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Student Artwork Guide

Robert Steele (1791–1879)

Name Class Date

Norman Macbeth, Robert Steele (1791–1879) (1877). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Norman Macbeth originaluniqueart.com/en/artists/norman-macbeth/
Artist’s dates
1821 – 1888
Painted
1877
Original size
127 x 102 cm

In context

Robert Steele (1791–1879) — Norman Macbeth

How big is it?

The original measures 127 × 102 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 67 at death.

Painted when the artist was 56. The artist lived to 67. 8 of the 21 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Norman Macbeth (1821–1888) ▲ this work, 1877 every dated painting, decade by decade

First works: up to 1872 Main working years: 1872–1880 Late works: from 1880

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/norman-macbeth-robert-steele-1791-1879-AQV5ZB-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #29221f

    Catalogued palette

    • #29221F
    • #372C28
    • #C3895D
    • #714934

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Norman Macbeth over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 43.8%
    2. 2 United Kingdom 25.0%
    3. 3 Singapore 25.0%
    4. 4 United States of America 6.2%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 10 most looked-at works by Norman Macbeth

    1. 1 Mrs Adam Primrose, 1871 23.5%
    2. 2 A Portion of Old Greenock (James Weir's Property, 20–22 West Blackhall Street, 1845), 1845 17.6%
    3. 3 William Ferguson of Kinmundy (1823–1904), 1885 17.6%
    4. 4 William Forrest (1805–1889), HRSA 11.8%
    5. 5 Reverend William Lindsay Alexander (1808–1884), Theologian, 1875 5.9%
    6. 6 John Walker (d.1866), Sugar Refiner, 1866 5.9%
    7. 7 Reverend Andrew Thomson (1842–1901), DD, 1878 5.9%
    8. 8 Patrick Fairbairn (1805–1874), DD, 1871 5.9%
    9. 9 Archibald Gardener 5.9%
    10. — Robert Steele (1791–1879), 1877 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 33 works by this artist, of which 9 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Norman Macbeth

    The Legacy of Norman Macbeth: A Master of Victorian Realism

    In the vibrant tapestry of nineteenth-century British art, few threads are as finely woven as those belonging to Norman Macbeth. Born in 1821 in the coastal town of Greenock, Macbeth was a man whose very identity was steeped in an artistic lineage. As the grandson of the celebrated portrait painter Norman Macbeth and the son of James Macbeth, his life was not merely a pursuit of art, but a continuation of a profound familial devotion to the canvas. This heritage provided him with a foundational reverence for the craft, yet it was his own rigorous journey—stretching from the technical precision of an engraver’s apprenticeship in Glasgow to the hallowed halls of the Royal Academy Schools in London—that allowed him to forge a singular voice within the Glasgow School.

    Macbeth’s artistic evolution was marked by a sophisticated balance between the established traditions of his era and the burgeoning modernism that began to ripple through Europe. While his training anchored him firmly in the principles of academic realism, he possessed an intellectual curiosity that prevented his work from becoming stagnant. He moved through the great art capitals of the age, studying the masterworks within the National Gallery in London and finding inspiration amidst the transformative atmosphere of Paris, where he worked within the Louvre. This exposure to Continental influences allowed him to infuse his portraits with a subtle touch of Impressionism and the delicate aesthetic sensibilities of Japonisme, creating works that felt both timelessly classical and strikingly contemporary for the Victorian period.

    Technique, Texture, and the Art of the Portrait

    To observe a Macbeth portrait is to witness a masterclass in controlled observation. His technique was defined by an unwavering commitment to meticulous realism, where every fold of heavy silk, every glint of light on a brass button, and every nuanced expression of his subjects was rendered with painstaking care. He possessed a rare ability to capture the psychological depth of his sitters, moving beyond mere physical likeness to evoke the very essence of their character. Whether depicting the esteemed Sir John Steell RSA or the quiet dignity of an elderly gentleman like James Blackadder, Macbeth utilized subtle tonal gradations and a rich, earthy palette to create a sense of palpable atmosphere and three-dimensional depth.

    His mastery extended beyond the human face into the realm of landscape and still life, where his brushwork could shift from the precise to the more textured and expressive. In works such as A Somerset Farm, one can see how he embraced a more painterly approach, using light and shadow to breathe life into rural scenes. This versatility—the ability to pivot from the formal rigidity of a high-society portrait to the atmospheric softness of a pastoral landscape—is what truly distinguishes his oeuvre. His canvases serve as windows into a bygone era, preserved through a technique that honors the weight of history while celebrating the fleeting beauty of light.

    A Lasting Impression on Art History

    The historical significance of Norman Macbeth lies in his role as a bridge between generations. He stood at the crossroads of the old world and the new, maintaining the dignity of the Royal Scottish Academy’s traditions while welcoming the experimental spirit of the late nineteenth century. His influence was not limited to his own brush; he left behind a family of artists, including his sons Robert Walker Macbeth and Henry Macbeth-Raeburn, who would continue to shape the landscape of Scottish painting well into the twentieth century.

    Though he passed away in London in 1888, the impact of his work remains etched in the annals of British art history. His portraits remain vital documents of Victorian society, capturing the luminaries and the everyday figures of his time with an intimacy that transcends the decades. Through his dedication to the truth of the subject and his ability to harmonize classical precision with modern nuance, Norman Macbeth ensured that his name would forever be synonymous with the enduring elegance of Victorian Portraiture.

    Where to read more

    • The artist Norman Macbeth originaluniqueart.com/en/artists/norman-macbeth/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/norman-macbeth-robert-steele-1791-1879-AQV5ZB-en/

    Find this online

    QR code linking to the download page for Robert Steele (1791–1879)

    originaluniqueart.com/en/art/download/norman-macbeth-robert-steele-1791-1879-AQV5ZB-en/

    Cite this artwork

    MLA
    Macbeth, Norman. Robert Steele (1791–1879). 1877, https://originaluniqueart.com/en/art/norman-macbeth-robert-steele-1791-1879-AQV5ZB-en/
    APA
    Macbeth, Norman (1877). Robert Steele (1791–1879) [Painting]. https://originaluniqueart.com/en/art/norman-macbeth-robert-steele-1791-1879-AQV5ZB-en/
    Chicago
    Norman Macbeth. Robert Steele (1791–1879). 1877. https://originaluniqueart.com/en/art/norman-macbeth-robert-steele-1791-1879-AQV5ZB-en/
    Harvard
    Macbeth, Norman (1877) Robert Steele (1791–1879). Available at: https://originaluniqueart.com/en/art/norman-macbeth-robert-steele-1791-1879-AQV5ZB-en/

    Look closely

    Robert Steele (1791–1879) — Norman Macbeth

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Sir John Steell (1804–1891), RSA (1877), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Norman Macbeth was about 56 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Is "Robert Steele (1791–1879)" by Norman Macbeth in the public domain?

    "Robert Steele (1791–1879)" by Norman Macbeth is in the public domain - its copyright has expired. This status governs how the image of the work may be reproduced.

    Are the colors of "Robert Steele (1791–1879)" by Norman Macbeth vivid or muted?

    The colors of "Robert Steele (1791–1879)" by Norman Macbeth show a muted saturation with a monochromatic intensity.

    Is "Robert Steele (1791–1879)" by Norman Macbeth in the public domain, and why?

    "Robert Steele (1791–1879)" by Norman Macbeth is in the public domain - its copyright has expired. Copyright duration runs from the artist's death, which occurred in 1888.