Student Artwork Guide
Copyright This work is in the public domain. Maurice Leloir died in 1940; copyright lasts 70 years after the artist’s death, so it ended in 2010.
In context
Assassination — Maurice Leloir
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 87 at death.
Shaded: the lifetime of Maurice Leloir (1853–1940) every dated painting, decade by decade
This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: originaluniqueart.com/en/art/similar/maurice-leloir-assassination-9CWEJZ-en/
Measured from the image
Main colour
Gray #7f7873
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 99.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 29 works by this artist, of which 10 were looked at at least once. This painting ranks 9 of them, with 8.3% of that attention. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Paris, France
Maurice Leloir, born in Paris in 1853, emerged from a lineage steeped in artistic tradition—a heritage that profoundly shaped his meticulous approach to painting and illustration. His father, Auguste Leloir, was a painter himself, while his mother, Héloïse Suzanne Colin, carried on the family’s creative spirit as a skilled watercolorist, daughter of Alexandre-Marie Colin. This nurturing environment instilled in young Maurice not only technical skill but also an appreciation for the nuances of artistic expression. The influence extended to his brother, Alexandre-Louis Leloir, who also became a recognized painter and illustrator, creating a vibrant artistic atmosphere within their family circle. Leloir’s early training under his father laid a solid foundation, fostering a dedication to precision that would become a hallmark of his style. He married Céline Bourdier, and their daughter, Suzanne Leloir, continued the familial connection through marriage to Philippe Savari’s son in 1912, cementing a lasting legacy within artistic circles.
Leloir's talent quickly gained recognition within the French art establishment. He first exhibited at the prestigious Salon des Artistes Français, an important platform for emerging artists, and eventually rose to become its secretary—a testament to his standing among his peers. This early success propelled him towards further artistic exploration, leading to a pivotal association with the Crozant School. This collective of painters, drawn to the picturesque valleys of Creuse, focused on capturing the essence of rural life and landscapes. Working alongside these artists significantly influenced Leloir’s style, encouraging a deeper engagement with naturalism and atmospheric perspective. However, Leloir distinguished himself through his unique fascination with historical accuracy, meticulously researching costumes and settings to recreate scenes from bygone eras. He wasn't merely depicting history; he was reconstructing it with painstaking detail, often utilizing photographs as invaluable references—a relatively novel approach for the time.
Leloir’s artistic output was remarkably diverse and prolific. While celebrated for his paintings, he truly flourished as an illustrator, particularly in the realm of children's literature. His illustrations brought classic tales to life with vibrant imagery and historical authenticity, most notably his work on Théodore Cahu’s adaptation of Alexandre Dumas’ Richelieu. This dedication to detail extended beyond narrative illustration; Leloir became highly sought after for depicting costumes and scenes from different periods, showcasing an exceptional ability to transport viewers through time. His paintings, such as the sadly stolen La Maison Fournaise, demonstrate his mastery of oil painting, while his watercolors reveal a delicate touch and sensitivity to light. He worked across various mediums—drawing, printmaking, and oil painting—demonstrating versatility and a commitment to exploring different artistic techniques. This passion for historical attire culminated in one of his most significant achievements: the founding of the Société de l'histoire du costume (Society for the History of Costume) in 1907. As its founding president, Leloir generously donated his family’s extensive collection of fashion prints, establishing a valuable resource for researchers and enthusiasts alike.
Even late in his career, Leloir continued to embrace new challenges and opportunities. In 1929, he received an invitation from the legendary Douglas Fairbanks to work on The Iron Mask, traveling to Hollywood to contribute his expertise in costume design and set decoration. He documented this experience in his memoir, Five Months in Hollywood with Douglas Fairbanks, offering a fascinating glimpse into the world of early cinema. Throughout his life, Leloir remained dedicated to scholarship, authoring several publications related to costume history and art, further solidifying his reputation as an authority in the field. Maurice Leloir passed away in 1940, leaving behind a rich artistic legacy characterized by meticulous detail, historical accuracy, and a profound appreciation for the beauty of the past. His work continues to captivate audiences today, serving as a testament to his skill, dedication, and enduring contribution to the world of art and costume history. His illustrations are not merely representations; they are windows into another time.
originaluniqueart.com/en/art/download/maurice-leloir-assassination-9CWEJZ-en/
Look closely
Assassination — Maurice Leloir
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
"Assassination" leans toward an ochre to sepia tone.
To preview a reproduction of "Assassination" by Maurice Leloir, open the artwork's Preview page.
gray (#7f7873) is the leading color of "Assassination" by Maurice Leloir.