Student Artwork Guide
Copyright This work is in the public domain. Pascal-Adolphe-Jean Dagnan-Bouveret died in 1929; copyright lasts 70 years after the artist’s death, so it ended in 1999.
In context
pardon — Pascal-Adolphe-Jean Dagnan-Bouveret
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 77 at death.
Shaded: the lifetime of Pascal-Adolphe-Jean Dagnan-Bouveret (1852–1929) every dated painting, decade by decade
First works: up to 1885 Main working years: 1885–1892 Late works: from 1892
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: originaluniqueart.com/en/art/similar/pascal-adolphe-jean-dagnan-bouveret-pardon-9GG6XM-en/
Measured from the image
Main colour
Rosy Brown #a7aaaa
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 88.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 86 works by this artist, of which 22 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Paris, France
Born: January 7, 1852, Paris, France
Died: July 3, 1929
Pascal-Adolphe-Jean Dagnan-Bouveret was a prominent French artist celebrated for his contributions to the naturalist school. His work is characterized by realism, meticulous detail, and depictions of everyday life, often infused with themes of Breton culture and religious contemplation. Raised initially in Paris, he later spent much of his career in the Franche-Comté region.
Family Background: Dagnan was raised by his grandfather after his father emigrated to Brazil. He subsequently adopted his grandfather's surname, Bouveret.
Formal Education: From 1869, he studied at the École des Beaux-Arts in Paris under renowned instructors Alexandre Cabanel and Jean-Léon Gérôme. This rigorous training provided a strong foundation in classical techniques.
Early Influences: His early works reflect the academic style prevalent during his studies, but he soon developed a distinct naturalist sensibility.
Emergence as a Naturalist Artist: Dagnan-Bouveret's career gained momentum with works like "An Accident" (1880), which earned him the first-class medal at the Salon, marking his arrival on the art scene.
Recognition and Awards: He continued to receive accolades, including a medal of honor for “Horses at the Watering Trough” in 1885.
Major Works: Several paintings stand out as representative of his style and themes:
"Woman in Breton Costume Seated in a Meadow" (Metropolitan Museum of Art, New York) - exemplifies his focus on Breton subjects.
“Les Bretonnes au Pardon” (Musée Calouste Gulbenkian, Lisbon) – captures the atmosphere of a traditional Breton religious festival.
"Portrait of Brittany Girl" – showcases his skill in portraiture and attention to detail.
"Hamlet and the Gravediggers" (1883) - demonstrates his ability to depict dramatic scenes from literature.
“In the Meadow” (1892) – a serene depiction of rural life.
"The Last Supper" (exhibited at the Salon de Champ-de-Mars in 1896) – a large-scale religious work demonstrating his ambition and skill.
Photography's Influence: Dagnan was an early adopter of photography, utilizing it as a tool to enhance realism in his paintings. He would photograph models dressed in period costumes, then use these images as references for his compositions.
Naturalism: Dagnan-Bouveret was a key figure in the naturalist movement, which sought to depict everyday life with unflinching realism, avoiding idealization or romanticism.
Breton Themes: A significant portion of his oeuvre focuses on Brittany, reflecting his fascination with its culture, landscapes, and religious traditions.
Religious Paintings: Later in his career, he increasingly turned to religious subjects, creating large-scale works like "The Last Supper" that drew inspiration from Renaissance masters.
Technical Skill: His paintings are characterized by meticulous detail, skillful rendering of light and shadow, and a sense of quiet observation.
Influence on Art: Dagnan-Bouveret's commitment to realism and his innovative use of photography influenced subsequent generations of artists.
Recognition: He achieved considerable success during his lifetime, receiving numerous awards and honors, including becoming an Officer of the Legion of Honour (1891) and a member of the Institut de France (1900).
Continued Appreciation: Today, his works are held in major museums worldwide, ensuring that his contribution to French art is remembered and appreciated.
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Look closely
pardon — Pascal-Adolphe-Jean Dagnan-Bouveret
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
"pardon" by Pascal-Adolphe-Jean Dagnan-Bouveret shows a monochromatic color intensity.
The luminance recorded for "pardon" by Pascal-Adolphe-Jean Dagnan-Bouveret is gentle luminance.
Statistics about "pardon" by Pascal-Adolphe-Jean Dagnan-Bouveret are on the artwork's Stats page: monthly visits of the artwork, visits of the artist's works, and country and language breakdowns of recent visitors.