Paper

Student Artwork Guide

Before the Flood

Name Class Date

Karel van Mander, Before the Flood. Public domain.

The facts

Artist
Karel van Mander originaluniqueart.com/en/artists/karel-van-mander/
Artist’s dates
1548 – 1606

In context

Before the Flood — Karel van Mander

When might this have been painted?

  1. 1540
  2. 1550
  3. 1560
  4. 1570
  5. 1580
  6. 1590
  7. 1600

Shaded: the lifetime of Karel van Mander (1548–1606)

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/karel-van-mander-before-the-flood-A2A8RJ-en/

Colours

Measured from the image

    Main colour

    Gray #5b797b

    Catalogued palette

    • #5B797B
    • #C9C5AC
    • #A76F52
    • #3C3131
    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    Karel van Mander

    Born in Mellebeke, Belgium

    Early Life and Training

    Born: Mellebeke, Belgium (1548)

    Died: 1606

    Karel van Mander was born into a noble family in Meulebeke, County of Flanders.

    He received his early artistic training under Lucas de Heere in Ghent (1568-1569) and subsequently with Pieter Vlerick in Kortrijk.

    Early on, he also engaged in writing religious plays and designing scenery for them.

    Travels and Artistic Development

    Rome (1574-1577): Van Mander spent three years in Rome, where he encountered classical art and developed his artistic style. The biographical sketch mentions him as the "discoverer of caves," possibly referring to the catacombs.

    Vienna: During a return journey from Italy, he collaborated with Bartholomeus Spranger and Hans Mont on creating a triumphal arch for Emperor Rudolf II's royal entry. This experience exposed him further to Mannerist influences.

    Settlement in Haarlem and Artistic Leadership

    Haarlem (1583): Due to religious troubles and the plague, Van Mander settled in Haarlem, Dutch Republic.

    City Art Inventory: He was commissioned by the city fathers of Haarlem to inventory confiscated Catholic art after the Satisfactie van Haarlem. This work formed a basis for his later writings.

    Founder of an Academy: Together with Hubertus Goltzius and Cornelis van Haarlem, he founded an "academy to study after life," which fostered artistic discussion and possibly included drawing classes.

    The *Schilder-boeck* and Art Historical Significance

    Major Work: Van Mander is primarily remembered for his Schilder-boeck (Book of Painters), a biographical dictionary of Early Netherlandish and Northern Renaissance artists.

    Influence on Mannerism: His dissemination of drawings by Bartholomeus Spranger, through engravings by Hubertus Goltzius, significantly contributed to the spread of Northern Mannerism in the Dutch Republic.

    Art Theorist: He played a crucial role in art theorization during the 16th century, emphasizing style and cultivated elegance over naturalism. His theories promoted exaggerated musculature, dramatic scenes, and rich detail.

    Legacy and Artistic Style

    Northern Mannerism Pioneer: Karel van Mander is considered a key figure in the development of Northern Mannerism.

    Influence on Dutch Art: He significantly influenced artists in Haarlem and beyond, shaping the artistic landscape of the Dutch Republic.

    Artistic Characteristics: His own paintings often featured historical allegories characterized by a strong awareness of style, cultivated elegance, and a preference for dramatic compositions.

    Where to read more

    • The artist Karel van Mander originaluniqueart.com/en/artists/karel-van-mander/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/karel-van-mander-before-the-flood-A2A8RJ-en/

    Find this online

    QR code linking to the download page for Before the Flood

    originaluniqueart.com/en/art/download/karel-van-mander-before-the-flood-A2A8RJ-en/

    Cite this artwork

    MLA
    Mander, Karel van. Before the Flood. n.d., https://originaluniqueart.com/en/art/karel-van-mander-before-the-flood-A2A8RJ-en/
    APA
    Mander, Karel van (n.d.). Before the Flood [Painting]. https://originaluniqueart.com/en/art/karel-van-mander-before-the-flood-A2A8RJ-en/
    Chicago
    Karel van Mander. Before the Flood. n.d. https://originaluniqueart.com/en/art/karel-van-mander-before-the-flood-A2A8RJ-en/
    Harvard
    Mander, Karel van (n.d.) Before the Flood. Available at: https://originaluniqueart.com/en/art/karel-van-mander-before-the-flood-A2A8RJ-en/

    Look closely

    Before the Flood — Karel van Mander

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: fires and floods. Do you agree? What would you add, or take away?
    4. Look back at Allegory of Nature (1600), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.