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Student Artwork Guide

Striking the Rock

Name Class Date

Marc Chagall, Striking the Rock (1963). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Marc Chagall originaluniqueart.com/en/artists/marc-chagall/
Artist’s dates
1887 – 1985
Painted
1963
Medium
Oil On Canvas
Original size
41 x 33 cm
Movement
Naïve Art / Primitivism Work by artists without formal training, flat and direct, valued for exactly that freshness.
Period
Modern
Artistic style
Symbolic, Dreamlike
Influences
Jewish Folklore
Notable elements
Miracle, Blessing
Subject or theme
Biblical Scene

In context

Striking the Rock — Marc Chagall

How big is it?

The original measures 41 × 33 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950
  9. 1960
  10. 1970
  11. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 98 at death.

Painted when the artist was 76. The artist lived to 98. 548 of the 878 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Marc Chagall (1887–1985) ▲ this work, 1963 every dated painting, decade by decade

First works: up to 1930 Main working years: 1930–1965 Late works: from 1965

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/marc-chagall-striking-the-rock-8XYGUV-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #d0af73

    Catalogued palette

    • #D0AF73
    • #28120E
    • #5C3C2C
    • #856D55

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Marc Chagall over the last twelve months — 73 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 34.6%54,900 visits
    2. 2 Germany 5.4%8,500 visits
    3. 3 United States of America 5.2%8,300 visits
    4. 4 France 4.7%7,400 visits
    5. 5 Italy 3.7%5,800 visits
    6. 6 Netherlands 3.4%5,400 visits
    7. 7 Spain 3.0%4,800 visits
    8. 8 Poland 2.6%4,100 visits
    9. 9 South Korea 2.3%3,700 visits
    10. 10 Brazil 2.2%3,500 visits
    11. · 63 other countries 32.9%52,200 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Marc Chagall

    1. 1 I and the Village, 1911 10.5%28,000 visits
    2. 2 The Birthday, 1915 8.9%23,700 visits
    3. 3 Over the town, 1918 4.8%12,900 visits
    4. 4 The Green Violinist, 1924 3.2%8,500 visits
    5. 5 Adam and Eve expelled from Paradise, 1961 1.2%3,300 visits
    6. 6 The Concert, 1957 1.2%3,300 visits
    7. 7 The Fall of Icarus, 1975 1.1%3,000 visits
    8. 8 Midsummer Night's Dream, 1939 1.0%2,800 visits
    9. 9 Liberation, 1952 1.0%2,600 visits
    10. 10 Paris through the Window, 1913 0.9%2,400 visits
    11. 11 Song of Songs III (8), 1960 0.9%2,400 visits
    12. 12 Dans mon pays 0.9%2,300 visits
    13. 13 The return of the prodigal son, 1975 0.7%1,900 visits
    14. 14 The Praying Jew (Rabbi of Vitebsk), 1914 0.7%1,900 visits
    15. 15 Abraham and three Angels, 1966 0.7%1,800 visits
    16. 16 The Lovers, 1929 0.7%1,800 visits
    17. 17 Moses with the Burning Bush, 1966 0.6%1,700 visits
    18. 18 The Wedding Candles, 1945 0.6%1,600 visits
    19. 19 The Falling Angel, 1947 0.6%1,500 visits
    20. 153 Striking the Rock, 1963 this painting 0.1%300 visits

    Together these works take 40.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 906 works by this artist, of which 585 were looked at at least once. This painting ranks 153 of them, with 0.1% of that attention (300 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Striking the Rock — Marc Chagall

    Striking the Rock: A Testament to Faith and Naïve Brilliance

    Marc Chagall’s “Striking the Rock,” painted in 1963, isn't merely a depiction of a biblical event; it’s an immersive experience—a vibrant portal into the artist’s deeply personal vision. This oil painting, rendered in the distinctive style of Naïve Art (or Primitivism), pulsates with energy and symbolic weight, inviting viewers to contemplate themes of faith, miracle, and the enduring power of human belief. Chagall, a master of blending dreamlike imagery with profound emotional resonance, delivers here a scene brimming with life, color, and an almost palpable sense of spiritual significance.

    At its core, the painting captures a pivotal moment from the Old Testament – Moses leading his people towards the Promised Land. He stands atop a rugged hill, arms raised in a gesture of blessing, seemingly summoning forth water from the very rock beneath his feet. The crowd below is not passive observers; they are engaged, expectant, their faces alight with hope and anticipation. Two figures flank the central figure, adding depth to the composition and hinting at the communal nature of this miraculous event. A dog, a recurring motif in Chagall’s work, appears near the bottom of the canvas, its presence open to interpretation – perhaps representing loyalty, guidance, or even a connection to the ancient world.

    Chagall's masterful use of Naïve Art techniques is immediately striking. The style, characterized by bold outlines, simplified forms, and a flattened perspective, creates an immediate sense of innocence and spontaneity. Unlike formally trained artists who meticulously render detail, Chagall embraces a directness that feels almost childlike in its honesty. This deliberate lack of realism isn’t a flaw; it's the very essence of the style – allowing the emotional core of the scene to shine through with unadulterated intensity. The vibrant palette—a riot of blues, yellows, reds, and greens—further enhances this effect, creating an atmosphere that is both joyous and profoundly moving.

    The Language of Symbolism

    “Striking the Rock” is a rich tapestry of symbolism, inviting layers of interpretation. The rock itself represents not just a physical obstacle but also the challenges faced by the Israelites on their journey to freedom. Moses’ act of striking it symbolizes faith in action—a willingness to challenge the impossible and believe in the power of divine intervention. The crowd below embodies the collective hope and trust of the people, while the figures flanking Moses could represent guardians or guides, reinforcing the theme of leadership and protection.

    Chagall’s Jewish heritage profoundly informs this work. The biblical narrative is deeply intertwined with Jewish faith and tradition, and Chagall frequently explored these themes in his art. The painting can be seen as a meditation on redemption, perseverance, and the enduring promise of divine grace – concepts central to Jewish spirituality. The use of color, particularly the vibrant blues and yellows, also carries symbolic weight within Jewish iconography.

    A Masterclass in Artistic Technique

    Beyond its symbolic richness, “Striking the Rock” showcases Chagall’s exceptional technical skill. His application of paint is dynamic and expressive—noticeable impasto creates a tactile surface that draws the viewer into the scene. The brushstrokes are loose and energetic, conveying movement and emotion with remarkable immediacy. The composition itself is carefully balanced, guiding the eye through the crowded scene and anchoring it on the central figure of Moses. This masterful control of color, form, and texture demonstrates Chagall’s deep understanding of visual language.

    Bringing Chagall's Vision Home

    AllPaintingsStore.com offers exquisite, handmade oil painting reproductions of “Striking the Rock,” allowing art lovers to experience this masterpiece firsthand. Available in a range of sizes – including 41 x 33 cm, 237 x 232 cm, and 31 x 27 cm – you can choose the perfect scale for your space. Each reproduction is meticulously crafted by skilled artisans, ensuring that it captures the vibrancy and emotional depth of the original painting. Whether displayed in a living room, study, or gallery, this reproduction will serve as a constant reminder of Chagall’s genius and the enduring power of faith and imagination.

    Explore our selection of Marc Chagall reproductions today: Marc Chagall: Striking the Rock (41 x 33 cm, Naive Art / Primitivism, Oil On Canvas)

    For further exploration of Marc Chagall’s life and work, visit our website to discover other iconic paintings such as “Window in Artist's Studio”: Marc Chagall: Window in Artist’s Studio (92 x 73 cm, Naive Art / Primitivism, Oil On Canvas)

    Artist and museum

    Artist

    Marc Chagall

    Born in Liovana, Belarus

    A Life Painted in Dreams: The World of Marc Chagall

    Marc Chagall, born Moishe Shagal in 1887 in the small Belarussian town of Liozna near Vitebsk, wasn’t merely a painter; he was a poet of color, a weaver of dreams, and a chronicler of memory. His life, spanning nearly a century, mirrored the tumultuous currents of the 20th century, yet his art remained steadfastly rooted in a deeply personal vision—one infused with the folklore of his Hasidic Jewish upbringing and an unwavering belief in the power of imagination. Vitebsk itself was more than just a birthplace; it became the emotional core of his artistic universe, a recurring motif populated by flying figures, whimsical animals, and the vibrant hues of remembered landscapes. The town’s unique blend of cultures—Russian Orthodox churches alongside bustling Jewish marketplaces—forged an aesthetic sensibility that would defy easy categorization throughout his long career. Though he sought formal training first with a local sign painter and later in St. Petersburg under Léon Bakst, and then in Paris at the Académie de la Grande Chaumière, Chagall never fully embraced any single artistic movement. He absorbed elements of Cubism, Symbolism, and Fauvism, but always filtered them through his own intensely personal lens, creating a style that was uniquely, unmistakably Chagall.

    Forging a Unique Visual Language

    Chagall’s early works already hinted at the distinctive language he would develop. Paintings like I and the Village (1911) are not simply depictions of place; they are explorations of identity, memory, and the relationship between the individual and community. The village isn't rendered realistically but as a fragmented collection of recollections, imbued with symbolic meaning. This ability to transmute personal experience into universal themes became a hallmark of his art. His palette was bold and expressive, often employing vibrant, non-naturalistic colors to convey emotion rather than literal representation. Figures float and dance across the canvas, defying gravity and logic, creating a dreamlike atmosphere that invites viewers into his inner world. This stylistic approach wasn’t accidental; it stemmed from a desire to move beyond mere imitation of reality and capture the essence of feeling, the weight of memory, and the power of folklore. The Russian Revolution brought Chagall back to Vitebsk, where he became involved in cultural initiatives, establishing an art school that briefly flourished before succumbing to the restrictions imposed by the new regime. This period was marked by both creative energy and political disillusionment, a tension that would continue to shape his artistic trajectory.

    A Life Between Worlds: Paris, New York, and Beyond

    Eventually, Chagall left Russia for good, settling in France in 1923. This marked the beginning of a period of international recognition and prolific creativity. Works like Over Vitebsk (1920-1922) demonstrate his continued engagement with his childhood memories, while paintings inspired by biblical stories—such as Jacob’s Dream—reveal a growing interest in religious themes. The outbreak of World War II forced him to flee occupied France for the United States, where he spent seven years in New York City. This period was marked by profound emotional upheaval and artistic experimentation. He found solace in his art, creating powerful works that reflected the anxieties and uncertainties of the time. White Crucifixion (1938), a haunting depiction of suffering and persecution, stands as a testament to this era. After the war, Chagall returned to France, where he continued to paint and create until his death in 1985 at the age of 97.

    Legacy and Enduring Influence

    In his later years, Marc Chagall received numerous prestigious commissions, including the ceiling of the Paris Opera (1964), a breathtaking explosion of color and form that celebrated musical masterpieces, and stunning stained glass windows for the Hadassah Hebrew University Medical Center synagogue in Jerusalem. These large-scale projects allowed him to translate his artistic vision into architectural spaces, creating immersive environments that continue to inspire awe and wonder. Chagall’s influence on subsequent generations of artists is undeniable. His lyrical quality, emotional depth, and imaginative power resonated with Surrealists and other movements that embraced fantasy and symbolism. He bridged the gap between European modernism and Jewish cultural identity, becoming known as “the quintessential Jewish artist of the twentieth century.” His ability to synthesize personal experience, folklore, and universal themes continues to resonate with audiences worldwide. His work reminds us of the power of art to transcend boundaries, to connect us to our shared humanity, and to illuminate the beauty and mystery of life.

    A Lasting Impression

    Marc Chagall’s legacy extends beyond his paintings and stained glass; it resides in the enduring power of his vision—a vision that celebrates love, memory, and the boundless possibilities of the human imagination. He left behind a body of work that is both deeply personal and universally accessible, inviting viewers to lose themselves in a world painted with dreams and illuminated by hope. The Musée Marc Chagall in Nice stands as a testament to his enduring influence, housing an extensive collection of his works and offering visitors a glimpse into the heart and soul of this extraordinary artist. His art continues to inspire, challenge, and move us, ensuring that his vibrant and imaginative spirit will live on for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Striking the Rock

    originaluniqueart.com/en/art/download/marc-chagall-striking-the-rock-8XYGUV-en/

    Cite this artwork

    MLA
    Chagall, Marc. Striking the Rock. 1963, https://originaluniqueart.com/en/art/marc-chagall-striking-the-rock-8XYGUV-en/
    APA
    Chagall, Marc (1963). Striking the Rock [Painting]. https://originaluniqueart.com/en/art/marc-chagall-striking-the-rock-8XYGUV-en/
    Chicago
    Marc Chagall. Striking the Rock. 1963. https://originaluniqueart.com/en/art/marc-chagall-striking-the-rock-8XYGUV-en/
    Harvard
    Chagall, Marc (1963) Striking the Rock. Available at: https://originaluniqueart.com/en/art/marc-chagall-striking-the-rock-8XYGUV-en/

    Look closely

    Striking the Rock — Marc Chagall

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: biblical scene, miracle, blessing. Do you agree? What would you add, or take away?
    4. Look back at I and the Village (1911), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Naïve Art / Primitivism: Work by artists without formal training, flat and direct, valued for exactly that freshness. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Striking the Rock — Marc Chagall

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What artistic movement is Marc Chagall’s ‘Striking the Rock’ primarily associated with?

      • A Cubism
      • B Impressionism
      • C Naïve Art (Primitivism)
    2. 2. In ‘Striking the Rock’, what is the primary action depicted by the central figure?

      • A Painting a landscape
      • B Performing a miracle or blessing
      • C Leading a procession
    3. 3. What is the significance of the dog present in the painting?

      • A A symbol of royalty
      • B It’s simply an added detail
      • C Its symbolic meaning is unclear
    4. 4. What year was Marc Chagall's ‘Striking the Rock’ created?

      • A 1953
      • B 1963
      • C 1973
    5. 5. The painting utilizes techniques characteristic of Naïve Art. Which of the following best describes this style?

      • A It relies on meticulous realism and academic training
      • B It is characterized by simplicity, directness, and often dreamlike quality
      • C It focuses on complex symbolism and intellectual concepts

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1C · 2B · 3B · 4B · 5B

    Check any answer against the catalogue record for this painting

    Questions & Answers

    What was Marc Chagall's age when "Striking the Rock" was created?

    When "Striking the Rock" was created in 1963, Marc Chagall - born in 1887 - was 76 years old.

    What color intensity does "Striking the Rock" by Marc Chagall have?

    The color intensity of "Striking the Rock" is balanced. Intensity describes how strong the colors appear.

    What mood and emotion come together in "Striking the Rock"?

    The recorded mood of "Striking the Rock" by Marc Chagall is dramatic, and its emotional tone is spiritual.