Paper

Student Artwork Guide

Adam

Name Class Date

Hendrik Goltzius, Adam (1613). Public domain. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Hendrik Goltzius originaluniqueart.com/en/artists/hendrik-goltzius/
Artist’s dates
1558 – 1617
Painted
1613
Original size
51 x 38 cm
Movement
Renaissance The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo.

In context

Adam — Hendrik Goltzius

How big is it?

The original measures 51 × 38 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1550
  2. 1560
  3. 1570
  4. 1580
  5. 1590
  6. 1600
  7. 1610

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 59 at death.

Painted when the artist was 55. The artist lived to 59. 69 of the 85 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Hendrik Goltzius (1558–1617) ▲ this work, 1613 every dated painting, decade by decade

First works: up to 1590 Main working years: 1590–1611 Late works: from 1611

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell. The same years with the artist’s life laid along them

Compare with

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/hendrik-goltzius-adam-D775JQ-en/

Colours

Measured from the image

    Main colour

    Rosy Brown #d19d6a

    Catalogued palette

    • #D19D6A
    • #63461E
    • #AB7840
    • #2B2515

    These colours inside the artist’s whole palette Find other paintings by colour

    Palette
    Dark The dominant colour family in the image.
    Main colour name
    Rosy Brown
    Intensity
    Vivid How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Statement How much the colours differ in lightness and saturation across the picture.
    Harmony
    Unified Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Balanced How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Balanced Soft How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Hendrik Goltzius over the last twelve months — 9 countries in all. Where these figures come from

    The ten leading countries

    1. 1 China 59.6%2,800 visits
    2. 2 United States of America 10.6%500 visits
    3. 3 Singapore 8.5%400 visits
    4. 4 Ukraine 6.4%300 visits
    5. 5 Germany 4.3%200 visits
    6. 6 Hong Kong 4.3%200 visits
    7. 7 Brazil 2.1%100 visits
    8. 8 France 2.1%100 visits
    9. 9 Italy 2.1%100 visits

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 20 most looked-at works by Hendrik Goltzius

    1. 1 Venus between Ceres and Bacchus, 1590 9.3%500 visits
    2. 2 Jupiter and Antiope, 1612 5.6%300 visits
    3. 3 Venus and Adonis, 1614 5.6%300 visits
    4. 4 Untitled (AQQLE6) 5.6%300 visits
    5. 5 Quis evadet., 1594 5.6%300 visits
    6. 6 Lycaon Transformed into a Wolf, 1589 3.7%200 visits
    7. 7 Vénus et l'Amour épiés par un satyre, dit autrefois Jupiter et Antiope Alternative title(s) Jupiter et Antiope, 1616 3.7%200 visits
    8. 8 Virgin and Child with Angels, 1607 3.7%200 visits
    9. 9 Without Ceres and Bacchus, Venus would Freeze, 1599 3.7%200 visits
    10. 10 Portrait of the Sculptor Pierre Francheville, 1591 3.7%200 visits
    11. 11 Magdalene and Angel, 1610 3.7%200 visits
    12. 12 Adam, 1613 this painting 3.7%200 visits
    13. 13 Apollo, 1588 3.7%200 visits
    14. 14 Judith, 1597 3.7%200 visits
    15. 15 Venus and Mars Surprised by Vulcan, 1585 1.9%100 visits
    16. 16 Phaethon from the Four Disgracers series, 1588 1.9%100 visits
    17. 17 Jupiter and Antiope, 1612 1.9%100 visits
    18. 18 Self-Portrait, c. 1593-1594, 1594 1.9%100 visits
    19. 19 Jupiter, 1592 1.9%100 visits
    20. 20 Minerva, 1611 1.9%100 visits

    Together these works take 76.4% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 89 works by this artist, of which 33 were looked at at least once. This painting ranks 12 of them, with 3.7% of that attention (200 visits). The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artist and museum

    Artist

    Hendrik Goltzius

    Born in Braunschweig, Italy

    early life and training

    hendrick goltzius, a german-born dutch printmaker, draftsman, and painter, was born in january or february 1558. he was the leading dutch engraver of the early baroque period, or northern mannerism, lauded for his sophisticated technique and "exuberance" of his compositions. according to a. hyatt mayor, goltzius "was the last professional engraver who drew with the authority of a good painter and the last who invented many pictures for others to copy". goltzius's family moved to duisburg when he was 3 years old, and after studying painting on glass under his father, he learned engraving from the dutch polymath dirck volckertszoon coornhert.

    artistic career

    in 1577, goltzius moved with coornhert to haarlem in the dutch republic, where he remained based for the rest of his life. he was also employed by philip galle to engrave a set of prints of the history of lucretia. goltzius had a malformed right hand from a fire when he was a baby, which turned out to be especially well-suited to holding the burin. this unique physical characteristic allowed him to master a commanding swing of line, making his engravings highly distinctive. hendrick goltzius brought to an unprecedented level the use of the "swelling line", where the burin is manipulated to make lines thicker or thinner to create a tonal effect from a distance.

    technique and style

    goltzius was a pioneer of the "dot and lozenge" technique, where dots are placed in the middle of lozenge-shaped spaces created by cross-hatching to further refine tonal shading. his command of the burin is said to rival dürer, and he made engravings of bartholomeus spranger's paintings, thus increasing the fame of the latter – and his own. goltzius began painting at the age of forty-two; some of his paintings can be found in vienna. he also executed a few chiaroscuro woodcuts.

    public collections and legacy

    most major print rooms will have a group of goltzius's many engravings, including the museum boijmans van beuningen, rijksmuseum amsterdam, and the metropolitan museum of art. his legacy can be seen in the works of other artists, such as jacques bellange, who was also a master of northern mannerist printmaking. goltzius's engravings and paintings continue to inspire art lovers and scholars alike, and his work can be found on AllPaintingsStore.com and in the wikipedia article dedicated to his life and work.

    some of goltzius's notable works include: jupiter, minerva, and the prophet baruch

    museums with his work: los angeles county museum of art, philadelphia museum of art, and british museum

    techniques used by goltzius: "swelling line" and "dot and lozenge" technique

    goltzius's contributions to the world of art are immeasurable, and his work continues to be celebrated and studied by art enthusiasts around the world. his unique style and mastery of engraving and painting have left a lasting legacy in the art world.

    Where to read more

    • The artist Hendrik Goltzius originaluniqueart.com/en/artists/hendrik-goltzius/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/hendrik-goltzius-adam-D775JQ-en/

    Find this online

    QR code linking to the download page for Adam

    originaluniqueart.com/en/art/download/hendrik-goltzius-adam-D775JQ-en/

    Cite this artwork

    MLA
    Goltzius, Hendrik. Adam. 1613, https://originaluniqueart.com/en/art/hendrik-goltzius-adam-D775JQ-en/
    APA
    Goltzius, Hendrik (1613). Adam [Painting]. https://originaluniqueart.com/en/art/hendrik-goltzius-adam-D775JQ-en/
    Chicago
    Hendrik Goltzius. Adam. 1613. https://originaluniqueart.com/en/art/hendrik-goltzius-adam-D775JQ-en/
    Harvard
    Goltzius, Hendrik (1613) Adam. Available at: https://originaluniqueart.com/en/art/hendrik-goltzius-adam-D775JQ-en/

    Look closely

    Adam — Hendrik Goltzius

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 1 — do you agree?)
    4. Look back at Venus and Adonis (1614), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Renaissance: The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    What orientation does "Adam" by Hendrik Goltzius have?

    "Adam" by Hendrik Goltzius has a portrait format. The format describes the proportions of the composition.

    How is the palette of "Adam" by Hendrik Goltzius described?

    The colors of "Adam" form a dark palette. This classification describes the dominant color families.

    What color harmony does "Adam" by Hendrik Goltzius display?

    The color harmony of "Adam" is recorded as unified palette.