Paper

Student Artwork Guide

Two putti

Name Class Date

Jacob Jordaens, Two putti. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Jacob Jordaens originaluniqueart.com/en/artists/jacob-jordaens/
Artist’s dates
1593 – 1678
Movement
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.

In context

Two putti — Jacob Jordaens

When might this have been painted?

  1. 1590
  2. 1600
  3. 1610
  4. 1620
  5. 1630
  6. 1640
  7. 1650
  8. 1660
  9. 1670

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 85 at death.

Shaded: the lifetime of Jacob Jordaens (1593–1678) every dated painting, decade by decade

First works: up to 1621 Main working years: 1621–1645 Late works: from 1645

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

This record has no exact year on file — using the artist's lifetime and the work's style, what decade would you guess?

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/jacob-jordaens-two-putti-8LJ537-en/

Colours

Measured from the image

    Main colour

    Celadon #c1c1c1

    Catalogued palette

    • #C1C1C1
    • #DDDDDD
    • #ACACAC
    • #D1D1D1

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Monochrome The dominant colour family in the image.
    Main colour name
    Celadon
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Serene How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Brilliant How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Jacob Jordaens over the last twelve months — 17 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 57.0%
    2. 2 Singapore 9.3%
    3. 3 Hong Kong 8.6%
    4. 4 United States of America 8.6%
    5. 5 France 5.3%
    6. 6 Norway 2.0%
    7. 7 Switzerland 1.3%
    8. 8 Italy 1.3%
    9. 9 Türkiye 1.3%
    10. 10 Bosnia and Herzegovina 0.7%
    11. · 7 other countries 4.6%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Jacob Jordaens

    1. 1 The Four Evangelists, 1620 7.0%
    2. 2 Prometheus Bound, 1640 3.2%
    3. 3 The Rest of Diana, 1645 3.2%
    4. 4 Martyrdom of St Quentin, 1650 3.2%
    5. 5 Psyche comforted by Pan, 1640 2.5%
    6. 6 Moses strikes water from the rock, 1618 2.5%
    7. 7 Self-Portrait among Parents, Brothers and Sisters, 1615 1.9%
    8. 8 Cleopatra's Feast, 1653 1.9%
    9. 9 Psyche hosted on Olympus, 1652 1.9%
    10. 10 Study of two female heads and torso of a warrior, 1623 1.9%
    11. 11 Odysseus in the Cave of Polyphemus, 1635 1.9%
    12. 12 Portrait of a Gentlewoman, 1660 1.9%
    13. 13 The Bean King (detail), 1638 1.9%
    14. 14 Self-Portrait among Parents, Brothers and Sisters (detail), 1615 1.9%
    15. 15 The Holy Family and child St. John the Baptist 1.9%
    16. 16 Two putti this painting 1.9%
    17. 17 The Tribute Money. Peter Finding the Silver Coin in the Mouth of the Fish. Also called, 1634 1.3%
    18. 18 Bacchus and Ariadne, 1648 1.3%
    19. 19 The Martyrdom of St. Apollonia, 1628 1.3%
    20. 20 The King Drinks 1.3%

    Together these works take 45.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 234 works by this artist, of which 83 were looked at at least once. This painting ranks 16 of them, with 1.9% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Jacob Jordaens

    Born in Antwerp, Belgium

    A Flemish Master of Life’s Abundance: Jacob Jordaens

    Born into a prosperous Antwerp family in 1593, Jacob Jordaens emerged as one of the most significant and vibrant voices within the Flemish Baroque. Unlike many of his contemporaries who sought training in Italy, Jordaens remained rooted in his native Flanders, developing a uniquely robust and earthy style that celebrated the pleasures and realities of everyday life. His father, a successful linen merchant, provided him with a comfortable upbringing, allowing for an education befitting his social standing before he began his artistic journey under Adam van Noort – also the master of Peter Paul Rubens. This formative training instilled in Jordaens a foundation in meticulous technique and a keen understanding of composition, yet he quickly diverged to forge his own distinct path. In 1616, solidifying his connection to the established Antwerp art world, he married Van Noort’s daughter, Katharina.

    The Painter of Peasant Revelry and Baroque Grandeur

    Jordaens' artistic output was remarkably diverse, encompassing religious narratives, mythological scenes, allegorical compositions, genre paintings brimming with life, and even portraits. However, he is perhaps best remembered for his boisterous depictions of peasant festivals and tavern scenes – works that radiate a palpable energy and an uninhibited joy in earthly pleasures. Paintings like *The King Drinks* (also known as the Feast of the Bean King) exemplify this characteristic style: crowded compositions filled with robust figures engaged in lively revelry, rendered in warm, glowing colors and dramatic chiaroscuro. These scenes weren’t merely celebrations of merriment; they were often imbued with subtle moralizing undertones, reflecting the complex relationship between indulgence and restraint prevalent in 17th-century society. Yet, Jordaens was equally adept at handling grander, more formal commissions. His involvement in decorating the Huis ten Bosch palace near The Hague – alongside collaborations with Rubens – showcased his ability to create monumental allegorical works that seamlessly integrated painting and architecture.

    Influences and a Distinct Artistic Voice

    While Jordaens never traveled to Italy, he was deeply influenced by Italian masters like Jacopo Bassano, Paolo Veronese, and Caravaggio—artists whose work reached Flanders through engravings and paintings brought back by other artists. The influence of Caravaggio is particularly evident in his dramatic use of light and shadow, a technique known as tenebrism, which heightens the emotional intensity of his scenes. However, Jordaens didn’t simply imitate these influences; he synthesized them with his own Flemish sensibilities, creating a style that was uniquely his own. He differed from Rubens and Van Dyck in his preference for realism over idealism, embracing a more direct and unrefined approach to depicting the human form. His figures are often substantial, even corpulent, their faces flushed with health and vitality. This commitment to naturalism, combined with his masterful command of color and composition, set him apart from his contemporaries and established him as a leading figure in Flemish Baroque painting.

    Legacy and Enduring Impact

    Throughout his long and prolific career, Jordaens trained numerous pupils – fifteen were officially recorded by the Guild of St. Luke between 1621 and 1667— ensuring the continuation of his artistic legacy. His influence can be seen in the work of later artists like Jan Steen, who shared his penchant for depicting lively genre scenes. Beyond his direct impact on other painters, Jordaens’ classically inspired peasant themes had a lasting effect on the art world, challenging traditional hierarchies and celebrating the dignity of everyday life. Even today, his paintings continue to captivate audiences with their energy, vitality, and honest portrayal of human experience. His ability to blend realism with allegory, sensuality with morality, and grandeur with intimacy makes him one of the most compelling and enduring figures of the Baroque period. Discover more of Jordaens’ masterpieces and explore the rich artistic landscape of the Baroque era through resources available online, including detailed databases of his works and insightful analyses of his life and art.

    Where to read more

    • The artist Jacob Jordaens originaluniqueart.com/en/artists/jacob-jordaens/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/jacob-jordaens-two-putti-8LJ537-en/

    Find this online

    QR code linking to the download page for Two putti

    originaluniqueart.com/en/art/download/jacob-jordaens-two-putti-8LJ537-en/

    Cite this artwork

    MLA
    Jordaens, Jacob. Two putti. n.d., https://originaluniqueart.com/en/art/jacob-jordaens-two-putti-8LJ537-en/
    APA
    Jordaens, Jacob (n.d.). Two putti [Painting]. https://originaluniqueart.com/en/art/jacob-jordaens-two-putti-8LJ537-en/
    Chicago
    Jacob Jordaens. Two putti. n.d. https://originaluniqueart.com/en/art/jacob-jordaens-two-putti-8LJ537-en/
    Harvard
    Jordaens, Jacob (n.d.) Two putti. Available at: https://originaluniqueart.com/en/art/jacob-jordaens-two-putti-8LJ537-en/

    Look closely

    Two putti — Jacob Jordaens

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Look back at The Four Evangelists (1620), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How harmonious are the colors of "Two putti" by Jacob Jordaens?

    The color harmony of "Two putti" is recorded as unified palette.

    What orientation does "Two putti" by Jacob Jordaens have?

    "Two putti" by Jacob Jordaens is a landscape composition. The proportions are worth checking before choosing a print size.

    Which artistic current is "Two putti" by Jacob Jordaens part of?

    "Two putti" by Jacob Jordaens belongs to the Baroque movement. This movement provides the stylistic context of the work.

    How do I preview a reproduction of "Two putti" by Jacob Jordaens?

    To preview a reproduction of "Two putti" by Jacob Jordaens, open the artwork's Preview page.

    Who created "Two putti"?

    "Two putti" was created by Jacob Jordaens. The information on this page describes Jacob Jordaens's original work.

    Where can I find artworks similar to "Two putti" by Jacob Jordaens?

    Works similar to "Two putti" are listed on the artwork's Similars page.

    Where can I find statistics about "Two putti" by Jacob Jordaens?

    A Stats page exists for "Two putti". It charts the monthly visits of the artwork and of the artist's other works, with country and language breakdowns.

    Where can I buy a print of "Two putti" by Jacob Jordaens?

    A print of "Two putti" by Jacob Jordaens can be ordered directly on this page: a fine art print on cotton canvas or archival canvas paper.