Paper

Student Artwork Guide

Dysphoria

Name Class Date

Lizzie Rowe, Dysphoria (1990), Laing Art Gallery. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Lizzie Rowe originaluniqueart.com/en/artists/lizzie-rowe/
Artist’s dates
1955 –
Painted
1990
Original size
225 x 213 cm
Held at
Laing Art Gallery originaluniqueart.com/en/museums/laing-art-gallery-newcastle-upon-tyne/

In context

Dysphoria — Lizzie Rowe

How big is it?

The original measures 225 × 213 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 35. 0 of the 5 dated works by this artist in our catalogue came earlier.

▲ this work, 1990 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/lizzie-rowe-dysphoria-ARALQU-en/

Colours

Measured from the image

    Main colour

    Gray #797769

    Catalogued palette

    • #797769
    • #ACA99A
    • #424036
    • #DBDDD1

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Lizzie Rowe over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 United Kingdom 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 3 most looked-at works by Lizzie Rowe

    1. 1 Conundrum Triptych (centre panel), 1991 33.3%
    2. 2 Dysphoria, 1990 this painting 33.3%
    3. 3 Professor Jane Taylor, 2007 33.3%

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 6 works by this artist, of which 3 were looked at at least once. This painting ranks 2 of them, with 33.3% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Lizzie Rowe

    A Life Unveiled: The Art of Lizzie Rowe

    Lizzie Rowe, a name resonating within the contemporary art landscape, particularly in the North East of England, represents far more than just an artist; she embodies a journey of self-discovery rendered onto canvas with unflinching honesty and remarkable skill. Born Stephen Rowe in Portsmouth in 1955, her life was one of profound transformation, a narrative woven into the very fabric of her evocative portraits and figurative works. While initially navigating a conventional path – marriage, fatherhood, and a career as an art lecturer – a burgeoning awareness of gender fluidity began to surface, ultimately leading to a high-profile sex change in 1996, documented with sensitivity by Channel 4. This wasn’t merely a personal shift; it became the core subject matter of her artistic exploration, challenging societal norms and inviting viewers into an intimate space of identity and emotion.

    Early Influences & Artistic Development

    Rowe's early aptitude for art was evident from childhood, with anecdotes shared by her brother Ben recalling precocious doodles brimming with talent. Despite initial reservations from her father regarding the practicality of a career in fine art, she pursued studies at Reading University, initially in philosophy before swiftly transitioning to the Fine Art program. This period laid the foundation for her technical prowess and conceptual approach. The 1980s saw Rowe establish herself within the Newcastle Polytechnic as a senior lecturer, simultaneously building a reputation through regional exhibitions. However, it was the late 1980s that marked a pivotal turning point – the courageous decision to embrace her true identity and embark on a path of transition. This personal revolution wasn’t isolated from her art; rather, it became inextricably linked, fueling a new wave of creative expression. Her work began to delve into the domestic routines and rituals surrounding gender, exploring themes of femininity, sexuality, and self-perception with an increasingly bold and nuanced perspective.

    Themes & Techniques: A Portrait of Transformation

    Rowe’s artistic style is characterized by its realism, yet it transcends mere representation. She possessed a remarkable ability to capture not just the physical likeness of her subjects but also their inner lives – their vulnerabilities, strengths, and complexities. Her paintings often feature iconic items of clothing—frocks, underwear—imbued with personality and demanding attention. These weren’t simply depictions of garments; they became symbols representing the rituals of dressing, challenging conventional notions of femininity and exploring the performative aspects of gender. The series The Unironed Frock & Other Stories exemplifies this approach, presenting enchanting studies that invite viewers to contemplate the relationship between identity and appearance. Her technique involved detailed brushwork and a keen eye for observation, resulting in works that are both aesthetically pleasing and emotionally resonant. She wasn’t afraid to confront difficult subjects, often portraying her own journey with unflinching honesty, creating pieces that were at times challenging but always deeply personal.

    Recognition & Legacy

    Throughout her career, Lizzie Rowe garnered significant recognition within the art world. Her work was exhibited regionally, nationally, and internationally, finding its way into numerous public collections including the Laing Art Gallery in Newcastle. Commissions poured in, testament to her growing reputation and artistic skill. However, perhaps her most enduring legacy lies not just in the quantity of her work but in its profound impact on viewers. A recent exhibition at Sunderland’s Abject Gallery, organized by her brother Ben following her unexpected death in December 2023, served as a powerful tribute to her talent and life. The show, featuring over 100 paintings, charted her transition from male to female with stunning clarity and emotional depth. The event highlighted the importance of Rowe’s work in challenging societal norms and fostering dialogue around gender identity. Her art continues to resonate today, inspiring artists and viewers alike to embrace authenticity and explore the complexities of the human experience.

    Historical Significance & Enduring Impact

    Lizzie Rowe's contribution extends beyond the realm of aesthetics; she was a pioneer who fearlessly explored themes that were often marginalized or taboo during her time. Her work played a crucial role in shaping conversations around gender identity, paving the way for greater acceptance and understanding. She wasn’t simply documenting her own journey; she was challenging viewers to confront their preconceived notions about gender, sexuality, and self-expression. Her art served as a powerful form of social commentary, prompting reflection on societal expectations and the fluidity of identity. The recent rediscovery of her work, coupled with exhibitions like the one at Abject Gallery, underscores its enduring relevance in contemporary society. Rowe’s legacy is one of courage, authenticity, and artistic innovation—a testament to the transformative power of art and the importance of embracing one's true self.

    Museum

    Laing Art Gallery

    On show in Newcastle upon Tyne, United Kingdom

    Laing Art Gallery: A Beacon of British Artistic Heritage in Newcastle Upon Tyne

    Nestled on New Bridge Street West, Newcastle upon Tyne, the Laing Art Gallery stands as a testament to Victorian philanthropy and a remarkable repository of British art spanning centuries. Established in 1904 by Alexander Laing—a local wine merchant whose generosity ensured its enduring legacy—the gallery welcomes visitors free of charge (excluding special exhibitions), fostering accessibility and enriching Newcastle’s cultural landscape.

    Location:

    Newcastle upon Tyne, Northumberland and West Lothian

    Address:

    Laing Art Gallery, New Bridge Street, Newcastle upon Tyne, NE1 8AG

    Website:

    https://en.wikipedia.org/wiki/Laing_Art_Gallery

    The gallery’s mission is to champion British art from the 18th and 19th centuries, alongside showcasing contemporary works and celebrating local artistic talent. Its curators meticulously curate exhibitions that illuminate diverse artistic movements and perspectives, offering visitors a stimulating journey through visual culture.

    A Collection That Captures Emotion and Vision

    Paintings:

    The Laing’s collection is anchored by masterpieces from luminaries like J.M.W. Turner—whose dramatic landscapes convey sublime beauty—Edward Burne-Jones—renowned for his opulent Symbolist fantasies—and John Martin—a pioneer of Romantic horror whose monumental canvases evoke visceral emotion. Notably, “The Destruction of Sodom and Gomorrah” by Martin remains a haunting depiction of biblical catastrophe, while Burne-Jones’ “Laus Veneris” embodies ethereal grace and mythological grandeur.

    Watercolours & Drawings:

    Complementing the paintings are exquisite watercolours and drawings by Turner and John Sell Cotman—artists who skillfully captured atmospheric conditions and rendered intricate detail. These works exemplify the artistic techniques prevalent during their time, revealing a profound understanding of light and colour.

    Decorative Arts:

    Beyond visual art, the gallery’s holdings encompass decorative historical objects that reflect Newcastle's rich craft traditions. Admire Newcastle silver—a symbol of civic pride—the delicately enamelled glasses crafted by William Beilby—demonstrating Victorian craftsmanship—and ceramics produced by Maling pottery—celebrated for their vibrant glaze colours and artistic designs.

    Architectural Elegance: Baroque Roots, Art Nouveau Flair

    Designed in the Baroque style with subtle Art Nouveau influences by architects Cackett & Burns Dick, the Laing Art Gallery is a Grade II listed building—a tangible reminder of Newcastle’s Victorian grandeur. Its soaring ceilings and ornate detailing evoke the opulent aesthetic of European palaces, while delicate floral motifs subtly intertwine with classical proportions.

    More Than Just Art: Engagement and Inspiration

    What distinguishes Laing Art Gallery is its unwavering commitment to fostering artistic appreciation and community engagement. Regularly rotating exhibitions present groundbreaking artworks alongside established classics—inspiring dialogue and broadening perspectives. Furthermore, the gallery hosts free events—including insightful gallery talks, engaging family activities—and stimulating artist-led workshops—creating a vibrant space for learning and creativity.

    Exploring Further

    Notable Exhibitions:

    Recent exhibitions have explored themes of British identity, artistic innovation, and the role of art in shaping cultural narratives.

    Community Partnerships:

    Collaborations with local schools and organizations enrich educational programs and promote artistic outreach within Newcastle upon Tyne.

    A visit to Laing Art Gallery is an immersive experience—a chance to connect with British artistic heritage, discover inspiring artworks, and celebrate the enduring power of creativity.

    Where to read more

    • The artist Lizzie Rowe originaluniqueart.com/en/artists/lizzie-rowe/
    • The museum Laing Art Gallery originaluniqueart.com/en/museums/laing-art-gallery-newcastle-upon-tyne/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/lizzie-rowe-dysphoria-ARALQU-en/

    Find this online

    QR code linking to the download page for Dysphoria

    originaluniqueart.com/en/art/download/lizzie-rowe-dysphoria-ARALQU-en/

    Cite this artwork

    MLA
    Rowe, Lizzie. Dysphoria. 1990, Laing Art Gallery. https://originaluniqueart.com/en/art/lizzie-rowe-dysphoria-ARALQU-en/
    APA
    Rowe, Lizzie (1990). Dysphoria [Painting]. Laing Art Gallery. https://originaluniqueart.com/en/art/lizzie-rowe-dysphoria-ARALQU-en/
    Chicago
    Lizzie Rowe. Dysphoria. 1990. Laing Art Gallery. https://originaluniqueart.com/en/art/lizzie-rowe-dysphoria-ARALQU-en/
    Harvard
    Rowe, Lizzie (1990) Dysphoria. Laing Art Gallery. Available at: https://originaluniqueart.com/en/art/lizzie-rowe-dysphoria-ARALQU-en/

    Look closely

    Dysphoria — Lizzie Rowe

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Professor Sir Frederick Halliday, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Lizzie Rowe was about 35 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How can I view "Dysphoria" by Lizzie Rowe as a slideshow?

    A slideshow is available: the Diaporama page of "Dysphoria" by Lizzie Rowe.

    How light is "Dysphoria" overall?

    Overall, "Dysphoria" is recorded as brilliant. Perceived brightness describes how light or dark the work appears.

    How do contrast and harmony combine in "Dysphoria"?

    The color analysis of "Dysphoria" by Lizzie Rowe records a bold contrast and a balanced harmony harmony.