Paper

Student Artwork Guide

Tuxedo

Name Class Date

Jean Michel Basquiat, Tuxedo (1982), Tony Shafrazi Gallery. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jean Michel Basquiat originaluniqueart.com/en/artists/jean-michel-basquiat/
Artist’s dates
1960 – 1988
Painted
1982
Medium
Screenprint Ink pushed through a stencilled mesh, one flat colour at a time — the technique behind much Pop Art.
Original size
261 x 152 cm
Movement
Neo-expressionism A rough, urgent return to figure painting in the 1980s, after years of cool abstraction.
Period
Modern
Held at
Tony Shafrazi Gallery originaluniqueart.com/en/museums/tony-shafrazi-gallery-new-york/
Artistic style
Raw Energy, Chaotic
Influences
Gray's Anatomy
Notable elements
Crown, Text, Screenprint
Subject or theme
Identity, Power

In context

Tuxedo — Jean Michel Basquiat

How big is it?

The original measures 261 × 152 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1960
  2. 1970
  3. 1980

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 28 at death.

Painted when the artist was 22. The artist lived to 28. 16 of the 128 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Jean Michel Basquiat (1960–1988) ▲ this work, 1982 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/jean-michel-basquiat-tuxedo-D2YSCW-en/

Colours

Measured from the image

    Main colour

    Black #09090a

    Catalogued palette

    • #09090A
    • #CCC7C1
    • #4E4B49
    • #272626

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Black
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Softly Mixed Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jean Michel Basquiat over the last twelve months — 56 countries in all. Where these figures come from

    The ten leading countries

    1. 1 United States of America 10.6%4,100 visits
    2. 2 United Kingdom 9.0%3,500 visits
    3. 3 China 6.7%2,600 visits
    4. 4 Spain 6.7%2,600 visits
    5. 5 Brazil 5.9%2,300 visits
    6. 6 France 5.2%2,000 visits
    7. 7 Italy 4.7%1,800 visits
    8. 8 Chile 3.9%1,500 visits
    9. 9 Mexico 3.9%1,500 visits
    10. 10 Japan 3.6%1,400 visits
    11. · 46 other countries 39.8%15,400 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Jean Michel Basquiat

    1. 1 Untitled - Skull, (Broad Collection, LA), 1981 51.5%32,800 visits
    2. 2 Bird on Money, 1981 6.6%4,200 visits
    3. 3 Fishing Fish, 1981 4.2%2,700 visits
    4. 4 Philistines, 1982 3.1%2,000 visits
    5. 5 Riding with Death, 1988 2.7%1,700 visits
    6. 6 Man from Naples, 1982 1.7%1,100 visits
    7. 7 Now's The Time, 1985 1.7%1,100 visits
    8. 8 Untitled (ernok) 1.6%1,000 visits
    9. 9 Pegasus, 1987 1.4%900 visits
    10. 10 Notary, 1983 1.3%800 visits
    11. 11 Pelptic Ulcer, 1983 1.1%700 visits
    12. 12 Melting Point of Ice, 1984 1.1%700 visits
    13. 13 Eroica I, 1988 0.9%600 visits
    14. 14 Red man, Annina Nosei Galle, 1981 0.8%500 visits
    15. 15 Earth, galerie bruno bischo, 1984 0.8%500 visits
    16. 16 Crown, 1983 0.8%500 visits
    17. 17 Obnoxious Liberals, 1982 0.8%500 visits
    18. 18 Hollywood africans, Whitney, 1983 0.6%400 visits
    19. 19 La Colomba, 1983 0.6%400 visits
    20. 23 Tuxedo, 1982 this painting 0.6%400 visits

    Together these works take 83.9% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 134 works by this artist, of which 79 were looked at at least once. This painting ranks 23 of them, with 0.6% of that attention (400 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Tuxedo — Jean Michel Basquiat

    Jean-Michel Basquiat’s “Tuxedo”: A Chronicle of Urban Noise

    “Tuxedo,” painted in 1982, is more than just an image; it's a visceral eruption of raw energy and fragmented thought – a quintessential work by the tragically short-lived genius that was Jean-Michel Basquiat. This screenprint on canvas immediately confronts the viewer with a chaotic symphony of black and white markings, text fragments, and iconic symbols, reflecting the frenetic pulse of 1980s New York City and the artist’s own intensely personal struggle for recognition within the art world.

    A Visual Vocabulary: The artwork's composition is deliberately overwhelming. A prominent crown, a recurring motif in Basquiat’s oeuvre, dominates the upper left corner, instantly evoking notions of royalty and power – themes he relentlessly explored through his work.

    Layered Meaning: Beneath the crown lies a dense layering of text, seemingly random but meticulously arranged, alongside geometric shapes and organic forms. This isn't simply visual noise; it’s a deliberate attempt to capture the overwhelming influx of information that characterized urban life and, perhaps, Basquiat’s own experience navigating the complexities of identity and representation.

    Neo-Expressionist Intensity: “Tuxedo” embodies the core tenets of neo-expressionism – a movement defined by its rejection of formal restraint and embrace of emotional intensity. The aggressive application of ink through the screenprinting technique mirrors this raw energy, creating a textured surface that feels both immediate and unsettling.

    Technique and Materials: A Conversation Between Artist and Process

    Basquiat’s process in creating “Tuxedo” was deeply rooted in the technical demands of screenprinting. This method, utilizing stencils to transfer ink onto canvas, allowed him to build up layers of imagery with remarkable speed and control – a crucial element given his relentless output. The almost uniform distribution of marks suggests meticulous planning, yet the overall effect is one of spontaneous creation. The choice of acrylic or another suitable screenprinting medium likely contributed to the artwork’s durability and vibrant color saturation, despite its monochromatic presentation.

    Screenprinting Precision: The technique itself speaks volumes about Basquiat's approach – a calculated chaos where precision and spontaneity intertwine.

    Canvas as Ground: The canvas serves not merely as a support but as an active participant in the artwork’s narrative, absorbing and amplifying the intensity of the printed image.

    Symbolism and Context: Decoding Basquiat's Universe

    “Tuxedo” is steeped in symbolism, reflecting Basquiat’s fascination with history, mythology, and social commentary. The tuxedo itself – a symbol of formality and wealth – is juxtaposed against the raw, unrefined aesthetic of the artwork, creating a potent tension. The inclusion of anatomical references, subtly hinted at by the book Gray's Anatomy that profoundly influenced his work, adds another layer of complexity, suggesting an exploration of the human body as both a physical form and a site of cultural and social meaning.

    Crown’s Significance: The crown, beyond its literal representation, symbolizes power, aspiration, and the artist's desire to transcend societal limitations.

    Textual Layers: The fragmented text likely represents the overwhelming nature of information in a rapidly changing world, echoing themes of alienation and social critique prevalent in Basquiat’s work.

    Emotional Impact and Legacy

    “Tuxedo” is not merely a visually arresting image; it's an emotionally charged statement about identity, power, and the struggle for recognition. Basquiat’s ability to distill complex ideas into such a powerfully evocative work cemented his place as one of the most important artists of his generation. A reproduction of “Tuxedo” offers a direct connection to this extraordinary talent, allowing viewers to experience firsthand the raw energy and intellectual depth that defined his groundbreaking art.

    Artist and museum

    Artist

    Jean Michel Basquiat

    Born in Brooklyn, United States of America

    A Brooklyn Beginning and the Rise of SAMO

    Jean-Michel Basquiat erupted onto the 1980s art scene as a force of raw energy and intellectual depth, an impact that continues to resonate profoundly today. Born on December 22, 1960, in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his upbringing was a vibrant tapestry woven with diverse cultures and languages—Spanish, English, and French filled his childhood home. This multilingual environment, coupled with his mother’s dedication to artistic pursuits—she enrolled him as a Junior Member of the Brooklyn Museum at age six—laid an early foundation for his creative journey. However, Basquiat's life wasn’t without hardship; a car accident at eight years old resulted in a splenectomy and a period of convalescence during which he became captivated by a copy of Gray’s Anatomy gifted by his mother. The book’s detailed illustrations would later profoundly influence the anatomical imagery that frequently appears in his work, becoming a haunting motif throughout his career. Before achieving recognition as a painter, Basquiat made his mark under the pseudonym SAMO, alongside friend Al Diaz. Together they covered Lower Manhattan with cryptic, poetic graffiti—epigrams challenging societal norms and questioning established power structures. These weren’t mere tags; they were thought-provoking statements that captured the spirit of the burgeoning hip-hop culture and the gritty energy of 1970s New York City. SAMO was more than just street art; it was a philosophical intervention, a visual disruption designed to provoke dialogue and challenge perceptions.

    Neo-Expressionism and Artistic Innovation

    By the early 1980s, Basquiat transitioned from graffiti to canvas, rapidly gaining recognition within the New York art world. His paintings weren’t easily categorized; they were a unique synthesis of influences ranging from Abstract Expressionism to tribal art, comic books, and historical painting. He became a central figure in the Neo-Expressionist movement, though he resisted easy labeling. His canvases are characterized by a frenetic energy—a chaotic layering of text, symbols, figures, and colors. Basquiat’s technique was deliberately raw and improvisational, often incorporating collage, scratching, and dripping paint. He wasn't interested in technical perfection; instead, he sought to convey emotion, ideas, and social commentary with visceral immediacy. Recurring motifs—crowns, skulls, anatomical diagrams, words crossed out or repeated—became his signature visual language. The crown, perhaps his most iconic symbol, has been interpreted as a representation of aspiration, self-mythologization, and the complexities of Black identity in America. His work frequently grappled with themes of wealth versus poverty, integration versus segregation, and the internal struggles of the individual within society. Paintings like Piscine versus the Best Hotels (or various loin) exemplify his ability to juxtapose seemingly disparate elements—luxury and deprivation, beauty and decay—creating a powerful commentary on social inequalities. Basquiat’s art was not merely about what he depicted but how he depicted it, creating a visual language that was both deeply personal and universally resonant.

    Collaboration, Recognition, and a Tragic End

    Basquiat’s ascent was meteoric. In 1982, at just twenty-one years old, he participated in Documenta in Kassel, Germany, becoming the youngest artist ever to exhibit there. The following year, he showcased his work at the Whitney Biennial, further solidifying his position within the art establishment. A pivotal moment came with his friendship and artistic collaboration with Andy Warhol. The two artists pushed each other creatively, exploring themes of consumerism, celebrity, and mass media in a series of collaborative paintings. While their partnership was complex and sometimes fraught with tension, it undoubtedly elevated both artists’ profiles. Despite achieving international acclaim and financial success, Basquiat struggled with the pressures of fame and his ongoing battle with drug addiction. His work became increasingly introspective and darker as he grappled with personal demons and societal injustices. Tragically, Jean-Michel Basquiat died on August 12, 1988, at the age of twenty-seven from a heroin overdose. His untimely death cemented his status as a tragic figure—a brilliant artist whose life was cut short by addiction and the complexities of navigating the art world.

    Legacy and Lasting Influence

    In the years since his death, Basquiat’s reputation has only grown. His work continues to captivate audiences with its raw energy, intellectual depth, and unflinching social commentary. In 2017, *Untitled* (1982), a powerful depiction of a skull, sold for $110.5 million at Sotheby's, setting a new record for any U.S. artist at auction—a testament to the enduring value and cultural significance of his work. Basquiat’s influence can be seen in the work of countless contemporary artists, particularly those who explore themes of identity, race, and social justice. He paved the way for a more diverse and inclusive art world, challenging traditional notions of artistic expression and representation. His ability to seamlessly blend high and low culture—graffiti, fine art, music, poetry—continues to inspire artists today. He remains a potent symbol of creative rebellion, intellectual curiosity, and the power of art to challenge the status quo. His paintings are not merely aesthetic objects; they are windows into a complex mind grappling with profound questions about humanity, society, and the search for meaning in a chaotic world.

    Key Works & Themes

    Here are some defining works that encapsulate Basquiat’s artistic vision:

    Untitled (Skull): A powerful representation of mortality and the African diaspora, achieving record-breaking auction prices.

    Piscine versus the Best Hotels (or various loin): Exemplifies Basquiat’s juxtaposition of wealth and poverty, showcasing his unique artistic style.

    Portrait of the Artist as a Young Derelict: A self-portrait that embodies themes of identity, alienation, and societal critique.

    Hollywood Africans: Explores African American history and culture through symbolic imagery and textual elements.

    Basquiat’s art consistently addressed issues of racial inequality, the legacy of colonialism, and the complexities of Black identity. He used his platform to challenge dominant narratives and give voice to marginalized communities. His work remains profoundly relevant today, prompting viewers to confront uncomfortable truths about society and their own biases. He wasn't simply an artist; he was a cultural commentator, a poet, and a visionary who left an indelible mark on the art world and beyond.

    Museum

    Tony Shafrazi Gallery

    On show in New York, United States of America

    Tony Shafrazi Gallery: A Legacy of Bold Vision

    Located in Chelsea’s vibrant gallery district, Tony Shafrazi Gallery stands as a testament to artistic courage and intellectual curiosity—a beacon for collectors and connoisseurs alike. Established in 1979 by visionary art dealer Tony Shafrazi himself – an artist deeply influenced by the rebellious spirit of his time —the gallery has cultivated a singular reputation for championing groundbreaking artists and fostering dialogues that challenge conventional boundaries within the contemporary art landscape.

    A Pioneering Spirit:

    From its inception, Shafrazi’s Gallery embraced risk-taking and championed unconventional voices. His background as both creator and curator instilled a perspective rooted in artistic rebellion—a conviction that continues to shape the gallery's ethos today.

    Early Influences & Strategic Partnerships:

    Before establishing his Chelsea space, Shafrazi served as an art advisor to the Shah of Iran, assembling a significant collection of Western art for the Teheran Museum of Contemporary Art. This formative experience honed his discerning eye and forged connections within the international art market—connections that would prove invaluable in shaping Shafrazi Gallery’s trajectory.

    Celebrating Pop Art, Conceptual Art & Socio-Political Engagement

    Shafrazi Gallery distinguishes itself through its unwavering commitment to presenting a diverse range of artistic expressions. Its specialization lies prominently in Pop Art—characterized by its embrace of popular culture imagery and techniques—conceptual art—which prioritizes ideas over visual aesthetics—and pieces that grapple with pressing socio-political themes. This deliberate curation reflects Shafrazi’s belief that art should provoke contemplation and inspire critical engagement.

    Iconic Artists Featured:

    The gallery's roster boasts celebrated figures who have redefined artistic boundaries, including Keith Haring—whose vibrant murals captured the energy of 1980s graffiti culture—Francis Bacon—whose unsettling canvases explored themes of trauma and vulnerability—David LaChapelle—known for his provocative photography that confronts societal anxieties—and a constellation of emerging artists pushing the frontiers of experimentation.

    Minimalist Architecture & An Atmosphere Designed for Dialogue

    The gallery’s architectural design embodies its core philosophy: prioritizing artistic impact above all else. Situated within Chelsea’s bustling gallery district, Shafrazi Gallery maintains a strikingly minimalist aesthetic—allowing the artwork itself to command attention and fostering an environment conducive to profound reflection. The spacious interior is bathed in natural light, creating a serene backdrop for exhibitions that aim to stimulate intellectual curiosity.

    A History Steeped in Artistic Rebellion & Innovation

    Shafrazi Gallery’s history intertwines with pivotal moments in art history—a narrative marked by audacious gestures and unwavering dedication to artistic integrity. From the controversial spray painting of Guernica to collaborations with influential artists like Warhol and Basquiat, Shafrazi has consistently championed artists who dared to challenge conventions and explore uncharted territories.

    Looking Ahead: Continuing a Legacy of Excellence

    Today, Tony Shafrazi Gallery remains a vital force in New York City’s art scene—a repository of artistic heritage and a catalyst for future innovation. Its ongoing commitment to showcasing cutting-edge exhibitions ensures that its legacy of boldness and intellectual rigor will endure for generations to come.

    Where to read more

    Find this online

    QR code linking to the download page for Tuxedo

    originaluniqueart.com/en/art/download/jean-michel-basquiat-tuxedo-D2YSCW-en/

    Cite this artwork

    MLA
    Basquiat, Jean Michel. Tuxedo. 1982, Tony Shafrazi Gallery. https://originaluniqueart.com/en/art/jean-michel-basquiat-tuxedo-D2YSCW-en/
    APA
    Basquiat, Jean Michel (1982). Tuxedo [Painting]. Tony Shafrazi Gallery. https://originaluniqueart.com/en/art/jean-michel-basquiat-tuxedo-D2YSCW-en/
    Chicago
    Jean Michel Basquiat. Tuxedo. 1982. Tony Shafrazi Gallery. https://originaluniqueart.com/en/art/jean-michel-basquiat-tuxedo-D2YSCW-en/
    Harvard
    Basquiat, Jean Michel (1982) Tuxedo. Tony Shafrazi Gallery. Available at: https://originaluniqueart.com/en/art/jean-michel-basquiat-tuxedo-D2YSCW-en/

    Look closely

    Tuxedo — Jean Michel Basquiat

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: basquiat, tuxedo, crown symbol. Do you agree? What would you add, or take away?
    4. Look back at Untitled - Skull, (Broad Collection, LA) (1981), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Neo-expressionism: A rough, urgent return to figure painting in the 1980s, after years of cool abstraction. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What historical period is "Tuxedo" by Jean Michel Basquiat from?

    "Tuxedo" belongs to the Modern era.

    What emotion does the Neo-expressionism work "Tuxedo" convey?

    Within the Neo-expressionism movement, "Tuxedo" is recorded with a powerful tone.

    What feeling does "Tuxedo" by Jean Michel Basquiat convey?

    The recorded mood of "Tuxedo" by Jean Michel Basquiat is bold, and its emotional tone is powerful.