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Student Artwork Guide

Jack Rolling

Name Class Date

Henry Scott Tuke, Jack Rolling (1887), Royal Cornwall Polytechnic Society. Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Henry Scott Tuke originaluniqueart.com/en/artists/henry-scott-tuke/
Artist’s dates
1858 – 1929
Painted
1887
Held at
Royal Cornwall Polytechnic Society originaluniqueart.com/en/museums/royal-cornwall-polytechnic-society-falmouth/

In context

Jack Rolling — Henry Scott Tuke

When was this painted?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 71 at death.

Painted when the artist was 29. The artist lived to 71. 27 of the 112 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Henry Scott Tuke (1858–1929) ▲ this work, 1887 every dated painting, decade by decade

First works: up to 1887 Main working years: 1887–1910 Late works: from 1910

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/henry-scott-tuke-jack-rolling-AQZDWY-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #9fa69c

    Catalogued palette

    • #9FA69C
    • #1E251F
    • #89745E
    • #564E3D

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Rosy Brown
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Henry Scott Tuke over the last twelve months — 16 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 50.3%
    2. 2 Spain 30.6%
    3. 3 United States of America 5.1%
    4. 4 Hong Kong 4.5%
    5. 5 Brazil 1.3%
    6. 6 Italy 1.3%
    7. 7 Singapore 1.3%
    8. 8 Canada 0.6%
    9. 9 Colombia 0.6%
    10. 10 Germany 0.6%
    11. · 6 other countries 3.8%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Henry Scott Tuke

    1. 1 The Critics, 1927 6.0%
    2. 2 Nude Boy on Rocks, 1907 2.7%
    3. 3 Return from fishing, 1907 2.2%
    4. 4 Summer Dreams (sketch) 2.2%
    5. 5 Hermes at The Pool (sketch), 1900 2.2%
    6. 6 Harry 2.2%
    7. 7 The Bather 2.2%
    8. 8 Nude on the Rocks 2.2%
    9. 9 Nude Boy, 1881 2.2%
    10. 10 A Holiday, 1921 2.2%
    11. 11 Lyndon Lodge 2.2%
    12. 12 The Green Waterways, 1926 1.6%
    13. 13 Mrs Florence Humphris, 1892 1.6%
    14. 14 July sun, 1913 1.6%
    15. 15 Nude Italian Boy, 1881 1.6%
    16. 16 A West Indian boy, 1926 1.6%
    17. 17 Self Portrait, 1881 1.6%
    18. 18 Charlie Throwing the Line (study), 1907 1.6%
    19. 19 The Fisherman 1.6%
    20. 52 Jack Rolling, 1887 this painting 0.5%

    Together these works take 41.8% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 190 works by this artist, of which 99 were looked at at least once. This painting ranks 52 of them, with 0.5% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Henry Scott Tuke

    Born in York, United Kingdom

    **early life and education**

    henry scott tuke, a prominent english visual artist, was born on june 12, 1858, in lawrence street, york, into a quaker family. his father, daniel hack tuke, was a well-known medical doctor specializing in psychiatry. tuke's early life was marked by a strong inclination towards art, encouraged by his family.

    **artistic career**

    tuke's artistic journey began with enrollment in the slade school of art under alphonse legros and sir edward poynter in 1875. he later won a scholarship that allowed him to continue his training at the slade and in italy in 1880. his time in paris from 1881 to 1883, where he met jules bastien-lepage, influenced his decision to paint en plein air.

    henry scott tuke's most notable work was in the impressionist style.

    he is best known for his paintings of nude boys and young men, a subject matter that was both personal and professionally significant.

    tuke's prolific career resulted in over 1,300 works, including oil paintings of young men, maritime scenes, and portraits of sailing ships.

    **notable works and legacy**

    some of tuke's most notable works include:

    the boy’s dream, a poignant example of his impressionist style.

    august, blue, showcasing his skill in capturing the essence of youth and nature.

    sailing ships at newlyn, highlighting his maritime artistry.

    tuke's legacy extends beyond his art; he was an established member of the royal academy, elected to full membership in 1914. his influence on the newlyn school of painters and his contributions to impressionism are undeniable.

    **later life and death**

    tuke suffered a heart attack in 1928 and passed away on march 13, 1929. despite knowing that his work was no longer fashionable towards the end of his life, tuke's generosity to his models, many of whom were young men, speaks volumes about his character.

    view more works by henry scott tuke at https://AllPaintingsStore.com/@/henryscotttuke

    explore the impressionist movement and its notable artists at /en/art/list/

    discover more about tuke's life and art on wikipedia

    *tuke's artistic legacy: a blend of impressionism and intimacy* his work, though often overshadowed by more flamboyant contemporaries, remains a testament to the enduring power of impressionist art and the human form. tuke's legacy is not just in his paintings but in the lives he touched, both as an artist and a person.

    Museum

    Royal Cornwall Polytechnic Society

    On show in Falmouth, United States of America

    A Beacon of Cornish Creativity

    Nestled in the vibrant heart of Falmouth, Cornwall,

    The Royal Cornwall Polytechnic Society

    —affectionately known by locals as

    The Poly

    —stands as a living testament to an enduring spirit of innovation and artistic expression. More than a mere repository of the past, this historic institution serves as a bridge between the industrial ingenuity of the past and the contemporary creative pulse of the present. Born from the desire to champion new ideas among the workforce of the Perran Foundry, it was the first institution in Britain to utilize the term

    Polytechnic

    , a name signifying a profound devotion to many arts and techniques. Today, that same pioneering essence breathes through its halls, inviting art lovers and historians alike to explore a legacy where science and soul intertwine.

    The architecture of The Poly is itself a masterpiece of Victorian grandeur. Housed in an iconic Grade-II* listed building, the structure serves as a majestic focal point for the community. As one wanders through its storied spaces, the sense of history is palpable, reflected in the sweeping character of its galleries and the warmth of its communal atmosphere. For the interior designer or collector, the building provides a profound connection between heritage spaces and the curation of fine art, offering a canvas where architectural elegance meets modern engagement.

    A Tapestry of Maritime Drama and Local Heritage

    The collection held within these walls is a breathtaking tapestry of maritime drama, landscape sublime, and local heritage. Visitors are often moved to silence by the masterful brushwork of

    Ivan Konstantinovich Aivazovsky

    , particularly his dramatic seascape,

    “Meeting of the Brig Mercury with the Russian Squadron After the Defeat of Two Turks,”

    which embodies the height of Romantic idealism. This maritime intensity is balanced by the emotive landscapes of

    Sir Edwin Henry Landseer

    , whose work

    “The Eagle's Nest”

    captures the rugged, sweeping grandeur of Dartmoor National Park with unparalleled emotional depth. Beyond the canvas, the Society guards a treasure trove of scientific and local history, delving into the engineering marvels of Cornwall’s mining era and the folklore that defines the region.

    What truly distinguishes The Poly is its role as a thriving, multi-sensural cultural hub. It is not a static institution, but a vibrant venue for live arts, cinema, and community engagement. The experience is defined by a variety of immersive offerings:

    The Spring Gallery:

    A popular, street-fronted space providing a rotating window into the immediate present with frequent exhibitions.

    The Main Gallery:

    An expansive stage used for significant retrospectives and student showcases.

    Community Workshops:

    The tactile joy of community pottery and the curated treasures found within the dedicated Makers Guild.

    Cultural Programming:

    A rich schedule of live arts, cinema, lectures on Cornish history, and contemporary exhibitions that push the boundaries of modern media.

    Whether one is exploring the mechanical skill of the past or seeking inspiration from local artisans, The Poly offers an immersive experience. It remains a cherished destination for those who seek to understand the very soul of Cornwall—a place where every exhibition tells a story of resilience, discovery, and the eternal beauty of the human imagination.

    Where to read more

    Find this online

    QR code linking to the download page for Jack Rolling

    originaluniqueart.com/en/art/download/henry-scott-tuke-jack-rolling-AQZDWY-en/

    Cite this artwork

    MLA
    Tuke, Henry Scott. Jack Rolling. 1887, Royal Cornwall Polytechnic Society. https://originaluniqueart.com/en/art/henry-scott-tuke-jack-rolling-AQZDWY-en/
    APA
    Tuke, Henry Scott (1887). Jack Rolling [Painting]. Royal Cornwall Polytechnic Society. https://originaluniqueart.com/en/art/henry-scott-tuke-jack-rolling-AQZDWY-en/
    Chicago
    Henry Scott Tuke. Jack Rolling. 1887. Royal Cornwall Polytechnic Society. https://originaluniqueart.com/en/art/henry-scott-tuke-jack-rolling-AQZDWY-en/
    Harvard
    Tuke, Henry Scott (1887) Jack Rolling. Royal Cornwall Polytechnic Society. Available at: https://originaluniqueart.com/en/art/henry-scott-tuke-jack-rolling-AQZDWY-en/

    Look closely

    Jack Rolling — Henry Scott Tuke

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Lord Ronald Sutherland Gower (1897), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Henry Scott Tuke was about 29 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    How can I get a digital file of "Jack Rolling" by Henry Scott Tuke?

    To get a digital file of "Jack Rolling" by Henry Scott Tuke, order a high-resolution digital image download on its Digital Image page.

    Can I see "Jack Rolling" by Henry Scott Tuke under different lights?

    The X-Ray page of "Jack Rolling" by Henry Scott Tuke is an interactive viewer that lets you slide through eleven optical layers of the artwork's image, including an X-ray style view.

    What underlying hue runs through "Jack Rolling" by Henry Scott Tuke?

    A green to violet spectrum hue runs through "Jack Rolling" by Henry Scott Tuke.