Paper

Student Artwork Guide

Self Portrait

Name Class Date

John Downton, Self Portrait (1928), Ferens Art Gallery. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
John Downton originaluniqueart.com/en/artists/john-downton/
Artist’s dates
1906 – 1991
Painted
1928
Original size
35 x 24 cm
Held at
Ferens Art Gallery originaluniqueart.com/en/museums/ferens-art-gallery-hull/

In context

Self Portrait — John Downton

How big is it?

The original measures 35 × 24 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 85 at death.

Painted when the artist was 22. The artist lived to 85. 0 of the 20 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of John Downton (1906–1991) ▲ this work, 1928 every dated painting, decade by decade

First works: up to 1934 Main working years: 1934–1948 Late works: from 1948

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/john-downton-self-portrait-AQVG8B-en/

Colours

Measured from the image

    Main colour

    Black #11110e

    Catalogued palette

    • #11110E
    • #342515
    • #C19C66
    • #8A612F

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Balanced How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by John Downton over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 71.4%
    2. 2 Germany 14.3%
    3. 3 United States of America 14.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 7 most looked-at works by John Downton

    1. 1 Gordon Jarvis, 1930 28.6%
    2. 2 Young Woman in a Landscape, 1948 14.3%
    3. 3 Portrait of a Woman, 1940 14.3%
    4. 4 Woman in a Flemish Hat 14.3%
    5. 5 A Sibyl 14.3%
    6. 6 Portrait of a Girl with Plaits, 1939 14.3%
    7. — Self Portrait, 1928 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 29 works by this artist, of which 6 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    John Downton

    John Downton (1906–1991): A Painter of Innocence and Timeless Beauty

    John Downton (1906–1991) was an English artist, philosopher, musician, and poet whose distinctive style—characterized by meticulous realism achieved through the tempera technique—captured the essence of youthful innocence and imbued his paintings with a profound sense of serenity. Born in Erith, Kent, on March 27, 1906, to Albert Victor Downton (an engineer) and Flora Edith Mitchell, he possessed an early aptitude for drawing, nurtured by encouragement from his sister Hilda, who established the John Downton Award for Young Artists in her brother’s honor.

    His artistic education began at Erith Convent School followed by Erith Grammar School where he excelled academically. At fifteen, he secured a silver medal from the Royal Drawing Society—a testament to his prodigious talent—and continued his studies at Cambridge University (1925–1928), earning a first-class honors degree in English and subsequently delving into Art History under Henry Tonks and Philip Wilson Steer. He honed his skills at Slade School of Fine Art, immersing himself in the traditions of the Old Masters and embracing the tempera medium—a technique revived by the Birmingham Group—which allowed him to achieve unparalleled luminosity and detail.

    Downton’s artistic journey was profoundly shaped by his admiration for Italian Renaissance art, particularly Botticelli and Fra Angelico. He sought inspiration from these masters' masterful use of color and composition, striving to emulate their ability to convey emotion through subtle visual cues. This influence is evident in his oeuvre—a collection of portraits and landscapes predominantly featuring young girls—where he meticulously rendered every nuance of expression and gesture with unwavering precision. His artistic vision was underpinned by a staunch Morrisian Socialist conviction and conscientious objection to military service, during which he worked on the land in Shropshire and Pitlochry, Scotland.

    Major Paintings: Downton’s most celebrated works include “The Battle” (1935), housed at Birmingham Museum & Art Gallery; “Portrait of a Girl” (1938), residing in The Tate; and “Nora Russell” (1935), gifted to the Russell-Cotes Art Gallery, Bournemouth.

    Technique: Downton’s mastery of tempera—a painstaking process involving egg yolk pigment—allowed him to achieve remarkable textural depth and tonal subtlety. This technique demanded immense patience and dedication, reflecting his unwavering commitment to artistic excellence.

    Influence: Downton's work resonated with fellow artists and critics alike, establishing him as a pivotal figure in British painting during the interwar years. His stylistic innovations contributed significantly to the revival of tempera painting and solidified his legacy as a champion of humanist ideals.

    His artistic life culminated in a retrospective exhibition at Fine Art Society in 1996, which toured extensively across Britain, bringing Downton’s paintings to audiences worldwide. This momentous occasion underscored the enduring significance of his artistic achievements and cemented his place within the annals of British art history. The John Downton Trust continues to champion his work, ensuring that his timeless vision remains accessible to future generations.

    Legacy and Recognition

    John Downton’s contribution to British painting is undeniable. His unwavering dedication to tempera technique—a method rarely practiced during his time—produced images of exceptional beauty and psychological insight. He skillfully captured the vulnerability and grace of youthful subjects, mirroring the spirit of Renaissance art while simultaneously expressing a humanist sensibility rooted in socialist principles. The John Downton Award for Young Artists serves as an enduring tribute to his artistic legacy, fostering creativity and encouraging aspiring artists to pursue excellence—a testament to Downton’s profound belief in the transformative power of art. His paintings continue to inspire admiration and contemplation, securing his place as one of Britain's most revered painters.

    Museum

    Ferens Art Gallery

    On show in Hull, United Kingdom

    A Legacy Etched in Hull: The Soul of Ferens Art Gallery

    Nestled within the vibrant coastal embrace of Hull, United Kingdom, the

    Ferens Art Gallery

    stands as a profound testament to the transformative power of beauty and the enduring legacy of human creativity. To step through its doors is to embark on a journey that transcends time, moving seamlessly from the meticulous precision of the Old Masters to the evocative abstractions of the modern era. Established by the visionary industrialist

    Thomas Robinson Ferens

    , the gallery was born from a philanthropic dream to democratize art, ensuring that the treasures of the past and present remain accessible to all. It is not merely a repository for canvas and pigment; it is a living narrative of cultural evolution, where every brushstroke whispers stories of maritime adventure, societal shifts, and the eternal quest for aesthetic truth.

    The collection itself is a breathtaking tapestry of European excellence, anchored by works that define entire epochs. Visitors are often captivated by the gallery’s exceptional holdings in

    Dutch and Flemish art

    , where the masterful manipulation of light and shadow creates an almost tactile reality. One cannot help but feel the pulse of human emotion in the dynamic portraiture of

    Frans Hals

    , whose ability to capture a fleeting glance or a subtle smile remains unparalleled. This dialogue with light continues through the luminous Venetian landscapes of

    Canaletto

    , whose atmospheric perspectives transport the viewer to sun-drenched canals and bustling piazzas. For those drawn to the sea, the gallery’s collection of British Marine paintings offers a poignant connection to Hull’s own seafaring heritage, presenting dramatic scenes of naval life and the formidable, unpredictable force of the ocean.

    A Sanctuary of Light and Architectural Grandeur

    The architectural experience of the gallery is as much a part of the art as the paintings themselves. The building, a

    Grade II listed structure

    , exudes an understated grandeur and a sense of tranquil permanence. Following a significant restoration and extension in 1991 and a major £4.5 million makeover in preparation for the 2017 Turner Prize, the space has been transformed into a light-filled sanctuary designed for deep contemplation. The spacious galleries allow expansive canvases to breathe, while the architectural harmony of the building provides a serene backdrop that encourages visitors to linger.

    Beyond its permanent treasures, the gallery serves as a vital bridge to the 20th century and beyond, hosting significant temporary exhibitions that range from explorations of the Royal Collection to celebrated features on artists like

    Francis Bacon

    . This curated tension between tradition and innovation makes the gallery a sanctuary for both the seasoned art historian and the modern collector seeking inspiration. Whether wandering through the quietude of the permanent collections or engaging with the lively atmosphere of the children's gallery and cafe, one finds that the Ferens Art Gallery is an immersive experience where history, art, and architecture converge to inspire a lifelong passion for the sublime.

    Where to read more

    • The artist John Downton originaluniqueart.com/en/artists/john-downton/
    • The museum Ferens Art Gallery originaluniqueart.com/en/museums/ferens-art-gallery-hull/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/john-downton-self-portrait-AQVG8B-en/

    Find this online

    QR code linking to the download page for Self Portrait

    originaluniqueart.com/en/art/download/john-downton-self-portrait-AQVG8B-en/

    Cite this artwork

    MLA
    Downton, John. Self Portrait. 1928, Ferens Art Gallery. https://originaluniqueart.com/en/art/john-downton-self-portrait-AQVG8B-en/
    APA
    Downton, John (1928). Self Portrait [Painting]. Ferens Art Gallery. https://originaluniqueart.com/en/art/john-downton-self-portrait-AQVG8B-en/
    Chicago
    John Downton. Self Portrait. 1928. Ferens Art Gallery. https://originaluniqueart.com/en/art/john-downton-self-portrait-AQVG8B-en/
    Harvard
    Downton, John (1928) Self Portrait. Ferens Art Gallery. Available at: https://originaluniqueart.com/en/art/john-downton-self-portrait-AQVG8B-en/

    Look closely

    Self Portrait — John Downton

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Gordon Jarvis (1930), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. John Downton was about 22 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What is the dominant color of "Self Portrait" by John Downton?

    The dominant color of "Self Portrait" by John Downton is black (#11110e).

    How light is "Self Portrait" overall?

    The perceived brightness of "Self Portrait" by John Downton is deep_shadow. It can be matched to the light of the intended space.

    Do the colors of "Self Portrait" appear strong or soft?

    The color intensity of "Self Portrait" is monochromatic. Intensity describes how strong the colors appear.