Paper

Student Artwork Guide

Untitled

Name Class Date

Pedro Calapez, Untitled (1991), Culturgest - Fundação Caixa Geral de Depósitos. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Pedro Calapez originaluniqueart.com/en/artists/pedro-calapez/
Artist’s dates
1953 –
Painted
1991
Original size
70 x 100 cm
Held at
Culturgest - Fundação Caixa Geral de Depósitos originaluniqueart.com/en/museums/culturgest-fundacao-caixa-geral-de-depositos-lisbon/

In context

Untitled — Pedro Calapez

How big is it?

The original measures 70 × 100 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 38. 3 of the 10 dated works by this artist in our catalogue came earlier.

▲ this work, 1991 every dated painting, decade by decade

First works: up to 1987 Main working years: 1987–2003 Late works: from 2003

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • Untitled, 1985 originaluniqueart.com/en/art/pedro-calapez-untitled-D7EDFA-en/
  • Untitled, 1986 originaluniqueart.com/en/art/pedro-calapez-untitled-D7TC4X-en/
  • Sem título, 1987 originaluniqueart.com/en/art/pedro-calapez-sem-titulo-D98A3A-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/pedro-calapez-untitled-D7EH62-en/

Colours

Measured from the image

    Main colour

    Espresso #2e3346

    Catalogued palette

    • #2E3346
    • #E7E8EB
    • #6A6C78
    • #191E2F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Pedro Calapez over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Pedro Calapez

    1. 1 Paisagem Mayor, 2009 50.0%
    2. 2 Untitled, 1991 50.0%
    3. — Untitled, 1991 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 10 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Untitled — Pedro Calapez

    VOLUME, SURFACE AND INCISIONLong before his painting was invaded by the bright colours that fill it now, before opting for the cold of aluminium as a support for the large composite panels that he later made, before the formatted canvases that he uses now, Pedro Calapez’s painting found landscape as its working field. From early on the definition of volumes that seemed to be dry, almost lunar landscapes composed horizons that corresponded to a search in painting that was common to other artists of his generation, like Pedro Cabrita Reis. In Calapez’s case, the earthy tone and the bare volume almost defined a lineage that started at Dominguez Alvarez and was hurled into the need for a return to painting that stirred up the eighties. Yet in his painting there were two components at large that would be multiplied in different formulations: the drawing, scratched out over the painted surface (a procedure that was opposite to the tradition of the overlaying of paint) and the volume, the space that was defined as a field, a mountain, a room. For a long time these components marked the development of his work, namely when the space became transformed into the space for the installation of the works, in the studiolo model, and these were converted into elements that themselves formed a landscape – and not just its depiction. The drawing would establish an axis of definition and would always be a counterpoint to the mass of paint, to the brush-stroke, as if Calapez lived his path between the matter-based tradition of Renoir and the drawing of Matisse, converted into incision, into a surface wound. So this painting and these drawings by Pedro Calapez are the memory of the beginning of his career, but they also bear witness to the how of the future development of his work.Delfim Sardo

    Artist and museum

    Artist

    Pedro Calapez

    Born in Lisbon, Portugal

    Pedro Calapez: Exploring Layers of Memory and Texture

    Pedro Calapez, born in Lisbon, Portugal, in 1953, is a Portuguese painter whose artistic journey began amidst the vibrant cultural landscape of the seventies. Early exhibitions marked the genesis of his career, culminating in his inaugural solo show in 1982 – an event that established him as a significant voice within the burgeoning Portuguese art scene. Since then, Calapez has consistently pursued creative exploration, showcasing his work independently across prestigious galleries and museums including Casa de la Città in Rome, Carré des Arts in Paris, and the Gulbenkian Foundation in Lisbon, cementing his reputation for impactful visual narratives.

    Early Influences & Artistic Beginnings: Calapez’s formative years were steeped in European artistic traditions, particularly Surrealism and Expressionism. These influences subtly permeate his stylistic choices, evident in the emotive brushwork and dreamlike imagery characteristic of his oeuvre.

    Notable Exhibitions: His exhibitions have spanned decades, reflecting a dedication to presenting his work to discerning audiences worldwide. Highlights include ‘Histórias de Objetos’ (Stories of Objects), ‘Memória Involuntária’ (Unvoluntary Memory), and ‘Campo de Sombras’ (Field of Shadows), demonstrating a fascination with capturing fleeting moments and conveying profound psychological states.

    Technique & Style: Calapez's technique is defined by heavy impasto – applying paint thickly onto the canvas – creating textured surfaces that invite tactile engagement. His approach leans heavily into abstraction, prioritizing color palettes and gestural marks to communicate emotion rather than literal representation.

    Recognition & Awards: Calapez’s artistic endeavors have garnered considerable acclaim, securing him positions within influential institutions like the Gulbenkian Foundation and contributing to the advancement of contemporary art in Portugal.

    His work frequently delves into themes of memory and perception, utilizing objects as catalysts for exploring subconscious landscapes. Recurring motifs—often bathed in luminous hues—suggest a preoccupation with capturing intangible feelings and sensations. Calapez’s canvases are not merely visual representations; they are invitations to contemplate the complexities of human experience.

    Key Achievements & Artistic Legacy

    Calapez's contribution to Portuguese art extends beyond individual exhibitions. He has actively participated in shaping dialogues concerning artistic expression and its role in reflecting societal concerns. His exploration of abstract forms and emotive color combinations stands as a testament to the enduring power of visual language—a legacy that continues to inspire artists and resonate with viewers alike.

    Featured Artist: Casa de la Città, Roma

    Featured Artist: Carré des Arts, Paris

    Featured Artist: Gulbenkian Foundation, Lisbon

    Selected Works & Ongoing Exploration

    Calapez continues to refine his artistic vision, consistently pushing boundaries and experimenting with new mediums. His ongoing commitment to capturing the essence of human emotion—through textured surfaces and evocative color combinations—solidifies his position as a pivotal figure in contemporary Portuguese art.

    Museum

    Culturgest - Fundação Caixa Geral de Depósitos

    On show in Lisbon, Portugal

    A Beacon of Contemporary Creation: Culturgest – Lisbon’s Vibrant Heart

    Nestled within the historic heart of Lisbon, Culturgest isn't merely a museum; it’s an immersive ecosystem where artistic boundaries dissolve and creative energy pulsates with an undeniable vitality. Founded by Caixa Geral de Depósitos (CGD) in 1983, this institution has evolved far beyond its initial purpose as a repository for art, blossoming into a dynamic cultural hub that champions the breadth of contemporary expression – from the dramatic power of performing arts and the poignant resonance of music to the thought-provoking narratives woven within visual installations and the captivating world of cinema. Culturgest stands as a testament to Portugal’s commitment to artistic enrichment, fostering an environment of experimentation, dialogue, and ultimately, inspiration that extends far beyond its Portuguese borders.

    The story of Culturgest is inextricably linked to the vision of Caixa Geral de Depósitos – a legacy rooted in a belief that cultural investment isn't simply philanthropic; it’s fundamental to societal progress. Initially conceived as a platform for showcasing emerging Portuguese artists, the collection quickly expanded its scope, embracing not only national talent but also significant works from Brazil, Mozambique, Angola, and Cape Verde, reflecting a deliberate commitment to celebrating Lusophone creativity in all its diverse forms. Today, boasting approximately 1,800 pieces – encompassing painting, sculpture, photography, video, installation, and engraving – the collection is a rich tapestry of artistic voices, meticulously curated and presented within a space designed to nurture both appreciation and critical engagement.

    Architectural Harmony: A Space Designed for Dialogue

    While precise details regarding the building’s initial architectural design remain somewhat understated in publicly available information, it's understood that Culturgest’s structure represents a deliberate and thoughtful response to the artistic environment within. Rather than functioning solely as a container for art, the building is conceived as an integral component of the entire experience – a space designed with seamless functionality and a profound understanding of its urban context. The understated elegance of the architecture allows the artwork itself to take center stage, fostering a harmonious dialogue between form and content; it’s a place that feels both invitingly accessible and profoundly inspiring, encouraging visitors to engage deeply with the art on display and the performances unfolding within its walls.

    The building's design embodies a spirit of openness and inclusivity, mirroring Culturgest’s broader commitment to fostering diverse voices and perspectives. It’s a space that actively seeks to break down traditional barriers between disciplines, creating an environment where visual arts, music, theatre, and film can converge and enrich one another. The careful consideration given to light, acoustics, and spatial flow contributes significantly to the overall atmosphere of Culturgest, ensuring that every encounter with art is both memorable and meaningful.

    A Multifaceted Program: Beyond the Static Exhibition

    What truly distinguishes Culturgest from conventional museums is its remarkably diverse program – a commitment extending far beyond traditional static exhibitions. The institution’s calendar is consistently brimming with a vibrant array of events, showcasing the breadth of artistic expression in all its forms. Regular theatre productions, captivating dance performances, and live music concerts provide audiences with unforgettable experiences, pushing the boundaries of artistic innovation. Furthermore, Culturgest hosts film festivals, screenings of independent films, and retrospectives celebrating cinematic masterpieces – catering to a wide range of tastes and interests.

    Notable artists frequently showcased at Culturgest include Luísa Correia Pereira, whose evocative paintings often explore themes of identity and memory; Júlia Ventura, known for her poignant photography that delves into the complexities of sensuality and representation; and Fernando Alvim, a powerful contemporary African artist who blends traditional motifs with modern techniques to address issues of social justice. These are just a few examples of the diverse voices celebrated within Culturgest’s walls – a testament to its dedication to showcasing both established masters and emerging talents.

    A Legacy of Lusophone Creativity

    Culturgest's commitment extends beyond simply displaying art; it actively champions the study, promotion, and curation of its holdings. The collection’s focus on Portuguese artistry, alongside significant works from Brazil, Mozambique, Angola, and Cape Verde, underscores a deliberate effort to preserve and celebrate Lusophone creativity – a legacy that continues to evolve through ongoing exhibitions, research initiatives, and community engagement. The institution's dedication to fostering dialogue between artists and audiences ensures that Culturgest remains a vital force in the cultural landscape of Lisbon and beyond.

    Where to read more

    Find this online

    QR code linking to the download page for Untitled

    originaluniqueart.com/en/art/download/pedro-calapez-untitled-D7EH62-en/

    Cite this artwork

    MLA
    Calapez, Pedro. Untitled. 1991, Culturgest - Fundação Caixa Geral de Depósitos. https://originaluniqueart.com/en/art/pedro-calapez-untitled-D7EH62-en/
    APA
    Calapez, Pedro (1991). Untitled [Painting]. Culturgest - Fundação Caixa Geral de Depósitos. https://originaluniqueart.com/en/art/pedro-calapez-untitled-D7EH62-en/
    Chicago
    Pedro Calapez. Untitled. 1991. Culturgest - Fundação Caixa Geral de Depósitos. https://originaluniqueart.com/en/art/pedro-calapez-untitled-D7EH62-en/
    Harvard
    Calapez, Pedro (1991) Untitled. Culturgest - Fundação Caixa Geral de Depósitos. Available at: https://originaluniqueart.com/en/art/pedro-calapez-untitled-D7EH62-en/

    Look closely

    Untitled — Pedro Calapez

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Untitled (1985), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Pedro Calapez was about 38 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where do the visitors of "Untitled" by Pedro Calapez come from?

    The Stats page of "Untitled" by Pedro Calapez presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.

    Where can I buy a digital image of "Untitled" by Pedro Calapez?

    "Untitled" is available as a high-resolution digital image download, purchased directly on its Digital Image page.

    Can I see "Untitled" by Pedro Calapez on my own wall before buying?

    "Untitled" has an augmented reality preview: the artwork's AR Preview page shows it in your own space on a compatible device.