Student Artwork Guide
Copyright This work is in the public domain. Ogata Kōrin died in 1716; copyright lasts 70 years after the artist’s death, so it ended in 1786.
In context
Hotei — Ogata Kōrin
The original measures 29 × 37 cm (height × width), drawn here beside an adult of average height.
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 58 at death.
Painted when the artist was 46. The artist lived to 58. 5 of the 10 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Ogata Kōrin (1658–1716) ▲ this work, 1704 every dated painting, decade by decade
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: originaluniqueart.com/en/art/similar/ogata-korin-hotei-D32EFE-en/
Measured from the image
Main colour
Rosy Brown #c6ad94
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 24 works by this artist, of which 10 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
About this artwork
Hotei — Ogata Kōrin
Hotei (Chinese: Budai) is one of the most beloved characters of Zen Buddhism and is believed to be an avatar of Maitreya, the Buddha of the Future. Potbellied with a shaven head, this cheerful, blissful monk is said to have roamed the countryside in the late ninth to early tenth century in the area of Mount Siming, in southern China, carrying his few belongings in a patched cloth bag. Hotei was probably first portrayed in painting soon after his death and later entered the folklore of China and Japan as one of the Seven Gods of Good Fortune (Shichi fukujin). In his ink paintings of august East Asian mythological and historical personages, Ogata Kōrin often portrayed the seven gods in a more playful aspect, as seen here.
Artist and museum
Born in Kyoto, Japan
Ogata Kōrin (1658-1716) stands as a pivotal figure in Japanese art history, a master whose vibrant paintings and innovative designs profoundly shaped the Rinpa school. Born into a wealthy merchant family dedicated to textiles in Kyoto, Kōrin’s artistic journey was one of late blossoming, transforming him from a youthful dilettante into a celebrated artist renowned for his breathtaking byōbu folding screens and exquisite depictions of nature. His legacy endures not only through his iconic works but also through his influence on generations of artists, most notably Sakai Hōitsu, who championed and popularized Kōrin’s distinctive style.
Kōrin's early life was steeped in the traditions of Kyoto’s elite. His father, Ogata Sōken, a respected calligrapher and patron of Noh theater, instilled in his sons an appreciation for the arts. While initially more inclined towards social pursuits, Kōrin received a formal artistic education, likely influenced by the teachings of the Kanō school, though definitive proof remains elusive. Crucially, he was deeply impacted by the works of his great-granduncle, Hon'ami Kōetsu, and the painter Tawaraya Sōtatsu – the foundational figures of the Rinpa school itself. These predecessors’ emphasis on naturalism, meticulous detail, and a revolutionary approach to color theory served as the bedrock for Kōrin’s own artistic development.
Kōrin's emergence as a significant artist occurred later in life, around 1701-1705. This period witnessed the creation of his most celebrated works, including the iconic “Irises” (a pair of six-panel byōbu screens now designated a National Treasure). These paintings are not merely representations of nature; they are meticulously constructed compositions brimming with symbolism and demonstrating Kōrin’s mastery of color, texture, and perspective. The vibrant hues, achieved through the skillful use of mineral pigments and organic materials on silk or paper, were revolutionary for their time, moving away from the more restrained palettes favored by earlier schools.
Beyond “Irises,” Kōrin's oeuvre encompasses a diverse range of subjects – plum blossoms, cranes and pine trees (a traditional symbol of longevity), and even scenes depicting everyday life. However, it is his folding screens that truly define his artistic legacy. The “Red and White Plum Blossoms” screens (painted circa 1714-1715) exemplify this mastery, showcasing a dynamic interplay of color and form within a carefully orchestrated composition. These works are not simply decorative; they represent a sophisticated understanding of aesthetics and symbolism, reflecting the values of the Edo period.
Kōrin’s artistic technique was characterized by an extraordinary attention to detail and a profound understanding of materials. He employed a unique approach to color mixing, utilizing mineral pigments – such as safflower red, ultramarine blue, and malachite green – alongside organic dyes to achieve astonishingly rich and luminous effects. His use of gold leaf, meticulously applied to the paper, added an ethereal quality to his paintings, creating a shimmering depth that captivated viewers.
Furthermore, Kōrin’s mastery extended beyond painting; he was also a skilled lacquerer and designer of decorative objects like makie (relief designs) and inrō (medicine cases). These works demonstrate his versatility and his ability to seamlessly integrate artistic principles across various mediums. His innovative approach to design—particularly in the realm of textiles—influenced fashion trends throughout the Edo period.
Ogata Kōrin’s impact on Japanese art is immeasurable. He didn't merely continue a tradition; he revitalized and consolidated the Rinpa school, establishing it as a dominant force in the artistic landscape of his time. His work served as a model for subsequent generations of artists, most notably Sakai Hōitsu, who meticulously copied Kōrin’s paintings and disseminated his style throughout Japan. Hōitsu's efforts ensured that Kōrin’s legacy would endure long after the artist’s death.
Today, Kōrin’s masterpieces are housed primarily at the Museum of Art in Atami, Shizuoka Prefecture, a testament to their enduring value and significance. His work continues to inspire artists and art enthusiasts alike, offering a glimpse into the vibrant world of Edo-period Japan and the genius of one of its most celebrated painters.
Irises
(1701-1705): A pair of six-panel byōbu screens, National Treasure.
Red and White Plum Blossoms
(1714 or 1715): A pair of two-panel byōbu folding screens.
Wind God and Thunder God
(c. 1700): A monumental pair of byōbu screens, now in the Tokyo National Museum.
Cranes, Pines, and Bamboo
: A classic example of Rinpa style, showcasing longevity symbols.
originaluniqueart.com/en/art/download/ogata-korin-hotei-D32EFE-en/
Look closely
Hotei — Ogata Kōrin
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
The artist behind "Hotei" is Ogata Kōrin. The work is catalogued under Ogata Kōrin's name.
"Hotei" by Ogata Kōrin is recorded with a subtle color saturation.
The color intensity of "Hotei" is balanced. Intensity describes how strong the colors appear.