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Student Artwork Guide

Frida Kahlo

Name Class Date

Julien Levy, Frida Kahlo (1938), Philadelphia Museum of Art. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Julien Levy originaluniqueart.com/en/artists/julien-levy/
Artist’s dates
1906 – 1981
Painted
1938
Original size
17 x 16 cm
Held at
Philadelphia Museum of Art originaluniqueart.com/en/museums/philadelphia-museum-of-art-philadelphia/

In context

Frida Kahlo — Julien Levy

How big is it?

The original measures 17 × 16 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 75 at death.

Painted when the artist was 32. The artist lived to 75. 0 of the 18 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Julien Levy (1906–1981) ▲ this work, 1938 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/julien-levy-frida-kahlo-D3VFPS-en/

Colours

Measured from the image

    Main colour

    Gray #948774

    Catalogued palette

    • #948774
    • #3B3934
    • #BAAF9D
    • #665E4E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Bold How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Julien Levy over the last twelve months — 7 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 42.9%
    2. 2 United Kingdom 28.6%
    3. 3 Czechia 9.5%
    4. 4 Austria 4.8%
    5. 5 Brazil 4.8%
    6. 6 Malaysia 4.8%
    7. 7 United States of America 4.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 14 most looked-at works by Julien Levy

    1. 1 Frida Kahlo (Strip of Two Contact Prints), 1938 22.2%
    2. 2 Frida Kahlo, 1938 11.1%
    3. 3 Frida Kahlo, 1938 11.1%
    4. 4 Frida Kahlo, 1938 7.4%
    5. 5 Frida Kahlo, 1938 7.4%
    6. 6 Frida Kahlo, 1938 7.4%
    7. 7 Frida Kahlo (Strip of Two Contact Prints), 1938 7.4%
    8. 8 Frida Kahlo, 1938 7.4%
    9. 9 Frida Kahlo (Strip of Two Negatives), 1938 3.7%
    10. 10 Frida Kahlo (Strip of Two Contact Prints), 1938 3.7%
    11. 11 Frida Kahlo, 1938 3.7%
    12. 12 Frida Kahlo, 1938 3.7%
    13. 13 Frida Kahlo, 1938 3.7%
    14. — Frida Kahlo, 1938 this painting 0.0%

    Together these works take 99.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 18 works by this artist, of which 13 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Julien Levy

    Born in New York City, United States of America

    early life and education

    julien levy, a renowned art dealer and owner of julien levy gallery in new york city, was born on january 22, 1906. he studied museum administration at harvard under the guidance of paul j. sachs but dropped out shortly before graduating.

    career highlights

    levy's association with marcel duchamp led to his introduction to man ray and berenice abbott, resulting in his acquisition of a portion of eugène atget's personal archive. in 1927, he met artist and writer mina loy and married her daughter, joella haweis. after their divorce in 1942, levy married surrealist artist muriel streeter in 1944.

    julien levy gallery: a hub for surrealists and avant-garde artists

    levy's gallery, established in 1931 at 602 madison avenue, played a pivotal role in promoting european and american surrealist artists. notable exhibitions include:

    man ray's first major show (1932)

    surrealism: paintings, drawings, and photographs, featuring pablo picasso, max ernst, joseph cornell, marcel duchamp, and salvador dalí (1932)

    salvador dalí's the persistence of memory (1932)

    frida kahlo's first solo exhibition in the united states (1938)

    legacy and later life

    levy moved to connecticut in 1949, married jean farley mclaughlin in 1958, and taught at sarah lawrence college and state university of new york at purchase. he authored memoir of an art gallery and surrealism. levy passed away on february 10, 1981.

    relevant links from AllPaintingsStore

    julien levy's artist page

    frida kahlo (strip of two contact prints)

    wikipedia: julien levy

    important museums and collections

    philadelphia museum of art (philadelphia, united states)

    weyhe gallery

    discover more about julien levy's life and work on AllPaintingsStore.

    Museum

    Philadelphia Museum of Art

    On show in Philadelphia, United States of America

    A Sanctuary of Artistic Voices: The Philadelphia Museum of Art

    Nestled on the crest of Benjamin Franklin Parkway in the heart of Philadelphia, the Philadelphia Museum of Art is more than just a repository for art; it’s an immersive experience, a testament to centuries of human creativity and a vibrant reflection of American culture. From its humble beginnings as a showcase for the Centennial Exposition to its current status as one of the nation's premier art institutions, the museum has consistently evolved while remaining deeply rooted in its rich history. The iconic steps, immortalized in the film Rocky, beckon visitors not just to admire the building’s grandeur but to participate in a shared cultural narrative—a symbol of perseverance and the enduring power of artistic aspiration. More than simply displaying masterpieces, the museum invites contemplation, sparking dialogue and fostering a profound connection between the viewer and the art itself.

    The story begins with the grand vision of the 1876 Centennial Exposition. Initially conceived as a showcase for applied arts and sciences—a celebration of industry and innovation—it quickly blossomed into a comprehensive institution dedicated to preserving and exhibiting art from across globe. The architectural design, spearheaded by Horace Trumbauer and brought to life through the crucial contributions of Julian Abele—the first African-American graduate of the University of Pennsylvania’s Department of Architecture—is itself a work of art. Constructed from Minnesota dolomite, the building exudes an elegance and grandeur befitting its contents, a physical embodiment of artistic ideals. Abele's meticulous detailing – the delicate carvings, the precisely placed columns, the subtle variations in stone texture – adds a layer of refined beauty that elevates the entire structure beyond mere functionality. It’s a building designed not just to house art, but to celebrate it, a harmonious blend of classical inspiration and modern sensibility.

    Stepping inside is akin to embarking on a journey through time and across continents. The museum's collection boasts over 240,000 objects, encompassing an astonishing range of artistic mediums and historical periods. European paintings dominate the early galleries, offering a sweeping panorama from the Renaissance masters—Botticelli’s ethereal Venus, a study in delicate color and idealized beauty, Rembrandt’s dramatic lighting, capturing both the grandeur and vulnerability of human experience, to the Impressionists—Monet’s shimmering water lilies, evoking the fleeting nature of light and atmosphere, Renoir’s joyful gatherings, brimming with life and the celebration of everyday moments. However, to limit the museum to its European holdings would be a profound disservice. A comprehensive survey of American art unfolds before the visitor’s eyes, tracing the evolution of artistic expression within the United States from colonial times to contemporary explorations. This section provides a rich understanding of how America's unique cultural landscape has shaped its artistic identity, showcasing works by artists like William Michael Harnett, whose “Still Life: Writing Table” exemplifies the mastery of trompe-l’œil realism—a technique so convincing that it appears to leap off the canvas, blurring the line between art and reality, and Nettie Pettway Young, whose iconic Gee’s Bend quilts embody the spirit of African American artistry—each stitch a testament to tradition, resilience, and profound storytelling. Beyond Europe and America, the museum extends its reach across continents with an extensive collection of Asian art—ceramics, bronzes, paintings, and sculptures that offer glimpses into the region's profound artistic heritage, including the exquisite works of Gim Eung-won, a Korean master painter renowned for his intricate depictions of orchids and rocks – capturing both their delicate beauty and the strength of nature.

    A Living Cultural Hub: Exhibitions and Engagement

    The Philadelphia Museum of Art is not merely a place to view art; it’s a space designed to foster engagement and inspire creativity. The museum consistently hosts rotating special exhibitions that bring fresh perspectives and introduce new artists to the public eye, ranging from groundbreaking retrospectives celebrating the legacies of masters like Cézanne – exemplified by his poignant “Seated Peasant,” a study in muted tones and expressive brushstrokes – to thematic explorations of specific artistic movements. These initiatives ensure that the museum remains a dynamic cultural hub, constantly evolving and adapting to the needs of its community. Beyond these temporary displays, the museum offers a wealth of educational programs tailored for audiences of all ages—from family workshops and school tours designed to spark curiosity in young minds, to lectures and artist talks offering insights into the creative process, making art accessible and engaging for everyone.

    Architectural Marvels and Historical Context

    The building itself is an integral part of the museum’s story. The original design by Horace Trumbauer, complemented by Julian Abele's masterful detailing, reflects a commitment to architectural grandeur and artistic harmony. However, the museum’s evolution has continued through significant expansions and renovations. The addition of the Rodin Museum, housing Auguste Rodin’s iconic sculptures including The Thinker, provides a dedicated space for this influential artist’s work – a powerful meditation on contemplation and humanity's inner struggles, and more recently, the Perelman Building, designed by Frank Gehry, opened in 2007, dramatically reshaping the interior and adding new galleries for prints, drawings, photographs, and design objects. This modern addition seamlessly integrates with the historic building, creating a dynamic and visually stunning space – a testament to the museum’s ability to embrace innovation while honoring its past.

    A Legacy of Innovation and Expansion

    Throughout its history, the Philadelphia Museum of Art has demonstrated a commitment to growth and innovation. The museum’s dedication to diversity, equity, inclusion, and accessibility is reflected in ongoing efforts to ensure that all visitors feel welcome and valued. The Core Project, completed in 2021, represents a monumental investment in the museum's future, transforming the interior with new galleries, improved circulation, and enhanced visitor amenities. The addition of stunning views of the city skyline from the renovated spaces further elevates the visitor experience. “Rocky Steps” themselves are more than just a visual landmark; they’re a symbol of determination and achievement, attracting visitors from around globe who come to reenact the iconic scene and connect with the spirit of perseverance. The museum's commitment extends beyond its main building, encompassing the historic colonial-era houses of Mount Pleasant and Cedar Grove in Fairmount Park, adding another layer to its historical significance and offering a glimpse into Philadelphia’s past.

    Where to read more

    • The artist Julien Levy originaluniqueart.com/en/artists/julien-levy/
    • The museum Philadelphia Museum of Art originaluniqueart.com/en/museums/philadelphia-museum-of-art-philadelphia/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/julien-levy-frida-kahlo-D3VFPS-en/

    Find this online

    QR code linking to the download page for Frida Kahlo

    originaluniqueart.com/en/art/download/julien-levy-frida-kahlo-D3VFPS-en/

    Cite this artwork

    MLA
    Levy, Julien. Frida Kahlo. 1938, Philadelphia Museum of Art. https://originaluniqueart.com/en/art/julien-levy-frida-kahlo-D3VFPS-en/
    APA
    Levy, Julien (1938). Frida Kahlo [Painting]. Philadelphia Museum of Art. https://originaluniqueart.com/en/art/julien-levy-frida-kahlo-D3VFPS-en/
    Chicago
    Julien Levy. Frida Kahlo. 1938. Philadelphia Museum of Art. https://originaluniqueart.com/en/art/julien-levy-frida-kahlo-D3VFPS-en/
    Harvard
    Levy, Julien (1938) Frida Kahlo. Philadelphia Museum of Art. Available at: https://originaluniqueart.com/en/art/julien-levy-frida-kahlo-D3VFPS-en/

    Look closely

    Frida Kahlo — Julien Levy

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Frida Kahlo (1938), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Julien Levy was about 32 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Did "Frida Kahlo" stay in its artist's homeland?

    Yes - the artwork is kept in the artist's home country. The birth country of Julien Levy is United States of America, and the museum holding the original of "Frida Kahlo" is in United States of America.

    Do the colors of "Frida Kahlo" appear strong or soft?

    "Frida Kahlo" by Julien Levy shows a monochromatic color intensity.

    Is "Frida Kahlo" free of copyright?

    "Frida Kahlo" by Julien Levy is still protected by copyright. This status governs how the image of the work may be reproduced.