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Student Artwork Guide

The Bean King

Name Class Date

Jacob Jordaens, The Bean King (1635), Staatliche Museen. Public domain.

The facts

Artist
Jacob Jordaens originaluniqueart.com/en/artists/jacob-jordaens/
Artist’s dates
1593 – 1678
Painted
1635
Medium
Acrylic On Canvas
Original size
243 x 373 cm
Movement
Baroque Art
Held at
Staatliche Museen originaluniqueart.com/en/museums/staatliche-museen-kassel/
Artistic style
Dramatic light & shadow
Influences
Rubens
Notable elements or techniques
Intricate patterns, textured food
Subject or theme
Communal meal

In context

The Bean King — Jacob Jordaens

How big is it?

The original measures 243 × 373 cm (height × width), drawn here beside an adult of average height. It is too large to draw to scale on this page.

When was this painted?

  1. 1590
  2. 1600
  3. 1610
  4. 1620
  5. 1630
  6. 1640
  7. 1650
  8. 1660
  9. 1670

Shaded: the lifetime of Jacob Jordaens (1593–1678) ▲ this work, 1635

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/jacob-jordaens-the-bean-king-8XZJ4D-en/

Colours

Measured from the image

    Main colour

    Quinacridone Magenta #8c5b4a

    Catalogued palette

    • #8C5B4A
    • #271C20
    • #CC9D7B
    • #4E3331
    Main colour name
    Quinacridone Magenta
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Balanced Harmony How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Subtle Color How pure and strong the colours are, from near-grey to fully vivid.

    About this artwork

    The Bean King — Jacob Jordaens

    A Feast for the Eyes: Exploring Jacob Jordaens’ “The Bean King”

    Jacob Jordaens' "The Bean King," completed around 1645, stands as a cornerstone of Baroque art and a testament to the artist’s masterful command of visual storytelling. Housed within the Staatliche Museen in Kassel, Germany, this monumental canvas – measuring 243 x 373 cm – transcends mere depiction; it invites viewers into a vibrant snapshot of aristocratic revelry and embodies the spirit of its era with breathtaking precision.

    ### The Baroque Vision: Drama and Detail Unleashed

    The Baroque period (roughly 1600-1750) witnessed an artistic fervor driven by papal patronage and fueled by a desire to inspire awe and convey grandeur. Jordaens, deeply rooted in this movement, skillfully employs dramatic chiaroscuro – the interplay of light and shadow – to sculpt figures against a richly textured backdrop. This technique isn’t merely stylistic; it serves to heighten emotional impact, guiding the eye across the scene and emphasizing key elements like the central figure, “The Bean King,” whose regal posture commands attention. The artist's meticulous attention to detail is evident in every aspect of the composition, from the intricate patterns adorning the tablecloth to the palpable textures of the food and drink presented on the table.

    ### A Celebration of Communal Life: Composition and Symbolism

    The painting’s balanced symmetry contributes to its overall sense of stability amidst apparent chaos – a characteristic hallmark of Baroque art. Figures are arranged around the table in a deliberate hierarchy, reflecting social status and reinforcing the narrative's core theme: a joyous celebration of fellowship and abundance. Beyond the visual spectacle, “The Bean King” carries symbolic weight. The lavish feast represents prosperity and indulgence, mirroring the opulent lifestyles enjoyed by European nobility during Jordaens’ time. Furthermore, the expressions on the faces of the participants convey genuine camaraderie and delight – emotions deliberately cultivated by artists to resonate deeply with their audience.

    ### Technique and Material: Mastering Oil Paint

    Jordaens' technique is characterized by a masterful blending of pigments achieved through painstaking layering—a hallmark of oil painting. He skillfully utilizes glazes, thin translucent layers of paint applied over thicker underlayers, to build up depth and luminosity, capturing the subtle nuances of color and texture with remarkable accuracy. The artist’s palette leans heavily on earthy tones – ochre, umber, Sienna – punctuated by splashes of crimson and cobalt blue—colors chosen not only for their visual appeal but also for their symbolic associations with royalty and piety.

    ### Legacy and Inspiration: An Enduring Masterpiece

    The Bean King” continues to inspire admiration for its artistic brilliance and its ability to transport viewers back to the grandeur of seventeenth-century Europe. Its influence can be seen in subsequent Baroque paintings, cementing Jordaens’ place as one of the era's most celebrated artists. Today, reproductions offer a captivating opportunity to experience this iconic artwork firsthand—a chance to immerse oneself in the drama and beauty of a masterpiece that speaks volumes about human emotion and artistic achievement. Explore more about Jacob Jordaens and “The Bean King” at /art/list/?Filter=jacob+jordaens,jacob,jordaens&.

    Artist and museum

    Artist

    Jacob Jordaens

    Born in Antwerp, Belgium

    A Flemish Master of Life’s Abundance: Jacob Jordaens

    Born into a prosperous Antwerp family in 1593, Jacob Jordaens emerged as one of the most significant and vibrant voices within the Flemish Baroque. Unlike many of his contemporaries who sought training in Italy, Jordaens remained rooted in his native Flanders, developing a uniquely robust and earthy style that celebrated the pleasures and realities of everyday life. His father, a successful linen merchant, provided him with a comfortable upbringing, allowing for an education befitting his social standing before he began his artistic journey under Adam van Noort – also the master of Peter Paul Rubens. This formative training instilled in Jordaens a foundation in meticulous technique and a keen understanding of composition, yet he quickly diverged to forge his own distinct path. In 1616, solidifying his connection to the established Antwerp art world, he married Van Noort’s daughter, Katharina.

    The Painter of Peasant Revelry and Baroque Grandeur

    Jordaens' artistic output was remarkably diverse, encompassing religious narratives, mythological scenes, allegorical compositions, genre paintings brimming with life, and even portraits. However, he is perhaps best remembered for his boisterous depictions of peasant festivals and tavern scenes – works that radiate a palpable energy and an uninhibited joy in earthly pleasures. Paintings like *The King Drinks* (also known as the Feast of the Bean King) exemplify this characteristic style: crowded compositions filled with robust figures engaged in lively revelry, rendered in warm, glowing colors and dramatic chiaroscuro. These scenes weren’t merely celebrations of merriment; they were often imbued with subtle moralizing undertones, reflecting the complex relationship between indulgence and restraint prevalent in 17th-century society. Yet, Jordaens was equally adept at handling grander, more formal commissions. His involvement in decorating the Huis ten Bosch palace near The Hague – alongside collaborations with Rubens – showcased his ability to create monumental allegorical works that seamlessly integrated painting and architecture.

    Influences and a Distinct Artistic Voice

    While Jordaens never traveled to Italy, he was deeply influenced by Italian masters like Jacopo Bassano, Paolo Veronese, and Caravaggio—artists whose work reached Flanders through engravings and paintings brought back by other artists. The influence of Caravaggio is particularly evident in his dramatic use of light and shadow, a technique known as tenebrism, which heightens the emotional intensity of his scenes. However, Jordaens didn’t simply imitate these influences; he synthesized them with his own Flemish sensibilities, creating a style that was uniquely his own. He differed from Rubens and Van Dyck in his preference for realism over idealism, embracing a more direct and unrefined approach to depicting the human form. His figures are often substantial, even corpulent, their faces flushed with health and vitality. This commitment to naturalism, combined with his masterful command of color and composition, set him apart from his contemporaries and established him as a leading figure in Flemish Baroque painting.

    Legacy and Enduring Impact

    Throughout his long and prolific career, Jordaens trained numerous pupils – fifteen were officially recorded by the Guild of St. Luke between 1621 and 1667— ensuring the continuation of his artistic legacy. His influence can be seen in the work of later artists like Jan Steen, who shared his penchant for depicting lively genre scenes. Beyond his direct impact on other painters, Jordaens’ classically inspired peasant themes had a lasting effect on the art world, challenging traditional hierarchies and celebrating the dignity of everyday life. Even today, his paintings continue to captivate audiences with their energy, vitality, and honest portrayal of human experience. His ability to blend realism with allegory, sensuality with morality, and grandeur with intimacy makes him one of the most compelling and enduring figures of the Baroque period. Discover more of Jordaens’ masterpieces and explore the rich artistic landscape of the Baroque era through resources available online, including detailed databases of his works and insightful analyses of his life and art.

    Museum

    Staatliche Museen

    On show in Kassel, Germany

    A Legacy of Artistic Excellence: Exploring Staatliche Museen Kassel

    Nestled in the picturesque Hessian landscape, Staatliche Museen Kassel stands as a testament to centuries of artistic patronage and scholarly pursuit. More than simply repositories of masterpieces, these museums represent a profound engagement with European art history—from the solemn grandeur of medieval sculpture to the vibrant dynamism of modern expressionism—offering visitors an unparalleled opportunity to immerse themselves in cultural heritage.

    Collection Highlights:

    The museum’s core comprises four distinct institutions, each showcasing exceptional collections. Notably, the Museum Fridericianum houses a remarkable assemblage of German paintings and sculptures from the Baroque era onwards, while Neue Galerie presents an impressive panorama of 19th-century art encompassing painting, sculpture, and graphic works. Documentz Zentrum Kassel delves into contemporary artistic trends and social commentary through groundbreaking exhibitions, fostering dialogue and stimulating critical reflection.

    Architectural Marvels:

    The complex’s architectural identity is defined by its constituent buildings—the neoclassical Museum Fridericianum, designed in 1796 by Carl Wilhelm Schulze, embodies elegance and grandeur; Neue Galerie, constructed in 1895, reflects the stylistic influences of Art Nouveau; and Documentz Zentrum Kassel, inaugurated in 2003, showcases a contemporary architectural aesthetic.

    Historical Context & Educational Value:

    Staatliche Museen Kassel’s history is inextricably linked to Kassel's role as a pivotal center for artistic innovation and intellectual discourse throughout the ages. Guided tours and educational programs illuminate the historical significance of each artwork, enriching visitors’ understanding of artistic movements and cultural transformations.

    The Brothers Grimm & The Wilhelmshöhe Monument: Symbols of Kassel’s Cultural Identity

    Beyond its impressive art holdings, Staatliche Museen Kassel is inextricably associated with the legacy of the Brothers Grimm—Jacob and Wilhelm Grimm—who resided in Kassel during their formative years. Their collaborative effort to collect and disseminate folktales established Kassel as a beacon of Germanic literary tradition. Furthermore, the monumental Wilhelmshöhe Monument, conceived by Ludwig Prandtl and inaugurated in 1897, stands as an emblem of Kassel’s ambition for artistic grandeur and technological prowess—a testament to the city's commitment to innovation and cultural prestige.

    A Global Perspective: Ancient Civilizations & Artistic Dialogue

    What distinguishes Staatliche Museen Kassel from other European museums is its ambitious scope—embracing not only Western art traditions but also treasures from ancient Egypt, Greece, Rome, and Islam. These collections underscore the interconnectedness of cultures throughout history, demonstrating how artistic ideas and techniques traversed geographical boundaries to inspire creativity across continents. The museum’s curators strive to contextualize artworks within broader historical narratives, fostering a holistic appreciation for human ingenuity.

    Contemporary Art & Societal Engagement: Documentz Zentrum Kassel

    Documentz Zentrum Kassel exemplifies Staatliche Museen Kassel's dedication to engaging with pressing social issues through artistic expression. Exhibitions explore themes of identity, migration, and environmental sustainability—provoking contemplation and stimulating conversations about the challenges facing our world today. The center’s innovative programming reflects Kassel’s commitment to fostering intellectual curiosity and promoting cultural understanding.

    A Treasure Trove for Art Enthusiasts & Scholars

    Staatliche Museen Kassel continues to attract discerning visitors—art historians, collectors, and connoisseurs alike—who recognize its unparalleled contribution to the preservation and dissemination of artistic knowledge. Its meticulously curated collections offer a captivating journey through European art history—a celebration of creativity, innovation, and enduring cultural heritage.

    Where to read more

    Find this online

    QR code linking to the download page for The Bean King

    originaluniqueart.com/en/art/download/jacob-jordaens-the-bean-king-8XZJ4D-en/

    Cite this artwork

    MLA
    Jordaens, Jacob. The Bean King. 1635, Staatliche Museen. https://originaluniqueart.com/en/art/jacob-jordaens-the-bean-king-8XZJ4D-en/
    APA
    Jordaens, Jacob (1635). The Bean King [Painting]. Staatliche Museen. https://originaluniqueart.com/en/art/jacob-jordaens-the-bean-king-8XZJ4D-en/
    Chicago
    Jacob Jordaens. The Bean King. 1635. Staatliche Museen. https://originaluniqueart.com/en/art/jacob-jordaens-the-bean-king-8XZJ4D-en/
    Harvard
    Jordaens, Jacob (1635) The Bean King. Staatliche Museen. Available at: https://originaluniqueart.com/en/art/jacob-jordaens-the-bean-king-8XZJ4D-en/

    Look closely

    The Bean King — Jacob Jordaens

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: feasting, celebration, renaissance. Do you agree? What would you add, or take away?
    4. Look back at The Four Evangelists (1620), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Jacob Jordaens was about 42 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.