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Student Artwork Guide

Henry Lee

Name Class Date

James Vernon Herring, Henry Lee (1834), National Portrait Gallery. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
James Vernon Herring originaluniqueart.com/en/artists/james-vernon-herring/
Artist’s dates
1887 – 1969
Painted
1834
Medium
Oil On Canvas
Period
19th Century
Held at
National Portrait Gallery originaluniqueart.com/en/museums/national-portrait-gallery-washington-d-c/
Artistic style
Formal Military Uniform
Influences
Gilbert Stuart
Notable elements or techniques
Detailed portraiture; Copy after Stuart.
Subject or theme
Military Figure

In context

Henry Lee — James Vernon Herring

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920
  11. 1930
  12. 1940
  13. 1950
  14. 1960

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 82 at death.

Shaded: the lifetime of James Vernon Herring (1887–1969) ▲ this work, 1834 every dated painting, decade by decade

Compare with

  • Noah Webster, 1833 originaluniqueart.com/en/art/james-vernon-herring-noah-webster-D452WS-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/james-vernon-herring-henry-lee-D44VGU-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1f1a12

    Catalogued palette

    • #1F1A12
    • #C0955B
    • #856740
    • #523D23

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Strong Color Unity How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by James Vernon Herring over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%200 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by James Vernon Herring

    1. 1 Noah Webster, 1833 100.0%200 visits
    2. — Henry Lee, 1834 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 2 works by this artist, of which 1 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Henry Lee — James Vernon Herring

    A Portrait of Leadership: James Vernon Herring’s Reverent Echo of Gilbert Stuart

    James Vernon Herring's depiction of Henry Lee stands as a remarkable testament to both artistic skill and historical significance. Executed around 1834, this painting isn’t merely a likeness; it’s an attempt to capture the essence of a man who embodied Virginia’s spirit during a turbulent era – namely, Henry “Light-Horse Harry” Lee.

    Subject Matter: The portrait portrays Lee in meticulous detail, dressed in a formal military uniform adorned with epaulettes. This attire speaks volumes about his position as a cavalry officer and statesman, reflecting the importance of military prowess and political influence during the War of 1812.

    Artist’s Influence: Herring skillfully adapted Gilbert Stuart's iconic portrait style—a hallmark of American neoclassical art—demonstrating an understanding of artistic conventions that prioritized dignity and grandeur. Stuart himself was celebrated for capturing psychological depth within his subjects, a technique Herring admirably emulated.

    Technique: Employing oil paint on canvas, Herring utilized layering and blending techniques to achieve remarkable tonal gradations and textural nuances. The artist’s meticulous attention to detail ensures that every crease in Lee's uniform and every strand of hair is rendered with precision, conveying a palpable sense of realism.

    Historical Context: Virginia Under Siege

    The painting emerged during a period marked by considerable political unrest. The War of 1812 pitted the United States against Great Britain, triggering anxieties about national security and bolstering calls for unity. Lee’s role as a congressman and governor underscored the importance of leadership in navigating these challenges—a theme subtly conveyed through his commanding posture.

    Symbolism: The military uniform itself symbolizes honor, duty, and service to one's country. Furthermore, Lee’s gaze directs towards the viewer, inviting contemplation on themes of resilience and perseverance – qualities that resonated deeply with audiences of the time.

    Legacy: Herring’s work contributes to a broader understanding of American artistic traditions during the early 19th century. It serves as an invaluable record of Lee's life and accomplishments, offering insights into Virginia society and its aspirations for greatness.

    Emotional Resonance: Dignity Amidst Adversity

    Despite Lee’s personal struggles—including financial difficulties and a devastating injury sustained during the War of 1812—Herring's portrayal exudes an aura of composure and dignity. The artist skillfully captures Lee’s inner strength, conveying a profound respect for his character and highlighting the enduring power of portraiture to communicate emotion.

    Decorative Potential: This artwork would lend itself beautifully to interior design schemes emphasizing classic elegance and patriotic sentiment. Its muted palette—primarily browns and creams—harmonizes seamlessly with traditional furnishings, creating a sophisticated aesthetic.

    Reproductions: WahooArt offers high-quality reproductions of Herring’s masterpiece, allowing art enthusiasts worldwide to experience the beauty and nuance of this seminal work of American art.

    Artist and museum

    Artist

    James Vernon Herring

    Born in Clio, United States of America

    A Legacy of Vision and Resilience

    James Vernon Herring (1887-1969) stands as a pivotal figure in the landscape of American art, particularly for his crucial role in championing African American artists during a period marked by systemic exclusion. Born in Clio, South Carolina, to a Black mother and a white Jewish father—a unique familial arrangement that shaped his perspective—Herring’s journey from a small rural town to prominence within Washington D.C.’s art world is a testament to resilience, vision, and an unwavering commitment to artistic representation. His life was inextricably linked with Howard University, where he not only taught but fundamentally reshaped the institution's artistic identity, leaving behind a legacy that continues to inspire generations of artists and scholars.

    Herring’s early education unfolded in the segregated South, an environment that simultaneously fostered his creativity and instilled within him a deep awareness of racial injustice. Recognizing the limitations imposed by societal barriers, his family relocated him to Washington D.C., affording him access to educational opportunities unavailable in his hometown. He began his formal artistic training at Syracuse University, followed by studies at Columbia and Harvard, where he honed his technical skills and developed an appreciation for a diverse range of artistic styles. Crucially, Herring’s exposure to the French Impressionist movement profoundly influenced his approach to capturing light, color, and fleeting moments in nature—a technique that would become a hallmark of his work.

    The Intersection of Technique and Identity

    While his technical foundation was rooted in the luminous traditions of Impressionism, Herring’s true passion lay in the reclamation of the Black narrative through portraiture and historical representation. He recognized the inherent beauty and cultural richness within African American art—often marginalized and overlooked during this era—viewing it as essential to a complete understanding of the American experience. His work often sought to bridge the gap between classical European techniques and the profound, often untold, stories of his people.

    In his masterful portraits, such as his evocative depiction of Noah Webster, Herring demonstrates an ability to place historical figures within scholarly and dignified settings. This specific piece captures the American lexicographer amidst a scholarly atmosphere, showcasing a pivotal moment in language and education. Through such works, Herring did more than just paint faces; he painted dignity, intellect, and the enduring spirit of Black excellence. His brushwork, characterized by an ability to manipulate light and shadow, allowed him to breathe life into his subjects, making them feel both timeless and immediate.

    A Pillar of Artistic Education

    Beyond his individual contributions to the canvas, Herring’s most enduring impact may be found in his role as an educator and institution builder. His commitment to fostering talent led to his instrumental role in founding the Art Department at Howard University. Through this platform, he created a sanctuary for Black artists to develop their voices without the stifling constraints of racial prejudice that dominated much of the contemporary art world. He did not merely teach technique; he cultivated an environment where identity and artistry could coexist and flourish.

    His influence extended into the broader community through his engagement with galleries and movements that sought to elevate Black art, including connections to the Barnett-Aden Gallery era. The significance of his life's work can be summarized by several key pillars:

    Educational Foundation: His rigorous training at Syracuse, Columbia, and Harvard provided a technical mastery that blended Impressionist light with classical structure.

    Cultural Advocacy: He acted as a bridge between the marginalized Black art movement and the established American art canon.

    Institutional Legacy: His leadership at Howard University established a permanent home for African American artistic excellence.

    Historical Documentation: Through his portraits, he provided a visual record of intellectual and cultural importance, reclaiming history through the medium of oil and pigment.

    James Vernon Herring remains a beacon of what is possible when technical brilliance meets social purpose. His life was a continuous dialogue between the beauty of the natural world and the necessity of social truth, ensuring that the light he captured on canvas would illuminate the path for all who followed.

    Museum

    National Portrait Gallery

    On show in Washington, D.C., United States of America

    A Window into the American Soul: Exploring the National Portrait Gallery

    The Smithsonian’s National Portrait Gallery in Washington, D.C., is not merely a collection of faces captured in paint or photograph; it's an ambitious and deeply moving chronicle of the American experience, told through the individuals who have shaped its narrative. Stepping into this grand hall feels like entering a vast chamber of national memory, where presidents stand shoulder to shoulder with artists, scientists mingle with activists, and each portrait whispers stories of ambition, innovation, and resilience. The museum doesn’t simply show you history—it invites you to connect with it on a profoundly personal level, recognizing the human spirit behind the historical achievements. This unique approach distinguishes the NPG from traditional museums focused solely on events or movements; here, individuals take center stage, their portraits serving as portals into their worlds and legacies. The power of portraiture lies in its ability to distill a life, a character, an entire era, into a single, compelling image, and the National Portrait Gallery masterfully curates this distillation for the American story.

    Echoes of History Within Historic Walls

    The gallery’s home is itself a significant piece of American history: the majestic Old Patent Office Building. Completed in 1836, this architectural marvel embodies the aspirations of a young nation, its imposing Greek Revival style symbolizing strength, order, and intellectual pursuit. The building's soaring spaces and intricate details—the grand corridors, ornate plasterwork, and abundant natural light—provide a fitting backdrop for the portraits within, enhancing their impact and creating an atmosphere of reverence. Sharing space with the Smithsonian American Art Museum, the building is a testament to the nation’s commitment to both artistic expression and historical preservation. Within these walls, one can almost feel the weight of generations past, contemplating the lives and contributions of those immortalized in paint, bronze, and photographic form. The very stones seem to absorb and reflect the stories held within, creating an immersive experience that transcends a simple viewing of artwork.

    A Collection as Diverse as America Itself

    The NPG's collection is remarkably comprehensive, spanning centuries and encompassing a wide range of media—from stately oil paintings to intimate sketches, monumental sculptures to candid photographs. Presidential portraits are naturally prominent, offering insights into the personalities and leadership styles of those who have held the nation’s highest office. The gallery continues this tradition by commissioning official portraits of recent presidents, ensuring that the visual record remains current. However, the museum's true strength lies in its commitment to representing the full spectrum of American achievement. Iconic figures like Georgia O'Keeffe, whose bold and evocative paintings redefined modern art, share space with literary giants such as Langston Hughes, whose poetry captured the soul of the Harlem Renaissance. The inclusion of Marie Curie, a scientist who made groundbreaking contributions to US science, and Martin Luther King Jr., a champion of civil rights, underscores the museum’s dedication to showcasing diverse voices and perspectives. A particularly captivating piece is Gilbert Stuart's unfinished Athenaeum Portrait of George Washington, an image so iconic it graced the one-dollar bill for decades—a testament to its enduring power and symbolic resonance. Beyond these celebrated figures, the gallery also shines a light on lesser-known individuals whose contributions have been equally vital to the nation’s progress, creating a richly textured tapestry of American life.

    A Living Legacy: Commissions and Contemporary Voices

    The National Portrait Gallery isn't merely a keeper of the past; it is actively shaping its future. The museum continues to commission new portraits, adding contemporary figures to its collection and ensuring that the visual record remains relevant and dynamic. This ongoing process reflects a commitment to documenting American life in all its complexity and celebrating those who are making their mark on the world today. The planned reopening in September 2025 with an exhibition featuring Amy Sherald—a contemporary artist celebrated for her powerful portraits of African Americans—is a prime example of this forward-thinking approach, promising to engage new audiences and spark important conversations about identity, representation, and the evolving American narrative. The NPG stands as a vital cultural institution, where art, history, and identity converge, offering a compelling glimpse into the ever-evolving story of America. It is a place not just to observe the past, but to contemplate the present and imagine the future—a truly inspiring experience for all who visit.

    Where to read more

    Find this online

    QR code linking to the download page for Henry Lee

    originaluniqueart.com/en/art/download/james-vernon-herring-henry-lee-D44VGU-en/

    Cite this artwork

    MLA
    Herring, James Vernon. Henry Lee. 1834, National Portrait Gallery. https://originaluniqueart.com/en/art/james-vernon-herring-henry-lee-D44VGU-en/
    APA
    Herring, James Vernon (1834). Henry Lee [Painting]. National Portrait Gallery. https://originaluniqueart.com/en/art/james-vernon-herring-henry-lee-D44VGU-en/
    Chicago
    James Vernon Herring. Henry Lee. 1834. National Portrait Gallery. https://originaluniqueart.com/en/art/james-vernon-herring-henry-lee-D44VGU-en/
    Harvard
    Herring, James Vernon (1834) Henry Lee. National Portrait Gallery. Available at: https://originaluniqueart.com/en/art/james-vernon-herring-henry-lee-D44VGU-en/

    Look closely

    Henry Lee — James Vernon Herring

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: military uniform, portrait painting, american history. Do you agree? What would you add, or take away?
    4. Look back at Noah Webster (1833), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Themes that come back through the work of James Vernon Herring: stuart impressionism influence, lee military portraiture theme, american heritage symbol role. Which of them do you see here?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Art quiz

    Henry Lee — James Vernon Herring

    How well do you know this artwork?

    Tick one answer for each of the 5 questions below. Each has exactly one correct answer.

    1. 1. What was the primary subject of James Vernon Herring’s painting, ‘Henry Lee’?

      • A A portrait of Henry Lee III.
      • B A depiction of a naval battle during the War of 1812.
      • C An abstract landscape inspired by Impressionism.
    2. 2. The painting is considered a copy after which artist?

      • A Vincent van Gogh
      • B Claude Monet
      • C Gilbert Stuart
    3. 3. What role did James Vernon Herring play in shaping Howard University’s artistic identity?

      • A He established a sculpture studio.
      • B He served as the university's president.
      • C He founded and taught at Howard University’s Art Department.
    4. 4. What type of artwork is ‘Henry Lee’?

      • A A watercolor sketch.
      • B An oil painting on canvas.
      • C A ceramic sculpture.
    5. 5. The painting’s background features decorative elements, but what is its primary focus?

      • A Detailed depiction of the subject's facial expression.
      • B Emphasis on capturing the grandeur of the historical period.
      • C Focus on subtle shading techniques.

    My score: ____ out of 5

    Answer key — for the teacher

    This starts a fresh printed page, so it can simply be left out of the copies.

    1A · 2C · 3C · 4B · 5A

    Check any answer against the catalogue record for this painting

    Questions & Answers

    For whom is "Henry Lee" by James Vernon Herring a good gift?

    "Henry Lee" is suggested for corporate gift as a present, with accent in mind.

    Can "Henry Lee" by James Vernon Herring, held at the National Portrait Gallery, be legally reproduced?

    The copyright status of "Henry Lee" by James Vernon Herring is clear: the work is still protected by copyright. Its presence at the National Portrait Gallery does not change that status.

    For what occasion is "Henry Lee" by James Vernon Herring suggested as a present?

    "Henry Lee" by James Vernon Herring is recommended as a gift for corporate gift. A reproduction of the artwork can be given as a present.