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Artwork dossier: Christ expiring (first version)

Order Christ expiring (first version) as a hand-painted oil edition

Name Class Date

Hyacinthe Rigaud, Christ expiring (first version) (1695), Musée Hyacinthe Rigaud. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Hyacinthe Rigaud originaluniqueart.com/en/artists/hyacinthe-rigaud/
Artist’s dates
1659 – 1743
Painted
1695
Original size
97.0 x 65.0cm
Held at
Musée Hyacinthe Rigaud originaluniqueart.com/en/museums/musee-hyacinthe-rigaud-perpignan/

In context

Christ expiring (first version) — Hyacinthe Rigaud

How big is it?

The original measures 97 × 65 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1650
  2. 1660
  3. 1670
  4. 1680
  5. 1690
  6. 1700
  7. 1710
  8. 1720
  9. 1730
  10. 1740

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 84 at death.

Painted when the artist was 36. The artist lived to 84. 25 of the 101 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Hyacinthe Rigaud (1659–1743) ▲ this work, 1695 every dated painting, decade by decade

First works: up to 1695 Main working years: 1695–1716 Late works: from 1716

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/hyacinthe-rigaud-christ-expiring-first-version-wd-aa-o7pm8vbd-en/

Colours

Measured from the image

    Main colour

    Khaki #eabd93

    Catalogued palette

    • #EABD93
    • #291B15
    • #9B6B4A
    • #4C382A

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Earthy The dominant colour family in the image.
    Main colour name
    Khaki
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Hyacinthe Rigaud over the last twelve months — 13 countries in all. Where these figures come from

    The ten leading countries

    1. 1 France 45.3%3,900 visits
    2. 2 China 12.8%1,100 visits
    3. 3 Italy 11.6%1,000 visits
    4. 4 Spain 9.3%800 visits
    5. 5 United States of America 7.0%600 visits
    6. 6 Hong Kong 3.5%300 visits
    7. 7 Germany 2.3%200 visits
    8. 8 United Kingdom 2.3%200 visits
    9. 9 South Korea 1.2%100 visits
    10. 10 Mexico 1.2%100 visits
    11. · 3 other countries 3.5%300 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 18 most looked-at works by Hyacinthe Rigaud

    1. 1 Portrait of Louis XIV, 1701 71.2%7,900 visits
    2. 2 Portrait of Louis XIV, 1694 9.0%1,000 visits
    3. 3 Louis XV (1710–1774) as a Child, 1716 2.7%300 visits
    4. 4 Louis XIV, 1701 1.8%200 visits
    5. 5 Portait of Count Sinzendorf, 1712 1.8%200 visits
    6. 6 State Portrait of Louis XV, 1715 1.8%200 visits
    7. 7 GERARD EDELINCK 1.8%200 visits
    8. 8 MARTIN VAN DEN BOGAERT DIT DESJARDINS (1640 1694) 1.8%200 visits
    9. 9 Portrait of Phillippe de Courcillon, 1702 0.9%100 visits
    10. 10 Jacques-Bénigne Bossuet, 1702 0.9%100 visits
    11. 11 Edward Villiers (1655–1711), Earl of Jersey, Knight Marshal of the Royal Household and Diplomat 0.9%100 visits
    12. 12 Portrait de Jean le Juge (mort entre février et mars 1707), Elisabeth de Gouy (vers 1668 1743) et leur fille Marguerite Charlotte 0.9%100 visits
    13. 13 Portrait of Phillippe de Couraillon 0.9%100 visits
    14. 14 LA PRESENTATION AU TEMPLE 0.9%100 visits
    15. 15 Etude de mains, jabots et pièces d'orfèvrerie 0.9%100 visits
    16. 16 Portrait d'Antoine Bernard Bouhier 0.9%100 visits
    17. 17 HYACINTHE RIGAUD (1659 1743) 0.9%100 visits
    18. — Christ expiring (first version), 1695 this painting 0.0%0 visits

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 151 works by this artist, of which 17 were looked at at least once. This painting has not been looked at yet in that time — it closes the list without a rank. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Hyacinthe Rigaud

    Born in Perpignan, France

    Hyacinthe Rigaud: Life and Legacy

    Hyacinthe Rigaud (1659-1743) was a prominent French Baroque painter of Catalan origin, celebrated for his masterful portraits that captured the essence of 18th-century French nobility and fashion. His work remains a significant contribution to the history of portraiture.

    Early Life and Training

    Born on July 18, 1659, in Perpignan, Pyrénées-Orientales, France, Rigaud’s family had artistic roots – his grandfather was a painter-gilder. Initially trained as a tailor in his father's workshop, he soon discovered his passion for painting. From 1671 onwards, he honed his skills under Antoine Ranc at Montpellier. In 1675, he moved to Lyon, where he encountered the works of Flemish, Dutch, and Italian masters.

    Artistic Development & Influences

    Rigaud’s artistic development was profoundly shaped by exposure to the Old Masters. He deeply admired and drew inspiration from:

    Peter Paul Rubens: For his dynamic compositions and rich color palettes.

    Anthony van Dyck: For his elegant portraiture and refined technique.

    Rembrandt: For his masterful use of light and shadow, and psychological depth.

    Titian: For his vibrant colors and expressive brushwork.

    Arriving in Paris in 1681, he won the prestigious prix de Rome scholarship in 1682 but chose not to travel to Italy, opting instead to further develop his skills within France.

    Career & Major Achievements

    Rigaud quickly established himself as a leading portraitist in Paris. His paintings were renowned for their meticulous detail, capturing not only the likeness of his subjects but also the textures of their clothing and the opulence of their surroundings. He was received into the Académie royale de peinture et de sculpture in 1700 and eventually rose to a prominent position within the institution before retiring in 1735.

    Notable works include:

    Portrait of Louis XIV (1701): Perhaps his most famous work, showcasing the Sun King in all his regal splendor.

    Madame Rigaud en deux attitudes différentes: A double portrait demonstrating his skill in capturing personality and grace.

    Numerous portraits of French nobility, providing invaluable records of contemporary fashion and social status.

    Style & Techniques

    Rigaud’s style is characterized by:

    Realism: A commitment to accurately representing his subjects.

    Detail: Meticulous attention to fabrics, jewelry, and other accessories.

    Flattery: He often presented his sitters in an idealized manner, enhancing their status and appearance.

    Baroque Grandeur: Employing rich colors, dramatic lighting, and opulent settings.

    Historical Significance

    Hyacinthe Rigaud’s portraits offer a unique window into the world of 18th-century France. His works are not merely likenesses; they are historical documents that reveal much about the social customs, political power, and artistic tastes of the era. He became the portraitist of the French elite, solidifying his place as a key figure in the history of art.

    The Musée Hyacinthe Rigaud in Perpignan preserves and celebrates his legacy, offering visitors a chance to explore his life and work in greater detail. His paintings continue to be admired for their technical brilliance, historical significance, and enduring beauty.

    Museum

    Musée Hyacinthe Rigaud

    On show in Perpignan, France

    A Portal to Baroque Splendor: The Soul of Perpignan

    Nestled within the sun-drenched landscape of Catalonia, where the air carries the whispers of history, lies the

    Musée Hyacinthe Rigaud

    . This is not merely a repository for static objects but an immersive journey through five centuries of artistic brilliance. To step inside its walls is to leave the modern bustle of Perpignan behind and enter a realm where the grandeur of the French court meets the intimate heritage of the Roussillon region. The museum serves as a profound testament to the enduring legacy of its namesake, Hyacinthe Rigaud, a master whose brush possessed the rare ability to immortalize not just the physical likeness of the nobility, but the very essence of their power and psychological depth.

    The museum’s collection is a breathtaking tapestry of human expression, spanning from the solemnity of Gothic grandeur to the revolutionary fractured planes of modernism. At its heart lies the unparalleled portraiture of Rigaud himself. His works, characterized by an exquisite use of

    chiaroscuro

    and a meticulous layering of textures, allow viewers to witness the opulence of the Baroque era. One can almost feel the heavy silk of a royal mantle or the cold glint of a ceremonial sword through his masterful technique. Yet, the museum refuses to remain anchored solely in the past; it fosters a vibrant dialogue between eras by juxtaposing Rigaud’s classical precision with the elegant, simplified forms of sculptor

    Aristide Maillol

    and the radical, transformative Cubism of

    Pablo Picasso

    . This curated tension between tradition and innovation creates an intellectual landscape that challenges and inspires every visitor.

    Architectural Harmony and Cultural Legacy

    The setting of the museum is as much a masterpiece as the canvases it protects. Housed within a beautifully restored historic palace—once the very workshop where Rigaud honed his craft—the architecture embodies the cultural soul of Perpignan. As you wander through rooms defined by soaring ceilings and ornate facades, the building itself tells a story of survival and rebirth. The structure’s design, which echoes the medieval roots of the city, provides a seamless backdrop that enhances the dramatic lighting required for such significant works. For the interior designer or the lover of classical aesthetics, the museum offers a masterclass in how historical space can be harmoniously integrated with fine art to create an atmosphere of profound contemplation.

    Beyond its permanent treasures, the Musée Hyacinthe Rigaud remains a living institution through its rotating exhibitions that breathe new life into the collection. Curators frequently orchestrate thematic explorations that bridge the gap between art and society, inviting audiences to reconsider familiar narratives through fresh lenses. Whether exploring the intricate details of Catalan-French decorative arts or delving into the evolution of sculptural form, the museum stands as a beacon of cultural exchange. It is a destination where collectors find inspiration in the mastery of the old masters, and where modern enthusiasts discover the foundational roots of contemporary expression, all within the hallowed halls of a city that continues to celebrate its most illustrious artistic son.

    Where to read more

    Study it on your own wall: Christ expiring (first version) by Hyacinthe Rigaud as a hand-painted oil edition, made to your size

    Find this online

    QR code linking to the download page for Christ expiring (first version)

    originaluniqueart.com/en/art/download/hyacinthe-rigaud-christ-expiring-first-version-wd-aa-o7pm8vbd-en/

    Cite this artwork

    MLA
    Rigaud, Hyacinthe. Christ expiring (first version). 1695, Musée Hyacinthe Rigaud. https://originaluniqueart.com/en/art/hyacinthe-rigaud-christ-expiring-first-version-wd-aa-o7pm8vbd-en/
    APA
    Rigaud, Hyacinthe (1695). Christ expiring (first version) [Painting]. Musée Hyacinthe Rigaud. https://originaluniqueart.com/en/art/hyacinthe-rigaud-christ-expiring-first-version-wd-aa-o7pm8vbd-en/
    Chicago
    Hyacinthe Rigaud. Christ expiring (first version). 1695. Musée Hyacinthe Rigaud. https://originaluniqueart.com/en/art/hyacinthe-rigaud-christ-expiring-first-version-wd-aa-o7pm8vbd-en/
    Harvard
    Rigaud, Hyacinthe (1695) Christ expiring (first version). Musée Hyacinthe Rigaud. Available at: https://originaluniqueart.com/en/art/hyacinthe-rigaud-christ-expiring-first-version-wd-aa-o7pm8vbd-en/

    Look closely

    Christ expiring (first version) — Hyacinthe Rigaud

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Portrait of Louis XIV (1701), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Hyacinthe Rigaud was about 36 when this was made. What in it looks like the work of an artist at that stage?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where do the visitors of "Christ expiring (first version)" by Hyacinthe Rigaud come from?

    A Stats page exists for "Christ expiring (first version)". It charts the monthly visits of the artwork and of the artist's other works, with country and language breakdowns.

    Can I use augmented reality to see "Christ expiring (first version)" by Hyacinthe Rigaud in my room?

    "Christ expiring (first version)" by Hyacinthe Rigaud can be previewed on your own wall with the artwork's AR Preview page, using augmented reality on a compatible device.

    Where is "Christ expiring (first version)" by Hyacinthe Rigaud on display today?

    "Christ expiring (first version)" by Hyacinthe Rigaud is on display at the Musée Hyacinthe Rigaud, Perpignan, France. The museum listing refers to the original work, not to reproductions.