Paper

Student Artwork Guide

Noah's Ark

Name Class Date

Jan Griffier I, Noah's Ark (1710), Bristol Museum - Art Gallery. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jan Griffier I originaluniqueart.com/en/artists/jan-griffier-i/
Artist’s dates
1652 – 1718
Painted
1710
Medium
Oil On Canvas
Original size
374 x 374 cm
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Period
Renaissance
Held at
Bristol Museum - Art Gallery originaluniqueart.com/en/museums/bristol-museum-art-gallery-bristol/
Artistic style
Baroque/Flemish realism
Influences
Roelant Roghman
Notable elements
Detailed animals, layering
Subject or theme
Noah's Ark, nature

In context

Noah's Ark — Jan Griffier I

How big is it?

The original measures 374 × 374 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1650
  2. 1660
  3. 1670
  4. 1680
  5. 1690
  6. 1700
  7. 1710

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 66 at death.

Painted when the artist was 58. The artist lived to 66. 4 of the 10 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Jan Griffier I (1652–1718) ▲ this work, 1710 every dated painting, decade by decade

First works: up to 1695 Main working years: 1695–1710 Late works: from 1710

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/jan-griffier-i-noah-s-ark-AQSD2L-en/

Colours

Measured from the image

    Main colour

    Gray #86725e

    Catalogued palette

    • #86725E
    • #C2B7A3
    • #3F2E25
    • #67513E

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jan Griffier I over the last twelve months — 3 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 73.3%
    2. 2 Hong Kong 13.3%
    3. 3 United States of America 13.3%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 15 most looked-at works by Jan Griffier I

    1. 1 Classical Ruins with Diana and Nymphs Bathing 11.1%
    2. 2 Covent Garden, London 11.1%
    3. 3 The Great Fire of London, (1666) 11.1%
    4. 4 The Thames at Horseferry, with Lambeth Palace and a Distant View of the City, London 11.1%
    5. 5 The 'Peregrine' and Other Royal Yachts off Greenwich, c.1710, 1715 5.6%
    6. 6 Dutch Snow Scene with Skaters, 1695 5.6%
    7. 7 View from One Tree Hill The Queen's House and the Royal Observatory, Greenwich, 1705 5.6%
    8. 8 A Turkey and other Fowl in a Park, 1710 5.6%
    9. 9 Landscape with Ruined Buildings and Figures 5.6%
    10. 10 View of Hampton Court Palace, 1710 5.6%
    11. 11 Landscape 5.6%
    12. 12 Winter Scene 5.6%
    13. 13 Noah's Ark 5.6%
    14. 14 The Great Fire of London 5.6%
    15. — Noah's Ark, 1710 this painting 0.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 40 works by this artist, of which 14 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Noah's Ark — Jan Griffier I

    Jan Griffier I’s ‘Noah’s Ark’: A Baroque Vision of Abundance

    Jan Griffier I's “Noah’s Ark,” completed in 1710, is more than just a depiction of the biblical narrative; it’s a vibrant testament to the Dutch Golden Age’s fascination with nature and its capacity for lavish detail. Executed during a period when English patrons were commissioning works from Griffier – who had spent much of his career painting topographical views of England – this large-scale canvas (374 x 374 cm) embodies the artist's skill in rendering complex scenes teeming with life. The composition immediately draws the eye to a chaotic yet meticulously organized gathering of animals: ostriches, zebras, deer, swans, turkeys, and countless others, all interwoven within a richly detailed landscape. Griffier’s mastery is evident in his ability to capture both the individual character of each animal – from the proud stance of the peacock to the serene gaze of the swans – and their collective energy, creating an impression of lively movement and abundant wildlife.

    Style & Influence: The artwork firmly aligns with the Baroque and Flemish traditions, characterized by its dramatic lighting, dynamic composition, and emphasis on realism. Griffier’s training under Roelant Roghman is clearly visible in his precise line work and detailed rendering of textures – the smooth hides of the animals contrast sharply with the rougher surfaces of the ground and foliage.

    Technique: The painting's rich layering and blending of pigments, characteristic of oil paint, speaks to Griffier’s technical prowess. He skillfully employs a diffused light source, likely intended to evoke an overcast day or interior illumination, further enhancing the sense of depth and volume within the scene.

    A Window into 18th-Century England

    Griffier's work during this period reflects his time spent in England, where he produced views of Rhineland landscapes alongside depictions of the English countryside. This particular piece showcases a shift towards more narrative subjects, aligning with the tastes of his English patrons. The painting’s creation around 1710 places it squarely within the context of the Dutch Golden Age – a period marked by unprecedented artistic innovation and wealth, fueled in part by trade and colonial expansion. The inclusion of such a diverse array of animals suggests a broader engagement with themes of prosperity and fertility, common motifs in Baroque art.

    Symbolism and Emotional Impact

    "Noah’s Ark" transcends a simple biblical illustration; it's imbued with potent symbolism. The sheer abundance of life depicted can be interpreted as a celebration of nature’s bounty and diversity – a reflection of the Dutch Republic’s own flourishing economy and its mastery over the natural world. The composition evokes a feeling of wonder and delight, inviting the viewer to contemplate the beauty and power of creation. The artist's skillful use of color further amplifies this emotional impact, with splashes of vibrant hues from the birds and animal markings adding to the overall sense of dynamism and spectacle.

    Provenance & Reproduction

    Originally created around 1710 by Jan Griffier I, a prominent Dutch Golden Age painter active in both the Netherlands and England, this artwork represents a significant piece of art history. WahooArt offers meticulously crafted hand-painted reproductions of “Noah’s Ark,” allowing you to bring this captivating Baroque masterpiece into your home or office. Our skilled artisans employ traditional techniques and high-quality materials to faithfully recreate Griffier's original vision, ensuring that your reproduction captures the full richness and emotional impact of this iconic work.

    Artist and museum

    Artist

    Jan Griffier I

    Born in Amsterdam, Netherlands

    A Wanderer of the Golden Age: The Life and Legacy of Jan Griffier I

    The story of Jan Griffier I is one of movement, maritime adventure, and a profound connection to the shifting landscapes of Northern Europe. A master of the Dutch Golden Age, Griffier’s life was as much defined by his travels across the English Channel as it was by the brushstrokes on his canvases. Born in Amsterdam around 1652, he emerged from a tradition of meticulous observation, having honed his skills under the guidance of the esteemed Roelant Roghman. This early training instilled in him a precision for draughtsmanship and an eye for the delicate textures of nature—qualities that would later allow him to capture both the sweeping vistas of the Rhineland and the intimate, pastoral charm of the English countryside.

    Griffier’s career was marked by a remarkable duality, acting as a bridge between the artistic traditions of the Netherlands and England. After being admitted to the London Company of Painter-Stainers in 1677, he became a fixture in the English art scene, working alongside notable figures such as Jan Looten. His versatility was his greatest strength; while he is celebrated for his atmospheric landscapes, he was also a skilled etcher and mezzotint artist. Through his plates of birds and his reproductions of portraits by masters like Sir Peter Lely and Sir Godfrey Kneller, Griffier demonstrated an ability to translate the grandeur of portraiture into the nuanced language of printmaking.

    Mastery of Light and Topography

    To look upon a work by Griffier is to experience the atmospheric weight of a specific time and place. He possessed a rare talent for capturing the ephemeral qualities of weather—the biting chill of a winter scene with skaters or the soft, hazy light that settles over a riverbank. His city views serve as more than mere art; they are invaluable topographical records, offering a window into the architectural soul of the towns he visited during his extensive travels. These works possess a documentary importance, preserving the layout and character of 17th-century urban life with an artist's sensitive touch.

    His technical repertoire was vast, ranging from the fine lines of engraving to the rich, tonal depths of mezzotint. This breadth allowed him to explore various facets of the natural world:

    Landscape Painting: Evocative depictions of both the Rhineland and English terrains, characterized by a sense of depth and seasonal atmosphere.

    Printmaking: Detailed etchings, including his famous series of birds inspired by Francis Barlow, which showcased his mastery of fine detail.

    Portrait Reproduction: Mezzotints that captured the likenesses of contemporary greats, bridging the gap between painting and print.

    Resilience Amidst the Waves

    Perhaps the most cinematic chapter of Griffier’s life involves his legendary resilience in the face of tragedy. In 1695, while attempting to return to the Netherlands with his family, he suffered a devastating shipwreck. The loss was total; the paintings he had carried with him—his life's work up to that point—were swallowed by the sea. Yet, rather than succumbing to despair, Griffier displayed the tenacity of a true survivor. He famously purchased a houseboat in Rotterdam, transforming it into a mobile studio and home, allowing him to navigate the waterways of Europe while continuing his creative pursuits.

    This nomadic existence, driven by a need to sustain his family and his art, underscores the spirit of an artist who was never truly tethered to a single shore. Though he eventually returned to London, where he passed away, his legacy remained firmly rooted in the interconnected histories of the Dutch and English traditions. Through his sons, Robert and Jan the Younger, his artistic lineage continued, ensuring that the name Griffier would remain synonymous with the evocative, wandering spirit of the late 17th century.

    Museum

    Bristol Museum - Art Gallery

    On show in Bristol, United Kingdom

    A Bastion of Culture: The Soul of Bristol

    Nestled in the elegant heart of Clifton, overlooking the dramatic expanse of the Avon Gorge, the Bristol Museum & Art Gallery stands as a profound testament to the enduring power of human creativity and historical inquiry. More than a mere repository for artifacts, this institution serves as a vibrant cultural crossroads where centuries collide and stories unfold within walls of architectural splendor. Since its origins in 1823, evolving from the ambitious Bristol Institution for the Advancement of Science and Art, the museum has maintained an unwavering commitment to public enrichment. This dedication is most poignantly felt in its enduring free admission policy, a rare and precious gift in a modern era often dominated by commercial interests, ensuring that the treasures within remain accessible to every curious mind, from the local student to the seasoned global collector.

    To enter the museum is to step into a masterpiece of Edwardian Baroque grandeur. Designed by the visionary Frederick Wills, the building itself commands respect with its opulent detailing and monumental scale. As visitors traverse the magnificent halls, they are bathed in a soft, ethereal light that filters through spectacular barrel-vaulted glazed roofs—a triumph of engineering that lends an airy, expansive atmosphere to the entire experience. The graceful double staircase acts as a sculptural centerpiece, inviting guests to ascend into realms of artistic and historical wonder. This Grade II* listed landmark does not merely house art; it provides a dignified stage where the architectural harmony of the setting enhances the profound significance of the collections held within.

    A Kaleidoscope of Human Achievement

    The true magic of the Bristol Museum & Art Gallery lies in its breathtakingly diverse collection, a kaleidoscope of human history and artistic expression. For those drawn to the mysteries of antiquity, the Egyptian Collection offers a hauntingly beautiful journey back millennia, where remarkably preserved mummies and intricate artifacts whisper the secrets of pharaohs and ancient spiritual beliefs. This sense of global connection continues through the vibrant, symbolic narratives found in the museum’s Islamic art, featuring exquisite pieces from Persia and Morocco that illuminate the rich textures of Eastern heritage. The museum also serves as a vital guardian of local identity, showcasing the celebrated English delftware tradition that defines Bristol’s unique artisanal history.

    For the lover of fine art and the interior designer seeking inspiration, the gallery’s paintings offer an unparalleled panoramic view of artistic evolution. The collection features the sweeping landscapes of Turner and Constable, the delicate touch of Whistler, and the raw, visceral energy of Francis Bacon. This dialogue between the masters of the past and contemporary painters captures the very spirit of modern Bristol, creating a space where tradition and innovation exist in constant conversation. Beyond the canvas, the museum’s geological specimens provide a grounding connection to the Earth itself, showcasing fossils from the Jurassic and Cretaceous periods alongside rare minerals gathered from every corner of the globe.

    A Stage for Innovation and Community

    What truly distinguishes this institution is its fearless embrace of the contemporary and the unexpected. The museum has proven itself to be a bold provocateur, most famously demonstrated in 2009 when it played host to a large-scale, secretly planned exhibition by the enigmatic street artist Banksy. This event, executed with characteristic wit and shrouded in mystery, captured worldwide attention and cemented the museum’s reputation as a space where art can transcend traditional boundaries to provoke vital social dialogue. It is this ability to bridge the gap between high art and urban culture that makes the museum a living, breathing entity rather than a static monument.

    This spirit of inclusivity extends into the community through joyous celebrations such as the annual Lunar New Year, which transforms the galleries into a festive arena for performers and artisans from across Asia. Whether one is an art historian studying the nuances of a Victorian oil painting, a family discovering the wonders of natural history, or a collector seeking hidden gems, the Bristol Museum & Art Gallery offers a sanctuary of discovery. It remains a unique cultural beacon, illuminating Bristol’s rich heritage while casting a bright, welcoming light on the limitless possibilities of the future.

    Where to read more

    Find this online

    QR code linking to the download page for Noah's Ark

    originaluniqueart.com/en/art/download/jan-griffier-i-noah-s-ark-AQSD2L-en/

    Cite this artwork

    MLA
    I, Jan Griffier. Noah's Ark. 1710, Bristol Museum - Art Gallery. https://originaluniqueart.com/en/art/jan-griffier-i-noah-s-ark-AQSD2L-en/
    APA
    I, Jan Griffier (1710). Noah's Ark [Painting]. Bristol Museum - Art Gallery. https://originaluniqueart.com/en/art/jan-griffier-i-noah-s-ark-AQSD2L-en/
    Chicago
    Jan Griffier I. Noah's Ark. 1710. Bristol Museum - Art Gallery. https://originaluniqueart.com/en/art/jan-griffier-i-noah-s-ark-AQSD2L-en/
    Harvard
    I, Jan Griffier (1710) Noah's Ark. Bristol Museum - Art Gallery. Available at: https://originaluniqueart.com/en/art/jan-griffier-i-noah-s-ark-AQSD2L-en/

    Look closely

    Noah's Ark — Jan Griffier I

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: noah's ark story, animal gathering, wildlife scene. Do you agree? What would you add, or take away?
    4. Look back at Landscape, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I buy a hand-painted reproduction of "Noah's Ark" by Jan Griffier I?

    Hand-painted copies of "Noah's Ark" by Jan Griffier I are sold on this website: a hand-painted oil reproduction on linen canvas, ordered from its Hand-Painted Reproduction page.

    Who is the artist behind "Noah's Ark"?

    The artist behind "Noah's Ark" is Jan Griffier I. The work is catalogued under Jan Griffier I's name.

    What colors dominate "Noah's Ark" by Jan Griffier I?

    "Noah's Ark" is defined by an earthy palette led by gray (#86725e).