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Student Artwork Guide

Self-portrait in red

Name Class Date

Paula Figueiroa Rego, Self-portrait in red (1962), National Museum of Contemporary Art - Museu do Chiado. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Paula Figueiroa Rego originaluniqueart.com/en/artists/paula-figueiroa-rego/
Artist’s dates
1935 – 2022
Painted
1962
Medium
Mixed Media
Original size
152 x 152 cm
Period
Modern
Held at
National Museum of Contemporary Art - Museu do Chiado originaluniqueart.com/en/museums/national-museum-of-contemporary-art-museu-do-chiado-lisbon/
Artistic style
Narrative Figuration
Influences
Salazar Dictatorship
Notable elements
Collage, Fragments
Subject or theme
Autobiography, Storytelling

In context

Self-portrait in red — Paula Figueiroa Rego

How big is it?

The original measures 152 × 152 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010
  10. 2020

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 87 at death.

Painted when the artist was 27. The artist lived to 87. 0 of the 9 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Paula Figueiroa Rego (1935–2022) ▲ this work, 1962 every dated painting, decade by decade

First works: up to 1982 Main working years: 1982–1991 Late works: from 1991

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

  • Sleeping, 1986 originaluniqueart.com/en/art/paula-rego-sleeping-D4JU9T-en/
  • Untitled (388) originaluniqueart.com/en/art/paula-rego-untitled-388-A25U3R-en/
  • Untitled (532) originaluniqueart.com/en/art/paula-rego-untitled-532-A25U3X-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/paula-rego-self-portrait-in-red-D66FKB-en/

Colours

Measured from the image

    Main colour

    Driftwood #a18071

    Catalogued palette

    • #A18071
    • #C7BDAF
    • #9B352C
    • #4B757A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Paula Figueiroa Rego over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 40.9%900 visits
    2. 2 Portugal 22.7%500 visits
    3. 3 Ukraine 18.2%400 visits
    4. 4 China 9.1%200 visits
    5. 5 Argentina 4.5%100 visits
    6. 6 Norway 4.5%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 11 most looked-at works by Paula Figueiroa Rego

    1. 1 The Dance, 1988 25.0%1,000 visits
    2. 2 The Familly 25.0%1,000 visits
    3. 3 Untitled (388) 12.5%500 visits
    4. 4 Self-portrait in red, 1962 this painting 10.0%400 visits
    5. 5 The Princess and the Pea, 1978 10.0%400 visits
    6. 6 Untitled (532) 5.0%200 visits
    7. 7 Sleeping, 1986 2.5%100 visits
    8. 8 Nanny, Small Bears and Bogeyman, 1982 2.5%100 visits
    9. 9 Untitled (755) 2.5%100 visits
    10. 10 Untitled (221) 2.5%100 visits
    11. 11 Untitled (223) 2.5%100 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 49 works by this artist, of which 11 were looked at at least once. This painting ranks 4 of them, with 10.0% of that attention (400 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Self-portrait in red — Paula Figueiroa Rego

    Paula Rego's "Self-Portrait in Red": A Fragmented Narrative of Identity

    “Self-Portrait in Red,” created by Paula Rego in 1962, is more than just a painting; it’s an immersive experience, a carefully constructed collision of materials and meaning. This work, measuring 152 x 152 cm, immediately draws the viewer into a world where narrative fragments coalesce around a central figure – Rego herself – presenting a deeply personal yet universally resonant exploration of identity, memory, and the complexities of human relationships. The painting’s raw energy stems from its innovative technique: a masterful blend of oil paint and collage, a method Rego would consistently employ throughout her career.

    The Collage Technique: Rego's process involved layering preparatory drawings, sketches, and even seemingly random objects – a bottle, vases, cups, and birds – onto the canvas. These weren’t simply added as decorative elements; they were integral to the composition, each contributing to the overall sense of disarray and layered meaning.

    A Portuguese Context: Born in Lisbon in 1935, Rego's early life was profoundly shaped by the political climate of Portugal under Salazar’s dictatorship. This experience instilled a deep awareness of power dynamics and societal constraints, themes that subtly permeate her work, particularly evident in the fragmented presentation of figures and objects.

    Emotional Resonance: The painting’s emotional impact is immediate and arresting. The vibrant red background acts as both a visual anchor and a source of tension, amplifying the sense of unease and psychological depth. Rego's self-portrait, rendered with a directness that borders on vulnerability, invites viewers to confront uncomfortable truths about themselves and the world around them.

    Decoding the Symbolism: Objects as Echoes

    The seemingly random objects scattered throughout “Self-Portrait in Red” are far from accidental. They function as potent symbols, echoing Rego’s personal experiences and broader societal concerns. The presence of multiple figures – nine individuals depicted with varying degrees of engagement – suggests a fractured family dynamic, perhaps reflecting the artist's own complex relationships. The bottle, often associated with intoxication or hidden emotions, adds another layer of ambiguity. The vases and cups could represent domesticity, but their scattered arrangement hints at disruption and instability. Even the birds, frequently symbols of freedom and escape, appear trapped within the confines of the composition, mirroring a sense of confinement.

    The Red Background: Beyond its visual impact, the red background symbolizes passion, violence, and perhaps even danger – emotions that Rego often explored in her work.

    Fragmented Figures: The deliberately fragmented figures contribute to the painting’s overall sense of unease and instability, reflecting the artist's interest in exploring psychological states.

    Paula Rego: A Pioneer of Narrative Painting

    “Self-Portrait in Red” is a quintessential example of Paula Rego’s artistic vision – a bold departure from traditional portraiture that prioritized narrative and emotional truth over idealized representation. Rego's work, deeply rooted in her Portuguese heritage and informed by feminist concerns, challenged conventional notions of beauty and domesticity. Her innovative use of collage, combined with her unflinching exploration of human psychology, established her as one of the most important artists of the late 20th century. Rego’s influence extends beyond the realm of painting; she paved the way for a new generation of artists who embraced experimentation and challenged artistic conventions.

    Collecting "Self-Portrait in Red": A Statement of Vision

    This hand-painted reproduction captures not only the visual essence of Rego's masterpiece but also its profound emotional and intellectual depth. Whether adorning a private collection or gracing a corporate space, “Self-Portrait in Red” serves as a powerful statement – an appreciation for artistic innovation, a commitment to exploring complex human narratives, and a recognition of Paula Rego’s enduring legacy. Its size (152 x 152 cm) makes it suitable for a variety of interior design settings, while the vibrant colors and intricate details ensure that it will be a focal point in any room.

    Artist and museum

    Artist

    Paula Figueiroa Rego

    A Tapestry of Shadows and Stories: The Life of Paula Rego

    Dame Maria Paula Figueiroa Rego was far more than a mere painter; she was a master storyteller who used the canvas to weave intricate, often unsettling, tales of human experience. Born in Lisbon, Portugal, in 1935, her early life was shaped by the heavy, turbulent atmosphere of a world caught between tradition and political upheaval. This sense of underlying tension would become a permanent resident in her work. As she moved from the sun-drenched landscapes of her Portuguese roots to the academic rigor of the Slade School of Fine Art in London, Rego began to develop a visual language that was uniquely her own—one that blended the folk-inspired motifs of her childhood with a sophisticated, modern psychological depth.

    Her artistic evolution is a fascinating journey from the abstract to the profoundly representational. In her early years, she experimented with the abstract trends prevalent in the mid-twuieth century, yet she soon found herself drawn to the power of the figure. She discovered that by utilizing recognizable forms—often inspired by storybooks, folklore, and even the domestic sphere—she could explore much darker, more complex themes. Her preference for pastels over oils allowed her to achieve a specific, tactile quality in her work, creating textures that felt both soft and strangely visceral, much like the dreamlike yet haunting narratives she sought to portray.

    Feminism, Folklore, and the Unseen Narrative

    At the heart of Rego’s oeuvre lies an unwavering commitment to feminist discourse. She possessed a rare ability to take the domestic, the mundane, and the "feminine" and infuse them with a sense of rebellion and agency. Her paintings often feature women navigating spaces that feel both intimate and claustrophobic, challenging the patriarchal gaze by presenting female characters who are complex, powerful, and sometimes even menacing. Through her work, she gave voice to the marginalized, using surrealist imagery to expose the hidden anxieties and societal pressures placed upon women.

    This exploration of identity was deeply intertwined with her use of symbolism. Rego frequently employed animals—most notably rabbits—and elements of folklore to act as metaphors for human behavior and social structures. These figures were rarely mere decorations; they were participants in a larger, often surrealist drama. Her work invites the viewer into a world where the boundaries between reality and myth are blurred, forcing an engagement with the psychological truths that lie beneath the surface of everyday life. It is this ability to evoke such profound emotional responses—ranging from curiosity to deep unease—that defines her unique contribution to contemporary art.

    Legacy and Artistic Triumph

    The significance of Paula Rego’s career cannot be overstated. As a prominent member of The London Group and an Associate Artist at the National Gallery, she occupied a central position in the British modernist movement. Her accolades were numerous, reflecting her status as one of the most influential artists of her era, including being named a Dame Commander of the Order of the British Empire (DBE). Her exhibitions at prestigious institutions like the Calouste Gulbenkian Foundation and the Tate solidified her reputation on the international stage, ensuring that her vision reached far beyond the borders of the UK and Portugal.

    Rego’s legacy is found in the way she transformed the act of painting into an act of social commentary. She left behind a body of work that serves as both a historical record of twentieth-century social shifts and a timeless exploration of the human psyche. Her ability to marry the beautiful with the grotesque, and the domestic with the political, continues to inspire generations of artists who seek to use narrative as a tool for profound discovery. Even after her passing in 2022, her stories remain alive, continuing to haunt, provoke, and captivate all who encounter them.

    Museum

    National Museum of Contemporary Art - Museu do Chiado

    On show in Lisbon, Portugal

    A Sanctuary of Portuguese Identity: The Soul of Chiado

    Nestled within the historic heart of Lisbon’s Chiado district, the National Museum of Contemporary Art – Museu do Chiado – serves as much more than a mere repository for canvases and sculptures; it is an immersive journey into the very essence of the Portuguese spirit. Housed within the beautifully restored Convent of São Francisco, the museum offers an experience where art intertw embedded seamlessly with architecture. The building itself, a structure steeped in centuries of spiritual resonance, bears silent witness to Lisbon’s tumultuous history, including the devastating 1755 earthquake. As visitors wander through its halls, the very stones seem to whisper tales of a city that has been rebuilt time and again, providing an evocative, almost sacred backdrop for the artistic treasures held within its walls.

    The museum's physical presence is a masterclass in the dialogue between heritage and modernity. The recent renovations, skillfully overseen by the renowned French architect Jean-Michel Wilmotte, have achieved a delicate balance, blending historical elements with contemporary design principles. This creates a space that feels profoundly respectful of its monastic past yet refreshingly forward-looking. For the art lover or interior designer, this architectural harmony offers a profound lesson in how historical weight can coexist with clean, modern aesthetics, making the museum an essential pilgrimage for those seeking inspiration in the intersection of old and new.

    From Romanticism to Modernity: A Visual Evolution

    The collection at Museu do Chiado, spanning from 1850 to the present day, provides an unparalleled narrative of Portugal's artistic evolution. The journey begins with the emotionally charged world of

    Romanticism

    , a period defined by intense searches for national identity amidst social and political upheaval. In these early galleries, one encounters the delicate landscapes of António Silva Porto, whose works evoke a sense of longing and dramatic intensity that mirrors the era’s yearning for a distinct Portuguese voice. As the collection progresses, the shift toward

    Naturalism

    becomes palpable. Artists such as António Carneiro meticulously detail everyday life, offering poignant, unflinching glimpses into the lives of laborers and the raw beauty of the natural world, moving beyond mere representation to capture the very essence of existence.

    As the twentieth century dawned, the museum’s halls began to pulse with the energy of

    Modern Art

    . Here, the collection showcases how Portuguese artists embraced international trends like Cubism and Fauvism while simultaneously forging a unique national character. The vibrant compositions of Amadeo de Souza Cardoso, a pioneer of abstract art in Portugal, stand as a testament to this era of experimentation. The museum also celebrates the multifaceted genius of José de Almada Negreiros and the geometric precision of Nadir Afonso, demonstrating a dynamic interplay between global influences and local sensibilities. This progression from the soulful landscapes of the past to the bold, conceptual explorations of the present makes the collection a vital chronicle of a nation's changing social and political landscape.

    A Living Cultural Hub for the Contemporary Era

    Beyond its permanent treasures, the Museu do Chiado thrives as a vibrant cultural hub that actively engages with the pulse of contemporary creativity. It is not a static monument to the past but a living institution that fosters critical thinking through a dynamic program of temporary exhibitions and educational initiatives. Recent displays, such as

    “Noé Sendas. On Thin Ice”

    and

    "LISBOA DÜSSELDORF FACES,"

    highlight the museum's commitment to showcasing both established masters and emerging voices, ensuring that the dialogue between tradition and innovation remains unbroken.

    For collectors and enthusiasts, the museum offers a rare opportunity to witness the interconnectedness of European art movements. The inclusion of international figures like Auguste Rodin provides a valuable comparative perspective, placing Portuguese mastery within a broader continental context. Through workshops, lectures, and collaborative projects, the museum nurtures future generations of artists, ensuring that its mission extends far beyond the gallery walls. To visit the Museu do Chiado is to step into a space where history, art, and culture converge, offering an unforgettable encounter with the enduring beauty and resilience of Portuguese identity.

    Where to read more

    Find this online

    QR code linking to the download page for Self-portrait in red

    originaluniqueart.com/en/art/download/paula-rego-self-portrait-in-red-D66FKB-en/

    Cite this artwork

    MLA
    Rego, Paula Figueiroa. Self-portrait in red. 1962, National Museum of Contemporary Art - Museu do Chiado. https://originaluniqueart.com/en/art/paula-rego-self-portrait-in-red-D66FKB-en/
    APA
    Rego, Paula Figueiroa (1962). Self-portrait in red [Painting]. National Museum of Contemporary Art - Museu do Chiado. https://originaluniqueart.com/en/art/paula-rego-self-portrait-in-red-D66FKB-en/
    Chicago
    Paula Figueiroa Rego. Self-portrait in red. 1962. National Museum of Contemporary Art - Museu do Chiado. https://originaluniqueart.com/en/art/paula-rego-self-portrait-in-red-D66FKB-en/
    Harvard
    Rego, Paula Figueiroa (1962) Self-portrait in red. National Museum of Contemporary Art - Museu do Chiado. Available at: https://originaluniqueart.com/en/art/paula-rego-self-portrait-in-red-D66FKB-en/

    Look closely

    Self-portrait in red — Paula Figueiroa Rego

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: self-portrait, red background, collage technique. Do you agree? What would you add, or take away?
    4. Look back at Sleeping (1986), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Paula Figueiroa Rego was about 27 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Does "Self-portrait in red" by Paula Figueiroa Rego use strong contrasts or soft harmonies?

    The color analysis of "Self-portrait in red" by Paula Figueiroa Rego records a gentle contrast and a strong color unity harmony.

    At what size is "Self-portrait in red" suggested for a living room?

    For a living room, the recommended print size of "Self-portrait in red" by Paula Figueiroa Rego is large.

    Where does "Self-portrait in red" fall in Paula Figueiroa Rego's career?

    "Self-portrait in red" represents the Mature Period of Paula Figueiroa Rego.