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Student Artwork Guide

Wirbelwerk

Name Class Date

Ólafur Elíasson, Wirbelwerk (2013), Lenbachhaus. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Ólafur Elíasson originaluniqueart.com/en/artists/olafur-eliasson/
Artist’s dates
1967 –
Painted
2013
Original size
811 x 813 cm
Period
Contemporary
Held at
Lenbachhaus originaluniqueart.com/en/museums/lenbachhaus-munich/
Artistic Style
Installation art
Influences
Gestalt psychology
Notable Elements
Spiral design
Subject/Theme
Perception & Light

In context

Wirbelwerk — Ólafur Elíasson

How big is it?

The original measures 811 × 813 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 46. 2 of the 4 dated works by this artist in our catalogue came earlier.

▲ this work, 2013 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/olafur-eliasson-wirbelwerk-D3VCUW-en/

Colours

Measured from the image

    Main colour

    Espresso #393220

    Catalogued palette

    • #393220
    • #999A8F
    • #D4DEE2
    • #765D36

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Ólafur Elíasson over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%
    2. 2 Sweden 50.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Ólafur Elíasson

    1. 1 The presence of absence pavilion 50.0%
    2. 2 The presence of absence pavilion 25.0%
    3. 3 Wirbelwerk, 2013 this painting 25.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 8 works by this artist, of which 3 were looked at at least once. This painting ranks 3 of them, with 25.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Wirbelwerk — Ólafur Elíasson

    Wirbelwerk: A Dance of Light and Geometry by Ólafur Eliasson

    Ólafur Eliasson’s “Wirbelwerk,” created in 2012 for the Lenbachhaus museum in Munich, isn't merely a sculpture; it’s an orchestrated experience. This monumental installation immediately captivates with its sheer scale – spanning over eight meters in diameter and descending nearly nine meters below – yet manages to feel remarkably intimate as visitors are drawn into its swirling embrace. The work is a testament to Eliasson’s signature approach: a masterful blend of science, perception, and the evocative power of light and space. It's an invitation to reconsider our relationship with the world around us, prompting a moment of quiet contemplation amidst the bustle of a museum setting.

    At its core, “Wirbelwerk” is built upon a complex system of polished metal tubes – hundreds of them – meticulously arranged in opposing spirals. These aren’t simply lines; they are conduits for light, each tube subtly tinted with color, creating an iridescent shimmer as it catches the ambient illumination. Interwoven within this metallic framework are hand-blown coloured glass triangles, strategically positioned to refract and scatter light further, adding layers of complexity and visual richness. The entire structure is bathed in a carefully calibrated internal lighting system, shifting and evolving throughout the day, mirroring the natural rhythms of sunlight and shadow.

    The Language of Motion: Vortexes and Perception

    Eliasson’s fascination with movement – particularly the dynamic forms of vortexes and spirals – is central to “Wirbelwerk.” He draws inspiration from phenomena observed in nature, such as the swirling patterns of water currents or the graceful rotation of schools of fish. The installation subtly mimics these natural movements, creating an illusion of perpetual motion that engages the viewer’s sense of spatial awareness. The geometry itself—the precise spirals and intersecting lines—references principles of Gestalt psychology, demonstrating how our brains actively interpret visual information to create a cohesive whole. It's not just about seeing; it’s about feeling the movement within the space.

    A Dialogue with Light and Space

    The brilliance of “Wirbelwerk” lies in its interaction with the surrounding environment. The installation is designed to respond dynamically to changes in light, casting shifting patterns of color and shadow onto the museum’s walls and floors. This creates a constantly evolving visual landscape, transforming the space into an immersive experience. Eliasson deliberately blurs the boundaries between art and architecture, turning the entire atrium into a single, unified artwork. The work invites viewers to become active participants in this dynamic interplay of light and form, altering their perception of the room with each movement.

    Symbolism and Emotional Resonance

    Beyond its technical sophistication, “Wirbelwerk” carries a subtle symbolic weight. The swirling forms evoke notions of transformation, fluidity, and interconnectedness – mirroring the cyclical nature of life itself. The installation’s scale encourages a sense of awe and wonder, prompting viewers to momentarily step outside their everyday concerns and embrace a more expansive perspective. It's a reminder of our inherent connection to the natural world, and a celebration of the beauty and complexity that surrounds us. The piece ultimately leaves one with a feeling of quiet contemplation, a lingering awareness of the intricate dance between light, space, and perception.

    Artist and museum

    Artist

    Ólafur Elíasson

    Born in Copenhagen, Denmark

    Ólafur Elíasson: A Biography

    Early Life and Education

    Born in Copenhagen, Denmark in 1967 to Icelandic parents, Elías Hjörleifsson and Ingibjörg Olafsdottir.

    Spent formative years navigating dual cultural identities – Danish and Icelandic.

    Showed early artistic promise with his first solo exhibition at age 15.

    Studied at the Royal Danish Academy of Fine Arts from 1989 to 1995, a period crucial for developing his conceptual approach.

    Artistic Development and Influences

    Elíasson’s work evolved from early landscape drawings to large-scale installations exploring perception, light, and natural phenomena.

    Influenced by phenomenology and Gestalt psychology, focusing on how viewers experience space and reality.

    Collaboration with architect Einar Thorsteinn significantly impacted his geometric works and spatial designs.

    Inspired by artists like Robert Irwin and James Turrell who also manipulate perception through light and space.

    Key Themes and Artistic Style

    Central themes include the relationship between humans and nature, artificial versus natural environments, and the subjective experience of reality.

    His style is characterized by large-scale installations that often incorporate elemental materials like light, water, air temperature, and mirrors.

    Immersive experiences are a hallmark of his work, inviting viewers to actively participate in and question their surroundings.

    Frequently blends art with scientific inquiry, exploring concepts from physics, optics, and meteorology.

    Major Achievements and Notable Works

    Represented Denmark at the 50th Venice Biennale in 2003, gaining international recognition.

    “The Weather Project” (2003) at Tate Modern’s Turbine Hall – a monumental installation creating an artificial sun and sky, becoming one of his most iconic works.

    Designed the Serpentine Gallery Pavilion in 2007, showcasing innovative architectural design.

    Created “New York City Waterfalls” (2008), transforming Manhattan’s waterfront with cascading waterfalls.

    Co-founded Studio Other Spaces with Sebastian Behmann, expanding his practice into architecture and urban interventions.

    Designed the Harpa Concert Hall in Reykjavik, Iceland – a stunning architectural landmark.

    Historical Significance and Legacy

    Elíasson is considered one of the most influential contemporary artists working today.

    His work challenges traditional notions of art by blurring boundaries between disciplines—art, science, architecture, and environmentalism.

    He has sparked important conversations about climate change, sustainability, and our relationship with the natural world.

    Continues to push the boundaries of artistic practice through innovative installations, architectural projects, and public interventions.

    Currently a professor at the Berlin University of the Arts, nurturing future generations of artists and thinkers.

    Museum

    Lenbachhaus

    On show in Munich, Germany

    A Sanctuary of German Modernism: Exploring the Lenbachhaus

    Nestled in the heart of Munich, Germany, the Städtische Galerie im Lenbachhaus is more than just a museum; it’s an immersion into the vibrant soul of early 20th-century art. Housed within a stunning villa originally designed by the prominent portrait painter Franz von Lenbach himself, the museum offers visitors a uniquely intimate encounter with masterpieces of German Expressionism and beyond. The building's very walls seem to whisper stories of artistic innovation and intellectual ferment, creating an atmosphere that is both historically resonant and profoundly inspiring. From its origins as a private residence to its evolution into a leading public art institution, the Lenbachhaus embodies Munich’s rich cultural heritage and enduring commitment to artistic expression. It’s a place where history isn't merely displayed but felt, woven into the fabric of the building itself.

    The Blue Rider and Beyond: A Collection of Revolutionary Vision

    The renown of the Lenbachhaus rests largely on its unparalleled collection of works from

    Der Blaue Reiter

    (The Blue Rider), a pivotal movement that irrevocably altered the course of modern art. Here, one can lose oneself in the pioneering abstract compositions of Wassily Kandinsky, where color and form dance in harmonious chaos, expressing an inner spiritual reality. These aren’t simply paintings; they are visual poems, explorations of synesthesia, and attempts to capture the essence of emotion through pure abstraction. Alongside Kandinsky’s groundbreaking work, the museum showcases the deeply symbolic animal paintings of Franz Marc, imbued with a sense of longing and connection to nature – images that resonate with a primal understanding of our place within the natural world. The expressive landscapes and portraits of Gabriele Münter offer further insight into the group's shared aesthetic vision, while works by other key figures like August Macke and Alexej von Jawlensky complete this extraordinary assemblage. But the Lenbachhaus doesn’t stop at

    The Blue Rider

    . It also boasts an extensive collection dedicated to the influential artist Joseph Beuys, whose thought-provoking sculptures and installations challenge conventional notions of art and its role in society – a legacy that continues to inspire artists today. A significant selection of 19th-century paintings provides essential historical context, demonstrating the artistic lineage that informed the radical innovations of the modern era.

    A Villa Transformed: Architecture as an Artistic Experience

    The Lenbachhaus itself is a work of art. Originally conceived as a Florentine Renaissance-style villa for Franz von Lenbach in 1887, the building exudes elegance and charm. Designed by Gabriel von Seidl, it reflects the tastes of a successful portrait painter—grand yet inviting, refined yet comfortable. Subsequent expansions and renovations, most notably those completed in 2013 under the direction of Norman Foster, have seamlessly integrated modern gallery spaces with the villa’s historical character. The new addition, clad in metal tubes that subtly shift color over time, creates a striking contrast while remaining respectful of the original architecture. This careful balance between old and new enhances the visitor experience, allowing for a dynamic interplay between the art on display and the building that houses it. Walking through its rooms is akin to stepping back in time while simultaneously embracing the present—a testament to thoughtful preservation and innovative design. The architectural narrative itself becomes part of the artistic journey, mirroring the evolution of artistic thought within the collection.

    A Living Legacy: Exhibitions and Engagement

    The Lenbachhaus isn’t simply a repository of past masterpieces; it's a dynamic cultural hub that actively engages with contemporary artistic practices. In addition to its permanent collection, the museum hosts a rotating program of temporary exhibitions exploring diverse themes and showcasing emerging talent. These exhibitions often delve into pressing social and political issues, fostering dialogue and critical thinking among visitors. The museum also offers a wide range of educational programs designed to appeal to audiences of all ages, including guided tours led by expert art historians, hands-on workshops for children, and insightful lectures that illuminate the complexities of modern art. This commitment to education ensures that the Lenbachhaus remains a vital resource for both scholars and casual art enthusiasts alike. It’s a space where art isn't just observed but experienced, discussed, and understood on multiple levels.

    A Unique Munich Experience

    What truly sets the Lenbachhaus apart is its ability to create an immersive experience—a journey into the heart of artistic creation. It’s a place where history, architecture, and art converge to inspire wonder and provoke thought. Whether you are a seasoned collector seeking rare examples of Expressionist painting, an interior designer searching for inspiration in bold color palettes and dynamic compositions, or simply an art lover eager to discover new perspectives, the Lenbachhaus offers something truly special. It’s a Munich treasure that deserves to be explored, savored, and revisited time and again – a testament to the enduring power of artistic vision.

    Where to read more

    Find this online

    QR code linking to the download page for Wirbelwerk

    originaluniqueart.com/en/art/download/olafur-eliasson-wirbelwerk-D3VCUW-en/

    Cite this artwork

    MLA
    Elíasson, Ólafur. Wirbelwerk. 2013, Lenbachhaus. https://originaluniqueart.com/en/art/olafur-eliasson-wirbelwerk-D3VCUW-en/
    APA
    Elíasson, Ólafur (2013). Wirbelwerk [Painting]. Lenbachhaus. https://originaluniqueart.com/en/art/olafur-eliasson-wirbelwerk-D3VCUW-en/
    Chicago
    Ólafur Elíasson. Wirbelwerk. 2013. Lenbachhaus. https://originaluniqueart.com/en/art/olafur-eliasson-wirbelwerk-D3VCUW-en/
    Harvard
    Elíasson, Ólafur (2013) Wirbelwerk. Lenbachhaus. Available at: https://originaluniqueart.com/en/art/olafur-eliasson-wirbelwerk-D3VCUW-en/

    Look closely

    Wirbelwerk — Ólafur Elíasson

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: glass sculpture, vortex, perception. Do you agree? What would you add, or take away?
    4. Look back at The presence of absence pavilion, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Ólafur Elíasson was about 46 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Wirbelwerk — Ólafur Elíasson

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What is the primary subject matter depicted in the image of ‘Wirbelwerk’?

      • A A solitary human figure contemplating a vast space.
      • B An intricate network of colored glass tubes creating a dynamic, swirling pattern.
      • C A detailed portrait of Ólafur Eliasson.
    2. 2. The installation ‘Wirbelwerk’ is located within which museum?

      • A The Louvre Museum in Paris.
      • B The Lenbachhaus Museum in Munich.
      • C The Tate Modern in London.
    3. 3. What material is predominantly used to construct the ‘Wirbelwerk’ sculpture?

      • A Bronze and marble.
      • B Polished metal tubes and hand-blown colored glass triangles.
      • C Wood and acrylic paint.
    4. 4. According to the provided text, what does ‘Wirbelwerk’ evoke in terms of natural phenomena?

      • A The movement of tectonic plates.
      • B The dynamic energy of a vortex or spiral.
      • C The formation of clouds.
    5. 5. Ólafur Eliasson’s work often explores how viewers perceive space and reality. Which artistic movement influenced his approach?

      • A Impressionism.
      • B Cubism
      • C Phenomenology and Gestalt psychology.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2B · 3B · 4B · 5C

    Check any answer against the catalogue record for this painting

    Questions & Answers

    Who sells hand-painted copies of "Wirbelwerk" by Ólafur Elíasson?

    Hand-painted copies of "Wirbelwerk" by Ólafur Elíasson are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.

    What is the emotional tone of "Wirbelwerk" by Ólafur Elíasson?

    The emotional tone recorded for "Wirbelwerk" by Ólafur Elíasson is tranquil. It summarizes the feeling the work expresses.

    From which country does the Contemporary Installation work "Wirbelwerk" come?

    "Wirbelwerk" was created by Ólafur Elíasson, born in Denmark, within the Contemporary Installation movement. The artist's origin links the work to Contemporary Installation as practiced by artists from Denmark.