Student Artwork Guide
Copyright This work is in the public domain. Jan Griffier I died in 1718; copyright lasts 70 years after the artist’s death, so it ended in 1788.
In context
Noah's Ark — Jan Griffier I
Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 66 at death.
Shaded: the lifetime of Jan Griffier I (1652–1718) every dated painting, decade by decade
First works: up to 1695 Main working years: 1695–1710 Late works: from 1710
Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them
This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?
Pick one work above: name two things it shares with this one, and one thing that's different.
More works to set beside this one: originaluniqueart.com/en/art/similar/jan-griffier-i-noah-s-ark-9CWGTA-en/
Measured from the image
Main colour
Gray #999272
Catalogued palette
These colours inside the artist’s whole palette Find other paintings by colour
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 40 works by this artist, of which 14 were looked at at least once. This painting ranks 13 of them, with 5.6% of that attention. The same counts, month by month
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Artist and museum
Born in Amsterdam, Netherlands
The story of Jan Griffier I is one of movement, maritime adventure, and a profound connection to the shifting landscapes of Northern Europe. A master of the Dutch Golden Age, Griffier’s life was as much defined by his travels across the English Channel as it was by the brushstrokes on his canvases. Born in Amsterdam around 1652, he emerged from a tradition of meticulous observation, having honed his skills under the guidance of the esteemed Roelant Roghman. This early training instilled in him a precision for draughtsmanship and an eye for the delicate textures of nature—qualities that would later allow him to capture both the sweeping vistas of the Rhineland and the intimate, pastoral charm of the English countryside.
Griffier’s career was marked by a remarkable duality, acting as a bridge between the artistic traditions of the Netherlands and England. After being admitted to the London Company of Painter-Stainers in 1677, he became a fixture in the English art scene, working alongside notable figures such as Jan Looten. His versatility was his greatest strength; while he is celebrated for his atmospheric landscapes, he was also a skilled etcher and mezzotint artist. Through his plates of birds and his reproductions of portraits by masters like Sir Peter Lely and Sir Godfrey Kneller, Griffier demonstrated an ability to translate the grandeur of portraiture into the nuanced language of printmaking.
To look upon a work by Griffier is to experience the atmospheric weight of a specific time and place. He possessed a rare talent for capturing the ephemeral qualities of weather—the biting chill of a winter scene with skaters or the soft, hazy light that settles over a riverbank. His city views serve as more than mere art; they are invaluable topographical records, offering a window into the architectural soul of the towns he visited during his extensive travels. These works possess a documentary importance, preserving the layout and character of 17th-century urban life with an artist's sensitive touch.
His technical repertoire was vast, ranging from the fine lines of engraving to the rich, tonal depths of mezzotint. This breadth allowed him to explore various facets of the natural world:
Landscape Painting: Evocative depictions of both the Rhineland and English terrains, characterized by a sense of depth and seasonal atmosphere.
Printmaking: Detailed etchings, including his famous series of birds inspired by Francis Barlow, which showcased his mastery of fine detail.
Portrait Reproduction: Mezzotints that captured the likenesses of contemporary greats, bridging the gap between painting and print.
Perhaps the most cinematic chapter of Griffier’s life involves his legendary resilience in the face of tragedy. In 1695, while attempting to return to the Netherlands with his family, he suffered a devastating shipwreck. The loss was total; the paintings he had carried with him—his life's work up to that point—were swallowed by the sea. Yet, rather than succumbing to despair, Griffier displayed the tenacity of a true survivor. He famously purchased a houseboat in Rotterdam, transforming it into a mobile studio and home, allowing him to navigate the waterways of Europe while continuing his creative pursuits.
This nomadic existence, driven by a need to sustain his family and his art, underscores the spirit of an artist who was never truly tethered to a single shore. Though he eventually returned to London, where he passed away, his legacy remained firmly rooted in the interconnected histories of the Dutch and English traditions. Through his sons, Robert and Jan the Younger, his artistic lineage continued, ensuring that the name Griffier would remain synonymous with the evocative, wandering spirit of the late 17th century.
originaluniqueart.com/en/art/download/jan-griffier-i-noah-s-ark-9CWGTA-en/
Look closely
Noah's Ark — Jan Griffier I
Answer in your own words. There are no wrong answers here — only answers you can explain.
Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.
"Noah's Ark" by Jan Griffier I shows a balanced color intensity.
The diaporama of "Noah's Ark" can be watched on the artwork's Diaporama page.
"Noah's Ark" by Jan Griffier I is a square composition. The proportions are worth checking before choosing a print size.