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Student Artwork Guide

Self Portrait

Name Class Date

Howard Lloyd Roberts, Self Portrait (1930), Llyfrgell Genedlaethol Cymru / The National Library of Wales. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Howard Lloyd Roberts originaluniqueart.com/en/artists/howard-lloyd-roberts/
Painted
1930
Original size
57 x 39 cm
Held at
Llyfrgell Genedlaethol Cymru / The National Library of Wales originaluniqueart.com/en/museums/llyfrgell-genedlaethol-cymru-the-national-library-of-wales-aberystwyth/

In context

Self Portrait — Howard Lloyd Roberts

How big is it?

The original measures 57 × 39 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1920
  2. 1930

▲ this work, 1930 every dated painting, decade by decade

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/howard-lloyd-roberts-self-portrait-AR28ZG-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #1f2a2a

    Catalogued palette

    • #1F2A2A
    • #3C4546
    • #CDBEAB
    • #8F7367

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Howard Lloyd Roberts over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 4 most looked-at works by Howard Lloyd Roberts

    1. 1 Still Life, 1933 25.0%
    2. 2 Self Portrait, 1930 this painting 25.0%
    3. 3 Self Portrait, 1920 25.0%
    4. 4 Self Portrait ( ) 25.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 6 works by this artist, of which 4 were looked at at least once. This painting ranks 2 of them, with 25.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Howard Lloyd Roberts

    The Quiet Observer: The Life and Legacy of Howard Lloyd Roberts

    In the vast, often turbulent history of twentieth-century art, there exists a profound beauty in the stillness found within the works of Howard Lloyd Roberts. A British painter whose vision was shaped by an innate fascination with the world’s subtle details, Roberts possessed the rare ability to transform the mundane into the monumental. Born in Birkenhead, Cheshire, his early life laid the foundation for a career defined by meticulous observation and a deep, contemplative engagement with light and form. While many of his contemporaries sought to capture the grand narratives of war or the frantic energy of urban expansion, Roberts turned his gaze inward and toward the domestic, finding an infinite universe within the arrangement of a single vase or the soft drape of a linen cloth.

    His artistic journey began in earnest at the Liverpool School of Art and Design. It was here that he honed the technical precision that would become his hallmark, initially exploring the expansive vistas of landscape painting before finding his true calling in the intimate realm of still life. This transition was not merely a change in subject matter but a profound shift in philosophy. Influenced by the structural integrity of Cézanne and the transformative color theories of Picasso, Roberts embraced a Post-Impressionist sensibility. He mastered the art of layering paint to create textures that felt tangible to the viewer, ensuring that every fruit bowl or floral arrangement possessed a weight and dignity that transcended its physical existence.

    A Journey of Color and Light

    The evolution of Roberts’ style is perhaps most vividly illustrated by his move beyond the borders of Britain. Seeking new inspirations, he established a studio in Mexico City, a period that would fundamentally alter his visual language. The transition from the soft, often muted tones of the English landscape to the vibrant, sun-drenched palette of Mexico acted as a catalyst for creative expansion. The terracotta reds of adobe architecture and the lush, emerald greens of the agave plants breathed a new vitality into his work.

    During this Mexican period, his brushwork underwent a subtle but significant metamorphosis:

    Enhanced Tonal Range: His ability to manipulate light deepened, allowing for more dramatic contrasts between shadow and brilliance.

    Boldness of Stroke: The meticulous layering of his earlier years began to incorporate broader, more expressive strokes that captured the heat and energy of his new environment.

    Chromatic Experimentation: He moved toward a richer, more saturated use of color, integrating the warmth of the Mexican landscape into his classical compositions.

    Despite these shifts toward greater boldness, Roberts never lost the "quiet" essence that defined his early career. Even in his most vibrant works, there remains an underlying sense of peace and a disciplined commitment to the essence of form. His self-portraits, equally significant to his oeuvre, offer a window into this introspective mind, revealing an artist who was as much a student of his own identity as he was of the objects surrounding him.

    Artistic Significance and Enduring Impression

    The historical significance of Howard Lloyd Roberts lies in his ability to bridge the gap between classical tradition and modern experimentation. He did not seek to disrupt the art world with shock or controversy; instead, he sought to enrich it through a relentless pursuit of aesthetic truth. His works, such as the notable Still Life held at the Amgueddfa Ceredigion Museum, serve as enduring testaments to the power of focused observation. Through his hands, a simple collection of bottles, cups, and papers becomes a choreographed dance of light and shadow.

    Today, Roberts is remembered as a master of the contemplative. His legacy persists in the way he invites viewers to slow down, to breathe, and to find the extraordinary within the ordinary. In an era of constant motion, his paintings remain sanctuaries of stillness, reminding us that beauty does not always demand a loud voice; sometimes, it speaks most clearly in a whisper.

    Museum

    Llyfrgell Genedlaethol Cymru / The National Library of Wales

    On show in Aberystwyth, United Kingdom

    A Bastion of Welsh Identity

    Nestled in the charming university town of Aberystwyth, overlooking the breathtaking expanse of Cardigan Bay, stands a monument not merely to literature and art, but to the very soul of Wales.

    Llyfrgell Genedlaethol Cymru / The National Library of Wales

    is far more than just a repository of books; it is a vibrant, living archive dedicated to preserving and celebrating the rich tapestry of Welsh culture, history, and language. Established by Royal Charter, this institution was born from a passionate desire to safeguard national identity, fueled by both governmental support and remarkable contributions from the working classes of Wales. It serves as a beacon for scholarship and research, acting as the nation's memory keeper through its legal deposit status, ensuring that every publication produced in Wales finds a home within its hallowed walls.

    Stepping into the Library is akin to embarking on a journey through time, where the architecture itself tells a story of harmony and transition. The building, a completed masterpiece of 1937, reflects a thoughtful blend of classical and modern elements designed by Sidney Greenslade, with later additions by Charles Holden. Its striking facade, featuring contrasting Portland stone on the upper stories and Cornish granite below, creates a visually compelling presence that commands respect. For the interior designer, the interplay of stone, light, and space within this structure offers a masterclass in dignified, monumental aesthetics. The North Reading Room, bathed in a soft, natural light, remains a sacred space for contemplation, designed specifically to foster creativity and inspire profound thought among researchers.

    Treasures of the Welsh Spirit

    For the art enthusiast and collector, the Library’s collections offer an unparalleled window into the Welsh spirit. While the heart of the institution lies in its millions of books and periodicals, its visual treasures are equally profound. The collection features significant paintings, topographical prints, and portraits that capture the essence of the nation. Art lovers will find particular resonance in the works of

    Kyffin Williams

    and

    Donald McIntyre

    , whose masterful depictions of the Snowdonia National Park and Cardigan Bay landscapes serve as both aesthetic triumphs and vital visual records of Wales’ evolving environment. These works, characterized by their sensitivity to light and texture, provide a profound connection to the rugged beauty of the Welsh terrain.

    The Library's unique character is further enriched by its diverse holdings, which include:

    The Peniarth Collection:

    A world-renowned assembly of medieval manuscripts that serves as a cornerstone of Celtic history.

    National Screen and Sound Archive:

    An immersive collection that brings Welsh heritage to life through film and sound recordings.

    Visual Archives:

    A comprehensive collection of maps, photographic images, and portraits that document the evolution of the Welsh landscape and people.

    Beyond its permanent holdings, the Library thrives as a dynamic cultural centre, constantly evolving through engaging exhibitions that bridge the gap between the ancient and the contemporary. From exploring the mysteries of Celtic mythology to celebrating the nuances of modern Welsh art history, these curated displays attract visitors from across Europe and beyond. It remains a place where the echoes of the past meet the innovations of the 21st century in a seamless, beautiful dialogue.

    Where to read more

    Find this online

    QR code linking to the download page for Self Portrait

    originaluniqueart.com/en/art/download/howard-lloyd-roberts-self-portrait-AR28ZG-en/

    Cite this artwork

    MLA
    Roberts, Howard Lloyd. Self Portrait. 1930, Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://originaluniqueart.com/en/art/howard-lloyd-roberts-self-portrait-AR28ZG-en/
    APA
    Roberts, Howard Lloyd (1930). Self Portrait [Painting]. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://originaluniqueart.com/en/art/howard-lloyd-roberts-self-portrait-AR28ZG-en/
    Chicago
    Howard Lloyd Roberts. Self Portrait. 1930. Llyfrgell Genedlaethol Cymru / The National Library of Wales. https://originaluniqueart.com/en/art/howard-lloyd-roberts-self-portrait-AR28ZG-en/
    Harvard
    Roberts, Howard Lloyd (1930) Self Portrait. Llyfrgell Genedlaethol Cymru / The National Library of Wales. Available at: https://originaluniqueart.com/en/art/howard-lloyd-roberts-self-portrait-AR28ZG-en/

    Look closely

    Self Portrait — Howard Lloyd Roberts

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Still Life (1933), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. What might the artist have wanted you to feel?
    5. If you could ask the artist one question about this work, what would it be?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Can I order an oil reproduction of "Self Portrait"?

    "Self Portrait" is available as a hand-painted oil reproduction on linen canvas. The order can be placed on its Hand-Painted Reproduction page, with a choice of sizes.

    Can I see "Self Portrait" by Howard Lloyd Roberts on my own wall before buying?

    The AR Preview page of "Self Portrait" by Howard Lloyd Roberts uses augmented reality to show the artwork in your own space, on a compatible device.

    What is the perceived brightness of "Self Portrait" by Howard Lloyd Roberts?

    The perceived brightness of "Self Portrait" by Howard Lloyd Roberts is deep_shadow. It can be matched to the light of the intended space.