Paper

Student Artwork Guide

The gossips

Name Class Date

Norman Rockwell, The gossips. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Norman Rockwell originaluniqueart.com/en/artists/norman-rockwell/
Artist’s dates
1894 – 1978
Movement
Regionalism American painters turning away from Europe to paint their own small towns and farmland.

In context

The gossips — Norman Rockwell

When might this have been painted?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 84 at death.

Shaded: the lifetime of Norman Rockwell (1894–1978) every dated painting, decade by decade

First works: up to 1927 Main working years: 1927–1951 Late works: from 1951

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/norman-rockwell-the-gossips-8XYMZF-en/

Colours

Measured from the image

    Main colour

    Putty #eae3d4

    Catalogued palette

    • #EAE3D4
    • #3C362C
    • #D2C09D
    • #AB7C4A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Norman Rockwell over the last twelve months — 46 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 27.6%
    2. 2 France 6.6%
    3. 3 United States of America 6.6%
    4. 4 Mexico 6.2%
    5. 5 Spain 5.6%
    6. 6 Austria 5.3%
    7. 7 Japan 4.9%
    8. 8 Italy 4.3%
    9. 9 Colombia 3.3%
    10. 10 South Korea 3.3%
    11. · 36 other countries 26.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Norman Rockwell

    1. 1 Freedom from want 43.4%
    2. 2 Girl with black eye 4.2%
    3. 3 April Fool Girl with Shopkeeper, 1948 3.1%
    4. 4 The Runaway, 1958 2.8%
    5. 5 breaking home ties 2.8%
    6. 6 breaking home ties 1.9%
    7. 7 Boy in A dining Car 1.7%
    8. 8 The Bookworm (Man with Nose in Book), 1926 1.4%
    9. 9 The problem we all live with, 1964 1.2%
    10. 10 The watchmaker of Switzerland 1.2%
    11. 11 No swimming, 1921 0.9%
    12. 12 Willie Gillis in College, 1946 0.9%
    13. 13 Girl at Mirror, 1954 0.9%
    14. 14 Going and Coming, 1947 0.9%
    15. 15 Pride Of Parenthood 0.9%
    16. 16 The gossips this painting 0.9%
    17. 17 Christmas Homecoming 0.7%
    18. 18 Trumpet Practice 0.7%
    19. 19 They Remembered Me, 1917 0.7%
    20. 20 Save freedom of worship. Buy war bonds., 1943 0.7%

    Together these works take 71.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 397 works by this artist, of which 111 were looked at at least once. This painting ranks 16 of them, with 0.9% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Norman Rockwell

    Born in New York, United States of America

    A Mirror to the American Soul: The Life and Legacy of Norman Rockwell

    Norman Percevel Rockwell, born in New York City in 1894, wasn’t merely an illustrator; he was a visual chronicler of the American experience. From his earliest ambitions as a young boy sketching in notebooks to his decades-long association with The Saturday Evening Post, Rockwell possessed an uncanny ability to capture the essence of everyday life, transforming seemingly mundane moments into iconic representations of national identity. His lineage traced back to John Rockwell, who arrived in colonial North America in 1635, suggesting a deep-rooted connection to the nation’s formative years—a connection that would profoundly influence his artistic vision. Rockwell's formal training began at the age of fourteen with enrollment at the Chase Art School, followed by studies at the National Academy of Design and the Art Students League, where he honed his skills under the tutelage of masters like Thomas Fogarty and Frank Vincent Dumond. These foundational years instilled in him a mastery of technique that would serve as the bedrock for his narrative storytelling.

    Illustrating an Ideal: Rockwell’s Artistic Development

    Rockwell's career blossomed with his first Saturday Evening Post cover in 1916, marking the beginning of a remarkable partnership that spanned nearly half a century and yielded over 300 covers. These weren’t simply illustrations; they were windows into an idealized America—a world of wholesome families, charming small towns, and enduring values. His early work often featured lighthearted scenes, imbued with a gentle humor and warmth that resonated deeply with the American public. However, Rockwell's artistic scope extended far beyond idyllic depictions. As the nation navigated turbulent times – two World Wars, the Great Depression, and the Civil Rights Movement – his art began to reflect these complexities. The Willie Gillis series, for example, offered a poignant portrayal of an ordinary soldier’s experiences during World War II, humanizing the conflict and capturing the anxieties and hopes of a generation. His wartime contributions weren't limited to character studies; the Four Freedoms paintings—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—became powerful symbols of American ideals, raising over $130 million for war relief through their widespread exhibition and reproduction.

    Beyond Sentimentality: Confronting Social Realities

    While often celebrated for his nostalgic depictions of Americana, Rockwell was not immune to criticism. Some dismissed his work as overly sentimental or lacking in artistic depth. However, a closer examination reveals a willingness to confront difficult social issues, particularly in the later stages of his career. The Problem We All Live With, painted in 1964, stands as a powerful testament to this evolution. The painting depicts Ruby Bridges, a six-year-old African American girl, being escorted to school by federal marshals amidst a backdrop of racial hatred and prejudice. This work, displayed in the White House during President Obama’s administration, transcended its initial context to become an enduring symbol of the struggle for civil rights. Rockwell's willingness to tackle such sensitive subjects demonstrated a growing commitment to using his art as a vehicle for social commentary, challenging viewers to confront uncomfortable truths about their society. His illustrations for Look magazine during this period further solidified his reputation as an artist willing to engage with contemporary issues.

    A Lasting Cultural Impact

    Norman Rockwell’s influence extends far beyond the realm of illustration. He became synonymous with a particular vision of America—one rooted in community, family values, and a sense of optimism. His work has permeated popular culture, inspiring countless artists, writers, and filmmakers. The term “Rockwellesque” itself has entered the lexicon, used to describe images that evoke a nostalgic or idealized portrayal of American life. Despite initial skepticism from some art critics, Rockwell’s legacy has endured, with his paintings now commanding significant prices in the art market and adorning the walls of museums across the country, most notably at the Norman Rockwell Museum in Stockbridge, Massachusetts—a testament to his enduring appeal. He received the Presidential Medal of Freedom in 1977, a fitting recognition of his profound contribution to American culture. Rockwell’s art continues to resonate with audiences today, reminding us of our shared history, our aspirations, and the enduring power of storytelling. His ability to capture the human spirit—with all its complexities and contradictions—ensures that his work will remain a vital part of the American cultural landscape for generations to come.

    Where to read more

    • The artist Norman Rockwell originaluniqueart.com/en/artists/norman-rockwell/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/norman-rockwell-the-gossips-8XYMZF-en/

    Find this online

    QR code linking to the download page for The gossips

    originaluniqueart.com/en/art/download/norman-rockwell-the-gossips-8XYMZF-en/

    Cite this artwork

    MLA
    Rockwell, Norman. The gossips. n.d., https://originaluniqueart.com/en/art/norman-rockwell-the-gossips-8XYMZF-en/
    APA
    Rockwell, Norman (n.d.). The gossips [Painting]. https://originaluniqueart.com/en/art/norman-rockwell-the-gossips-8XYMZF-en/
    Chicago
    Norman Rockwell. The gossips. n.d. https://originaluniqueart.com/en/art/norman-rockwell-the-gossips-8XYMZF-en/
    Harvard
    Rockwell, Norman (n.d.) The gossips. Available at: https://originaluniqueart.com/en/art/norman-rockwell-the-gossips-8XYMZF-en/

    Look closely

    The gossips — Norman Rockwell

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: portraits. Do you agree? What would you add, or take away?
    4. Look back at Freedom from want, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Regionalism: American painters turning away from Europe to paint their own small towns and farmland. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Who created "The gossips"?

    "The gossips" was created by Norman Rockwell. The information on this page describes Norman Rockwell's original work.

    Is "The gossips" by Norman Rockwell a portrait, landscape or square composition?

    "The gossips" by Norman Rockwell is a portrait composition. The proportions are worth checking before choosing a print size.

    How do I preview a reproduction of "The gossips" by Norman Rockwell?

    The Preview page of "The gossips" lets you preview the artwork before ordering.