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Student Artwork Guide

Miss Baker

Name Class Date

Lawrence Gowing, Miss Baker (1947), Arts Council Collection. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Lawrence Gowing originaluniqueart.com/en/artists/lawrence-gowing/
Artist’s dates
1918 – 1991
Painted
1947
Original size
75 x 55 cm
Held at
Arts Council Collection originaluniqueart.com/en/museums/arts-council-collection-london/

In context

Miss Baker — Lawrence Gowing

How big is it?

The original measures 75 × 55 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 73 at death.

Painted when the artist was 29. The artist lived to 73. 13 of the 17 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Lawrence Gowing (1918–1991) ▲ this work, 1947 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/lawrence-gowing-miss-baker-AQSJBU-en/

Colours

Measured from the image

    Main colour

    Sap Green #675f29

    Catalogued palette

    • #675F29
    • #AB9462
    • #4D4B26
    • #867A46

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Sap Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Lawrence Gowing over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 71.4%
    2. 2 United Kingdom 14.3%
    3. 3 United States of America 14.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 9 most looked-at works by Lawrence Gowing

    1. 1 Still Life Flowers, 1944 20.0%
    2. 2 The Right Honourable Lord Eustace Percy (1887–1958), President, Armstrong College (1933–1937), Rector, King's College (1937–1952) 20.0%
    3. 3 Mare Street, Hackney, London, 1937 10.0%
    4. 4 A Dance to the Music of Time, 1948 10.0%
    5. 5 The River Kennet at Chilton, Wiltshire, 1930 10.0%
    6. 6 Path through the Woods 10.0%
    7. 7 Sad Presentiments (after Francisco de Goya) 10.0%
    8. 8 Barbara Saxon 10.0%
    9. — Miss Baker, 1947 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 29 works by this artist, of which 8 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Miss Baker — Lawrence Gowing

    The Miss Baker painting by Lawrence Gowing is a stunning example of modern British art. Created in 1947, this oil on canvas piece measures 75 x 55 cm and is part of the Arts Council Collection in London, United Kingdom. The painting depicts a woman with red hair sitting on a chair, looking directly at the viewer while holding her hands together in front of her chest.

    Artist Background

    Lawrence Gowing was a British artist known for his portraits and landscapes. His work is characterized by bold brushstrokes and vivid colors. Miss Baker is one of his notable works, showcasing his ability to capture the essence of his subjects. For more information on Lawrence Gowing's artwork, visit Lawrence Gowing: Miss Baker.

    Similar Works

    Other notable paintings in the Arts Council Collection include Julia Strachey (1901–1979) by Lawrence Gowing, Red Haired Nude by George Douglas Haig, and Old Woman Knitting by Patricia Preece. These paintings demonstrate the diversity of modern British art and can be found on Lawrence Gowing: Julia Strachey (1901–1979), George Douglas Haig: Red Haired Nude, and Patricia Preece: Old Woman Knitting.

    Key Features

    The Miss Baker painting features:

    Vibrant colors used to capture the subject's red hair and facial expression

    Bold brushstrokes that add texture and depth to the painting

    A simple yet effective composition that draws the viewer's attention to the subject

    For more information on the Arts Council Collection, visit The Arts Council Collection London, United Kingdom Introduction.

    The Miss Baker painting is a remarkable example of modern British art, and its unique features make it a must-see for art enthusiasts.

    Artist and museum

    Artist

    Lawrence Gowing

    Lawrence Gowing: A Life Dedicated to Art and Education

    Sir Lawrence Burnett Gowing (1918-1991) wasn’t merely an artist; he was a pivotal figure in the landscape of 20th-century British art, a dedicated educator whose influence resonated through generations of artists and scholars. Born in Hackney, East London – a surprisingly humble beginning for one who would later command respect within the highest echelons of the art world – Gowing’s early life was shaped by his Quaker upbringing and a keen observation of the urban environment, as evidenced by his earliest work, “Mare Street, Hackney,” a vibrant snapshot of his father's drapery shop. This initial foray into painting laid the groundwork for a career that seamlessly blended artistic creation with rigorous academic study and passionate teaching.

    Gowing’s formal art training began at the prestigious Leighton Park School in Gloucestershire and continued at the Euston Road School, where he studied under William Coldstream – a formative experience that instilled within him a commitment to both observation and a nuanced understanding of color. Crucially, his conscientious objection during World War II led to a period of self-directed study, fostering an independent approach to art history and a deep appreciation for the masters of European painting. This autodidacticism proved invaluable as he navigated the evolving artistic landscape of post-war Britain.

    A Portraitist of Prominence and a Champion of Turner

    The 1940s marked a turning point in Gowing’s career, establishing him as a sought-after portrait painter. He quickly gained recognition for his ability to capture the essence of prominent figures – Clement Attlee, Lord Halifax, Edgar Adrian – imbuing each portrait with a sense of dignity and character. These weren't merely likenesses; they were carefully constructed narratives reflecting the subject’s position within society. Simultaneously, he continued his lifelong passion for open-air landscape painting, honing his skills through observation and experimentation.

    Gowing’s dedication to Turner is particularly noteworthy. In 1966, he orchestrated a landmark exhibition at the Museum of Modern Art in New York, showcasing the breadth and brilliance of the Romantic painter's oeuvre. This event not only brought Turner’s work to a wider audience but also cemented Gowing’s reputation as a leading authority on the artist. Subsequent exhibitions in London and France further solidified his expertise and influence.

    Academia and Institutional Leadership

    Beyond his artistic pursuits, Gowing made an indelible mark as an educator. He began teaching at King's College, Durham (later Newcastle upon Tyne) in 1948, progressing to the Principalship of Chelsea School of Art from 1958 to 1965 and ultimately assuming the role of Principal of the Slade School of Fine Art at University College London from 1975 to 1985. These positions demanded not only artistic vision but also administrative skill, shaping the curriculum and fostering a vibrant learning environment for countless students.

    His influence extended beyond the classroom; Gowing served as a trustee of prestigious institutions like the Tate Gallery, the National Portrait Gallery, and the British Museum, demonstrating his commitment to preserving and promoting art heritage. He was also elected an Associate of the Royal Academy in 1978 and later became a Honorary Curator, further solidifying his standing within the artistic community.

    Legacy and Continuing Influence

    Lawrence Gowing’s legacy is multifaceted. He wasn't simply a painter or a teacher; he was a curator, an art historian, and a passionate advocate for the enduring power of visual culture. His meticulous research, insightful writings, and dedication to both artistic creation and education have left an undeniable mark on British art history. The recent opening of his personal archive at University College London offers invaluable insights into his life’s work, ensuring that his contributions will continue to be studied and appreciated for generations to come.

    His commitment to fostering a deep understanding of artistic techniques, particularly in the study of masters like Vermeer, Hogarth, Turner, Cézanne, Matisse, and Freud, ensured that students were equipped with both technical skills and critical thinking abilities. Gowing’s approach emphasized not just imitation but genuine engagement with the historical context and stylistic nuances of each artist's work – a philosophy that continues to resonate within art education today.

    Museum

    Arts Council Collection

    On show in London, United Kingdom

    A Living Legacy: The Pulse of British Creativity

    To encounter the

    Arts Council Collection

    is to step into a vibrant, breathing narrative of British artistic evolution. Unlike traditional institutions that confine masterpieces within the silent, static halls of a fortress-like museum, this collection operates as a "museum without walls." Founded in 1946 amidst the transformative shadows of post-war austerity, it was conceived not merely as a repository for aesthetic contemplation, but as an active conduit of cultural vitality. Its very essence lies in its movement; it is a curated circulation of inspiration that breathes life into universities, hospitals, and public buildings across the United Kingdom. This democratic approach ensures that exceptional art is never sequestered away from the public eye, but instead becomes an integral part of the communal landscape, fostering a deep-seated appreciation for the creative spirit that defines the nation.

    The collection’s historical journey is one of profound growth and intentionality. What began as a modest inheritance of paintings bequeathed by earlier councils has blossomed into a monumental holding of nearly 8,000 works by over 2,000 artists. This vast archive serves as a chronicle of the twentieth and twenty-first centuries, capturing the shifts in societal values and the radical transformations in visual language. For the collector or the art enthusiast, the collection offers an unparalleled window into the soul of British modernism, tracing the lineage from the visceral, psychological depths of

    Francis Bacon

    to the luminous, sun-drenched landscapes of

    David Hockney

    . It is a place where the monumental weight of

    Henry Moore’s

    sculptures meets the unflinching, textured intimacy of

    Lucian Freud’s

    portraits, creating a dialogue between form and emotion that transcends time.

    Innovation and the Contemporary Vanguard

    What truly distinguishes the Arts Council Collection is its fearless embrace of the contemporary and the emerging. It does not merely look backward with nostalgia; it actively shapes the future of art through visionary initiatives like the

    Frieze Acquisition Fund

    . By empowering curators to procure groundbreaking works from the prestigious Frieze London art fair, the collection ensures that the voices of the next generation are woven into the permanent fabric of British heritage. This commitment to innovation means that visitors—and those inspired by its works for interior curation—are always encountering the cutting edge of sculpture, photography, video, and installation. The collection thrives on tension and discovery, often presenting challenging or controversial pieces that provoke thought and ignite debate.

    Beyond its physical holdings, the institution’s impact is amplified through a sophisticated program of touring exhibitions and global partnerships. Through collaborations with entities such as the

    Coventry Biennial

    , the collection explores themes of urban identity and community outreach, bringing curated excellence to regional galleries far beyond the central hubs of London. This spirit of accessibility is further extended into the digital realm via the

    Google Arts & Culture

    partnership, allowing a global audience to wander through its treasures from any corner of the world. For the interior designer seeking to evoke a sense of sophisticated modernism or the scholar tracing the threads of artistic lineage, the Arts Council Collection remains an inexhaustible source of profound beauty and intellectual rigor.

    Where to read more

    Find this online

    QR code linking to the download page for Miss Baker

    originaluniqueart.com/en/art/download/lawrence-gowing-miss-baker-AQSJBU-en/

    Cite this artwork

    MLA
    Gowing, Lawrence. Miss Baker. 1947, Arts Council Collection. https://originaluniqueart.com/en/art/lawrence-gowing-miss-baker-AQSJBU-en/
    APA
    Gowing, Lawrence (1947). Miss Baker [Painting]. Arts Council Collection. https://originaluniqueart.com/en/art/lawrence-gowing-miss-baker-AQSJBU-en/
    Chicago
    Lawrence Gowing. Miss Baker. 1947. Arts Council Collection. https://originaluniqueart.com/en/art/lawrence-gowing-miss-baker-AQSJBU-en/
    Harvard
    Gowing, Lawrence (1947) Miss Baker. Arts Council Collection. Available at: https://originaluniqueart.com/en/art/lawrence-gowing-miss-baker-AQSJBU-en/

    Look closely

    Miss Baker — Lawrence Gowing

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Still Life Flowers (1944), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Lawrence Gowing was about 29 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How many people view "Miss Baker"?

    The Stats page of "Miss Baker" by Lawrence Gowing presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.

    Can I use augmented reality to see "Miss Baker" by Lawrence Gowing in my room?

    The AR Preview page of "Miss Baker" by Lawrence Gowing uses augmented reality to show the artwork in your own space, on a compatible device.

    Where can I see the original "Miss Baker" by Lawrence Gowing?

    The original "Miss Baker" by Lawrence Gowing is held at the Arts Council Collection, London, United Kingdom. A reproduction allows the work to be displayed at home.