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Student Artwork Guide

Mountain landscape

Name Class Date

kazimierz stabrowski, Mountain landscape (1911), Lithuanian Art Fund. Public domain.

The facts

Artist
kazimierz stabrowski originaluniqueart.com/en/artists/kazimierz-stabrowski/
Artist’s dates
1869 – 1929
Painted
1911
Held at
Lithuanian Art Fund originaluniqueart.com/en/museums/lithuanian-art-fund-vilnius/

In context

Mountain landscape — kazimierz stabrowski

When was this painted?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Shaded: the lifetime of kazimierz stabrowski (1869–1929) ▲ this work, 1911

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/kazimierz-stabrowski-mountain-landscape-D8CVX9-en/

Colours

Measured from the image

    Main colour

    Espresso #494137

    Catalogued palette

    • #494137
    • #60594F
    • #2E2B28
    • #9FA19D
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    Mountain landscape — kazimierz stabrowski

    The pastel depicts a brown-tone rocky massif at the seashore. Alongside water and clouds, mountains supporting the skies are one of Stabrowski’s artistically interesting impressions of his travels. Here, as well as in most of the artist’s creations, a seemingly realistic image expresses symbolism – an aim to ascend up the mountain towards a higher level of spirituality. In the composition, which expresses the sacredness of spiritualised nature, one can see mountain peaks that shoot upwards, seemingly touching the skies. This image is like a perspective of a physical transformation, a vertical line of internal change. If one was to ascend along this line, all of the irrelevant worldly issues would be left behind at the foot of the mountain, while the main aim would become the unchanging spiritual heights. The endless spaces formed by the vertical lines of the mountains, the image of eternity, and the vision of breaking free awakens the feeling of a spiritual realm of other dimensions. The symbolistic plasticity of Mikalojus Konstantinas Čiurlionis, the student of Kazimierz Stabrowski, was also characterised by mountain motifs. We can see them in the Zodiac Signs collection of paintings (1906) as well as in News (1904), Serenity (1904), and Mountain (1906). While searching for motifs to express their ideas, both of the artists turned their attention towards the skies, where the minuscule dissolves in the relief of the mountains and becomes the greatness of nature.

    Artist and museum

    Artist

    kazimierz stabrowski

    Born in Novahrudok, Belarus

    early life and education

    kazimierz stabrowski, a renowned polish painter, was born in 1869 in navahroudak, belarus. he went on to study at the academy of fine arts in warsaw, where he later became the director. this pivotal role not only showcased his artistic prowess but also solidified his influence on the next generation of artists.

    artistic style and notable works

    stabrowski's work is characterized by its dreamy, symbolic quality, often blending elements of symbolism and romanticism. one of his most celebrated pieces, the snow maiden (1891), exemplifies this unique style, which has captivated art enthusiasts for over a century.

    founding the theosophical society in poland

    apart from his artistic achievements, stabrowski played a significant role in establishing the first lodges of the theosophical society in poland. this philosophical society, founded on the principles of spirituality and the occult, further underscores stabrowski's multifaceted nature.

    legacy and later life

    stabrowski passed away in 1929 in garwolin, poland, leaving behind a legacy that continues to inspire artists and art lovers alike. his influence can be seen in various aspects of polish art, from the academy of fine arts in warsaw to his numerous symbolic and romantic pieces.

    selected works by kazimierz stabrowski on AllPaintingsStore.com

    spirit of the mountains (105 x 85 cm, lithuanian art fund, vilnius, lithuania, oil on canvas) - a quintessential example of stabrowski's symbolic style.

    colosseum in the moonlight (47 x 65 cm, lithuanian art fund, vilnius, lithuania, pastel) - this piece showcases stabrowski's ability to capture ethereal landscapes.

    trees (47 x 63 cm, lithuanian art fund, vilnius, lithuania, pastel) - a unique blend of realism and abstract imagery, characteristic of stabrowski's later work.

    museums featuring kazimierz stabrowski's work on AllPaintingsStore.com

    lithuanian art fund (vilnius, lithuania) - this institution houses several of stabrowski's notable works, including those mentioned above.

    discover more about kazimierz stabrowski and his captivating art pieces on AllPaintingsStore.com.

    Museum

    Lithuanian Art Fund

    On show in Vilnius, Lithuania

    A Sanctuary of Soulful Heritage: The Lithuanian Art Fund

    Nestled within the historic heart of Vilnius, the Lithuanian Art Fund offers far more than a mere exhibition of objects; it provides an intimate portal into the very essence of Lithuania’s artistic soul. Unlike the sweeping, monumental narratives found in grand national galleries, this private collection, established by the visionary Dr. Jaunius Gumbis, invites a profound personal connection. It is a place where history does not feel like a distant memory, but a living, breathing presence. The museum serves as a delicate bridge to the era of the Grand Duchy of Lithuania, a period of unparalleled cultural flourishing where the influences of Poland, Russia, and Western Europe converged to create a unique, multifaceted identity.

    The collection itself is a tapestry of diverse traditions, woven with threads of folk art, sculpture, and rare literature. Visitors find themselves wandering through layers of time, encountering handcrafted treasures that whisper stories of ancient spiritual beliefs and the rhythmic pulse of daily Lithuanian life. The museum’s strength lies in its curated intimacy, prioritizing the emotional resonance of each piece over sheer volume. From the intricate patterns of traditional folk crafts to the evocative power of oil paintings, every item has been selected to foster a sense of discovery, allowing the observer to lose themselves in the nuanced beauty of a bygone era.

    Among the collection's most captivating highlights are the works that capture the shifting light and spirit of the Lithuanian landscape and its people. The watercolor landscapes of Józef Bałzukiewicz offer a masterful glimpse into 18th-century life, where every brushstroke reconstructs the dignity of a nobleman or the quiet bustle of a street corner with historical precision. This sense of nostalgia is echoed in the delicate, translucent layers of Helena Römer-Ochenkowska’s views of Vilnius, which transport the viewer to the pastoral serenity of 1900. For those drawn to deeper spiritual symbolism, the collection presents the profound emotive depth of Stanislovas Grigalauskas (Daunoras), particularly his hauntingly beautiful ‘St Peter Weeping,’ alongside the dreamy, Symbolist landscapes of Kazimierz Stabrowski.

    The architecture of the Lithuanian Art Fund further enhances this immersive experience. Housed in a beautifully preserved historic building, the museum provides a contemplative atmosphere that is rare in the modern age. The setting itself acts as a silent curator, its aged walls and quiet corners encouraging a slow, meditative approach to art appreciation. For collectors and interior designers seeking inspiration, the Fund offers a masterclass in how art can transform a space into a sanctuary of culture. It remains a singular destination for those who seek to understand not just the history of Lithuanian art, but the enduring spirit that continues to define its creative legacy.

    Where to read more

    • The artist kazimierz stabrowski originaluniqueart.com/en/artists/kazimierz-stabrowski/
    • The museum Lithuanian Art Fund originaluniqueart.com/en/museums/lithuanian-art-fund-vilnius/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/kazimierz-stabrowski-mountain-landscape-D8CVX9-en/

    Find this online

    QR code linking to the download page for Mountain landscape

    originaluniqueart.com/en/art/download/kazimierz-stabrowski-mountain-landscape-D8CVX9-en/

    Cite this artwork

    MLA
    stabrowski, kazimierz. Mountain landscape. 1911, Lithuanian Art Fund. https://originaluniqueart.com/en/art/kazimierz-stabrowski-mountain-landscape-D8CVX9-en/
    APA
    stabrowski, kazimierz (1911). Mountain landscape [Painting]. Lithuanian Art Fund. https://originaluniqueart.com/en/art/kazimierz-stabrowski-mountain-landscape-D8CVX9-en/
    Chicago
    kazimierz stabrowski. Mountain landscape. 1911. Lithuanian Art Fund. https://originaluniqueart.com/en/art/kazimierz-stabrowski-mountain-landscape-D8CVX9-en/
    Harvard
    stabrowski, kazimierz (1911) Mountain landscape. Lithuanian Art Fund. Available at: https://originaluniqueart.com/en/art/kazimierz-stabrowski-mountain-landscape-D8CVX9-en/

    Look closely

    Mountain landscape — kazimierz stabrowski

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Autumn landscape (1920), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. kazimierz stabrowski was about 42 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.