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Student Artwork Guide

Crisálida

Name Class Date

Mateo Inurria Lainosa, Crisálida, Museum of Fine Arts of Córdoba. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Mateo Inurria Lainosa originaluniqueart.com/en/artists/mateo-inurria-lainosa/
Artist’s dates
1867 – 1924
Original size
5 x 159 cm
Held at
Museum of Fine Arts of Córdoba originaluniqueart.com/en/museums/museum-of-fine-arts-of-cordoba-cordoba/

In context

Crisálida — Mateo Inurria Lainosa

How big is it?

The original measures 5 × 159 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 57 at death.

Shaded: the lifetime of Mateo Inurria Lainosa (1867–1924) every dated painting, decade by decade

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

  • Flor de granado originaluniqueart.com/en/art/mateo-inurria-lainosa-flor-de-granado-D7RBGM-en/
  • Form originaluniqueart.com/en/art/mateo-inurria-lainosa-form-D7RBKN-en/
  • Coquetería originaluniqueart.com/en/art/mateo-inurria-lainosa-coqueteria-D7RBH2-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/mateo-inurria-lainosa-crisalida-D7RBGD-en/

Colours

Measured from the image

    Main colour

    Black #020202

    Catalogued palette

    • #020202
    • #D5C8B6
    • #574533
    • #A3927A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Mateo Inurria Lainosa over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Mateo Inurria Lainosa

    1. 1 Form 50.0%
    2. 2 The vine 50.0%
    3. — Crisálida this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 9 works by this artist, of which 2 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Crisálida — Mateo Inurria Lainosa

    Esta figura, perteneciente al conjunto Las tres edades de la mujer, representa a una joven en su pubertad, en ese momento de eclosión sexual, de ahí la denominación de la obra.La joven está representada de pie, adoptando una postura de velado recato. Su mirada está dirigida al frente, con cierta timidez. Su cabello, ceñido a sus sienes, cae en sendos mechones sobre sus hombros. Los brazos los cruza en su pecho, llevando sus manos sobre sus hombros, en una postura que enmarca sus incipientes senos, consiguiendo una expresión de pícara modestia. Sus piernas están unidas y una de ellas algo retrasada y flexionada.

    Artist and museum

    Artist

    Mateo Inurria Lainosa

    Born in Cordoba, Spain

    Mateo Inurria Lainosa: A Sculptor of Andalusian Essence

    Mateo Inurria Lainosa (1867-1924) stands as a pivotal figure in late 19th and early 20th century Spanish sculpture, a master who seamlessly blended realism with expressive elements to capture the spirit of his homeland. Born in Córdoba on March 25, 1867, into a family deeply rooted in the craft of sculpting – his father, Mateo Inurria Uriarte, maintained a decorative sculpture workshop and actively participated in exhibitions – Inurria’s artistic journey began within the nurturing environment of familial tradition. This early exposure proved invaluable, providing him with a foundational understanding of materials, techniques, and the enduring appeal of figurative art. His formal training commenced at the Escuela Provincial de Bellas Artes in Córdoba, followed by studies at the Real Academia de Bellas Artes de San Fernando in Madrid, where he honed his skills under esteemed instructors and immersed himself in the vibrant artistic currents of the capital.

    Early Life and Artistic Foundations

    Inurria’s academic pursuits were marked by a keen eye for detail and an early aptitude for capturing human form. His debut at the National Exhibition of Fine Arts in 1890, with his powerful sculpture “The Castaway,” immediately garnered attention. The work's remarkable realism – some jurors even suspected it was cast from life – signaled Inurria’s exceptional talent and established him as a promising artist on the Spanish scene. Following this initial success, he transitioned into roles as a teacher and art restorer, skills that further deepened his understanding of materials and artistic processes. These diverse experiences shaped his approach to sculpture, informing his ability to both recreate historical works and create original pieces imbued with emotional resonance. Notably, commissions for monuments – often honoring local and national figures – became a significant part of his practice, though many of these ambitious projects remained unexecuted, a testament to the challenges faced by artists in navigating the complexities of patronage and public approval.

    Artistic Style and Notable Works

    Inurria’s artistic style is characterized by a compelling synthesis of realism and expressionism. He possessed an extraordinary ability to render anatomical detail with precision, yet simultaneously imbued his figures with a palpable sense of emotion and psychological depth. His sculptures frequently depict idealized female forms, reflecting a fascination with beauty and the human figure that was prevalent in Spanish art during this period. Influenced by the works of Rodin, particularly the emotive quality of his bronze castings, Inurria’s work often conveys a quiet intensity and vulnerability. Several key pieces exemplify his distinctive style: “The Vine,” a stunning bronze sculpture capturing the grace and beauty of a nude female figure embodying Andalusian spirit; "Form," a neoclassical marble torso showcasing idealized female beauty and balanced form; and “Flor de Granado,” a captivating 1924 nude sculpture in classical style, celebrated for its elegant form and warm tones. These works, alongside his contributions to monuments like those honoring Lope de Vega, Eduardo Rosales, and the "Gran Capitán," demonstrate Inurria’s versatility and mastery of various sculptural techniques.

    Teaching and Academic Recognition

    In 1911, Inurria assumed the role of Professor of Modeling at the Real Academia de Bellas Artes de San Fernando, a position that allowed him to impart his knowledge and expertise to a new generation of sculptors. His influence extended beyond the classroom; he was appointed Director of the Escuela Municipal de Artes y Oficios in Córdoba in 1905, further solidifying his commitment to artistic education within his native region. In recognition of his contributions to Spanish art, Inurria received the gold medal at the National Exhibition in 1920 and was subsequently elected an Academician at the Real Academia de Bellas Artes de San Fernando in 1924 – a prestigious honor bestowed upon artists who have demonstrated exceptional merit.

    Legacy and Enduring Influence

    Mateo Inurria Lainosa’s legacy is one of quiet strength and artistic integrity. His sculptures, now housed in museums such as the Hastings Museum and Art Gallery, and the Museo Nacional del Prado, continue to resonate with viewers today. He remains a significant figure in Spanish sculpture, admired for his technical skill, emotional depth, and ability to capture the essence of the human form. Inurria’s work has been studied by art critics and historians, cementing his place as one of the most important sculptors of his time. His artistic style and techniques have undoubtedly influenced subsequent generations of artists, ensuring that his contribution to the world of sculpture will be remembered for years to come. The street named after him in Córdoba stands as a lasting tribute to this remarkable artist and his profound impact on the cultural landscape of Spain.

    Museum

    Museum of Fine Arts of Córdoba

    On show in Cordoba, Spain

    A Sanctuary of Spanish Brilliance

    Nestled within the enchanting Plaza del Potro in the heart of Andalusia, the

    Museum of Fine Arts of Córdoba

    serves as a profound repository of Spanish artistic heritage. More than a mere collection of paintings and sculptures, this museum offers a journey through centuries of cultural evolution, acting as a vital piece of Córdoba’s rich historical tapestry. The building itself is a masterpiece of narrative, featuring

    Plateresque architecture

    that has evolved over time with elegant Renaissance influences. This architectural grandeur provides a fittingly beautiful container for the treasures within, where the very walls seem to whisper tales of past glory and artistic ambition.

    The institution’s history is deeply intertwined with the city's growth, having been established as an extension of the Provincial Archaeological Museum before blossoming into an independent sanctuary dedicated to showcasing the region’s immense artistic prowess. As visitors wander through its halls, they encounter a collection that spans from the 14th to the 20th century, offering a comprehensive and breathtaking overview of Spanish painting and sculpture. The museum also honors local masters like

    José de Marcelo Contreras Muñoz

    , a distinguished figure who not only excelled in historical and portrait scenes but also served as the museum's director, bridging the gap between academic instruction and institutional preservation.

    Masterpieces of Light and Devotion

    While the museum’s breadth is impressive, it is undoubtedly the

    Baroque period

    that takes center stage here. The dramatic intensity and emotional depth characteristic of this era are powerfully represented through masterpieces by luminaries such as

    Francisco Zurbarán

    , whose religious paintings radiate a profound spiritualism—images imbued with an almost palpable stillness, capturing moments of solemn contemplation that invite the viewer into a state of quiet prayer. This visceral power of light and shadow is further exemplified in

    Antonio del Castillo Y Saavedra’s

    San Vicente Ferrer

    , a monumental achievement that showcases intense religious devotion through masterful technique.

    The collection is further enriched by a diverse array of emotional registers:

    The unsettling beauty of

    Juan Valdés Leal

    , whose compositions often explore themes of mortality and the human condition.

    The tender depictions of religious scenes and everyday life by

    Bartolomé Esteban Murillo

    , particularly his iconic, soulful portraits of children.

    Intricate drawings and prints that reveal the very heartbeat of the creative process, showcasing the preliminary studies and intellectual currents that shaped the masters.

    What makes the Museum of Fine Arts of Córdoba truly unique is how it reflects the city’s identity as a cultural crossroads. The layers of Roman, Visigothic, Moorish, and Christian influences are profoundly felt in the diverse collection, where styles blend to create works that are both distinctly Spanish and imbued with broader Mediterranean sensibilities. For the avid art collector seeking inspiration or the interior designer searching for evocative references to ground a space in history, this museum promises an enriching experience where history comes alive through every brushstroke and sculpted form.

    Where to read more

    Find this online

    QR code linking to the download page for Crisálida

    originaluniqueart.com/en/art/download/mateo-inurria-lainosa-crisalida-D7RBGD-en/

    Cite this artwork

    MLA
    Lainosa, Mateo Inurria. Crisálida. n.d., Museum of Fine Arts of Córdoba. https://originaluniqueart.com/en/art/mateo-inurria-lainosa-crisalida-D7RBGD-en/
    APA
    Lainosa, Mateo Inurria (n.d.). Crisálida [Painting]. Museum of Fine Arts of Córdoba. https://originaluniqueart.com/en/art/mateo-inurria-lainosa-crisalida-D7RBGD-en/
    Chicago
    Mateo Inurria Lainosa. Crisálida. n.d. Museum of Fine Arts of Córdoba. https://originaluniqueart.com/en/art/mateo-inurria-lainosa-crisalida-D7RBGD-en/
    Harvard
    Lainosa, Mateo Inurria (n.d.) Crisálida. Museum of Fine Arts of Córdoba. Available at: https://originaluniqueart.com/en/art/mateo-inurria-lainosa-crisalida-D7RBGD-en/

    Look closely

    Crisálida — Mateo Inurria Lainosa

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Flor de granado, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How do contrast and harmony combine in "Crisálida"?

    In "Crisálida", a statement contrast is paired with a unified palette harmony.

    Is Mateo Inurria Lainosa, creator of "Crisálida", known under other names?

    Other names recorded for Mateo Inurria Lainosa, creator of "Crisálida", include Mateo Inurria.

    Can I examine "Crisálida" in more detail?

    "Crisálida" can be examined layer by layer on the artwork's X-Ray page, a viewer inspired by a conservator's light bench with eleven optical readings of the image.