Paper

Student Artwork Guide

Cliffs

Name Class Date

Maxime Emile Louis Maufra, Cliffs. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Maxime Emile Louis Maufra originaluniqueart.com/en/artists/maxime-emile-louis-maufra/
Artist’s dates
1861 – 1918
Movement
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.

In context

Cliffs — Maxime Emile Louis Maufra

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 57 at death.

Shaded: the lifetime of Maxime Emile Louis Maufra (1861–1918) every dated painting, decade by decade

First works: up to 1897 Main working years: 1897–1909 Late works: from 1909

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • The Wave, 1894 originaluniqueart.com/en/art/maxime-emile-louis-maufra-the-wave-D77KFC-en/
  • Landscape with pines, 1892 originaluniqueart.com/en/art/maxime-emile-louis-maufra-landscape-with-pines-D77KMM-en/
  • Breton Landscape, 1897 originaluniqueart.com/en/art/maxime-emile-louis-maufra-breton-landscape-8XYKBM-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/maxime-emile-louis-maufra-cliffs-8XX77H-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #b1a393

    Catalogued palette

    • #B1A393
    • #3A2524
    • #6D6561
    • #7E492B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Maxime Emile Louis Maufra over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 69.4%5,000 visits
    2. 2 United States of America 13.9%1,000 visits
    3. 3 Brazil 6.9%500 visits
    4. 4 Singapore 4.2%300 visits
    5. 5 Australia 2.8%200 visits
    6. 6 Germany 1.4%100 visits
    7. 7 Sweden 1.4%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Maxime Emile Louis Maufra

    1. 1 Sunset on the Loire, 1907 5.1%400 visits
    2. 2 View of the Port of Auray, 1909 3.8%300 visits
    3. 3 Bridge over the Loire, 1892 2.6%200 visits
    4. 4 Brittany, 1892 2.6%200 visits
    5. 5 The Golden Sea - Quiberon, 1900 2.6%200 visits
    6. 6 The Ponce Paper Factory on the Edge of the Sathe Woods, 1918 2.6%200 visits
    7. 7 The Three Cliffs, 1894 2.6%200 visits
    8. 8 The Barges Lighthouse, 1904 2.6%200 visits
    9. 9 By the Sea, 1904 2.6%200 visits
    10. 10 La tempête à Quiberon (Morbihan) (titre attribué) 2.6%200 visits
    11. 11 Moonrise, 1901 2.6%200 visits
    12. 12 The Cove at Cape Suzon, 1898 2.6%200 visits
    13. 13 Pointe de Ker Bihan (Morbihan) 2.6%200 visits
    14. 14 Belle-Ile-en-Mer 2.6%200 visits
    15. 15 The fishermen 2.6%200 visits
    16. 16 Tuna Boat at Sea, 1907 1.3%100 visits
    17. 17 The Cliffs at Polhor, 1899 1.3%100 visits
    18. 18 Flood, 1889 1.3%100 visits
    19. 19 Sunset, 1902 1.3%100 visits
    20. — Cliffs this painting 0.0%0 visits

    Together these works take 47.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 202 works by this artist, of which 60 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Maxime Emile Louis Maufra

    Maxime Emile Louis Maufra: A Painter of Light and Atmosphere

    Maxime Emile Louis Maufra (1861 – 1918) stands as a prominent figure in French landscape painting, particularly renowned for his masterful depiction of Breton coastal vistas and marine scenes. Born in Nantes on May 17th, he embarked on an artistic journey largely self-taught, nurtured by the encouragement of fellow artists from Nantes—Charles Leduc and Alfred Leduc—and influenced by the expressive style of Charles Le Roux. His formative years instilled a deep appreciation for observation and meticulous detail, shaping his distinctive approach to capturing the essence of nature.

    Early Life & Training: Maufra’s initial artistic inclinations blossomed during his teenage years, fueled by an innate curiosity about visual representation. Despite lacking formal academic training, he honed his skills through independent experimentation and engagement with the vibrant artistic milieu of Nantes.

    Influences & Artistic Style: Maufra's aesthetic sensibilities were profoundly impacted by Impressionism and Symbolism. He particularly admired the pointillist technique championed by Georges Seurat and Camille Pissarro, adopting their method to achieve luminous effects and textural nuances. Furthermore, he drew inspiration from the Pont-Aven School’s bold color palettes and dynamic brushstrokes, establishing himself as a key contributor to this influential movement.

    The Breton Landscape: A Sanctuary for Artistic Vision

    Maufra's artistic focus solidified in 1890 when he relocated to Pont-Aven, Brittany—a region that would become synonymous with his oeuvre. This pivotal decision coincided with the arrival of fellow artists Paul Gauguin and Paul Sérusier at the Bateau-Lavoir, fostering a collaborative environment conducive to experimentation and innovation. The rugged Breton coastline served as an inexhaustible source of inspiration for Maufra’s canvases—studies of dramatic skies, turbulent seascapes, and serene harbors—each imbued with palpable emotion and atmospheric depth. Notable works include “La Houle à Donant Belle Ile en Mer” (1896) and “La Grande Houle à Donant (Belle île)” (1898), which exemplify his ability to convey the sublime grandeur of the natural world.

    Technique & Innovation: Pointillism and Beyond

    Maufra’s artistic technique was characterized by a deliberate commitment to capturing light and color with unparalleled precision. He embraced the pointillist method—developed by Seurat and Sisley—employing tiny dots of pigment to build up tonal variations and create shimmering surfaces. This approach demanded painstaking attention to detail, yet yielded breathtaking results—a testament to Maufra’s unwavering dedication to mastering his craft. Beyond pointillism, he skillfully utilized glazing techniques and expressive brushstrokes to imbue his paintings with dynamism and emotional resonance.

    Major Achievements & Legacy

    Throughout his prolific career, Maufra produced an impressive body of work—over 300 paintings—that continue to captivate audiences worldwide. His landscapes are celebrated for their evocative beauty and masterful rendering of atmospheric conditions, cementing his place among the foremost painters of the late nineteenth century. “Study for Pont-Aven Red Sky (Former Title: L)” remains a cornerstone of Breton art history, housed in the Musée de Pont-Aven—a poignant reminder of Maufra’s enduring contribution to Impressionist and Symbolist aesthetics. His legacy extends beyond his artistic output; he championed the Bateau-Lavoir as a haven for artists and fostered a spirit of creative collaboration that shaped the cultural landscape of Montmartre. Maxime Emile Louis Maufra's art continues to inspire admiration for its luminous beauty and profound connection to the natural world.

    Where to read more

    Find this online

    QR code linking to the download page for Cliffs

    originaluniqueart.com/en/art/download/maxime-emile-louis-maufra-cliffs-8XX77H-en/

    Cite this artwork

    MLA
    Maufra, Maxime Emile Louis. Cliffs. n.d., https://originaluniqueart.com/en/art/maxime-emile-louis-maufra-cliffs-8XX77H-en/
    APA
    Maufra, Maxime Emile Louis (n.d.). Cliffs [Painting]. https://originaluniqueart.com/en/art/maxime-emile-louis-maufra-cliffs-8XX77H-en/
    Chicago
    Maxime Emile Louis Maufra. Cliffs. n.d. https://originaluniqueart.com/en/art/maxime-emile-louis-maufra-cliffs-8XX77H-en/
    Harvard
    Maufra, Maxime Emile Louis (n.d.) Cliffs. Available at: https://originaluniqueart.com/en/art/maxime-emile-louis-maufra-cliffs-8XX77H-en/

    Look closely

    Cliffs — Maxime Emile Louis Maufra

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: sea, mountains, beach. Do you agree? What would you add, or take away?
    4. Look back at The Wave (1894), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What kind of colors does "Cliffs" use?

    "Cliffs" by Maxime Emile Louis Maufra uses an earthy color palette. The palette summarizes the work's overall color character.

    What saturation and intensity does "Cliffs" by Maxime Emile Louis Maufra show?

    "Cliffs" by Maxime Emile Louis Maufra is recorded with a balanced soft saturation and a balanced intensity.

    How do I preview a reproduction of "Cliffs" by Maxime Emile Louis Maufra?

    A preview of "Cliffs" by Maxime Emile Louis Maufra is available on the artwork's Preview page.