Student Artwork Guide
Copyright This work is in the public domain. Jonas Lie died in 1940; copyright lasts 70 years after the artist’s death, so it ended in 2010.
In context
Setting sail — Jonas Lie
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 60 at death.
Shaded: the lifetime of Jonas Lie (1880–1940) every dated painting, decade by decade
This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?
Pick one work above: name two things it shares with this one, and one thing that's different.
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Measured from the image
Main colour
Celadon #b0c0af
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 11 works by this artist, of which 5 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Moss, Norway
Jonas Lie (April 29, 1880 – January 18, 1940) stands as a pivotal figure in the history of Norwegian art and a significant contributor to American Impressionism. Born in Moss, Norway, Lie’s artistic journey spanned continents, culminating in a distinguished career marked by landscapes imbued with emotional depth and technical innovation. His work embodies the spirit of Expressionism while simultaneously reflecting the influence of Impressionistic principles—a unique blend that cemented his place among the foremost artists of his era.
Early Life & Artistic Training: Lie’s formative years were shaped by a devout Christian upbringing and instilled in him a profound appreciation for nature. He pursued formal artistic training at the Art Students League of New York, immersing himself in the burgeoning Impressionist movement led by artists like Claude Monet and Camille Pissarro. This exposure proved instrumental in shaping his stylistic sensibilities and establishing a foundation for his future endeavors.
Return to Norway & Landscape Painting: Upon returning to Norway, Lie dedicated himself primarily to landscape painting—a medium he championed with unwavering conviction. He sought to capture not merely visual appearances but also the emotional resonance of the Norwegian countryside, particularly coastal scenes and birch forests. His canvases pulsated with vibrant colors and visible brushstrokes, reflecting a deliberate rejection of academic conventions in favor of subjective experience.
Lie’s artistic style distinguished itself through its masterful execution of Impressionistic techniques combined with Expressionist sensibilities. He employed loose brushwork and layering of colors to convey atmospheric conditions—misty mornings, turbulent seascapes—and to infuse his paintings with palpable emotion. Recurring motifs included birch trees, reflecting the tranquility and spiritual significance of Norwegian forests, and depictions of ships returning home, symbolizing themes of homecoming and nostalgia. His meticulous attention to detail ensured that every element contributed to the overall expressive impact of his compositions.
The Panama Canal Expedition: Lie’s artistic ambition extended beyond Norway; he undertook a remarkable expedition to document the construction of the Panama Canal, producing a series of paintings that captured the grandeur and logistical challenges of this monumental undertaking. These works showcased his ability to translate complex visual information into emotionally resonant imagery.
Recognition & Influence: Lie’s artistic achievements garnered considerable acclaim during his lifetime, notably culminating in his presidency of the National Academy of Design from 1934 until his death in 1940. His legacy continues to inspire artists today, serving as a testament to the transformative power of observation and emotional expression.
Several paintings exemplify Lie’s artistic prowess and stylistic vision. “The Old Ships Draw to Home Again” portrays a dramatic seascape under stormy skies, capturing the raw energy of the ocean with masterful brushwork and evocative color palettes. Similarly, “Birches” presents a serene depiction of birch trees bathed in autumnal light—a testament to Lie's ability to convey both beauty and melancholy simultaneously. "Path of Gold" showcases his exploration of coastal landscapes during sunset hours.
“The Old Ships Draw to Home Again”: An oil painting depicting a turbulent seascape, demonstrating Lie’s command of Impressionistic techniques and conveying the drama of the natural world.
"Birches": A landscape capturing the tranquility of birch forests during autumn, reflecting Lie's stylistic fusion of Expressionism and Impressionism.
Lie’s contribution to Norwegian art history is undeniable. He championed a distinctive artistic approach that prioritized emotional resonance alongside technical skill—a legacy that continues to resonate within the broader context of 20th-century painting. His enduring influence underscores the importance of capturing subjective experience and conveying profound feelings through visual representation.
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Look closely
Setting sail — Jonas Lie
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Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
The recorded values for "Setting sail" by Jonas Lie are: balanced brightness, soft shadow luminance.
"Setting sail" leans toward a green to violet spectrum tone.
"Setting sail" is available as a fine art print on cotton canvas or archival canvas paper. Orders are placed on this page, in the size of your choice.
The contrast level of "Setting sail" by Jonas Lie is bold.
Artworks similar to "Setting sail" by Jonas Lie are gathered on the artwork's Similars page.
In terms of perceived brightness, "Setting sail" by Jonas Lie is balanced.
"Setting sail" can be examined layer by layer on the artwork's X-Ray page, a viewer inspired by a conservator's light bench with eleven optical readings of the image.
"Setting sail" by Jonas Lie is a landscape composition. The proportions are worth checking before choosing a print size.