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Student Artwork Guide

Midday

Name Class Date

Kiriak Kostandi, Midday (1892), Odessa Fine Art Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Kiriak Kostandi originaluniqueart.com/en/artists/kiriak-kostandi/
Artist’s dates
1852 – 1921
Painted
1892
Held at
Odessa Fine Art Museum originaluniqueart.com/en/museums/odessa-fine-art-museum-odesa/

In context

Midday — Kiriak Kostandi

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 69 at death.

Painted when the artist was 40. The artist lived to 69. 1 of the 7 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Kiriak Kostandi (1852–1921) ▲ this work, 1892 every dated painting, decade by decade

Compare with

  • Jackdaws, 1915 originaluniqueart.com/en/art/kiriak-kostandi-jackdaws-AQZU32-en/
  • Early Spring, 1915 originaluniqueart.com/en/art/kiriak-kostandi-early-spring-AQZU2W-en/
  • Holy Thursday, 1904 originaluniqueart.com/en/art/kiriak-kostandi-holy-thursday-AQZU2U-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/kiriak-kostandi-midday-AQZU36-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #232421

    Catalogued palette

    • #232421
    • #535D4D
    • #D5D5D4
    • #82837D

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Kiriak Kostandi over the last twelve months — 4 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 62.5%
    2. 2 India 12.5%
    3. 3 Netherlands 12.5%
    4. 4 Norway 12.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 5 most looked-at works by Kiriak Kostandi

    1. 1 Girl with Geese, 1888 37.5%
    2. 2 Jackdaws, 1915 25.0%
    3. 3 Lilacs in Bloom, 1902 12.5%
    4. 4 Midday, 1892 this painting 12.5%
    5. 5 The Goose Boy, 1918 12.5%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 7 works by this artist, of which 5 were looked at at least once. This painting ranks 4 of them, with 12.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Kiriak Kostandi

    Kyriak Kostandi: A Soul Captured in Light and Shadow

    Born in the coastal town of Dofinovka, near Odesa, in 1852, Kyriak Kostiantynovych Kostandi’s life was inextricably linked to the vibrant artistic heart of southern Russia. His early years, steeped in Greek heritage and surrounded by the burgeoning cultural scene of Odesa, laid the foundation for a career that would ultimately blend realism with the evocative sensibilities of Impressionism. Kostandi wasn't merely a painter; he was an observer, meticulously documenting the lives and landscapes of his time – a chronicler of everyday existence imbued with profound emotional depth.

    His formal artistic training began at the Odesa Drawing School in 1874, followed by studies at the prestigious Saint Petersburg Academy of Arts in 1882. This rigorous education provided him with technical mastery and exposure to the prevailing artistic currents of the era. However, Kostandi’s true calling lay not in slavishly adhering to academic conventions but in forging his own distinct voice – a voice that would soon be recognized for its poignant realism and subtle emotional resonance.

    Early Works and the Influence of the Wanderers

    Returning to Odesa, Kostandi quickly established himself as a significant figure within the city’s artistic community. He joined the Peredvizhniki (the Wanderers), a prominent group of realist artists dedicated to depicting Russian life outside the confines of the Imperial court. This association profoundly shaped his artistic trajectory, exposing him to new ideas about social commentary and the importance of portraying the lives of ordinary people. His early works, such as “A Visit to a Sick Friend” (1884), demonstrate this influence – capturing scenes of domesticity with a quiet dignity and an underlying sense of melancholy.

    The painting "Out Into the World" (1885), often referred to as “Among the People,” stands as perhaps his most enduring masterpiece. It’s a deceptively simple image: a young Ukrainian woman, her face etched with both hope and apprehension, gazes out from a window at an uncertain future. The painting's power lies not in grand gestures but in its subtle portrayal of human vulnerability and resilience – a theme that would recur throughout Kostandi’s oeuvre.

    The Impressionistic Shift and the Pursuit of Light

    As the late 1880s unfolded, Kostandi underwent a significant artistic transformation. While remaining committed to his core realist principles, he increasingly embraced the techniques and philosophies of Impressionism. He began to prioritize capturing fleeting moments of light and atmosphere, experimenting with plein air painting – working directly outdoors. This shift is evident in works like “Landscape with a Meadow” (1897), where the vibrant colors and loose brushstrokes convey a sense of immediacy and sensory experience.

    Kostandi’s contemporaries noted his philosophical approach to art, recognizing that he sought not merely to depict reality but to distill it into its purest emotional essence. He was fascinated by the interplay of light and shadow, using these elements to evoke mood and atmosphere with remarkable subtlety. His paintings are imbued with a quiet poetry – a testament to his ability to capture the intangible qualities of human experience.

    Later Years and Legacy

    In 1907, Kostandi was elected a full member of the Saint Petersburg Academy of Arts, a prestigious recognition of his artistic achievements. He continued to teach at the Odesa Art School and served as director of the Odesa City Museum from 1917 until his death in 1921. His dedication to art extended beyond his own practice; he was instrumental in establishing the Society of South Russian Artists, fostering a vibrant artistic community in Odesa.

    Kyriak Kostandi’s legacy endures as one of Ukraine's most significant artists of the late 19th and early 20th centuries. His paintings – characterized by their quiet dignity, emotional depth, and masterful use of light and shadow – offer a poignant glimpse into the lives and landscapes of his time. His work continues to resonate with viewers today, reminding us of the power of art to capture the complexities of human experience and the enduring beauty of the natural world.

    Museum

    Odessa Fine Art Museum

    On show in Odesa, Ukraine

    A Palace of Artistic Heritage: The Soul of Odesa

    In the heart of Odesa, a city where the salty breath of the Black Sea meets a complex tapestry of historical resilience, stands the Odessa Fine Arts Museum. Housed within the breathtaking Potocki Palace, the museum is far more than a mere repository for relics; it is a living testament to the enduring spirit of Ukrainian culture. The palace itself, a masterpiece of early 19th-century neoclassical architecture designed by the renowned Francesco Boffo, serves as a grand stage for the treasures within. As one approaches the elegant portico, supported by six imposing classical columns, there is an immediate sense of stepping into a different era—a transition from the bustling modern streets of Odesa into a sanctuary of quiet grandeur and intellectual depth.

    The museum’s collection is a profound dialogue between distinct yet interconnected artistic traditions, offering a sweeping narrative that spans from the 16th to the 20th centuries. For the discerning collector or art lover, the halls provide an unparalleled journey through the evolution of form and emotion. The museum is particularly celebrated for its exceptional representation of both Ukrainian and Russian masters, creating a rich aesthetic landscape where Romanticism meets the dawn of Modernism. To wander through these galleries is to witness the very pulse of artistic innovation, as the collection moves from the structured elegance of classical portraiture to the experimental whispers of early abstraction.

    Mastery of Light and the Dawn of Abstraction

    Among the most luminous highlights of the museum are the works of Ivan Aivazovsky. His breathtaking seascapes are legendary, capturing the raw, untamed power of the ocean with a technical virtuosity that remains unmatched. In his hands, the canvas does not merely depict water; it breathes with the movement of waves and the ephemeral play of light, evoking a sense of the sublime that can stir even the most stoic observer. These Romantic masterpieces are complemented by the museum's profound historical significance in the story of modern art, notably through its early works by Wassily Kandinsky. Seeing these nascent explorations of color and form allows visitors to trace the seismic shift from representational tradition toward the revolutionary language of abstraction.

    The collection further deepens with the poignant realism of the

    Peredvizhniki

    movement. Through the eyes of masters such as Ivan Kramskoi, Isaac Levitan, and Arkhip Kuindzhi, the museum presents a soulful reflection of 19th-century life, capturing both the splendor of the era and the quiet struggles of its people. These works, alongside 17th-century secular portraits that showcase the intricate ornamentation and social status of past generations, offer a layered experience for those seeking inspiration. For interior designers and connoisseurs, this diversity provides a limitless well of reference, where the dramatic tension of a stormy seascape can sit in perfect harmony with the delicate nuance of a classical portrait.

    A Beacon of Resilience and Cultural Continuity

    The history of the Odessa Fine Arts Museum is inextricably linked to the turbulent destiny of Odesa itself. Founded in 1899 through the visionary philanthropy of Gregory Marazli, the institution has stood as a steadfast guardian of heritage through revolutions, wars, and political upheavals. In recent years, this role of preservation has taken on a heroic dimension; despite facing direct threats from contemporary conflicts and sustaining damage from aerial attacks, the museum remains a symbol of hope and cultural defiance. It continues to participate in vital initiatives like “Museum for Change,” actively working to safeguard Ukrainian art history against the fragility of time and conflict.

    Today, the museum transcends its role as a historical monument to become a dynamic center for global engagement. Through digital initiatives and educational programs, it reaches far beyond the borders of Ukraine, connecting a worldwide audience to its treasures. Whether through contemporary exhibitions that platform emerging voices or the continued preservation of its classical foundations, the Odessa Fine Arts Museum remains a vital, breathing institution. It is a destination where history, art, and human resilience converge, offering an unforgettable experience for anyone captivated by the transformative power of beauty.

    Where to read more

    Find this online

    QR code linking to the download page for Midday

    originaluniqueart.com/en/art/download/kiriak-kostandi-midday-AQZU36-en/

    Cite this artwork

    MLA
    Kostandi, Kiriak. Midday. 1892, Odessa Fine Art Museum. https://originaluniqueart.com/en/art/kiriak-kostandi-midday-AQZU36-en/
    APA
    Kostandi, Kiriak (1892). Midday [Painting]. Odessa Fine Art Museum. https://originaluniqueart.com/en/art/kiriak-kostandi-midday-AQZU36-en/
    Chicago
    Kiriak Kostandi. Midday. 1892. Odessa Fine Art Museum. https://originaluniqueart.com/en/art/kiriak-kostandi-midday-AQZU36-en/
    Harvard
    Kostandi, Kiriak (1892) Midday. Odessa Fine Art Museum. Available at: https://originaluniqueart.com/en/art/kiriak-kostandi-midday-AQZU36-en/

    Look closely

    Midday — Kiriak Kostandi

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Jackdaws (1915), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Kiriak Kostandi was about 40 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How does "Midday" balance light and dark?

    The recorded values for "Midday" by Kiriak Kostandi are: balanced brightness, gentle luminance luminance.

    Are the colors of "Midday" by Kiriak Kostandi saturated or muted?

    The palette of "Midday" is subtle color in saturation.

    How do I preview a reproduction of "Midday" by Kiriak Kostandi?

    The Preview page of "Midday" lets you preview the artwork before ordering.