Copyright This work is still under copyright. Michal Trembáč died in 2015; copyright lasts 70 years after the artist’s death, so it remains in force until 2085. The image is shown here for classroom reference; rights remain with the rights holder.
In context
Object 9. — Michal Trembáč
The original measures 38 × 55 cm (height × width), drawn here beside an adult of average height.
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 86 at death.
Painted when the artist was 37. The artist lived to 86. 13 of the 33 dated works by this artist in our catalogue came earlier.
Shaded: the lifetime of Michal Trembáč (1929–2015) ▲ this work, 1966 every dated painting, decade by decade
First works: up to 1962 Main working years: 1962–1983 Late works: from 1983
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: originaluniqueart.com/en/art/similar/object-9-by-michal-trembac/
Measured from the image
Main colour
Phthalo Green #312b1d
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 33 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Michal Trembáč was a man of many forms, expressing his vision through the mediums of painting, graphic art, and sculpture. Born on September 21, 1929, he spent his life developing a visual language that spanned several decades. His creative output was diverse, moving between the delicate precision of graphic work and the physical presence of sculpture. He remained active in his craft until his passing in 2015.
Throughout his career, Trembáč focused on a variety of genres. He often turned his attention to the landscape, capturing the essence of the natural world. His work also extended into other areas of painting, showing a versatility that allowed him to explore different subjects and textures. This breadth of practice suggests a life spent observing the world from many different angles, whether through the lens of a painter or the hands of a sculptor.
Michal Trembáč often turned his attention to the quiet rhythms of daily life and the natural landscape. In the early 1960s, his work captured many different facets of existence, from the simple beauty of a Kytica (1962) to the more introspective moods found in Zamyslená (1962). He had a way of looking at the world that felt grounded and observant. His 1962 landscape, Krajina, and the depiction of a Dvor from that same year show a focus on the spaces people inhabit and the light that settles upon them. Even in a piece like Svadba (1964), there is a sense of documenting a specific, lived moment.
As his career progressed, his subjects continued to reflect both the external environment and internal states of being. He moved between the physical world and more abstract reflections, such as the 1965 work Meditácia. Later, in 1972, he produced Radar č.5, showing a different side of his creative output. By 1977, his work Behind the Road demonstrated his continued engagement with the landscape, capturing a sense of place that felt deeply connected to the terrain.
Kytica (1962)
Zamyslená (1962)
Krajina (1962)
Dvor (1962)
Svadba (1964)
Meditácia (1965)
The legacy of Michal Trembáč is held within several significant institutions that preserve his visual contributions. His presence is most felt in the Tatra Gallery, Poprad, which maintains a substantial collection of 23 of his works. This concentration of his output provides a deep look into the themes he explored throughout his career. Another important repository is the Gallery of Spis Artists, Spišská Nová Ves, where five of his pieces are kept for public viewing.
Beyond these regional collections, his work has found a place in larger national and specialized galleries. The Východoslovenská galéria (VSG) holds his painting titled Radar č.5. His landscape work, Behind the Road, is part of the collection at the SNG. These placements ensure that his perspective remains accessible to those studying the art of the region.
Radar č.5
Behind the Road
Tracing the market history of Michal Trembáč reveals a very specific and consistent pattern in how his pieces find new homes. Recent auction data shows a remarkably steady valuation for his work. The average price for a piece has been recorded at 7 298 Kč, a figure that is mirrored by the median item price. This consistency suggests a stable demand for his paintings among collectors who seek his specific perspective.
The data also points to a high level of interest when his works appear for sale. Currently, the sale success rate stands at 100%, based on recorded transactions. This perfect success rate reflects a direct alignment between the value placed on his art and what buyers are willing to pay. Even the highest achieved price recorded in these statistics remains at the 7 298 Kč mark, illustrating a very predictable and focused market for his output.
On show in Poprad, Slovak Republic
Nestled within the striking, industrial framework of
Elektráreň TG
—a former power plant in Poprad—the
stands as a profound testament to the resilience and evolution of Slovak artistic heritage. To step into this space is to enter a dialogue between the past and the present, where the soaring brick towers and rugged architecture of a repurposed energy plant provide a dramatic, almost cinematic backdrop for the contemplation of fine art. This institution defies the conventional, sterile notions of museum spaces, offering instead a vibrant hub where the echoes of heavy industry meet the delicate nuances of creative expression. It is a place where the weight of history is balanced by the lightness of innovation, attracting a global audience captivated by its unique ability to reimagine cultural significance within unexpected contexts.
The architectural alchemy of the gallery is perhaps its most defining characteristic. The designers of the Elektráreň TG space deliberately utilized the industrial skeleton to maximize natural light, allowing sunlight to dance across the artworks and enhance their visual impact. For interior designers and lovers of aesthetic harmony, the gallery serves as a masterclass in juxtaposition, demonstrating how the ruggedness of industrial brickwork can beautifully complement the ethereal beauty of
Impressionist
strokes or the sharp lines of modern sculpture. This thoughtful integration of light and shadow creates a sensory experience that transcends mere viewing; it becomes an atmospheric encounter where the very bones of the building shape the perception of the art held within.
The collection itself serves as a sweeping narrative of the Slovak spirit, prioritizing works that reflect the distinctive textures and emotions of the region. Visitors are invited on an immersive journey through stylistic evolutions, ranging from the early 20th century to the most daring contemporary creations. The gallery’s breadth—spanning painting, sculpture, and printmaking—ensures that every corner offers a new layer of discovery for the discerning collector or art enthusiast.
Among its most celebrated holdings are the masterpieces of artists who epitomize the power of Slovak expressionism:
Albin Brunovsky
: Whose meticulous woodcuts and drawings capture raw, visceral emotion with a precision that commands silence.
Ludovit Fulla
: Whose canvases burst forth with bold colors and dynamic compositions, establishing him as a pivotal figure in modern art.
Beyond its permanent treasures, the Tatra Gallery continues to enrich the cultural landscape through large-scale multimedia projects and events held at Elektráreň TG. By embracing the latest art tendencies in the world, the institution cooperates with various foreign galleries and institutions, extending its reach into the realms of modern dance, music, film, and theatre. It remains a vital sanctuary for culture, systematically enriching the information on both traditional and modern artistic tendencies within the East Slovak region.
Every fact we hold on Object 9. by Michal Trembáč, on its artwork page
originaluniqueart.com/en/art/download/object-9-by-michal-trembac/
For art students and researchers
Object 9. — Michal Trembáč
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
The copyright status of "Object 9." by Michal Trembáč is clear: the work is still protected by copyright. Its presence at the Tatra Gallery does not change that status.
The Similars page of "Object 9." by Michal Trembáč presents related artworks.
The copyright answer for "Object 9." by Michal Trembáč: the work is still protected by copyright. This determines whether reproductions of the image may be freely made.
"Object 9." was created by Michal Trembáč. The information on this page describes Michal Trembáč's original work.
"Object 9." by Michal Trembáč uses an earthy color palette. The palette summarizes the work's overall color character.