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Student Artwork Guide

L

Name Class Date

Paul Sérusier, L (1906), Musée des Beaux-Arts de Quimper. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Paul Sérusier originaluniqueart.com/en/artists/paul-serusier/
Artist’s dates
1864 – 1927
Painted
1906
Held at
Musée des Beaux-Arts de Quimper originaluniqueart.com/en/museums/musee-des-beaux-arts-de-quimper-quimper/

In context

L — Paul Sérusier

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 63 at death.

Painted when the artist was 42. The artist lived to 63. 91 of the 124 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Paul Sérusier (1864–1927) ▲ this work, 1906 every dated painting, decade by decade

First works: up to 1890 Main working years: 1890–1906 Late works: from 1906

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/paul-serusier-l-D98EU3-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #875b49

    Catalogued palette

    • #875B49
    • #756F85
    • #2A2335
    • #533F43

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Quinacridone Magenta
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Paul Sérusier over the last twelve months — 13 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 70.2%
    2. 2 United States of America 10.6%
    3. 3 France 4.8%
    4. 4 Singapore 3.8%
    5. 5 Hong Kong 2.9%
    6. 6 Austria 1.0%
    7. 7 Belgium 1.0%
    8. 8 Canada 1.0%
    9. 9 Germany 1.0%
    10. 10 Spain 1.0%
    11. · 3 other countries 2.7%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Paul Sérusier

    1. 1 Still Life with Corn and Tomatoes, 1921 4.5%
    2. 2 Avenue de Neuilly 3.6%
    3. 3 Susanna and the Elders 3.6%
    4. 4 End of the day, 1893 2.7%
    5. 5 Fisherman on the Laita, 1890 2.7%
    6. 6 The Talisman, 1888 2.7%
    7. 7 La colline aux platanes, 1907 2.7%
    8. 8 Apple Harvest, 1891 2.7%
    9. 9 La Guirlande de roses, 1898 2.7%
    10. 10 Celtic Tale, 1894 1.8%
    11. 11 Colour Wheel 1.8%
    12. 12 Portrait of Paul Ranson, 1890 1.8%
    13. 13 Breton woman going to the washing place, 1890 1.8%
    14. 14 The Breton Weaver, 1888 1.8%
    15. 15 The Fairy and the Knight, 1912 1.8%
    16. 16 A Widow, 1919 1.8%
    17. 17 Still Life with Fruit and a Pitcher, 1913 1.8%
    18. 18 Portrait of Paul Ranson Dressed as a Prophet, 1890 1.8%
    19. 19 The Wall, 1890 1.8%
    20. — L, 1906 this painting 0.0%

    Together these works take 45.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 177 works by this artist, of which 74 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Paul Sérusier

    Born in Paris, France

    early life and education

    paul sérusier, a french painter, was born on november 9, 1864, in paris. he studied at the académie julian, where he became a monitor in the mid-1880s. this marked the beginning of his artistic journey, which would eventually lead him to pioneer abstract art and inspire the avant-garde nabis movement, synthetism, and cloisonnism.

    artistic career

    in the summer of 1888, sérusier traveled to pont-aven, where he joined a small group of artists centered around paul gauguin. under gauguin's close supervision, sérusier painted "the talisman," an extreme exercise in cloisonnism that approximated pure abstraction. this piece showcased his innovative style and willingness to experiment with new techniques. as a post-impressionist painter, sérusier was part of the group les nabis, alongside pierre bonnard, édouard vuillard, and maurice denis. although not as widely recognized as some of his peers, sérusier's contributions to the development of abstract art are undeniable.

    notable works and legacy

    some of sérusier's notable works include:

    l'averse (1893), musée d'orsay, paris

    portrait of paul ranson (1890), musée d'orsay, paris

    melancholy (1890)

    the snake eaters (1894), muzeum narodowe, warsaw

    sérusier's later years saw him teaching at the académie ranson and publishing his book "abc de la peinture" in 1921. he passed away on october 7, 1927, in morlaix.

    artistic movement and influence

    sérusier's work was influenced by cloisonnism, a style characterized by bold and flat forms separated by dark contours. this movement, which emerged in the late 19th century, played a significant role in shaping the development of modern art.

    explore more on cloisonnism: the cloisonnism art movement

    discover sérusier's work: paul serusier | AllPaintingsStore.com

    learn about the nabis movement: the nabis art movement

    key takeaways: * paul sérusier was a french painter who pioneered abstract art and inspired the nabis movement. he studied at the académie julian and later taught at the académie ranson. sérusier's work was influenced by cloisonnism, a style characterized by bold and flat forms.

    Museum

    Musée des Beaux-Arts de Quimper

    On show in Quimper, France

    A Breton Jewel: Discovering the Musée des Beaux-Arts de Quimper

    Nestled in the heart of Brittany, France, the Musée des Beaux-Arts de Quimper stands as a testament to both artistic legacy and architectural grace. Facing the majestic spire of Quimper Cathedral and adjacent to the Hôtel de Ville, this museum isn’t merely a repository of art; it's an immersive journey through centuries of European creativity. The story of its founding is itself remarkable—born from the extraordinary vision and generosity of Count Jean-Marie de Silguy, whose bequest in 1864 of over 1,200 paintings, 2,000 drawings, and 12,000 prints formed the very core of the museum’s initial holdings. Silguy's singular condition – that Quimper construct a suitable home for his collection – spurred the creation of an institution that would become one of western France’s principal art destinations. The building itself, designed by Joseph Bigot and completed in 1867, is a striking landmark, its elegant façade echoing the spiritual grandeur of the cathedral it faces. A significant renovation undertaken in 1993 by architect Jean-Paul Philippon embraced transparency as a guiding principle to enhance the viewing experience while preserving the building’s historical charm.

    A Collection of Distinction:

    The Musée des Beaux-Arts de Quimper boasts an impressively diverse collection, specializing in paintings from the 14th through the 20th centuries, with a particular strength in French, Italian, Flemish, and Dutch artistry. Wandering its halls is akin to traversing a landscape of artistic movements and styles.

    Masters of Baroque Drama:

    Immediately captivating visitors’ eyes is Peter Paul Rubens’s monumental The Martyrdom of Saint Lucy, a masterful depiction of Baroque fervor—a dramatic interplay of light and shadow that underscores the saint's unwavering faith amidst suffering. Alongside Rubens, works by Jacob Jordaens, Pieter Bruegel the Younger, and Frans Floris illuminate the vibrant spirit of Flemish painting.

    Italian Elegance & Mythological Tales:

    The museum’s Italian holdings reveal a refined sensibility—Francesco Bassano and Nicolò dell’Abate's canvases whisper tales of mythological grandeur, executed with meticulous detail and bathed in luminous color. These artists skillfully blend classical narratives with artistic innovation.

    The Romantic Spirit of France:

    French luminaries like François Boucher, Jean-Honoré Fragonard, Claude Joseph Vernet, and Hubert Robert capture the essence of the 18th century—a period defined by opulent décor and a fervent embrace of romantic ideals. Their paintings transport viewers to idealized landscapes and aristocratic salons.

    Beyond Painting: Sculpture & Drawings:

    Beyond its celebrated paintings, the Musée des Beaux-Arts de Quimper’s collection encompasses a comprehensive selection of sculptures from French schools of the 17th and 18th centuries—a testament to artistic craftsmanship. Furthermore, thousands of drawings and prints offer intimate glimpses into the creative process itself.

    A Legacy Rooted in Breton Identity & Artistic Innovation

    While embracing a broad European perspective, the Musée des Beaux-Arts de Quimper doesn’t neglect its regional heritage. The museum holds a significant collection of paintings inspired by Brittany itself—a vibrant reflection of the landscape and culture of this coastal region. Particularly noteworthy is the representation of the Pont-Aven School – a late 19th-century artistic movement that flourished in nearby Pont-Aven, attracting luminaries such as Paul Gauguin, Émile Bernard, and Maurice Denis. Their canvases—characterized by bold colors and simplified forms—express a profound connection to Breton nature and a spirit of experimentation.

    Notable Exhibitions & Ongoing Engagement

    The Musée des Beaux-Arts de Quimper’s commitment to showcasing this regional heritage alongside its international collection fosters an ongoing dialogue between artistic trends and local traditions. Temporary exhibitions regularly introduce fresh perspectives, stimulating intellectual curiosity and enriching the visitor experience. Currently undergoing a significant renovation scheduled for completion in spring 2026—with improved energy efficiency, updated facilities, and a reimagined display of its treasures—the museum promises an even more enhanced encounter with art history.

    More Than Just Art: A Cultural Hub

    The Musée des Beaux-Arts de Quimper is more than just a place to admire masterpieces; it’s a vibrant cultural hub for the city of Quimper and beyond. Guided tours offer invaluable insights into the collections, unraveling the stories behind the artworks and providing context for their historical significance. The museum's auditorium hosts lectures, concerts, and other events that enrich the visitor experience. A well-stocked bookstore provides opportunities to delve deeper into the world of art history and discover new artists.

    Where to read more

    Find this online

    QR code linking to the download page for L

    originaluniqueart.com/en/art/download/paul-serusier-l-D98EU3-en/

    Cite this artwork

    MLA
    Sérusier, Paul. L. 1906, Musée des Beaux-Arts de Quimper. https://originaluniqueart.com/en/art/paul-serusier-l-D98EU3-en/
    APA
    Sérusier, Paul (1906). L [Painting]. Musée des Beaux-Arts de Quimper. https://originaluniqueart.com/en/art/paul-serusier-l-D98EU3-en/
    Chicago
    Paul Sérusier. L. 1906. Musée des Beaux-Arts de Quimper. https://originaluniqueart.com/en/art/paul-serusier-l-D98EU3-en/
    Harvard
    Sérusier, Paul (1906) L. Musée des Beaux-Arts de Quimper. Available at: https://originaluniqueart.com/en/art/paul-serusier-l-D98EU3-en/

    Look closely

    L — Paul Sérusier

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Portrait of Paul Ranson (1890), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Paul Sérusier was about 42 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I preview "L" by Paul Sérusier before ordering?

    The Preview page of "L" lets you preview the artwork before ordering.

    Does the copyright of "L" by Paul Sérusier allow reproductions?

    "L" by Paul Sérusier, held at the Musée des Beaux-Arts de Quimper, is in the public domain - its copyright has expired. This status determines whether reproductions of the image may be made.

    Which color stands out most in "L"?

    quinacridone magenta (#875b49) is the leading color of "L" by Paul Sérusier.