Paper

Student Artwork Guide

Exaustor

Name Class Date

José Yalenti, Exaustor (1957), Itaú Cultural Institute. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
José Yalenti originaluniqueart.com/en/artists/jose-yalenti/
Artist’s dates
1910 – 1979
Painted
1957
Held at
Itaú Cultural Institute originaluniqueart.com/en/museums/itau-cultural-institute-sao-paulo/

In context

Exaustor — José Yalenti

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 69 at death.

Painted when the artist was 47. The artist lived to 69. 7 of the 8 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of José Yalenti (1910–1979) ▲ this work, 1957 every dated painting, decade by decade

Compare with

  • Arquitetura, 1950 originaluniqueart.com/en/art/jose-yalenti-arquitetura-D7HCQC-en/
  • Reflexo, 1950 originaluniqueart.com/en/art/jose-yalenti-reflexo-D7HEFJ-en/
  • None originaluniqueart.com/en/art/list/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/jose-yalenti-exaustor-D7HEF7-en/

Colours

Measured from the image

    Main colour

    Espresso #4e4d45

    Catalogued palette

    • #4E4D45
    • #DADAD2
    • #AEAEA1
    • #8F8F82

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Neutrals The dominant colour family in the image.
    Main colour name
    Espresso
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Artist and museum

    Artist

    José Yalenti

    Born in São Paulo, Brazil

    The Architect of Abstraction

    Born amidst the transformative energy of São Paulo, José Yalenti emerged as a vital witness to the rapid metamorphosis of Brazil. As the mid-twentieth century brought waves of industrialization and urban expansion, Yalenti’s creative consciousness was deeply shaped by this shifting landscape. His early intellectual pursuits at São Paulo University, where he immersed himself in the profound realms of philosophy and literature, provided a cerebral foundation for his later visual explorations. This academic rigor allowed him to approach both the canvas and the camera not merely as tools for documentation, but as instruments of deep inquiry into the very essence of form, space, and existence.

    The Vanguard of Concrete Art

    In 1947, Yalenti’s artistic trajectory was irrevocably altered when he joined the influential Grupo Ruptura. This collective stood at the forefront of a radical movement, challenging the traditional, representational conventions of the era in favor of the principles of Concrete Art. For Yalente, this meant embracing a visual language defined by geometric precision and mathematical clarity. He sought to liberate art from the burden of storytelling, focusing instead on the purity of the medium. His work became a sophisticated dialogue between the tangible reality of a modernizing nation and the abstract ideals of a new, structured aesthetic era.

    The Lens of Modernity

    Through his masterful command of photography, Yalenti translated the burgeoning chaos of urban growth into ordered, striking compositions. He possessed a singular ability to harness light and shadow, turning industrial sites and architectural structures into landscapes of profound geometric beauty. His photographic eye did not merely record the world; it reconstructed it, stripping away the superficial to reveal the underlying structural rhythm of the modern age. In his celebrated works, one can observe:

    The interplay of light and shadow within stark, industrial environments.

    A focus on geometric silhouettes that mirror the principles of abstraction.

    The capture of urban dynamism, turning concrete and steel into poetic forms.

    In masterpieces such as Potencial, the raw energy of Brazil’s industrial spirit is captured through sharp lines and bold contrasts, demonstrating his ability to find art within the machine.

    An Enduring Legacy

    The significance of José Yalenti’s contribution to the history of Brazilian modernism remains undeniable. By bridging the gap between the photographic document and abstract expressionism, he helped define a new visual identity for his country. His vision continues to resonate within the permanent collections of prestigious institutions like MoMA and the Tate, serving as a testament to a period when art and industry collided to create something profoundly beautiful and eternally structured.

    Museum

    Itaú Cultural Institute

    On show in Sao Paulo, Brazil

    A Sanctuary of Brazilian Soul: The Itaú Cultural Institute

    Nestled within the vibrant heart of São Paulo, Brazil, the Itaú Cultural Institute isn’t merely a repository of art; it's a living embodiment of the nation’s rich cultural tapestry, a testament to Olavo Egydio Setúbal’s visionary commitment to fostering artistic talent and preserving Brazilian heritage. Founded in 1987 as Centro de Informática e Cultura – a groundbreaking move for Latin America at the time – the Institute quickly established itself as a pioneer of digital access to its collections, a spirit of innovation that continues to define it today. More than just walls adorned with masterpieces, Itaú Cultural is a dynamic hub where tradition dances with modernity, inviting visitors on a profound journey into the soul of Brazil.

    A Historical Foundation:

    The Institute’s origins are deeply intertwined with the legacy of Itaú Unibanco, established by Setúbal himself. Initially conceived as a center for computer science and culture, it swiftly evolved to encompass a broader mission – one dedicated to mapping artistic expressions across all disciplines, from visual arts and literature to theater, music, and beyond. The formalization of this commitment under Law nº 7505 in 1986 solidified Itaú Cultural’s role as a national institution.

    Architectural Harmony:

    Situated prominently on Avenida Paulista – São Paulo's bustling artery – the Institute’s architecture is a deliberate reflection of its mission. Designed to seamlessly blend modern aesthetics with cultural significance, the building itself serves as an integral part of the experience. Its spacious galleries provide an inviting atmosphere for contemplation, while state-of-the-art facilities support research initiatives, performances, and educational programs, creating a truly multifaceted cultural center.

    A Chronicle of Brazilian Identity: The Collection’s Narrative

    The heart of Itaú Cultural lies within its remarkable collection, a carefully curated panorama of Brazilian art history and contemporary expression. Two permanent exhibitions stand as focal points: Brasiliana, a breathtaking showcase of paintings, drawings, engravings, maps, and historical documents that chronicle Brazil's evolution from colonial times to the present day. This exhibition isn’t simply a display of artifacts; it’s a visual narrative, offering profound insights into the nation’s complex past. Complementing this is Numismática, an equally captivating collection of coins and currency – each piece acting as a storyteller, revealing crucial details about Brazil's economic and social development over centuries.

    Masters of Brazilian Art:

    The Institute proudly champions both established masters and emerging talents. Highlights include Maria Auxiliadora da Silva’s evocative Chuva Sobre Sã Paulo (Rain over São Paulo), capturing the energy of urban life with poignant beauty; José Maria Nunez's serene Penedos de Sã Pedro e Sã Paulo, offering a glimpse into Brazil’s breathtaking natural landscapes; and Tarsila do Amaral’s iconic Sã Paulo, an embodiment of Brazilian modernism that continues to resonate with its bold forms and vibrant colors.

    Contemporary Voices:

    Beyond historical works, Itaú Cultural actively champions contemporary voices. The collection includes pieces by artists like Sergio Britto, Waldemar Cordeiro, Dona Ivone Lara, and Grupo Corpo, reflecting the dynamism and diversity of Brazil’s artistic landscape today.

    Beyond the Walls: Innovation and Community Engagement

    What truly distinguishes Itaú Cultural is its holistic approach to culture – a commitment that extends far beyond the confines of its galleries. The Rumos program exemplifies this dedication, supporting cultural research across diverse disciplines and fostering artistic production throughout Brazil. Furthermore, the Institute’s forward-thinking spirit is evident in initiatives like the Emoção Art.ficial biennial of art and technology, which explores the exciting intersection of creativity and digital media. This commitment to innovation ensures that Itaú Cultural remains at the forefront of cultural discourse, constantly evolving and adapting to meet the needs of a changing world.

    The Enciclopédia Itaú Cultural:

    A cornerstone of the Institute’s outreach is its comprehensive online encyclopedia, Enciclopédia Itaú Cultural, which serves as an invaluable resource for scholars, art enthusiasts, and anyone seeking to deepen their understanding of Brazilian culture.

    Community Partnerships:

    The Institute actively engages with local communities through educational programs, workshops, and public events, fostering a sense of shared cultural heritage.

    A Beacon of Culture in São Paulo

    Itaú Cultural is more than just a museum; it’s a vital artery of Brazilian culture, a place where art, history, and innovation converge. Its strategic location on Avenida Paulista – the city's main thoroughfare – further solidifies its role as a cultural beacon for both locals and visitors alike. From its meticulously curated collections to its commitment to community engagement and groundbreaking initiatives, Itaú Cultural continues to shape the cultural landscape of Brazil and beyond, ensuring that the nation’s artistic legacy thrives for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Exaustor

    originaluniqueart.com/en/art/download/jose-yalenti-exaustor-D7HEF7-en/

    Cite this artwork

    MLA
    Yalenti, José. Exaustor. 1957, Itaú Cultural Institute. https://originaluniqueart.com/en/art/jose-yalenti-exaustor-D7HEF7-en/
    APA
    Yalenti, José (1957). Exaustor [Painting]. Itaú Cultural Institute. https://originaluniqueart.com/en/art/jose-yalenti-exaustor-D7HEF7-en/
    Chicago
    José Yalenti. Exaustor. 1957. Itaú Cultural Institute. https://originaluniqueart.com/en/art/jose-yalenti-exaustor-D7HEF7-en/
    Harvard
    Yalenti, José (1957) Exaustor. Itaú Cultural Institute. Available at: https://originaluniqueart.com/en/art/jose-yalenti-exaustor-D7HEF7-en/

    Look closely

    Exaustor — José Yalenti

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Arquitetura (1950), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. José Yalenti was about 47 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What are the author and date of "Exaustor"?

    "Exaustor" was created by José Yalenti in 1957.

    What is the luminance of "Exaustor" by José Yalenti?

    "Exaustor" by José Yalenti has a bright balance luminance. Luminance describes how much light the colors appear to reflect.

    How strong are the colors of "Exaustor"?

    "Exaustor" by José Yalenti is recorded with a muted saturation and a monochromatic intensity.