Paper

Student Artwork Guide

IOSEPH HAYDEN, M.D. Oxon.

Name Class Date

John Hoppner, IOSEPH HAYDEN, M.D. Oxon. (1791), Royal College of Music Museum. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
John Hoppner originaluniqueart.com/en/artists/john-hoppner/
Artist’s dates
1758 – 1810
Painted
1791
Held at
Royal College of Music Museum originaluniqueart.com/en/museums/royal-college-of-music-museum-london/

In context

IOSEPH HAYDEN, M.D. Oxon. — John Hoppner

When was this painted?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 52 at death.

Painted when the artist was 33. The artist lived to 52. 7 of the 45 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of John Hoppner (1758–1810) ▲ this work, 1791 every dated painting, decade by decade

First works: up to 1793 Main working years: 1793–1800 Late works: from 1800

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/john-hoppner-ioseph-hayden-m-d-oxon-D69F2P-en/

Colours

Measured from the image

    Main colour

    Putty #dfd3bb

    Catalogued palette

    • #DFD3BB
    • #413B33
    • #998E7B
    • #22201B

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Putty
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by John Hoppner over the last twelve months — 11 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 72.0%
    2. 2 Ecuador 5.3%
    3. 3 Hong Kong 5.3%
    4. 4 United States of America 5.3%
    5. 5 Brazil 2.7%
    6. 6 Singapore 2.7%
    7. 7 Argentina 1.3%
    8. 8 Costa Rica 1.3%
    9. 9 France 1.3%
    10. 10 United Kingdom 1.3%
    11. · 1 other countries 1.5%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by John Hoppner

    1. 1 Matthew Raine 13.6%
    2. 2 Girl With A Rabbit 3.7%
    3. 3 A Worshipful Master 3.7%
    4. 4 Elizabeth James Parkyns, 1794 2.5%
    5. 5 IOSEPH HAYDEN, M.D. Oxon., 1791 this painting 2.5%
    6. 6 Henry Langford (1758–1800), 1800 2.5%
    7. 7 Henry Augustus Dillon Lee (1777–1832), 13th Viscount Dillon of Costello Gallin 2.5%
    8. 8 Jacob Pleydell-bouverie 2.5%
    9. 9 General The Honourable Frederick St John 2.5%
    10. 10 Portrait Of Elizabeth Howard 2.5%
    11. 11 Admiral Adam Duncan 2.5%
    12. 12 The Frankland Sisters, 1795 2.5%
    13. 13 Untitled (D2X748), 1805 2.5%
    14. 14 The Honourable Reverend Henry Cockayne Cust 2.5%
    15. 15 Thomas Williams, 1800 1.2%
    16. 16 Maria Wilson (1772–1852), Lady Trevelyan, 1791 1.2%
    17. 17 The Right Honourable William Windham (1750–1810), MP for Norwich, 1804 1.2%
    18. 18 Sir Giles Rooke (1743–1808) 1.2%
    19. 19 Portrait Of The Frankland Sisters 1.2%
    20. 20 The Douglas Children 1.2%

    Together these works take 55.7% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 260 works by this artist, of which 56 were looked at at least once. This painting ranks 5 of them, with 2.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    John Hoppner

    Born in Whitechapel, United Kingdom

    a life of artistry and royal patronage

    john hoppner, a prominent english portrait painter, left an indelible mark on the art world with his vibrant colour palette. born in whitechapel, london, in 1758 to german parents, hoppner's life was marked by royal patronage and artistic brilliance.

    early life and training

    at a young age, hoppner became a chorister at the royal chapel, but his inclination towards art led him to enter the royal academy in 1775.

    in 1778, he received a silver medal for drawing from life, and in 1782, the gold medal for historical painting with his work on king lear.

    rise to fame and notable works

    john hoppner's portraits of women and children were deemed his most successful works by competent judges. his touch, characterized by breadth and freedom, gave his paintings a faint reflection of the charm of reynolds. notable works include:

    mrs jordan as viola in 'twelfth night', now at english heritage (london, united kingdom), showcasing his mastery over portrait painting.

    his portraits of the prince of wales, the duke and duchess of york, lord rodney, and lord nelson, which were hung in the state apartments at st james's palace, demonstrate his high societal connections.

    legacy and later life

    john hoppner's life was marked by a chronic liver disease. he died on january 23, 1810. despite this, his legacy endures through his vibrant portraits that continue to captivate art lovers.

    explore more of john hoppner's works at https://AllPaintingsStore.com/@/johnhoppner.

    discover the broader context of british art at https://en.wikipedia.org/wiki/art_of_the_united_kingdom.

    further reading and exploration

    for a deeper dive into the world of british art, consider the following:

    discovering the artworks of dyrham park, united kingdom

    sir edwin landseer lutyens, an english architect known for his imaginative adaptations.

    Museum

    Royal College of Music Museum

    On show in London, United Kingdom

    A Symphony of History: The Soul of South Kensington

    Nestled within the prestigious cultural enclave of Albertopolis, the Royal College of Music Museum stands as a profound testament to the enduring power of sound and the meticulous preservation of musical heritage. To step across its threshold in South Kensington is to leave the modern bustle of London behind and enter a meticulously curated cabinet of wonders, where five centuries of sonic artistry converge. The museum is far more than a mere repository for historical artifacts; it is an immersive journey through the very evolution of Western music. Founded in 1883 as the successor to the National Training School of Music, the institution was born from a noble vision to elevate musical education in Britain, nurtured by royal patronage and a dedication to excellence that remains palpable in every corridor. For the art lover or the discerning collector, the museum offers a rare opportunity to witness the tangible links between the creative minds of the past and the instruments that gave voice to their genius.

    The architectural setting of the museum provides a majestic backdrop that complements its storied collection. Designed by Sir Arthur Blomfield in the striking Flemish Mannerist style during the early 1890s, the building is a masterpiece of Victorian grandeur. Its facade, constructed from rich red brick and accented with the warmth of Welden stone, commands attention within London’s cultural landscape. As one enters, the architectural details—such as the imposing statues of Samson Fox and the Prince of Alwaleed—evoke a sense of reverence and timelessness. This physical space does not merely house history; it actively participates in the museum experience, creating an atmosphere of scholarly elegance that resonates with the importance of the treasures held within its walls.

    Treasures of Craftsmanship and Creative Legacy

    The true heart of the Royal College of Music Museum lies in its extraordinary collection, a diverse assembly of over 15,000 musical treasures that illuminate the lives of legendary composers. Among the most breathtaking highlights are the Stradivarius violins, exquisite examples of lutherie whose craftsmanship is matched only by their hauntingly beautiful voices. To stand before such an instrument is to connect with a lineage of virtuosity, feeling the weight of history in its polished wood and delicate varnish. The collection also offers intimate encounters with the masters; visitors can find themselves face-to-face with the most recognized portraits of Joseph Haydn, alongside personal belongings that offer a poignant glimpse into the daily existence of the composer. These objects serve as much more than historical curiosities; they are the physical echoes of melodies that have shaped human emotion for generations.

    Beyond the classical canon, the museum possesses a remarkable ability to bridge the gap between tradition and the contemporary zeitgeist. This is evidenced by its bold approach to exhibition, such as showcasing the intersection of classical heritage and modern iconoclasm through exhibits featuring figures like Kurt Cobain. Such curation ensures that the museum remains a living, breathing entity, relevant to the modern era while honoring its roots. For interior designers and lovers of fine aesthetics, the museum’s ability to present the evolution of form—from the earliest known guitars to magnificent grand pianos—provides endless inspiration drawn from the marriage of functional design and artistic expression.

    The museum continues to thrive as a center for innovation through its involvement in performance science, exploring the physiological and psychological dimensions of musical execution. This commitment to research ensures that the institution remains at the forefront of musical understanding, making it a vital destination for scholars and enthusiasts alike. Whether wandering through self-guided tours or attending a Friday lunch chamber performance, every visitor is invited to participate in a continuous symphony of history, where the echoes of the past harmonize beautifully with the innovations of the future.

    Where to read more

    Find this online

    QR code linking to the download page for IOSEPH HAYDEN, M.D. Oxon.

    originaluniqueart.com/en/art/download/john-hoppner-ioseph-hayden-m-d-oxon-D69F2P-en/

    Cite this artwork

    MLA
    Hoppner, John. IOSEPH HAYDEN, M.D. Oxon.. 1791, Royal College of Music Museum. https://originaluniqueart.com/en/art/john-hoppner-ioseph-hayden-m-d-oxon-D69F2P-en/
    APA
    Hoppner, John (1791). IOSEPH HAYDEN, M.D. Oxon. [Painting]. Royal College of Music Museum. https://originaluniqueart.com/en/art/john-hoppner-ioseph-hayden-m-d-oxon-D69F2P-en/
    Chicago
    John Hoppner. IOSEPH HAYDEN, M.D. Oxon.. 1791. Royal College of Music Museum. https://originaluniqueart.com/en/art/john-hoppner-ioseph-hayden-m-d-oxon-D69F2P-en/
    Harvard
    Hoppner, John (1791) IOSEPH HAYDEN, M.D. Oxon.. Royal College of Music Museum. Available at: https://originaluniqueart.com/en/art/john-hoppner-ioseph-hayden-m-d-oxon-D69F2P-en/

    Look closely

    IOSEPH HAYDEN, M.D. Oxon. — John Hoppner

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Richard Humphreys, the Boxer, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. John Hoppner was about 33 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What aliases or alternate names does John Hoppner have?

    John Hoppner appears under the alternate names John Hoppner RA, Frederick Hoppner.

    Who sells hand-painted copies of "IOSEPH HAYDEN, M.D. Oxon." by John Hoppner?

    Hand-painted copies of "IOSEPH HAYDEN, M.D. Oxon." by John Hoppner are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.

    Did "IOSEPH HAYDEN, M.D. Oxon." stay in its artist's homeland?

    Yes - the artwork is kept in the artist's home country. "IOSEPH HAYDEN, M.D. Oxon." is held in United Kingdom, while John Hoppner was born in United Kingdom.