Paper

Student Artwork Guide

Journal

Name Class Date

Jacques Joseph (James ) Tissot, Journal (1883). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jacques Joseph (James ) Tissot originaluniqueart.com/en/artists/jacques-joseph-james-tissot/
Artist’s dates
1836 – 1902
Painted
1883
Original size
20 x 40 cm
Movement
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

In context

Journal — Jacques Joseph (James ) Tissot

How big is it?

The original measures 20 × 40 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 66 at death.

Painted when the artist was 47. The artist lived to 66. 29 of the 37 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Jacques Joseph (James ) Tissot (1836–1902) ▲ this work, 1883 every dated painting, decade by decade

First works: up to 1872 Main working years: 1872–1880 Late works: from 1880

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/jacques-joseph-james-tissot-journal-D3984L-en/

Colours

Measured from the image

    Main colour

    Gray #616363

    Catalogued palette

    • #616363
    • #B9BBBF
    • #292A28
    • #8D9092

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Gray
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jacques Joseph (James ) Tissot over the last twelve months — 6 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 58.3%700 visits
    2. 2 Czechia 8.3%100 visits
    3. 3 Hong Kong 8.3%100 visits
    4. 4 Jordan 8.3%100 visits
    5. 5 Russia 8.3%100 visits
    6. 6 United States of America 8.3%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 16 most looked-at works by Jacques Joseph (James ) Tissot

    1. 1 The Crack Shot, 1869 12.5%200 visits
    2. 2 Tea, 1872 6.2%100 visits
    3. 3 On the Thames (How Happy I Could Be with Either ), 1876 6.2%100 visits
    4. 4 The Last Evening, 1873 6.2%100 visits
    5. 5 Les Adieux The Farewells, 1871 6.2%100 visits
    6. 6 Too Early, 1873 6.2%100 visits
    7. 7 A Study for 'By Water' Kathleen Kelly (1854–1882), Mrs Isaac Newton, 1880 6.2%100 visits
    8. 8 Sydney Isabella Milner Gibson, 1872 6.2%100 visits
    9. 9 The Parting, 1872 6.2%100 visits
    10. 10 Hush, 1875 6.2%100 visits
    11. 11 L'embuscade (Tentative d'enlèvement) 6.2%100 visits
    12. 12 A Convalescent 6.2%100 visits
    13. 13 Portrait of M. N., 1876 6.2%100 visits
    14. 14 Jael Smote Sisera, and Slew Him, 1902 6.2%100 visits
    15. 15 The Hidden Treasure, illustration from 'The Life of Our Lord Jesus Christ' 6.2%100 visits
    16. — Journal, 1883 this painting 0.0%0 visits

    Together these works take 99.3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 52 works by this artist, of which 15 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Jacques Joseph (James ) Tissot

    James Jacques Joseph Tissot (1836-1902): A Victorian Visionary Bridging Realism and Impressionism

    James Jacques Joseph Tissot, born October 15th, 1836, in Paris, France, was a prolific painter whose career spanned decades and cemented his place as one of the most celebrated artists of the Victorian era. Though initially trained as an architect, Tissot swiftly abandoned this path for the captivating allure of painting, dedicating himself to capturing the grandeur and intricacies of Parisian society alongside profound biblical narratives. His distinctive style—a masterful blend of realism and Impressionistic techniques—continues to fascinate art historians and collectors alike.

    Early Life & Artistic Training:

    Tissot’s formative years were marked by a privileged upbringing within a wealthy family, affording him access to exceptional artistic instruction. He studied architecture at École Polytechnique before transitioning to drawing under Alexandre Cabanel and Jean-Léon Gérôme, absorbing the stylistic influences of academic realism prevalent during his time. These foundational experiences instilled in him a meticulous attention to detail and a disciplined approach to composition—traits that would characterize his entire oeuvre.

    Victorian Paris & Societal Portraiture:

    Tissot’s artistic breakthrough arrived with his depictions of Parisian life during the Belle Époque. He meticulously documented scenes from theaters, opera houses, and fashionable gatherings, capturing not only visual splendor but also subtle nuances of social behavior. His canvases—such as “The Rubens Hat” and “Tea”—became iconic representations of Victorian elegance and sophistication, reflecting the anxieties and aspirations of a rapidly changing society.

    Biblical Narratives & Dramatic Composition:

    Beyond urban landscapes, Tissot excelled in portraying biblical stories with remarkable theatricality. He approached these narratives with an unwavering commitment to historical accuracy combined with expressive brushwork—a hallmark of Impressionism—creating emotionally resonant images that captivated audiences. Notable works include “The Finding of the Holy Grail” and “The Last Supper,” demonstrating his ability to convey spiritual depth alongside visual dynamism.

    Technique & Artistic Evolution:

    Tissot’s artistic technique evolved considerably throughout his career. Initially favoring academic realism, he gradually embraced Impressionistic influences, experimenting with looser brushstrokes and capturing fleeting moments of light and color. This stylistic shift allowed him to imbue his paintings with a palpable sense of atmosphere and emotion—a departure from the static formality of earlier works.

    Legacy & Historical Significance:

    Jacques Joseph Tissot died August 8th, 1902, leaving behind an impressive body of work that continues to inspire admiration. His paintings are housed in prominent museums worldwide, including the Bibliothèque Nationale Centrale and the Getty Museum, testament to his enduring artistic legacy. More than simply documenting his era, Tissot elevated painting to a form of storytelling—a powerful blend of observation and imagination that solidified his position as one of the most influential artists of the Victorian period.

    Further Exploration

    You can delve deeper into Tissot’s artistic journey by visiting these resources:

    James Tissot - Wikipedia:https://en.wikipedia.org/wiki/James_Tissot

    Jacques Joseph Tissot - Getty Museum:https://www.getty.edu/art/collection/person/103KY1

    Jacques Joseph Tissot: A Chronicle of Parisian Life & Narrative Evolution:/en/articles/jacques-joseph-tissot-a-chronicle-of-parisian-life-narrative-evolution-en/

    James Tissot (1836-1902), Ambiguously modern | Musée d’Orsay:https://www.musee-orsay.fr/en/whats-on/exhibitions/presentation/james-tissot-1836-1902-ambiguously-modern

    Where to read more

    Find this online

    QR code linking to the download page for Journal

    originaluniqueart.com/en/art/download/jacques-joseph-james-tissot-journal-D3984L-en/

    Cite this artwork

    MLA
    Tissot, Jacques Joseph (James ). Journal. 1883, https://originaluniqueart.com/en/art/jacques-joseph-james-tissot-journal-D3984L-en/
    APA
    Tissot, Jacques Joseph (James ) (1883). Journal [Painting]. https://originaluniqueart.com/en/art/jacques-joseph-james-tissot-journal-D3984L-en/
    Chicago
    Jacques Joseph (James ) Tissot. Journal. 1883. https://originaluniqueart.com/en/art/jacques-joseph-james-tissot-journal-D3984L-en/
    Harvard
    Tissot, Jacques Joseph (James ) (1883) Journal. Available at: https://originaluniqueart.com/en/art/jacques-joseph-james-tissot-journal-D3984L-en/

    Look closely

    Journal — Jacques Joseph (James ) Tissot

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Tea (1872), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where do the visitors of "Journal" by Jacques Joseph (James ) Tissot come from?

    The Stats page of "Journal" by Jacques Joseph (James ) Tissot presents public visit statistics: monthly visits of this artwork, a comparison with the artist's most viewed works, and where its visitors come from.

    In which movement and which era is "Journal" by Jacques Joseph (James ) Tissot placed?

    In "Journal" by Jacques Joseph (James ) Tissot, the Realism movement meets the 19th-Century era.

    Who sells hand-painted copies of "Journal" by Jacques Joseph (James ) Tissot?

    "Journal" is available as a hand-painted oil reproduction on linen canvas. The order can be placed on its Hand-Painted Reproduction page, with a choice of sizes.