Paper

Student Artwork Guide

Red bicicle

Name Class Date

Oscar Dominguez, Red bicicle. Reproduced for reference; rights reserved by the rights holder.

The facts

Artist
Oscar Dominguez originaluniqueart.com/en/artists/oscar-dominguez/
Artist’s dates
1906 – 1957

In context

Red bicicle — Oscar Dominguez

When might this have been painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950

Shaded: the lifetime of Oscar Dominguez (1906–1957)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Woman 1 originaluniqueart.com/en/art/oscar-dominguez-woman-1-8LT389-en/
  • Woman with Writing Desk originaluniqueart.com/en/art/oscar-dominguez-woman-with-writing-desk-8LT38E-en/
  • World Map originaluniqueart.com/en/art/oscar-dominguez-world-map-8LT38P-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/oscar-dominguez-red-bicicle-8LT34B-en/

Colours

Measured from the image

    Main colour

    Espresso #64393c

    Catalogued palette

    • #64393C
    • #CB8C59
    • #C8120F
    • #1E0D14
    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Oscar Dominguez

    Born in San Cristóbal de La Laguna, Spain

    Oscar Dominguez: A Life in Surrealism

    Early Life and Artistic Beginnings

    Oscar M. Domínguez, a Spanish surrealist painter, was born on January 3, 1906, in San Cristóbal de La Laguna, Tenerife, Canary Islands, Spain. His early life was significantly marked by a serious illness that affected his physical growth, leading to a progressive deformation of his facial bone structure and limbs. This experience profoundly influenced his artistic expression, imbuing it with a sense of fragility and the uncanny.

    Artistic Evolution and Influences

    Domínguez devoted himself to painting at a young age. At 21, he moved to Paris, immersing himself in the vibrant art scene. He initially worked in the central market of Les Halles while frequenting cabarets at night. This period was crucial for his artistic development as he attended art schools, visited galleries and museums, and drew inspiration from avant-garde painters like Yves Tanguy and Pablo Picasso. His early work showed a clear progression towards abstraction and experimentation with form.

    Embracing Surrealism

    In 1933, Domínguez met André Breton, the leading theoretician of Surrealism, and poet Paul Éluard. This encounter proved pivotal, solidifying his commitment to the surrealist movement. He actively participated in several key exhibitions, including those held in Copenhagen (1934), London, and Tenerife (1936). His work began to explore themes of dreams, subconscious desires, and the irrational.

    Notable Works and Artistic Style

    Domínguez developed a distinctive style characterized by dreamlike imagery, distorted forms, and innovative techniques. He is particularly known for his use of decalcomania – a technique involving pressing paint between two surfaces to create unexpected textures and patterns. Some of his most celebrated works include:

    The Infernal Machine (1937): This painting achieved significant recognition, selling for 2,770,000 FF (US $404,375) at auction in 2000.

    Roma's Portrait (1933): Another highly valued work, sold for £902,500 (US $1,469,270) at Christie’s in London in 2014.

    Personal Life and Tragic End

    Domínguez began a passionate affair with Marie-Laure de Noailles in 1952, who affectionately called him “Putchie.” Sadly, his life was cut short when he committed suicide by slitting his wrists on December 31, 1957. Marie-Laure arranged for his interment in the Bischoffsheim family mausoleum at the Montparnasse Cemetery.

    Legacy and Historical Significance

    Today, Oscar Domínguez’s works are held in numerous museums and private collections worldwide. His legacy as a Spanish surrealist painter continues to inspire artists and art enthusiasts alike. He is remembered for his unique contribution to the movement, particularly his innovative use of decalcomania and his exploration of psychological themes. His work offers a compelling glimpse into the anxieties and fascinations of the interwar period.

    Where to read more

    • The artist Oscar Dominguez originaluniqueart.com/en/artists/oscar-dominguez/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/oscar-dominguez-red-bicicle-8LT34B-en/

    Find this online

    QR code linking to the download page for Red bicicle

    originaluniqueart.com/en/art/download/oscar-dominguez-red-bicicle-8LT34B-en/

    Cite this artwork

    MLA
    Dominguez, Oscar. Red bicicle. n.d., https://originaluniqueart.com/en/art/oscar-dominguez-red-bicicle-8LT34B-en/
    APA
    Dominguez, Oscar (n.d.). Red bicicle [Painting]. https://originaluniqueart.com/en/art/oscar-dominguez-red-bicicle-8LT34B-en/
    Chicago
    Oscar Dominguez. Red bicicle. n.d. https://originaluniqueart.com/en/art/oscar-dominguez-red-bicicle-8LT34B-en/
    Harvard
    Dominguez, Oscar (n.d.) Red bicicle. Available at: https://originaluniqueart.com/en/art/oscar-dominguez-red-bicicle-8LT34B-en/

    Look closely

    Red bicicle — Oscar Dominguez

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: colour. Do you agree? What would you add, or take away?
    4. Look back at Woman 1, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.