Paper
Name Class Date

John Frederick Herring Ii, Farmyard Scene, Touchstones Rochdale. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
John Frederick Herring Ii originaluniqueart.com/en/artists/john-frederick-herring-ii/
Artist’s dates
1820 – 1907
Original size
62 x 92 cm
Held at
Touchstones Rochdale originaluniqueart.com/en/museums/touchstones-rochdale-rochdale/

In context

Farmyard Scene — John Frederick Herring Ii

How big is it?

The original measures 62 × 92 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890
  9. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 87 at death.

Shaded: the lifetime of John Frederick Herring Ii (1820–1907) every dated painting, decade by decade

First works: up to 1841 Main working years: 1841–1850 Late works: from 1850

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/john-frederick-herring-ii-farmyard-scene-AQU8TY-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #2f2617

    Catalogued palette

    • #2F2617
    • #5A4729
    • #C7BFB2
    • #897446

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by John Frederick Herring Ii over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.0%200 visits
    2. 2 Hong Kong 25.0%100 visits
    3. 3 United States of America 25.0%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 5 most looked-at works by John Frederick Herring Ii

    1. 1 Interior of a Stable, 1849 25.0%100 visits
    2. 2 Landscape with Horses, 1857 25.0%100 visits
    3. 3 A Farmyard Scene with Horses, Ducks and Poultry 25.0%100 visits
    4. 4 Farmyard with Saddlebacks 25.0%100 visits
    5. — Farmyard Scene this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 22 works by this artist, of which 4 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    John Frederick Herring Ii

    The Legacy of John Frederick Herring II: A Master of the Equestrian Spirit

    In the grand tapestry of British art history, few names evoke the rhythmic pulse of the Victorian countryside as vividly as John Frederick Herring II. Born in 1820 in Chelmsford, Essex, Herring emerged not merely as a painter, but as a chronicler of an era defined by the elegance of the horse and the pastoral serenity of the English landscape. His artistic lineage is one of profound importance; he was the scion of a celebrated tradition, having been raised under the watchful eye and expert tutelage of his father, John Frederick Herring Sr. This early immersion in the nuances of equine anatomy and the dynamics of motion instilled in him a lifelong devotion to capturing the very essence of animal vitality—a passion that would eventually elevate him to the heights of nineteenth-century fame.

    Herring’s development was marked by a seamless blend of inherited tradition and formal academic rigor. While his father provided the foundational language of the equestrian genre, Herring sought to expand this vocabulary through his studies at the Royal Academy in London. Here, he moved beyond simple documentation to embrace a more sophisticated approach to light, texture, and atmosphere. His work began to bridge the gap between the specialized niche of sporting art and the broader, more emotive realms of Romantic landscape painting. This evolution allowed him to present horses not just as subjects of athletic prowess, and racing, but as integral components of a living, breathing ecosystem.

    The Art of Motion and the English Landscape

    What truly distinguishes Herring’s oeuvre is his unparalleled ability to render the tension and grace of movement. Whether depicting the thundering hooves of a racehorse or the quiet, muscular repose of carriage horses in a courtyard, his canvases possess an unmistakable energy. In masterpieces such as “The Royal Mail Coach” (1841), one observes a masterful command over composition, where the drama of travel and social status is anchored by the meticulous realism of the animals and their surroundings. He did not merely paint horses; he painted the weight of their breath, the subtle sheen of their coats, and the way they interacted with the rugged textures of the English earth.

    Beyond the spectacle of the hunt and the race, Herring found profound beauty in the quietude of rural life. His landscapes often served as a stage for the pastoral rhythms of the Victorian age, featuring:

    Serene Pastoral Scenes: Works like “Farmyard with Saddlebacks” utilize earthy tones and textured brushwork to evoke the rustic charm of agricultural existence.

    Naturalistic Studies: His ability to capture tranquil moments, such as in “Ducks and Ducklings,” demonstrates a sensitivity to the delicate balance of nature within lush, verdant meadows.

    Architectural Integration: His landscapes frequently incorporated churches and village structures, reflecting the era's deep-seated connection between the land, community, and spiritual morality.

    Historical Significance and Enduring Influence

    The significance of John Frederick Herring II extends far beyond the confines of sporting circles. During his lifetime, his work resonated with a wide spectrum of society, earning him prestigious commissions from figures as notable as Queen Victoria. This level of patronage underscores his role in defining the visual identity of the Victorian era—a period that sought to find beauty in both the industriousness of progress and the nostalgic stability of the countryside. His paintings acted as windows into a world where the boundaries between human endeavor and animal instinct were harmoniously intertwined.

    As we look back upon his prolific career, which spanned until his death in 1907, we see an artist who successfully navigated the transition from the strictures of classical realism to the more emotive sensibilities of the late nineteenth century. His dedication to anatomical precision and atmospheric depth ensured that his work remained timeless. Today, Herring’s legacy lives on through his ability to freeze moments of profound vitality, offering modern viewers a poignant connection to the lost rhythms of a bygone British landscape.

    Museum

    Touchstones Rochdale

    On show in Rochdale, United Kingdom

    A Sanctuary of Creativity in the Heart of Rochdale

    Nestled within the vibrant cultural fabric of Greater Manchester,

    Touchstones Rochdale

    stands as a luminous beacon for those who find solace and inspiration in the visual arts. More than just a gallery space, it is a living, breathing testament to the enduring power of human expression, serving as a vital cornerstone for the community and a destination for connoisseurs alike. The museum offers an intimate yet profound experience, where the whispers of historical significance meet the bold, experimental energy of contemporary practice. To step through its doors is to enter a curated dialogue between the past and the present, a place where every corner holds the potential for discovery and every exhibition invites a deeper contemplation of our shared aesthetic heritage.

    The architectural essence of Touchstones reflects its role as a bridge between tradition and modernity. The venue provides a versatile canvas, characterized by light-filled spaces that allow artworks to breathe and command attention. This intentional design creates an atmosphere of quiet reverence, making it an ideal setting for both large-scale installations and delicate, intimate collections. For the interior designer or the passionate collector, the museum’s environment serves as a masterclass in how space can elevate art, demonstrating how light, scale, and curation work in harmony to evoke specific emotional responses. The fluidity of its galleries ensures that the transition between different artistic movements feels like a seamless journey through time.

    A Curated Tapestry of Diverse Voices

    The collection at Touchstones is a curated tapestry of diverse voices, ranging from established masters to emerging local talents. Visitors are often captivated by the museum's ability to present works that challenge perceptions and ignite the imagination. Whether it is the intricate textures of fine contemporary prints or the sweeping narratives found in regional oil paintings, the highlights of the collection emphasize craftsmanship and conceptual depth. The museum frequently hosts notable exhibitions that bring international perspectives to Rochdale, ensuring that the local landscape remains connected to the global art discourse. These rotating showcases transform the museum into a dynamic entity, constantly reinventing itself to reflect the shifting tides of artistic innovation.

    What truly distinguishes Touchstones Rochdale is its profound sense of place and its commitment to fostering a deep, emotional connection with its audience. It is not merely a repository for objects, but a workshop of ideas where art meets community. For those seeking to decorate their lives with beauty or looking to understand the pulse of contemporary culture, the museum offers an unparalleled richness. It remains a unique sanctuary where the boundaries between the observer and the observed blur, leaving every visitor with a lingering sense of wonder and a renewed appreciation for the transformative magic of the arts.

    Where to read more

    Find this online

    QR code linking to the download page for Farmyard Scene

    originaluniqueart.com/en/art/download/john-frederick-herring-ii-farmyard-scene-AQU8TY-en/

    Cite this artwork

    MLA
    Ii, John Frederick Herring. Farmyard Scene. n.d., Touchstones Rochdale. https://originaluniqueart.com/en/art/john-frederick-herring-ii-farmyard-scene-AQU8TY-en/
    APA
    Ii, John Frederick Herring (n.d.). Farmyard Scene [Painting]. Touchstones Rochdale. https://originaluniqueart.com/en/art/john-frederick-herring-ii-farmyard-scene-AQU8TY-en/
    Chicago
    John Frederick Herring Ii. Farmyard Scene. n.d. Touchstones Rochdale. https://originaluniqueart.com/en/art/john-frederick-herring-ii-farmyard-scene-AQU8TY-en/
    Harvard
    Ii, John Frederick Herring (n.d.) Farmyard Scene. Touchstones Rochdale. Available at: https://originaluniqueart.com/en/art/john-frederick-herring-ii-farmyard-scene-AQU8TY-en/

    Look closely

    Farmyard Scene — John Frederick Herring Ii

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire (1838), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I buy a digital image of "Farmyard Scene" by John Frederick Herring Ii?

    A digital image of "Farmyard Scene" by John Frederick Herring Ii can be purchased on its Digital Image page: a high-resolution digital image download.

    What is the dominant hue of "Farmyard Scene" by John Frederick Herring Ii?

    An ochre to sepia hue runs through "Farmyard Scene" by John Frederick Herring Ii.

    How do I download the image of "Farmyard Scene" by John Frederick Herring Ii?

    A download is available for "Farmyard Scene": the artwork's Download page offers a high-resolution digital image download.