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Student Artwork Guide

Gramophone

Name Class Date

Philips Vinckboons (Ii), Gramophone (1949), NEMO Science Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Philips Vinckboons (Ii) originaluniqueart.com/en/artists/philips-vinckboons-ii/
Artist’s dates
1607 – 1678
Painted
1949
Original size
27 x 42 cm
Held at
NEMO Science Museum originaluniqueart.com/en/museums/nemo-science-museum-amsterdam/

In context

Gramophone — Philips Vinckboons (Ii)

How big is it?

The original measures 27 × 42 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1600
  2. 1640
  3. 1680
  4. 1720
  5. 1760
  6. 1800
  7. 1840
  8. 1880
  9. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 71 at death.

Shaded: the lifetime of Philips Vinckboons (Ii) (1607–1678) ▲ this work, 1949 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/philips-vinckboons-ii-gramophone-D72QZP-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #a9a7a4

    Catalogued palette

    • #A9A7A4
    • #E1E2E1
    • #2A2826
    • #8F857D

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Philips Vinckboons (Ii) over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 85.7%
    2. 2 United States of America 14.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 8 most looked-at works by Philips Vinckboons (Ii)

    1. 1 Vacuum cleaner, 1962 25.0%
    2. 2 Tube radio, 1935 12.5%
    3. 3 Philips Prelude 456A, 1937 12.5%
    4. 4 Toaster, 1964 12.5%
    5. 5 Chimney piece with representation of Odysseus and Nausicaa, Philips Vinckboons (II), 1639, 1639 12.5%
    6. 6 Carbon wire filament incandescent light bulb, 1905 12.5%
    7. 7 Radio, 1979 12.5%
    8. — Gramophone, 1949 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 24 works by this artist, of which 7 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Philips Vinckboons (Ii)

    Born in Amsterdam, Netherlands

    early life and career

    philips vinckboons (ii), a renowned dutch architect, was born in 1607 in the netherlands. he was part of the school of jacob van campen, embodying the essence of dutch classicism. vinckboons' work was highly regarded in his native city of amsterdam, where he left an indelible mark on the architectural landscape.

    notable works and contributions

    fluorescent lamp*: one of vinckboons' notable works is the fluorescent lamp, now housed in the nemo science museum (amsterdam, netherlands). this piece showcases his innovative approach to design. (view on AllPaintingsStore) influence on dutch architecture*: vinckboons' adherence to dutch classicism influenced a generation of architects, shaping the country's architectural identity.

    legacy and remembrance

    museum universiteitsbibliotheek (leiden, netherlands)*: though not directly associated with vinckboons, this institution is a testament to the netherlands' rich cultural heritage, which vinckboons contributed to. (discover more on AllPaintingsStore) st. joriskerk (amersfoort, netherlands)*: this historic church, now an art museum, represents the evolution of dutch art and architecture, a context in which vinckboons' work can be understood. (explore st. joriskerk on AllPaintingsStore)

    key dates: born in 1607, deceased on october 2, 1678.

    notable movement: dutch classicism, under the influence of jacob van campen.

    legacy: vinckboons' architectural designs remain a cornerstone of dutch architectural history.

    further exploration on AllPaintingsStore

    * philips vinckboons (ii) | 24 artworks - dive into the comprehensive collection of vinckboons' works. * the museum town hall of amsterdam, netherlands - understand the broader context of dutch art and architecture.

    Museum

    NEMO Science Museum

    On show in Amsterdam, Netherlands

    A Vessel of Discovery: The Architectural Marvel of NEMO

    Rising from the historic waterfronts of Amsterdam like a colossal, emerald-green ship run aground, the NEMO Science Museum is far more than a mere architectural feat; it is a vibrant, living testament to human curiosity and the boundless wonders of the natural world. Designed by the visionary Italian architect Renzo Piano, whose hand has shaped iconic structures like the Centre Pompidou in Paris, the building itself serves as the museum's most profound exhibit. Its striking, copper-clad silhouette, which evokes the undulating patterns found in seashells and coral reefs, invites a playful engagement with the urban landscape. As one approaches this masterpiece of biomimicry, the structure seems to beckon, promising an exploration that transcends the boundaries between science, art, and design. The museum’s form is not merely aesthetic but functional, utilizing its unique skin to regulate temperature and harmonize with the surrounding ecosystem, mirroring the very scientific principles it seeks to celebrate.

    The history of this institution is a fascinating voyage of evolution, reflecting the changing tides of Dutch society and technological progress. Long before it became a beacon for scientific inquiry, the site’s roots can be traced back to 1923, when it opened as the Museum van den Arbeid, a sanctuary dedicated to labor and industry. Over the decades, the institution underwent several radical transformations, evolving into the Nederlands Instituut voor Nijverheid en Techniek before embracing a new era of interactive discovery in the late 1990s. This metamorphosis from a repository of industrial history to a dynamic science center underscores a continuous commitment to making knowledge accessible and inspiring. For the art lover and the designer alike, NEMO represents a rare intersection where historical legacy meets cutting-edge innovation, creating a space where the past and the future exist in a seamless, kinetic dialogue.

    An Immersive Symphony of Sensation

    Stepping inside NEMO is akin to entering an immersive, sensory world designed to ignite the imagination through experiential learning. Unlike traditional museums where knowledge is often sequestered behind glass, NEMO encourages a tactile relationship with discovery. The exhibits are invitations to experiment and play; one might find themselves lost in the intricate dance of the

    DNA and Chain Reactions

    exhibit, witnessing the spectacular choreography of cascading dominoes or the complex beauty of chemical reactions. In the

    Ball Factory

    , the simple act of sorting becomes an exploration of physics and engineering, as visitors engage with weight, size, and color in a captivating display of mechanical logic. This hands-on philosophy ensures that every visitor—from the curious child to the seasoned academic—is an active participant in the scientific narrative.

    Beyond its educational mission, NEMO offers a profound aesthetic experience that resonates with those who appreciate the intersection of nature and human ingenuity. The museum’s commitment to sustainability is woven into its very fabric, from its natural ventilation systems to its thoughtful use of materials. For the visitor seeking a moment of reflection, the rooftop plaza provides an unparalleled reward: breathtaking, panoramic views of the Amsterdam skyline that serve as a stunning backdrop to the scientific wonders below. It is this holistic approach—blending architectural brilliance, historical depth, and interactive wonder—that solidifies NEMO Science Museum's position as a cornerstone of Dutch cultural heritage and a global beacon for the spirit of inquiry.

    Where to read more

    Find this online

    QR code linking to the download page for Gramophone

    originaluniqueart.com/en/art/download/philips-vinckboons-ii-gramophone-D72QZP-en/

    Cite this artwork

    MLA
    (Ii), Philips Vinckboons. Gramophone. 1949, NEMO Science Museum. https://originaluniqueart.com/en/art/philips-vinckboons-ii-gramophone-D72QZP-en/
    APA
    (Ii), Philips Vinckboons (1949). Gramophone [Painting]. NEMO Science Museum. https://originaluniqueart.com/en/art/philips-vinckboons-ii-gramophone-D72QZP-en/
    Chicago
    Philips Vinckboons (Ii). Gramophone. 1949. NEMO Science Museum. https://originaluniqueart.com/en/art/philips-vinckboons-ii-gramophone-D72QZP-en/
    Harvard
    (Ii), Philips Vinckboons (1949) Gramophone. NEMO Science Museum. Available at: https://originaluniqueart.com/en/art/philips-vinckboons-ii-gramophone-D72QZP-en/

    Look closely

    Gramophone — Philips Vinckboons (Ii)

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Black-and-white television (1951), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How light is "Gramophone" overall?

    The perceived brightness of "Gramophone" by Philips Vinckboons (Ii) is bright. It can be matched to the light of the intended space.

    What other names is Philips Vinckboons (Ii) known by?

    Philips Vinckboons (Ii) is also known as Philips Vingboons.

    Can I see an X-ray view of "Gramophone" by Philips Vinckboons (Ii)?

    The X-Ray page of "Gramophone" by Philips Vinckboons (Ii) is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.