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Student Artwork Guide

Green Apple

Name Class Date

Paul Richards, Green Apple (1994). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Paul Richards originaluniqueart.com/en/artists/paul-richards/
Artist’s dates
1949 –
Painted
1994
Original size
45 x 45 cm

In context

Green Apple — Paul Richards

How big is it?

The original measures 45 × 45 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 45. 1 of the 3 dated works by this artist in our catalogue came earlier.

▲ this work, 1994 every dated painting, decade by decade

Compare with

  • Head of David originaluniqueart.com/en/art/paul-richards-head-of-david-AQUJG6-en/
  • Dancers originaluniqueart.com/en/art/paul-richards-dancers-AQUJG8-en/
  • Blue Figure originaluniqueart.com/en/art/paul-richards-blue-figure-AQUJGG-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/paul-richards-green-apple-AQUJFW-en/

Colours

Measured from the image

    Main colour

    Driftwood #d9a75b

    Catalogued palette

    • #D9A75B
    • #8C9947
    • #664A61
    • #E8BA76

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Paul Richards over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 88.9%800 visits
    2. 2 United States of America 11.1%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by Paul Richards

    1. 1 Green Apple, 1994 this painting 20.0%200 visits
    2. 2 Blue Figure 20.0%200 visits
    3. 3 Portrait, 1990 20.0%200 visits
    4. 4 Head of Phillipa 10.0%100 visits
    5. 5 Dancers 10.0%100 visits
    6. 6 Head of Michael 10.0%100 visits
    7. 7 Seated Figure 10.0%100 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 12 works by this artist, of which 7 were looked at at least once. This painting ranks 1 of them, with 20.0% of that attention (200 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Paul Richards

    Paul Richards: A Portraitist of the Human Condition

    Paul Richards, born in 1949, is a British figurative painter whose work quietly yet powerfully explores the complexities of human experience through meticulously rendered portraits and evocative still lifes. His career, spanning several decades and marked by both critical recognition and a dedicated commitment to his craft, reveals an artist deeply attuned to the subtle nuances of observation and imbued with a profound respect for the subject matter he portrays. Richards’ artistic journey is intertwined with institutions like the Slade School of Fine Art, providing him with a rigorous foundation in technique while simultaneously fostering a spirit of independent exploration – a balance that informs his distinctive visual language.

    Early Influences and Artistic Training

    Richards' formal training began at St Martin’s School of Art and Maidstone School of Art, laying the groundwork for his later development as a painter. These early experiences exposed him to diverse artistic approaches, fostering an appreciation for both traditional techniques and emerging trends. Crucially, he spent time as an artist in residence at the Slade School of Fine Art, a prestigious institution renowned for its commitment to nurturing exceptional talent. This period proved formative, allowing Richards to hone his skills under experienced mentors and engage with a vibrant community of fellow artists. The influence of this rigorous training is evident in his precise draughtsmanship and careful attention to detail – hallmarks that characterize much of his work.

    A Palette of Observation: Style and Technique

    Richards’ style is immediately recognizable for its quiet intensity and understated elegance. He eschews dramatic gestures or overtly emotional displays, instead favoring a measured approach rooted in meticulous observation. His portraits are not simply likenesses; they are carefully constructed studies of character, capturing the essence of his subjects through subtle shifts in expression, posture, and gesture. Similarly, his still lifes – often featuring commonplace objects arranged with deliberate care – invite contemplation on themes of value, time, and mortality. Richards’ palette is typically restrained, utilizing a rich range of earthy tones and muted colors to create a sense of depth and atmosphere. He employs layering techniques, building up color gradually to achieve luminous effects and a remarkable sense of texture. His brushwork is often loose and expressive, yet always controlled, conveying both precision and spontaneity.

    Themes and Symbolism

    While Richards’ work resists easy categorization, recurring themes emerge across his oeuvre. The human condition – its vulnerabilities, complexities, and enduring spirit – consistently occupies center stage. He frequently explores the relationship between individuals and their surroundings, suggesting a deep awareness of the interconnectedness of life. Portraits often reveal a quiet dignity or a subtle melancholy, hinting at unspoken stories and hidden depths. His still lifes, too, carry symbolic weight, inviting viewers to consider the objects’ histories and their significance within the broader context of human experience. The use of light and shadow is particularly effective in creating mood and emphasizing key elements within his compositions.

    Recognition and Legacy

    Paul Richards' work has been exhibited widely throughout the United Kingdom, gaining recognition from both critics and collectors. His paintings are held in public collections, including those at the Tate Gallery and various regional museums, reflecting a growing appreciation for his distinctive artistic vision. Beyond his individual achievements, Richards’ career exemplifies a commitment to sustained practice and a dedication to exploring the profound questions of human existence through the language of painting. He continues to work today, demonstrating an unwavering passion for his craft and a remarkable ability to capture the essence of his subjects with quiet grace and enduring power. His legacy lies not only in the beauty of his paintings but also in their capacity to provoke reflection and invite viewers to engage with the complexities of the human experience.

    Where to read more

    • The artist Paul Richards originaluniqueart.com/en/artists/paul-richards/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/paul-richards-green-apple-AQUJFW-en/

    Find this online

    QR code linking to the download page for Green Apple

    originaluniqueart.com/en/art/download/paul-richards-green-apple-AQUJFW-en/

    Cite this artwork

    MLA
    Richards, Paul. Green Apple. 1994, https://originaluniqueart.com/en/art/paul-richards-green-apple-AQUJFW-en/
    APA
    Richards, Paul (1994). Green Apple [Painting]. https://originaluniqueart.com/en/art/paul-richards-green-apple-AQUJFW-en/
    Chicago
    Paul Richards. Green Apple. 1994. https://originaluniqueart.com/en/art/paul-richards-green-apple-AQUJFW-en/
    Harvard
    Richards, Paul (1994) Green Apple. Available at: https://originaluniqueart.com/en/art/paul-richards-green-apple-AQUJFW-en/

    Look closely

    Green Apple — Paul Richards

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Head of David, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Paul Richards was about 45 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    In what year was "Green Apple" by Paul Richards created?

    "Green Apple" by Paul Richards was created in 1994.

    What kind of colors does "Green Apple" use?

    The palette of "Green Apple" by Paul Richards is described as dark. It is a compact description of the work's colors.

    How light is "Green Apple" overall?

    In terms of perceived brightness, "Green Apple" by Paul Richards is bright.