Paper

Student Artwork Guide

Prostitutes No.9

Name Class Date

Liu Xiaodong, Prostitutes No.9 (2001). Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Liu Xiaodong originaluniqueart.com/en/artists/liu-xiaodong/
Artist’s dates
1963 –
Painted
2001
Original size
152 x 137 cm
Movement
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

In context

Prostitutes No.9 — Liu Xiaodong

How big is it?

The original measures 152 × 137 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 38. 0 of the 1 dated works by this artist in our catalogue came earlier.

▲ this work, 2001 every dated painting, decade by decade

Compare with

  • Say No 1 originaluniqueart.com/en/art/liu-xiaodong-say-no-1-D4C4JC-en/
  • Behind 1 originaluniqueart.com/en/art/liu-xiaodong-behind-1-D4C5FD-en/
  • Dutch Duck 1 originaluniqueart.com/en/art/liu-xiaodong-dutch-duck-1-D94BMW-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/liu-xiaodong-prostitutes-no-9-AQZCNG-en/

Colours

Measured from the image

    Main colour

    Driftwood #cb9c65

    Catalogued palette

    • #CB9C65
    • #3D3324
    • #EBD5B4
    • #2B92B6

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Liu Xiaodong over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 88.9%1,600 visits
    2. 2 France 5.6%100 visits
    3. 3 Thailand 5.6%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 11 most looked-at works by Liu Xiaodong

    1. 1 Mining Jade 1 15.0%300 visits
    2. 2 Doubt 1 10.0%200 visits
    3. 3 North 10.0%200 visits
    4. 4 West 10.0%200 visits
    5. 5 Say No 1 10.0%200 visits
    6. 6 Sandstorm 2 10.0%200 visits
    7. 7 Time 2 10.0%200 visits
    8. 8 Gender 1 10.0%200 visits
    9. 9 Love 10.0%200 visits
    10. 10 Square 2 5.0%100 visits
    11. — Prostitutes No.9, 2001 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 38 works by this artist, of which 10 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Liu Xiaodong

    Liu Xiaodong: A Painter's Witness to China’s Transformation

    Liu Xiaodong (born 1963 in Liaoning Province, China) stands as a singular voice within contemporary Chinese art—a painter who relentlessly documents the evolving social landscape of his nation with an unwavering dedication to observation and meticulous technique. His artistic journey began amidst the intellectual ferment of the late 1980s, shaped by formative influences including the legacy of Socialist Realism and the burgeoning spirit of independent filmmaking championed by Jia Zhangke. This confluence of perspectives informs his distinctive visual language: large-scale canvases populated with figures rendered in a style reminiscent of classical Chinese painting—specifically Gongbi—that simultaneously captures both grandeur and intimacy.

    Early Influences: Xiaodong’s artistic sensibilities were profoundly impacted by the Socialist Realist tradition, particularly the works of Zhang Daqian and Wu Guanzhong, who championed a heroic depiction of the collective spirit and national identity. Simultaneously, he absorbed the cinematic ethos of Jia Zhangke, recognizing the power of film to convey complex narratives and explore social realities with nuance.

    Formal Training: He pursued his artistic education at Central Academy of Fine Arts (CAFA), Beijing, earning a Bachelor’s and Master’s degree in Oil Painting, honing his skills in mastering traditional brushwork and color palettes. This rigorous training solidified his commitment to meticulous observation and stylistic consistency throughout his career.

    The “Hotan Project” – A Turning Point: Xiaodong's breakthrough came with the "Hotan Project," a collaborative effort with filmmaker Jia Zhangke that captured the lives of jade miners in Xinjiang Uyghur Autonomous Region. This ambitious undertaking involved extensive fieldwork and photographic documentation, resulting in a series of paintings that powerfully conveyed the hardships faced by these marginalized communities—a pivotal moment demonstrating Xiaodong’s ability to translate social observation into artistic expression.

    Style and Technique: Echoes of Tradition Amidst Modern Concerns Xiaodong's distinctive visual style is characterized by a masterful command of Gongbi painting technique—a method rooted in classical Chinese art that prioritizes detailed realism and subtle tonal gradations. Unlike many contemporary artists who embrace abstraction or conceptual approaches, Xiaodong deliberately eschews stylistic innovation, opting instead for a deliberate return to established conventions. This stylistic choice serves not merely as an aesthetic preference but as a conscious decision to engage with the history of Chinese painting—specifically the Xieyi style championed by Guan Liang—and to honor the traditions of artistic representation that have shaped Chinese culture for centuries.

    Gongbi Precision: Xiaodong’s meticulous brushwork and color palettes reflect the exacting standards of Gongbi painting, where every detail is painstakingly rendered with painstaking accuracy. This technique allows him to convey both visual splendor and psychological depth—capturing not only the outward appearance of subjects but also their inner emotional state.

    Narrative Depth: Xiaodong’s paintings are imbued with narrative complexity, reflecting his belief that art should serve as a conduit for social commentary. He meticulously arranges figures within carefully constructed compositions to convey profound insights into human experience—often confronting viewers with uncomfortable truths about societal inequalities and the challenges faced by ordinary people.

    The Role of Observation: Xiaodong’s artistic process is fundamentally driven by observation—a commitment to immersing himself in environments and documenting experiences with unwavering honesty. This dedication to direct engagement informs his visual language, resulting in paintings that resonate with authenticity and immediacy.

    Notable Achievements and Recognition Xiaodong's work has garnered international acclaim and cemented his position as one of China’s most influential contemporary artists. His paintings have been exhibited extensively throughout Europe and North America—including solo shows at the Dallas Contemporary and Louisiana Museum of Modern Art—receiving critical praise for their stylistic rigor, emotional resonance, and intellectual depth. Furthermore, he was awarded the Nobel Peace Prize in 2010 for his tireless advocacy for human rights in China—a testament to his unwavering commitment to social justice and artistic integrity. His films have garnered awards from prestigious film festivals such as Venice and Sundance, furthering his reputation as a multifaceted artist who seamlessly blends visual storytelling with philosophical reflection.

    Legacy and Significance Liu Xiaodong’s enduring contribution to Chinese art lies in his steadfast refusal to compromise on stylistic principles while simultaneously confronting pressing social issues—a rare combination that distinguishes him from many of his contemporaries. His paintings serve as powerful reminders of the importance of meticulous observation, artistic tradition, and unwavering moral conviction—qualities that continue to inspire artists and scholars alike. Xiaodong’s work stands as a poignant chronicle of China's transformation during the 21st century, capturing both its beauty and its contradictions with unflinching honesty—a legacy destined to endure for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Prostitutes No.9

    originaluniqueart.com/en/art/download/liu-xiaodong-prostitutes-no-9-AQZCNG-en/

    Cite this artwork

    MLA
    Xiaodong, Liu. Prostitutes No.9. 2001, https://originaluniqueart.com/en/art/liu-xiaodong-prostitutes-no-9-AQZCNG-en/
    APA
    Xiaodong, Liu (2001). Prostitutes No.9 [Painting]. https://originaluniqueart.com/en/art/liu-xiaodong-prostitutes-no-9-AQZCNG-en/
    Chicago
    Liu Xiaodong. Prostitutes No.9. 2001. https://originaluniqueart.com/en/art/liu-xiaodong-prostitutes-no-9-AQZCNG-en/
    Harvard
    Xiaodong, Liu (2001) Prostitutes No.9. Available at: https://originaluniqueart.com/en/art/liu-xiaodong-prostitutes-no-9-AQZCNG-en/

    Look closely

    Prostitutes No.9 — Liu Xiaodong

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: female figures, intimacy, social commentary. Do you agree? What would you add, or take away?
    5. Look back at Say No 1, earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    In which year and which movement was "Prostitutes No.9" made?

    "Prostitutes No.9" was made in 2001, within the Contemporary Realism movement.

    How do I download the image of "Prostitutes No.9" by Liu Xiaodong?

    The image of "Prostitutes No.9" by Liu Xiaodong can be downloaded from the artwork's Download page: a high-resolution digital image download.

    Is "Prostitutes No.9" by Liu Xiaodong a bright or a dark artwork?

    In terms of perceived brightness, "Prostitutes No.9" by Liu Xiaodong is brilliant.