Paper

Student Artwork Guide

Young harvesters

Name Class Date

Lionel Percy Smythe, Young harvesters. Public domain.

The facts

Artist
Lionel Percy Smythe originaluniqueart.com/en/artists/lionel-percy-smythe/
Artist’s dates
1780 – 1855

In context

Young harvesters — Lionel Percy Smythe

When might this have been painted?

  1. 1780
  2. 1790
  3. 1800
  4. 1810
  5. 1820
  6. 1830
  7. 1840
  8. 1850

Shaded: the lifetime of Lionel Percy Smythe (1780–1855)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/lionel-percy-smythe-young-harvesters-9HTRJ6-en/

Colours

Measured from the image

    Main colour

    Espresso #4e3215

    Catalogued palette

    • #4E3215
    • #A5A381
    • #231508
    • #79562B
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Lionel Percy Smythe

    Born in London, United Kingdom

    Lionel Percy Smythe: A Biography

    Born: September 4, 1839, London, United Kingdom

    Died: July 1918

    Nationality: British

    Artistic Movement: Idyllists

    Early Life and Family

    Lionel Percy Smythe was born the illegitimate son of Percy Clinton Sydney Smythe, the 6th Viscount Strangford, and Katherine Benham (later Mrs. Wyllie).

    His early years were spent in France with his family before returning to London in 1843.

    He received his education at King's College School.

    He was the half-brother of artists William Lionel Wyllie and Charles William Wyllie, who significantly influenced his artistic development.

    Artistic Training and Development

    Smythe’s formal training took place at the Heatherley School of Fine Art.

    He began exhibiting his work at the Royal Academy in 1863, marking the beginning of his public recognition.

    His artistic style evolved to capture idyllic rural scenes and genre paintings, often depicting everyday life with a focus on detail and atmosphere.

    Frequent trips to France, particularly to Wimereux and Boulogne, provided him with rich subject matter for his landscapes and depictions of local people.

    He became associated with the Idyllists, a group of artists who sought to portray idealized scenes of rural life and pastoral beauty.

    Major Works and Artistic Style

    Notable Works: "The Arabian Nights" (1865), "Shorthanded" (1874), "Field of the Cloth of Gold: Twixt Calais and Guines" (1883), “Bleaching Linen” (pre 1896), "Under the Greenwood Tree" (1902), "The Harvester" (1910).

    Mediums: Primarily worked in watercolor and oil paints.

    Style: Smythe’s style is characterized by meticulous detail, a soft palette of colors, and a focus on capturing the atmosphere and mood of his subjects. His paintings often evoke a sense of nostalgia and tranquility.

    He skillfully depicted figures within landscapes, creating narratives that reflected Victorian values and ideals.

    Legacy and Historical Significance

    Smythe was elected an Associate of the Royal Academy (A.R.A.) in 1898 and a full Royal Academician (R.A.) in 1911, solidifying his position within the British art establishment.

    His works are held in prestigious collections including the Tate Gallery and the Victoria and Albert Museum in London.

    As an artist associated with the Idyllists, Smythe contributed to a broader artistic trend that celebrated rural life and idealized landscapes during the Victorian era.

    He is remembered for his ability to capture the beauty of everyday scenes and convey a sense of peace and harmony through his art.

    Where to read more

    • The artist Lionel Percy Smythe originaluniqueart.com/en/artists/lionel-percy-smythe/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/lionel-percy-smythe-young-harvesters-9HTRJ6-en/

    Find this online

    QR code linking to the download page for Young harvesters

    originaluniqueart.com/en/art/download/lionel-percy-smythe-young-harvesters-9HTRJ6-en/

    Cite this artwork

    MLA
    Smythe, Lionel Percy. Young harvesters. n.d., https://originaluniqueart.com/en/art/lionel-percy-smythe-young-harvesters-9HTRJ6-en/
    APA
    Smythe, Lionel Percy (n.d.). Young harvesters [Painting]. https://originaluniqueart.com/en/art/lionel-percy-smythe-young-harvesters-9HTRJ6-en/
    Chicago
    Lionel Percy Smythe. Young harvesters. n.d. https://originaluniqueart.com/en/art/lionel-percy-smythe-young-harvesters-9HTRJ6-en/
    Harvard
    Smythe, Lionel Percy (n.d.) Young harvesters. Available at: https://originaluniqueart.com/en/art/lionel-percy-smythe-young-harvesters-9HTRJ6-en/

    Look closely

    Young harvesters — Lionel Percy Smythe

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Reflections at the Spring, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.