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Student Artwork Guide

Untitled

Name Class Date

Hawkins Bolden, Untitled (1989), Souls Grown Deep. Reproduced for reference; rights reserved by the rights holder. See this canvas under a moving light: the drawing, the true colour under the varnish, the bare pigment

The facts

Artist
Hawkins Bolden originaluniqueart.com/en/artists/hawkins-bolden/
Artist’s dates
1914 – 2005
Painted
1989
Original size
99 x 64 cm
Held at
Souls Grown Deep originaluniqueart.com/en/museums/souls-grown-deep-atlanta/

In context

Untitled — Hawkins Bolden

How big is it?

The original measures 99 × 64 cm (height × width), drawn here beside an adult of average height.

When was this painted?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000

Row above: the years. Row below: how old the artist was at the start and at the end of each span — 0 at birth, 91 at death.

Painted when the artist was 75. The artist lived to 91. 2 of the 3 dated works by this artist in our catalogue came earlier.

Shaded: the lifetime of Hawkins Bolden (1914–2005) ▲ this work, 1989 every dated painting, decade by decade

Compare with

  • Untitled, 1987 originaluniqueart.com/en/art/hawkins-bolden-untitled-D4D4NE-en/
  • Untitled, 1986 originaluniqueart.com/en/art/hawkins-bolden-untitled-D4D582-en/

Pick one work above: name two things it shares with this one, and one thing that's different.

More works to set beside this one: originaluniqueart.com/en/art/similar/hawkins-bolden-untitled-D4D6CW-en/

Colours

Measured from the image

    Main colour

    Phthalo Green #191a1c

    Catalogued palette

    • #191A1C
    • #997B6D
    • #BCB4AA
    • #5C5457

    These colours inside the artist’s whole palette Find other paintings by colour

    Main colour name
    Phthalo Green
    Intensity
    Monochromatic How saturated and varied the colours are, from a single toned-down hue to many bright ones.
    Contrast
    Gentle How much the colours differ in lightness and saturation across the picture.
    Harmony
    Discordant Palette How well the colours work together, from clashing to fully unified.
    Brightness
    Deep_shadow How light or dark the picture reads overall, from deep shadow to bright highlight.
    Saturation
    Muted How pure and strong the colours are, from near-grey to fully vivid.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Hawkins Bolden over the last twelve months — 1 countries in all. Where these figures come from

    The ten leading countries

    1. 1 United States of America 100.0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 2 most looked-at works by Hawkins Bolden

    1. 1 Untitled, 1987 50.0%
    2. 2 Untitled, 1989 this painting 50.0%

    Together these works take 100.0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 3 works by this artist, of which 2 were looked at at least once. This painting ranks 2 of them, with 50.0% of that attention. The same counts, month by month

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    About this artwork

    Untitled — Hawkins Bolden

    Hawkins Bolden and his identical twin, Monroe, were born September 10, 1914, in the Bailey’s Bottom section of Memphis. As his late sister, Elizabeth Williams told it, “Daddy was a Creole man from Middleton, Tennessee; Mama was an Indian lady from Alabama. Her daddy came as a slave from Africa and married this Indian lady after he was set free. Daddy and Mama had relatives from down in Georgia who talked Geechee (an African American dialect spoken along the Atlantic coast).”After an accident at age seven, Bolden began to experience seizures. One day, when Hawkins was eight, he collapsed to the ground, landed on his back, and stared up at the sun. He never saw again. “I couldn’t stop looking at the sun,” he says. “I just looked and my eyes went dark. I never did see nothing after that. I can feel things. I know the sunshine. I can feel the heat.”Most of his works, perhaps all, are representational. Human faces and bodies. Some are self-portraits. A hairy growth on his face near his mouth is represented on some of the faces he makes, created of artificial Christmas tree pine needles, a patch of shag carpet, or whatever else fits the role.A visitor once asked Bolden what he has in mind when he makes a piece for the yard, suggesting that surely he has a reason for doing all this. “Yes sir, I do!” He says emphatically. “The birds be thinking something going to get them. They get scared. They stay away.”Artist Lonnie Holley, who has visited Hawkins Bolden on two occasions, offers this interpretation:

    Artist and museum

    Artist

    Hawkins Bolden

    Born in Memphis, United States of America

    Hawkins Bolden: Life and Art

    Early Life and Background

    Hawkins Bolden (1914-2005) was an American artist born in Memphis, Tennessee. A pivotal figure in the realm of self-taught and outsider art, Bolden overcame significant adversity to create a unique body of work that continues to resonate with audiences today. He became blind at the age of eight, a life-altering event that profoundly shaped his artistic journey.

    Artistic Development & Style

    Bolden began creating art around 1965, initially crafting faces from found objects. His sculptures are entirely constructed from discarded materials – buckets, hubcaps, tin cans, metal scraps, rubber hose, shoes, and carpet being among his favored components. He would meticulously smooth the metal with glass before drilling holes to represent eyes, imbuing each creation with a distinct personality. The addition of tongues fashioned from various materials further animated his figures.

    Unique Assemblage: Bolden’s style is characterized by its innovative use of assemblage – the art of creating three-dimensional forms from disparate objects.

    Raw and Expressive: His work possesses a raw, expressive quality that speaks to his personal experiences and observations of the world around him.

    'Scarecrows': He is particularly renowned for his 'scarecrows', originally intended to protect his garden but evolving into powerful artistic statements.

    Influences & Context

    While largely self-taught, Bolden’s work reflects a deep connection to the African American folk art tradition of the South. His creations can be seen as part of a broader movement of artists working outside the mainstream art world, utilizing readily available materials and expressing personal visions without formal training.

    Notable Works & Exhibitions

    Among Bolden’s most recognized works is Untitled (1986), currently housed at the Souls Grown Deep Foundation in Atlanta. His art has been exhibited at prestigious institutions including:

    The American Visionary Art Museum

    The Smithsonian Museum of Art

    The National Gallery of Art

    In 1997, he participated in the significant exhibition Passionate Visions of the American South.

    Legacy and Historical Significance

    Hawkins Bolden’s legacy extends beyond his individual artworks. He serves as an inspiration to artists working with found objects and those embracing self-taught artistic expression. His work challenges conventional notions of artmaking, demonstrating the power of creativity in the face of adversity. Bolden's contribution is increasingly recognized as a vital part of American art history, particularly within the context of outsider and folk traditions.

    His sculptures are now held in several museum collections, ensuring his artistic vision continues to inspire future generations.

    Museum

    Souls Grown Deep

    On show in Atlanta, United States of America

    A Testament to Resilience: The Soul of the American South

    In the heart of Atlanta, where the urban pulse meets the quiet strength of the Appalachian foothills, lies a sanctuary for voices that have long echoed from the margins of history.

    Souls Grown Deep

    is far more than a mere repository of objects; it is a profound, living testament to the enduring legacy of African American artistic expression. The institution’s very name, drawn from the evocative imagery of Langston Hughes’ poem,

    "The Negro Speaks of Rivers,"

    serves as a guiding light for a mission dedicated to the idea that creativity, much like a river, possesses an infinite and deepening capacity to carry the weight of human experience. Here, the art does not merely sit in silence; it speaks of survival, of spiritual depth, and of a cultural heritage that has flourished even amidst the harshest landscapes of adversity.

    The collection is a breathtaking tapestry of medium and meaning, anchored by the legendary

    Gee’s Bend quilts

    . These are not simply textiles, but improvisational masterpieces born from the Alabama landscape. Characterized by bold, geometric abstractions and a vibrant, rhythmic use of color, these quilts represent a singular contribution to the global canon of modern art. To stand before them is to witness a visual language of storytelling, where every stitch and patch reflects the resourcefulness and communal spirit of the women who crafted them. Alongside these textile wonders, the institution presents a powerful dialogue through

    assemblage art

    . Sculptures by titans such as

    Thornton Dial

    and

    Lonnie Holley

    command the space, utilizing repurposed materials and found objects to construct monumental narratives. These works confront themes of poverty, justice, and perseverance, transforming the discarded into the divine.

    A Sanctuary of Light and Earth

    The architecture of Souls Grown Deep is an intentional extension of its curatorial mission. Designed to harmonize with its environment, the building utilizes natural light and organic materials to create a sense of transparency and connection between the viewer and the art. This deliberate design choice mirrors the very essence of the artists it celebrates—individuals who draw their inspiration from the earth, the community, and the ancestral traditions that surround them. The atmosphere is one of reverence and discovery, where the boundaries between formal art history and folk tradition dissolve, allowing for a more holistic understanding of American creativity.

    What truly distinguishes this institution is its unwavering commitment to the

    self-taught artist

    . In an era where art institutions often prioritize academic pedigree, Souls Grown Deep champions those who have forged their own paths outside the confines of formal training. By elevating wood carvings, mixed-media constructions, and paintings on unconventional surfaces, the museum ensures that the singular visions of these masters are recognized as vital components of our shared cultural identity. For the collector seeking depth, the designer searching for soul, or the art lover yearning for authenticity, Souls Grown Deep offers an encounter with art that is not merely aesthetically pleasing, but profoundly transformative—a reminder that even in the most challenging circumstances, the human spirit continues to grow deep, like the rivers.

    Where to read more

    • The artist Hawkins Bolden originaluniqueart.com/en/artists/hawkins-bolden/
    • The museum Souls Grown Deep originaluniqueart.com/en/museums/souls-grown-deep-atlanta/
    • Similar works More works to compare originaluniqueart.com/en/art/similar/hawkins-bolden-untitled-D4D6CW-en/

    Find this online

    QR code linking to the download page for Untitled

    originaluniqueart.com/en/art/download/hawkins-bolden-untitled-D4D6CW-en/

    Cite this artwork

    MLA
    Bolden, Hawkins. Untitled. 1989, Souls Grown Deep. https://originaluniqueart.com/en/art/hawkins-bolden-untitled-D4D6CW-en/
    APA
    Bolden, Hawkins (1989). Untitled [Painting]. Souls Grown Deep. https://originaluniqueart.com/en/art/hawkins-bolden-untitled-D4D6CW-en/
    Chicago
    Hawkins Bolden. Untitled. 1989. Souls Grown Deep. https://originaluniqueart.com/en/art/hawkins-bolden-untitled-D4D6CW-en/
    Harvard
    Bolden, Hawkins (1989) Untitled. Souls Grown Deep. Available at: https://originaluniqueart.com/en/art/hawkins-bolden-untitled-D4D6CW-en/

    Look closely

    Untitled — Hawkins Bolden

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Untitled (1987), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Hawkins Bolden was about 75 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.

    Questions & Answers

    Where can I find statistics about "Untitled" by Hawkins Bolden?

    A Stats page exists for "Untitled". It charts the monthly visits of the artwork and of the artist's other works, with country and language breakdowns.

    When was "Untitled" made?

    "Untitled" by Hawkins Bolden was created in 1989.

    Is a download available for "Untitled"?

    The image of "Untitled" by Hawkins Bolden can be downloaded from the artwork's Download page: a high-resolution digital image download.