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Student Artwork Guide

Drought #CFF0122

Name Class Date

Noh, Suntag, Drought #CFF0122, Gyeonggi Museum of Modern Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Noh, Suntag originaluniqueart.com/en/artists/noh-suntag/
Artist’s dates
1971 –
Original size
100 x 155 cm
Held at
Gyeonggi Museum of Modern Art originaluniqueart.com/en/museums/gyeonggi-museum-of-modern-art-ansan/

In context

Drought #CFF0122 — Noh, Suntag

How big is it?

The original measures 100 × 155 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1970
  2. 1980
  3. 1990
  4. 2000
  5. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Drought #CFF0106 originaluniqueart.com/en/art/noh-suntag-drought-cff0106-D7UHFU-en/
  • Drought #CFF0126 originaluniqueart.com/en/art/noh-suntag-drought-cff0126-D7UHJT-en/
  • Drought #CFF0116 originaluniqueart.com/en/art/noh-suntag-drought-cff0116-D7UHJM-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/noh-suntag-drought-cff0122-D7UHJQ-en/

Colours

Measured from the image

    Main colour

    Putty #c7c7cd

    Catalogued palette

    • #C7C7CD
    • #151518
    • #39393E
    • #6D6E76

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Noh, Suntag over the last twelve months — 2 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 75.0%300 visits
    2. 2 United States of America 25.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 5 most looked-at works by Noh, Suntag

    1. 1 Drought #CFF0116 40.0%200 visits
    2. 2 Nam-poongri Nam-Ildang Nam-GP, 2019 20.0%100 visits
    3. 3 Forgetting Machines #Yang Kyoon, 2011 20.0%100 visits
    4. 4 Insatiable Desireof Pathetic Love XI-093001 20.0%100 visits
    5. — Drought #CFF0122 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 23 works by this artist, of which 4 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Noh, Suntag

    Born in Seoul, South Korea

    Noh Suntag: Exploring Korea’s Fractured Landscape Through Photographic Memory

    Noh Suntag (b. 1971) stands as a prominent figure in contemporary Korean photography, recognized for his poignant explorations of the enduring legacy of Korea's division – a narrative powerfully conveyed through meticulously crafted images that delve into themes of memory, loss, and societal dysfunction. Born in Seoul, he embarked on his artistic journey after completing studies in Political Science at Konkuk University and honing his skills in photographic design at Hongik University’s Graduate School of Industrial Art. Initially pursuing journalism, Noh transitioned seamlessly into the visual realm, establishing himself as a respected artist whose work consistently confronts difficult truths about Korea's past and present.

    Early Career & Influences: Noh’s formative years were marked by his journalistic pursuits, providing him with invaluable experience in storytelling and observation – skills that would later become central to his photographic practice. He cites influences from documentary photographers like Garry Winogrand and Henri Cartier-Bresson, whose commitment to capturing spontaneous moments and conveying social commentary resonated deeply within him.

    Documentary Photography & The Division Narrative: Noh’s breakthrough came with “Smells Like the Division of the Korean Peninsula” (2005), a project that immediately cemented his reputation for confronting uncomfortable realities. He meticulously documented scenes from daily life in Korea, specifically focusing on locations impacted by the division – notably Daechu-ri, where he photographed the radar dome facility during the Cold War era. This early work established a recurring motif: examining how geopolitical tensions permeate everyday existence.

    Stylistic Evolution & Recurring Themes: Throughout his career, Noh’s aesthetic has consistently prioritized textural abstraction and symbolic representation. He employs techniques like layering and manipulation to imbue his images with emotional depth, mirroring the fragmented nature of memory itself. Recurring themes include “function and malfunction,” reflecting his belief that division operates not just geographically but also psychologically—creating a pervasive sense of unease and distortion.

    Notable Exhibitions & Awards: Noh Suntag’s work has garnered international acclaim, appearing in prestigious museums like the National Museum of Modern Art Seoul (MMCA), Seoul Museum of Art, Daejeon Museum of Art, and The Museum of Photography Seoul. He received recognition from organizations such as Korea Artist Prize (2014) and Dong Gang Photogarphy Award (2009), demonstrating his commitment to artistic excellence and furthering the dialogue surrounding Korean identity in a divided world.

    Recent Projects & Legacy: More recently, Noh’s explorations have centered on confronting trauma and acknowledging the lingering effects of historical events—particularly the Gwangju Democratization Movement and the Yeongpyeong Island shelling incident. His ongoing projects continue to grapple with questions of remembrance and societal responsibility, solidifying his position as a vital voice in contemporary Korean art and contributing significantly to the broader understanding of Korea’s complex history.

    Key Works & Artistic Techniques

    Noh Suntag's photographic oeuvre is characterized by a distinctive approach that blends meticulous observation with artistic manipulation. He favors black-and-white photography, believing it best conveys the emotional core of his subjects—often capturing scenes of decay and abandonment to underscore the pervasive influence of division. His technique involves layering textures and manipulating prints to create visually arresting images that evoke feelings of melancholy and disorientation. Projects like “Insatiable Desireof Pathetic Love X-090505” and “Nam-poongri Nam-Ildang Nam-GP” exemplify this stylistic commitment, utilizing stark lighting and fragmented compositions to heighten the impact of his narratives.

    Recognition & Critical Acclaim

    Noh Suntag’s work has been lauded by critics for its unflinching honesty and profound psychological insight. His exploration of memory—particularly as it relates to Korea's division—has garnered considerable attention, prompting discussions about the role of art in confronting difficult histories. He was awarded a Silver Medal at the German Photobook Award (2009) for “reallyGood, Murder,” recognizing his innovative use of photographic storytelling and symbolic language. Furthermore, his inclusion in collections like the National Museum of Contemporary Art Seoul and The Museum of Photography Seoul underscores his enduring significance within Korean artistic discourse.

    Museum

    Gyeonggi Museum of Modern Art

    On show in Ansan, South Korea

    A Beacon of Modern Korean Art: Exploring the Gyeonggi Museum of Modern Art

    Nestled in the vibrant city of Ansan, South Korea, the Gyeonggi Museum of Modern Art (GMOMA) stands as a compelling testament to the nation’s dynamic artistic evolution. Established in 2006 by Gyeonggi Province, GMOMA isn't merely a repository for artworks; it is a living, breathing cultural hub dedicated to the collection, preservation, research, and vibrant exhibition of modern Korean art. More than just a display space, it functions as an active center for intellectual exploration, fostering dialogue around Korea’s unique cultural identity within the broader context of global artistic trends.

    Origins & Vision:

    GMOMA emerged from a profound desire to enrich Gyeonggi Province's cultural landscape—a region brimming with over 13 million residents—providing them with access to exceptional art experiences. Recognizing the importance of fostering creativity and understanding, provincial officials envisioned an institution that would champion both established masters and emerging voices within Korean contemporary art.

    A Diverse Collection Reflecting Korean Identity:

    The museum’s impressive collection spans a remarkable breadth of artistic mediums—captivating paintings rendered in bold hues, thought-provoking sculptures exploring form and materiality, immersive installations challenging perceptions, compelling video art delving into narrative storytelling, and striking photography capturing fleeting moments. However, the unifying element across these diverse pieces is their unwavering focus on articulating what it signifies to be Korean in the 21st century.

    Exhibitions at GMOMA consistently grapple with complex themes—cultural heritage juxtaposed against contemporary perspectives, historical influences shaping artistic expression, and explorations of identity both individual and collective. Unlike many international museums prioritizing breadth over depth, GMOMA distinguishes itself through its singular dedication to understanding and promoting Korea’s distinctive artistic legacy.

    Architecture as an Extension of Artistic Vision

    While precise architectural specifications remain somewhat elusive to the public eye, GMOMA's building design deliberately complements its mission as a modern art institution. The architects prioritized creating spaces that enhance visitor engagement and contemplation—flexible areas accommodating exhibitions and educational programs—incorporating elements intended to foster intellectual curiosity and artistic appreciation. It’s more than just structural support; it’s an active participant in the sensory experience of encountering artwork.

    Spatial Considerations:

    The building's layout encourages visitors to move seamlessly between spaces, fostering a contemplative atmosphere ideal for immersing oneself in the artworks on display. Natural light is skillfully utilized throughout the museum, illuminating pieces and creating an environment conducive to artistic reflection.

    Notable Exhibitions & Artistic Dialogue

    GMOMA has consistently spearheaded groundbreaking exhibitions that propel dialogue around Korean art history and contemporary trends. Recent initiatives have explored connections between Korean art and global movements—highlighting influences from Impressionism, Cubism, Surrealism, and beyond—demonstrating GMOMA’s commitment to fostering intercultural understanding.

    A Unique Voice in the Global Art World

    What truly elevates GMOMA above comparable institutions is its unwavering focus on Korean modern art. Unlike broader international museums prioritizing universal themes, GMOMA champions Korea's singular artistic heritage—a dedication reinforced by robust research programs and collaborative partnerships with artists and scholars worldwide. It serves not only as a showcase for exceptional artworks but also as a catalyst for intellectual exchange and cultural enrichment – cementing its role as a cornerstone of Korean art scholarship and artistic innovation.

    Where to read more

    Find this online

    QR code linking to the download page for Drought #CFF0122

    originaluniqueart.com/en/art/download/noh-suntag-drought-cff0122-D7UHJQ-en/

    Cite this artwork

    MLA
    Suntag, Noh,. Drought #CFF0122. n.d., Gyeonggi Museum of Modern Art. https://originaluniqueart.com/en/art/noh-suntag-drought-cff0122-D7UHJQ-en/
    APA
    Suntag, Noh, (n.d.). Drought #CFF0122 [Painting]. Gyeonggi Museum of Modern Art. https://originaluniqueart.com/en/art/noh-suntag-drought-cff0122-D7UHJQ-en/
    Chicago
    Noh, Suntag. Drought #CFF0122. n.d. Gyeonggi Museum of Modern Art. https://originaluniqueart.com/en/art/noh-suntag-drought-cff0122-D7UHJQ-en/
    Harvard
    Suntag, Noh, (n.d.) Drought #CFF0122. Gyeonggi Museum of Modern Art. Available at: https://originaluniqueart.com/en/art/noh-suntag-drought-cff0122-D7UHJQ-en/

    Look closely

    Drought #CFF0122 — Noh, Suntag

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Drought #CFF0106, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I order an oil reproduction of "Drought #CFF0122"?

    Hand-painted copies of "Drought #CFF0122" by Noh, Suntag are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.

    What is the dominant hue of "Drought #CFF0122" by Noh, Suntag?

    A green to violet spectrum hue runs through "Drought #CFF0122" by Noh, Suntag.

    What level of contrast does "Drought #CFF0122" by Noh, Suntag show?

    "Drought #CFF0122" by Noh, Suntag shows a statement contrast between its light and dark areas.