A Journey Through Styles

    Within the gallery’s walls, visitors are treated to a remarkable array of artistic styles and movements. Early Renaissance masterpieces by Italian masters like Raphael and Titian stand alongside works by Scottish artists such as William Clerk Maxwell, whose vibrant landscapes capture the rugged beauty of the Highlands. The collection boasts significant holdings of 18th-century portraiture, offering intimate glimpses into the lives of Scotland’s elite. Notably, the gallery's Impressionist section features a stunning selection of works by Claude Monet and Edgar Degas, reflecting the growing influence of modern European art on Scottish artists. Don't miss the evocative landscapes of William Beattie Brown, capturing the dramatic beauty of the Scottish countryside – his depictions of Highland light are particularly renowned. The gallery also houses an impressive collection of Scottish Colourists, a movement that sought to capture the vibrant hues and emotional intensity of the Scottish landscape with bold, expressive brushstrokes. Particularly captivating is “Diana and Callisto” by Titian, showcasing masterful composition and luminous color palettes—a cornerstone of Renaissance art. Also noteworthy is "Job Confessing His Presumption To God Who Answers From The Whirlwind" by William Blake, a monumental engraving embodying Romantic idealism and symbolic storytelling.

    Beyond the Paintings: Exhibitions and Legacy

    The Scottish National Gallery’s legacy extends far beyond its permanent collection. Throughout its history, the gallery has hosted numerous groundbreaking exhibitions, showcasing both established masters and emerging talents. These events have consistently stimulated dialogue and deepened public engagement with art. Furthermore, the gallery is closely linked to the National Galleries of Scotland, which also encompasses the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery – a powerful network dedicated to preserving and promoting Scotland’s artistic heritage. Recent initiatives include immersive digital experiences that bring the collection to life for a new generation of visitors. The gallery continues to evolve, adapting to contemporary tastes while remaining true to its core mission: to celebrate the enduring power of art to inspire, educate, and connect us to our past. Consider “Cliffs at Pourville, Rain” by Claude Monet – an iconic Impressionist landscape that exemplifies the movement’s focus on capturing fleeting moments of light and atmosphere. Finally, explore the artistry of Jacopo Robusti (Tintoretto) with his dramatic compositions and masterful technique—a testament to Venetian artistic innovation.

    A Unique Artistic Destination

    Located in Edinburgh's historic city centre, the Scottish National Gallery offers more than just visual delight; it’s a journey through Scotland’s cultural history. Its serene setting on The Mound provides a tranquil space for contemplation alongside its impressive collection of art—a destination that resonates with visitors seeking inspiration and understanding. Explore the gallery’s ongoing exhibitions and educational programs to deepen your appreciation for Scottish artistic heritage and its global connections.

    Where to read more

    Find this online

    QR code linking to the download page for Pan

    originaluniqueart.com/en/art/download/phoebe-anna-traquair-pan-D3Y8VL-en/

    Cite this artwork

    MLA
    Traquair, Phoebe Anna. Pan. 1912, Scottish National Gallery. https://originaluniqueart.com/en/art/phoebe-anna-traquair-pan-D3Y8VL-en/
    APA
    Traquair, Phoebe Anna (1912). Pan [Painting]. Scottish National Gallery. https://originaluniqueart.com/en/art/phoebe-anna-traquair-pan-D3Y8VL-en/
    Chicago
    Phoebe Anna Traquair. Pan. 1912. Scottish National Gallery. https://originaluniqueart.com/en/art/phoebe-anna-traquair-pan-D3Y8VL-en/
    Harvard
    Traquair, Phoebe Anna (1912) Pan. Scottish National Gallery. Available at: https://originaluniqueart.com/en/art/phoebe-anna-traquair-pan-D3Y8VL-en/

    Look closely

    Pan — Phoebe Anna Traquair

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at None (1886), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Phoebe Anna Traquair was about 60 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Did "Pan" stay in its artist's homeland?

    No - the artwork is kept abroad. "Pan" is held in United Kingdom, while Phoebe Anna Traquair was born in Ireland.

    What other names is Phoebe Anna Traquair known by?

    Phoebe Anna Traquair appears under the alternate names Phoebe Traquair.

    Is a download available for "Pan"?

    The image of "Pan" by Phoebe Anna Traquair can be downloaded from the artwork's Download page: a high-resolution digital image download.