Paper

Student Artwork Guide

Outings Project

Name Class Date

Julien De Casabianca-Caumer, Outings Project (2015), Nuart Festival. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Julien De Casabianca-Caumer originaluniqueart.com/en/artists/julien-de-casabianca-caumer/
Artist’s dates
1970 –
Painted
2015
Medium
Photography
Movement
Contemporary Art
Period
Contemporary
Held at
Nuart Festival originaluniqueart.com/en/museums/nuart-festival-stavanger/
Artistic style
Fusion of classical and street art
Notable elements or techniques
Paste-ups on city walls, photography
Subject or theme
Merging museum works with urban environments

In context

Outings Project — Julien De Casabianca-Caumer

When was this painted?

  1. 1970
  2. 1980
  3. 1990
  4. 2000
  5. 2010

Row above: the years. Row below: how old the artist was at the start and at the end of each span, counting 0 from birth.

Painted when the artist was 45. 0 of the 3 dated works by this artist in our catalogue came earlier.

▲ this work, 2015 every dated painting, decade by decade

Compare with

  • Outings Project, 2015 originaluniqueart.com/en/art/julien-de-casabianca-caumer-outings-project-D7RGGW-en/
  • Outings Project, 2015 originaluniqueart.com/en/art/julien-de-casabianca-caumer-outings-project-D9NDXA-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/julien-de-casabianca-caumer-outings-project-D9NDXM-en/

Colours

Measured from the image

    Main colour

    Putty #d1cbcb

    Catalogued palette

    • #D1CBCB
    • #313229
    • #A09791
    • #886454

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Julien De Casabianca-Caumer over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Julien De Casabianca-Caumer

    1. 1 Outings Project, 2015 100.0%
    2. — Outings Project, 2015 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 3 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Outings Project — Julien De Casabianca-Caumer

    Julien de Casabianca is a French visual artist and filmmaker. The artist initiated The Outings Project in 2014, where he transports paintings from museum walls into the street by photographing works at local museums and creating paste-ups on city walls. De Casabianca found his inspiration from the project when he visited the Louvre Museum and saw a painting by Jean-Auguste-Dominique Ingres placed in a corner, seemingly forgotten. Wanting to liberate the artwork, he came up with the idea of taking the image to the street. Since then, numerous museums worldwide have invited him to engage with their collections and merge the perceptions of classical and street art. By bringing well-known works traditionally only seen in a museum context to the street, The Outings Projects brings these canonical works to a new audience of city dwellers and passersby.

    Artist and museum

    Artist

    Julien De Casabianca-Caumer

    Born in Paris, France

    The Liberation of the Canvas

    Julien de Casabianca-Caumer is a French visual artist, filmmaker, photographer, and street artist whose work seeks to dissolve the boundaries between the hallowed halls of classical museums and the vibrant, unpredictable pulse of the urban landscape. His artistic journey is marked by a profound desire to liberate masterpieces from their often static and isolated museum environments. This creative impulse was ignited during a visit to the Louvre Museum, where he observed a painting by Jean-Auguste-Dominique Ingres tucked away in a corner, seemingly forgotten by the passing crowds. This moment of realization—that great art can become invisible when confined to traditional settings—became the catalyst for his most significant contribution to contemporary visual culture.

    In 2014, he initiated The Outings Project, a transformative endeavor that breathes new life into canonical works. Through this project, de Casabianca-Caumer photographs paintings from local museums and meticulously transforms them into large-scale paste-ups on city walls. By transplanting these figures from their gilded frames onto the concrete textures of the street, he merges the perceptions of classical art with the raw energy of street art. His work invites a new audience of city dwellers and passersby to engage with historical icons in an unexpected, democratic context, effectively bringing the museum to the people.

    A Multidisciplinary Evolution

    Before his emergence as a prominent figure in the street art scene, de Casabianca-Caumer navigated a different professional path, serving as a journalist during the 1990s under the name Julien Caumer. This background in investigative journalism, which included work for publications such as L'Express, likely contributed to his keen eye for narrative and his ability to uncover and recontextualize stories within the art world. His transition from documenting reality through text to reshaping it through visual collage represents a seamless evolution of storytelling.

    His technical approach is characterized by the creation of monumental collages featuring characters extracted from museum paintings. This process of extraction and re-placement allows him to manipulate the scale and impact of historical figures, turning them into urban landmarks. His photographic work, which stems directly from these large-scale street interventions, has been recognized globally, leading to exhibitions in diverse locations such as:

    Musée d'Art et d'Histoire de Genève, Switzerland

    Cummer Museum of Art & Botanical Garden, USA

    Musée d'Ixelles, Belgium

    Musée de Langres, France

    Galerie Nationale, Ljubljana, Slovenia

    Global Engagements and Artistic Legacy

    The reach of de Casabianca-Caumer’s work extends far beyond the streets of Paris, as numerous prestigious institutions worldwide have invited him to engage with their collections. His ability to bridge the gap between different eras and mediums has made him a sought-after collaborator for museums looking to revitalize their historical treasures. He has been an invited artist at several notable institutions, including the Musée Carnavalet in Paris, the Mauritshuis Museum in The Hague, and the Palais Beaux-Arts de Lille.

    His recent activities demonstrate a continued commitment to international dialogue and artistic residency, with projects spanning from Mexico to Poland. Whether through lectures at universities or large-scale mural festivals, his work remains focused on the intersection of the classical and the contemporary. By stripping away the elitist barriers of the museum wall, Julien de Casabianca-Caumer ensures that the beauty and historical significance of the masters remain a living, breathing part of the modern human experience.

    Museum

    Nuart Festival

    On show in Stavanger, Norway

    Nuart Festival: A Living Canvas of Urban Expression

    Nestled within the vibrant coastal city of Stavanger, Norway, lies a phenomenon that has irrevocably altered the landscape – both physical and artistic – of this Nordic gem: the Nuart Festival. More than simply an art exhibition, it’s a dynamic, ever-evolving celebration of contemporary urban art, a testament to the power of street art as a legitimate and profoundly impactful form of expression. Founded in 2001 with a bold vision to legitimize this often-marginalized medium, Nuart has blossomed into one of the world's foremost platforms for showcasing cutting-edge murals, stencil work, and a breathtaking spectrum of urban artistic techniques. The festival isn’t confined to galleries or pristine white walls; it explodes onto the streets, transforming Stavanger into an open-air museum where art breathes alongside daily life.

    At its core, Nuart is driven by a commitment to supporting artists who push the boundaries of their craft. The festival consistently attracts globally recognized street artists – from established masters to emerging talents – each invited to create site-specific artworks that engage with their environment in unique and often thought-provoking ways. These aren’t fleeting tags or temporary installations; they are carefully considered pieces designed to spark dialogue, challenge perspectives, and contribute meaningfully to the urban fabric. A key element of Nuart's success is its dedication to “site-specificity,” ensuring that each artwork is intrinsically linked to its location, responding to architectural details, social contexts, and the very spirit of Stavanger.

    The Ever-Changing Collection

    Unlike traditional museums with fixed collections, Nuart’s ‘collection’ exists in a perpetual state of becoming. Each September, as the festival unfolds, Stavanger is adorned with a new constellation of murals, stencils, and installations – a living testament to the creativity and dynamism of contemporary urban art. These artworks aren't simply painted onto walls; they are integrated into the city’s architecture, often utilizing building facades as canvases for intricate designs and powerful messages. The festival also incorporates indoor exhibitions, workshops, talks, and film screenings, expanding its reach far beyond the streets and offering a comprehensive experience that delves deeper into the world of street art.

    The history of Nuart is intertwined with Stavanger’s own transformation. Initially met with skepticism, the festival quickly gained momentum, attracting both artists and visitors alike. Over the years, it has played a significant role in shaping the city's cultural identity, fostering a sense of community pride and establishing Stavanger as a global hub for contemporary art. The influence extends beyond Norway’s borders, inspiring similar initiatives in cities around the world – a testament to Nuart’s pioneering spirit.

    A Community-Driven Experience

    What truly distinguishes Nuart from other festivals is its unwavering commitment to accessibility and community engagement. Art isn't confined to viewing rooms; it’s brought directly to the public, free of charge, making it available to everyone – regardless of background or circumstance. The festival actively involves local residents in the creative process through workshops, collaborative projects, and open-door events, fostering a sense of ownership and connection with the artwork. Furthermore, Nuart serves as a vital platform for dialogue about urban spaces, social issues, and the role of art in shaping our society – prompting reflection on themes ranging from environmental sustainability to social justice.

    Exploring Stavanger Through Nuart

    Visiting Nuart Festival is an immersive experience. The festival’s footprint extends across Stavanger, Utsira, and even reaches into Oslo, creating a sprawling network of artistic interventions. Beyond the stunning murals, visitors can delve deeper through guided walking tours, artist talks, and workshops that offer insights into the creative process and the stories behind each piece. Don't miss the opportunity to explore Nuart’s Google Arts & Culture project, which provides a virtual journey through the festival’s history and highlights some of its most iconic artworks. For more information on upcoming festivals, artists, and events, please visit

    the official website

    .

    Beyond the Streets: Nuart's Legacy

    Nuart’s impact extends beyond its annual festival run. The organization has fostered a thriving street art scene in Stavanger, encouraging local artists and promoting public art initiatives throughout the city. The “Vlek” project, for example, utilizes stickers to create temporary interventions on public spaces, sparking conversations about urban design and community engagement. Nuart’s commitment to supporting emerging talent and fostering a vibrant artistic ecosystem ensures that its legacy will continue to shape Stavanger's cultural landscape for years to come.

    Where to read more

    Find this online

    QR code linking to the download page for Outings Project

    originaluniqueart.com/en/art/download/julien-de-casabianca-caumer-outings-project-D9NDXM-en/

    Cite this artwork

    MLA
    Casabianca-Caumer, Julien De. Outings Project. 2015, Nuart Festival. https://originaluniqueart.com/en/art/julien-de-casabianca-caumer-outings-project-D9NDXM-en/
    APA
    Casabianca-Caumer, Julien De (2015). Outings Project [Painting]. Nuart Festival. https://originaluniqueart.com/en/art/julien-de-casabianca-caumer-outings-project-D9NDXM-en/
    Chicago
    Julien De Casabianca-Caumer. Outings Project. 2015. Nuart Festival. https://originaluniqueart.com/en/art/julien-de-casabianca-caumer-outings-project-D9NDXM-en/
    Harvard
    Casabianca-Caumer, Julien De (2015) Outings Project. Nuart Festival. Available at: https://originaluniqueart.com/en/art/julien-de-casabianca-caumer-outings-project-D9NDXM-en/

    Look closely

    Outings Project — Julien De Casabianca-Caumer

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: street art, urban scene, group portrait. Do you agree? What would you add, or take away?
    4. Look back at Outings Project (2015), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Julien De Casabianca-Caumer was about 45 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What national origin stands behind the Contemporary Art of "Outings Project"?

    "Outings Project" connects the Contemporary Art movement with France through its creator's birthplace.

    Where is "Outings Project" suggested to be displayed, considering its palette?

    Considering its earthy colors, "Outings Project" is suggested for a coworking.

    Are there works similar to "Outings Project"?

    Works similar to "Outings Project" are listed on the artwork's Similars page.