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Student Artwork Guide

Augustus Saint-Gaudens

Name Class Date

Kenyon Cox, Augustus Saint-Gaudens (1908), Metropolitan Museum of Art. Public domain.

The facts

Artist
Kenyon Cox originaluniqueart.com/en/artists/kenyon-cox/
Artist’s dates
1856 – 1919
Painted
1908
Medium
Oil On Canvas
Original size
85 x 120 cm
Movement
Beaux-Arts Realism
Period
19th Century
Held at
Metropolitan Museum of Art originaluniqueart.com/en/museums/metropolitan-museum-of-art-new-york/
Artistic style
Realistic portraiture
Influences
Cox, Saint-Gaudens
Notable elements
Sculptor modeling
Subject or theme
Artist's studio scene

In context

Augustus Saint-Gaudens — Kenyon Cox

How big is it?

The original measures 85 × 120 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Shaded: the lifetime of Kenyon Cox (1856–1919) ▲ this work, 1908

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/kenyon-cox-augustus-saint-gaudens-D32ENN-en/

Colours

Measured from the image

    Main colour

    Clay #94692f

    Catalogued palette

    • #94692F
    • #C3A36A
    • #DBC9A1
    • #5D3210
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Clay
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Clear Color Presence How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Augustus Saint-Gaudens — Kenyon Cox

    A Glimpse into Artistic Genius: Cox’s Tribute to Saint-Gaudens

    This captivating painting transports us directly into the vibrant, intellectual atmosphere of a turn-of-the-century Parisian studio, yet it speaks volumes about enduring artistic legacy. The scene centers on Kenyon Cox, masterfully capturing him in an act of profound contemplation—examining sculptural forms with the discerning eye of a seasoned artist or critic. The composition is rich with implied narrative; we see not just a man among statues, but a moment suspended between creation and appreciation. The very air seems thick with the scent of plaster dust, linseed oil, and intellectual fervor.

    The Weight of Memory: Historical Context

    To truly appreciate this work is to understand its poignant genesis. Painted in 1908, it serves as a remarkable memorial piece, created by Cox following the devastating 1904 fire that consumed Augustus Saint-Gaudens’s original portrait canvas. This painting is thus more than mere portraiture; it is an act of artistic preservation, a clever echo designed to honor a lost masterpiece for the Metropolitan Museum's exhibition. The inclusion of Saint-Gaudens himself—shown modeling a relief of William Merritt Chase while flanked by his son Homer’s likeness—lends the entire piece an aura of historical significance and deep personal connection.

    Composition and Technique: A Study in Observation

    Cox employs a sophisticated technique that blends portraiture with genre scene painting. The subject, dressed in crisp white and black, stands thoughtfully amidst the surrounding figures and monumental sculptures. Notice how the artist directs our gaze: from the main figure examining the statues on his left, across to the secondary elements—the other observers and the intriguing bowls placed near the foreground right. This careful arrangement prevents any single element from dominating entirely; instead, it creates a dialogue between man, art, and memory. The handling of light suggests an interior space illuminated by natural sources, lending a polished, almost photographic realism to the scene while retaining the painterly depth characteristic of late 19th-century academic painting.

    Symbolism and Emotional Resonance

    The symbolism here is layered: the statues represent permanence and enduring form, contrasting with the ephemeral nature of paint and life itself. The act of modeling clay—the very material Saint-Gaudens manipulates—is a potent symbol of creation, suggesting that genius, though sometimes fragile (as evidenced by the lost original), leaves an indelible mark on culture. For the collector or designer, this piece offers more than decoration; it offers conversation. It speaks to patronage, artistic struggle, and the enduring power of human creativity, inviting viewers to pause and consider what they value most: the finished product, or the arduous process that brought it into being.

    Artist and museum

    Artist

    Kenyon Cox

    Kenyon Cox: Life and Legacy

    Early Life and Education

    Born: October 27, 1856, in Warren, Ohio.

    Parents: Jacob Dolson Cox and Helen Finney Cox.

    Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.

    Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.

    Parisian Training and Influences

    In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.

    Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.

    He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.

    Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.

    Career in New York and Artistic Style

    In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.

    Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.

    Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.

    His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.

    Teaching and Institutional Involvement

    Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).

    Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.

    Founding Member: He was one of the founders and secretary of the National Free Arts League.

    Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.

    Major Achievements and Historical Significance

    Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.

    His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.

    Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.

    Death: March 17, 1919.

    Museum

    Metropolitan Museum of Art

    On show in new york, United States of America

    A Legacy Etched in Stone and Light: Exploring The Metropolitan Museum of Art

    The Metropolitan Museum of Art isn’t merely a repository of beautiful objects; it's a sprawling narrative of human creativity, a testament to our enduring impulse to shape, interpret, and express the world around us. Founded in 1870 by a group of visionary New Yorkers who believed art should be universally accessible—a radical notion at the time—The Met now stands as one of the largest and most comprehensive museums globally. Its Fifth Avenue façade beckons visitors into a realm spanning five millennia and countless cultures, offering an unparalleled journey through time where echoes of ancient civilizations resonate alongside the bold innovations of modern masters.

    A Monument to Grandeur: Architecture and Atmosphere

    To truly appreciate The Met is to understand its physical presence as integral to its identity. The primary building itself—a magnificent embodiment of Beaux-Arts style completed between 1902 and 1914—exudes an air of classical grandeur. Colossal columns frame the entrance, inviting visitors into soaring galleries bathed in natural light; a fitting stage for the masterpieces within. This monumental structure, deliberately designed as a homage to European palaces, speaks to the ambition and vision of its architects, creating a space that feels both imposing and welcoming. Yet, The Met’s architectural narrative doesn't end there. The juxtaposition with The Cloisters, a remarkable sanctuary located uptown in Fort Tryon Park, reveals the museum’s core mission: to present art within a context that enhances its meaning. While Fifth Avenue embodies scale and universality, The Cloisters offers an intimate serenity, transporting visitors to medieval Europe through reconstructed chapels and gardens—a deliberate contrast reflecting a profound understanding of how environment shapes perception and fosters deeper engagement with artistic expression.

    Echoes Through Time: Treasures Across Cultures

    Within the hallowed halls of The Met, one can almost feel the weight of centuries past. Ancient Echoes resonate powerfully; visitors are captivated by the imposing Assyrian reliefs, depicting scenes of royal power and divine ritual—intricate narratives carved into stone that transport us to a world of emperors and gods. These monumental panels, often adorned with vibrant colors remarkably preserved over millennia, offer a glimpse into the complex political and religious beliefs of ancient civilizations. Equally compelling are the Greek sculptures, embodying idealized form and proportion, offering timeless representations of beauty and human potential. The Parthenon Marbles, for example, stand as enduring symbols of classical artistry and democratic ideals.

    But The Met’s treasures extend far beyond the Western canon. Remarkable collections of Asian art—including exquisite Chinese ceramics, each piece a testament to centuries of craftsmanship, and intricate Japanese screens, meticulously painted with scenes of nature and mythology—sit alongside significant holdings in African, Oceanic, and American art. Consider, for instance, the delicate brushstrokes of a Ming dynasty vase, the vibrant colors of a Navajo textile, or the powerful symbolism embedded within an ancient Egyptian amulet—each a glimpse into the vast richness of human creativity across continents and time.

    Moments of Artistic Resonance: From Manet to Rembrandt and Beyond

    Throughout its history, The Met has hosted groundbreaking exhibitions that have reshaped our understanding of art history and culture. A visit wouldn’t be complete without experiencing Édouard Manet’s Boating, capturing leisure on the Seine with its serene Impressionist style—a pivotal work in the transition from realism to modernism. The painting, a vibrant depiction of Parisian life, invites viewers to contemplate the changing social landscape of the 19th century through its masterful use of light and color. Or contemplating Rembrandt's self-portrait from 1660, a poignant exploration of chiaroscuro revealing the artist’s introspection during a challenging period. The painting’s dramatic use of light and shadow creates a sense of psychological depth, inviting viewers to contemplate the complexities of human experience.

    Preserving Heritage, Embracing Innovation

    Recognizing the importance of accessibility, The Met has embraced innovative technologies to enhance the visitor experience – offering virtual tours, interactive mobile apps, and engaging educational programs. Initiatives like “Met Moments” foster a sense of community among art lovers worldwide, encouraging dialogue and shared interpretation. Furthermore, dedicated conservation laboratories safeguard artworks across its collection, ensuring their preservation for future generations. The museum’s commitment to both preserving the past and engaging with the present ensures that The Met will continue to be a vital center for artistic exploration and appreciation for centuries to come—a timeless sanctuary where creativity transcends boundaries and inspires awe.

    Where to read more

    Find this online

    QR code linking to the download page for Augustus Saint-Gaudens

    originaluniqueart.com/en/art/download/kenyon-cox-augustus-saint-gaudens-D32ENN-en/

    Cite this artwork

    MLA
    Cox, Kenyon. Augustus Saint-Gaudens. 1908, Metropolitan Museum of Art. https://originaluniqueart.com/en/art/kenyon-cox-augustus-saint-gaudens-D32ENN-en/
    APA
    Cox, Kenyon (1908). Augustus Saint-Gaudens [Painting]. Metropolitan Museum of Art. https://originaluniqueart.com/en/art/kenyon-cox-augustus-saint-gaudens-D32ENN-en/
    Chicago
    Kenyon Cox. Augustus Saint-Gaudens. 1908. Metropolitan Museum of Art. https://originaluniqueart.com/en/art/kenyon-cox-augustus-saint-gaudens-D32ENN-en/
    Harvard
    Cox, Kenyon (1908) Augustus Saint-Gaudens. Metropolitan Museum of Art. Available at: https://originaluniqueart.com/en/art/kenyon-cox-augustus-saint-gaudens-D32ENN-en/

    Look closely

    Augustus Saint-Gaudens — Kenyon Cox

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: sculpture, artist studio, portraiture. Do you agree? What would you add, or take away?
    4. Look back at An Eclogue (1890), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Kenyon Cox was about 52 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Augustus Saint-Gaudens — Kenyon Cox

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. Who is the primary subject depicted in the painting?

      • A William Merritt Chase
      • B Augustus Saint-Gaudens
      • C Homer (Saint-Gaudens's son)
    2. 2. What material was the original portrait of Augustus Saint-Gaudens, which this painting is a replica of, originally made from?

      • A Bronze
      • B Marble
      • C Oil paint on canvas
    3. 3. In what year was Kenyon Cox's painting created to commemorate the loss of the original artwork?

      • A 1904
      • B 1870s
      • C 1908
    4. 4. What activity is Saint-Gaudens shown doing in the painting?

      • A Painting a portrait on canvas
      • B Modeling a portrait relief in clay
      • C Examining historical artifacts
    5. 5. Where is Saint-Gaudens depicted working in the painting?

      • A The Metropolitan Museum's exhibition hall
      • B His New York studio
      • C Parisian art academy

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2A · 3B · 4A · 5A