Paper

Student Artwork Guide

Winter Scene

Name Class Date

Jan Griffier I, Winter Scene, National Trust. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jan Griffier I originaluniqueart.com/en/artists/jan-griffier-i/
Artist’s dates
1652 – 1718
Original size
37 x 50 cm
Held at
National Trust originaluniqueart.com/en/museums/national-trust-portadown/

In context

Winter Scene — Jan Griffier I

How big is it?

The original measures 37 × 50 cm (height × width), drawn here beside an adult of average height.

When might this have been painted?

  1. 1650
  2. 1660
  3. 1670
  4. 1680
  5. 1690
  6. 1700
  7. 1710

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 66 at death.

Shaded: the lifetime of Jan Griffier I (1652–1718) every dated painting, decade by decade

First works: up to 1695 Main working years: 1695–1710 Late works: from 1710

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/jan-griffier-i-winter-scene-AQSD2S-en/

Colours

Measured from the image

    Main colour

    Driftwood #a58e6b

    Catalogued palette

    • #A58E6B
    • #7A6644
    • #917C59
    • #573B1E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Driftwood
    Intensity
    Balanced How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Bright How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jan Griffier I over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 73.3%
    2. 2 Hong Kong 13.3%
    3. 3 United States of America 13.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 14 most looked-at works by Jan Griffier I

    1. 1 Classical Ruins with Diana and Nymphs Bathing 11.1%
    2. 2 Covent Garden, London 11.1%
    3. 3 The Great Fire of London, (1666) 11.1%
    4. 4 The Thames at Horseferry, with Lambeth Palace and a Distant View of the City, London 11.1%
    5. 5 The 'Peregrine' and Other Royal Yachts off Greenwich, c.1710, 1715 5.6%
    6. 6 Dutch Snow Scene with Skaters, 1695 5.6%
    7. 7 View from One Tree Hill The Queen's House and the Royal Observatory, Greenwich, 1705 5.6%
    8. 8 A Turkey and other Fowl in a Park, 1710 5.6%
    9. 9 Landscape with Ruined Buildings and Figures 5.6%
    10. 10 View of Hampton Court Palace, 1710 5.6%
    11. 11 Landscape 5.6%
    12. 12 Winter Scene this painting 5.6%
    13. 13 Noah's Ark 5.6%
    14. 14 The Great Fire of London 5.6%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 40 works by this artist, of which 14 were looked at at least once. This painting ranks 12 of them, with 5.6% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Jan Griffier I

    Born in Amsterdam, Netherlands

    A Wanderer of the Golden Age: The Life and Legacy of Jan Griffier I

    The story of Jan Griffier I is one of movement, maritime adventure, and a profound connection to the shifting landscapes of Northern Europe. A master of the Dutch Golden Age, Griffier’s life was as much defined by his travels across the English Channel as it was by the brushstrokes on his canvases. Born in Amsterdam around 1652, he emerged from a tradition of meticulous observation, having honed his skills under the guidance of the esteemed Roelant Roghman. This early training instilled in him a precision for draughtsmanship and an eye for the delicate textures of nature—qualities that would later allow him to capture both the sweeping vistas of the Rhineland and the intimate, pastoral charm of the English countryside.

    Griffier’s career was marked by a remarkable duality, acting as a bridge between the artistic traditions of the Netherlands and England. After being admitted to the London Company of Painter-Stainers in 1677, he became a fixture in the English art scene, working alongside notable figures such as Jan Looten. His versatility was his greatest strength; while he is celebrated for his atmospheric landscapes, he was also a skilled etcher and mezzotint artist. Through his plates of birds and his reproductions of portraits by masters like Sir Peter Lely and Sir Godfrey Kneller, Griffier demonstrated an ability to translate the grandeur of portraiture into the nuanced language of printmaking.

    Mastery of Light and Topography

    To look upon a work by Griffier is to experience the atmospheric weight of a specific time and place. He possessed a rare talent for capturing the ephemeral qualities of weather—the biting chill of a winter scene with skaters or the soft, hazy light that settles over a riverbank. His city views serve as more than mere art; they are invaluable topographical records, offering a window into the architectural soul of the towns he visited during his extensive travels. These works possess a documentary importance, preserving the layout and character of 17th-century urban life with an artist's sensitive touch.

    His technical repertoire was vast, ranging from the fine lines of engraving to the rich, tonal depths of mezzotint. This breadth allowed him to explore various facets of the natural world:

    Landscape Painting: Evocative depictions of both the Rhineland and English terrains, characterized by a sense of depth and seasonal atmosphere.

    Printmaking: Detailed etchings, including his famous series of birds inspired by Francis Barlow, which showcased his mastery of fine detail.

    Portrait Reproduction: Mezzotints that captured the likenesses of contemporary greats, bridging the gap between painting and print.

    Resilience Amidst the Waves

    Perhaps the most cinematic chapter of Griffier’s life involves his legendary resilience in the face of tragedy. In 1695, while attempting to return to the Netherlands with his family, he suffered a devastating shipwreck. The loss was total; the paintings he had carried with him—his life's work up to that point—were swallowed by the sea. Yet, rather than succumbing to despair, Griffier displayed the tenacity of a true survivor. He famously purchased a houseboat in Rotterdam, transforming it into a mobile studio and home, allowing him to navigate the waterways of Europe while continuing his creative pursuits.

    This nomadic existence, driven by a need to sustain his family and his art, underscores the spirit of an artist who was never truly tethered to a single shore. Though he eventually returned to London, where he passed away, his legacy remained firmly rooted in the interconnected histories of the Dutch and English traditions. Through his sons, Robert and Jan the Younger, his artistic lineage continued, ensuring that the name Griffier would remain synonymous with the evocative, wandering spirit of the late 17th century.

    Museum

    National Trust

    On show in Portadown, United Kingdom

    A Portal to the Eighteenth Century

    Nestled within the verdant landscapes of Portadown, Northern Ireland, Ardress House stands as a breathtaking testament to an era defined by elegance and social stratification. Managed by the National Trust, this beautifully preserved estate offers more than just a visit; it provides a profound window into the lives of the landed gentry. As one wanders through its halls, the weight of history becomes palpable, inviting visitors to step back in time and experience the refined atmosphere of an age long passed. The architecture itself serves as a silent narrator, reflecting the sophisticated aesthetic sensibilities that shaped the Irish landscape during this transformative period.

    The Artistry of the Estate

    For the discerning collector and the lover of fine craftsmanship, the interior of Ardress House is an unparalleled treasure trove. The collection is a curated dialogue between different eras and styles, where the delicate lines of

    prints by the renowned Irish artist James Barry

    meet the profound depth of

    Dutch masterpieces

    . These paintings do not merely hang on walls; they breathe life into the rooms, casting shadows of history across the exquisite

    Irish furniture

    that populates the estate. For interior designers, the house serves as a masterclass in period authenticity, showcasing how decorative arts and fine objects can harmonize to create an environment of both prestige and intimacy. Each piece of furniture, meticulously crafted to reflect the tastes of its time, tells a story of craftsmanship and social aspiration.

    A Symphony of High Culture and Rural Reality

    What truly distinguishes Ardress House from other historic estates is its remarkable ability to present a holistic view of 18th-century society. Beyond the polished surfaces of the main house lies the historic farmyard, a space that offers a striking and necessary contrast to the grandeur of the drawing rooms. Here, an impressive collection of

    agricultural tools

    stands as a tribute to the laborers who sustained the estate, grounding the high culture of art and fine furniture in the rugged reality of rural life. This juxtaposition creates a unique narrative tension, reminding us that the splendor of the manor was inextricably linked to the toil of the land. It is this rare blend of the refined and the rustic that makes Ardress House an essential destination for anyone seeking to understand the true social fabric of Irish history.

    Where to read more

    • The artist Jan Griffier I originaluniqueart.com/en/artists/jan-griffier-i/
    • The museum National Trust originaluniqueart.com/en/museums/national-trust-portadown/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/jan-griffier-i-winter-scene-AQSD2S-en/

    Find this online

    QR code linking to the download page for Winter Scene

    originaluniqueart.com/en/art/download/jan-griffier-i-winter-scene-AQSD2S-en/

    Cite this artwork

    MLA
    I, Jan Griffier. Winter Scene. n.d., National Trust. https://originaluniqueart.com/en/art/jan-griffier-i-winter-scene-AQSD2S-en/
    APA
    I, Jan Griffier (n.d.). Winter Scene [Painting]. National Trust. https://originaluniqueart.com/en/art/jan-griffier-i-winter-scene-AQSD2S-en/
    Chicago
    Jan Griffier I. Winter Scene. n.d. National Trust. https://originaluniqueart.com/en/art/jan-griffier-i-winter-scene-AQSD2S-en/
    Harvard
    I, Jan Griffier (n.d.) Winter Scene. National Trust. Available at: https://originaluniqueart.com/en/art/jan-griffier-i-winter-scene-AQSD2S-en/

    Look closely

    Winter Scene — Jan Griffier I

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Noah's Ark (1710), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Does "Winter Scene" show strong light-dark contrasts?

    "Winter Scene" by Jan Griffier I shows a serene contrast between its light and dark areas.

    Where can I see a preview of "Winter Scene"?

    A preview of "Winter Scene" by Jan Griffier I is available on the artwork's Preview page.

    What kind of colors does "Winter Scene" use?

    "Winter Scene" by Jan Griffier I uses an earthy color palette. The palette summarizes the work's overall color character.